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Audience 7.4 - My oh my what a difference technology makes! I remember in the early days of my collecting music, and I mean on cassette tapes mind you, this show was one that I just would not even listen to out of curiosity. It was “file under abysmal” and that was it. Now, this new transfer from the master, and a prudent digital re-mastering has brought out actual music here! In fact, it’s not even that horrendous and you will actually listen to it. One brief moment really struck me, and it was the last fading seconds of the recording when you hear the enthusiastic shouts from the audience as the intense sounding Hammond organ notes fade out. This reminded me of just how powerful a Genesis show was in 1972, and we do not appreciate that because there are no analog recordings that can accurately reproduce that intense sound. We have to use a little imagination, but sometimes we do catch glimpses of it.
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Audience 8.7 - It’s a small to mid-size venue and a loud all-girl metal band so the idea here is to just have some fun. If you are wanting pristine clarity and dynamics, you have come to the wrong place. If you want polished, precision metal, um, yeah, whatever pal. If you wanna rock with some veteran metal chicks and get sloppy drunk, well, step right up!
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Audience 7.1 - Not the greatest fidelity but once you get through the first sound and your ears adjust you will get sucked into this marathon of a show. Only one song clocked in at under 6 minutes. One thing that I was struck by here, was the sheer massiveness of the bass, when he kicks in the fuzz overdrive it is massive and really drives this band’s music. A worthwhile listen considering the miniscule amount of GFR recordings out there, especially from this vintage.
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Audience 7.7 - You can count on one hand the number of GFR live recordings from the early 70’s, so whenever one pops up, it is worth investigating further. This one is absolutely worthwhile, with sound quality that places it into the top 5. All instruments hear, and clearly with drums being the weakest link.
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Audience 7.4 - For the first half of the show containing the Edgar Winter and Leon Russell sets, and 8.2 for the duration, which is cool because now you have a complete picture of the entire evening, start to finish, which you rarely find. As the tape progresses, rather than diminish, it brightens and opens up for pretty much the entire Gregg Allman set. Not that it is horrible, just that it occupies a mid range bandwidth without straying into too many dynamics. Tape does not distort, and does not peak, so what you get is a consistent capture that gets progressively better as the evening wears on. This tape has never been heard prior to the release of this set.