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Soundboard 9.5 - Solid all the way through. A band who’s sound and style is suited for larger venues and consequently they are usually always well mixed and balanced. Nice One! -
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Soundboard 9.5 - A very good mix, if there’s any complain I can make it’s that I found the music slightly compressed in the mid frequencies but this is extreme nitpicking…just trying to find a blemish in an otherwise perfect recording I guess. -
Soundboard 9.2 - Pleasant, airy, well balanced but it does lean toward thin sounding to me. Still, it’s not exactly a heavy band anyway, so that leaves the listener with much more stuff to hear in the high range, keys, percussion, etc. Sounds very decent. -
Audience 8.7 - What you get here is a lot of large stadium ambiance, actual recording is pretty realistic from around the middle of the venue – not overpowering and good, clear, loud enough to get a sense of the event and of actually being there. It’s good – it’s not overwhelming – just good. Not a lot of 2016 tapes out there so I like having yet another one since the band played different songs at every venue. -
Audience 9.2 - Startling realism, bright, clear, punchy, and well positioned with some peripheral audience atmosphere to really put you in the seat in front of the band. It does sound like the taper had great seats. Really nice this one. -
Audience 9.1 - Taper had really good seats because you don’t get that cavernous sound you might expect at a venue like this. It’s a warm, articulated sound, makes for a satisfying listen. -
Audience 8.6 - It’s easy to find board tapes from most of their tours so I can understand why one might take a pass on an audience tape but you do get a different perspective here, it’s a “bouncier” sound, a more kinetic feel to the happenings and you know, the Cure sometimes drones on a bit so I like having a recording that helps keep things moving. -
Pro Soundboard 9.3 - Sourced from a pro shot video, the audio thankfully is not too compressed but also not super atmospheric either. It is, however, very clean and well mixed. -
Audience 9.1 - Thrilling capture! Gives you excellent mid band punch, and really clear, direct to ears sonics -
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Soundboard 9.4 - Great mix and solid punch in the center. -
Audience 9.1 - A good atmospheric recording with the sound coming at you front and center channel with power. I love the song selection, a lot of focus on the music, not that I mind the vocals but you get more band interplay at this show. -
Studio Quality 9.7 - Fantastic all around collection which I would also point to as a good starting point to building up a collection of The Cure music. For me it was particularly interesting as I had no prior familiarity with their studio works. The Cure "The Unreleased Demo Tapes (1977-1986)" 01 Meathook (SAV Demo, London, 10th of October 1977) 02 Listen [early 'Pill Box Tales'] (SAV Demo, London, 10th of October 1977) 03 I Just Need Myself (SAV Demo, London, 10th of October 1977) 04 See The Children, Fear The Children (SAV Demo, London, 10th of October 1977) 05 Play For Today (Rehearsal Demo, 1979) 06 Into The Trees [aka 'A Forest'] (Rehearsal Demo, 1979) 07 Play For Today (Morgan Studios Demo, London, January 1980) 08 A Forest (Morgan Studios, London, January 1980) 09 M (Morgan Studios Demo, London, January 1980) 10 Seventeen Seconds (Morgan Studios Demo, London, January 1980) 11 Birdmad Girl (Early Demo, 1983) 12 Wailing Wall (Early Demo, 1983) 13 The Empty World (Demo, 1984) 14 Bananafishbones (Demo, 1984) 15 The Top (Demo, 1984) 16 Why Can't I Be You? (Miraval Studio Demo, France, 1986) -
Soundboard 9.7 - This one has a great mid range tightness, and well rounded bottom end without sacrificing any highs at all. It’s pro for sure. Really tasty! -
Audience 8.8 - This came as a total surprise as I never knew it existed…and man, I gotta tell ya this is f’kin AWESOME! This is a band that is crucial to the burgeoning British punk movement but they owe more to the MC5 than the Sex Pistols. This one off show features the band going under the moniker The Doomed because they have a certain Lemmy Kilmister on bass. What a high energy, totally wild and crazy fun gig too! Good sound quality, thankfully! Great setlist with a nice handful of covers that highlight their influences (they even do Silver Machine from Hawkwind!). Lots to get into with this little slice of history. Les Punks Electric Ballroom London, England 01. Jet Boy Jet Girl 02. Stretcher Case 03. Anti-Pope 04. Second Time Around 05. Problem Child 06. Silver Machine(Hawkwind) 07. Burgler 08. Looking At You(MC5) 09. Help(Beatles) 10. Marching Men(Rich Kids) 11. Stab Your Back 12. City Kids(Motorhead) 13. New Rose 14. I Feel Alright(The Stooges) 15. Neat Neat Neat Dave Vanian: Vocals Captain Sensible: Guitar & Vocal Lemmy Kilmister: Bass Rat Scabies: Drums -
Audience 9.1 - Super clear! Very bright, sounds to be very close to the stage, and really just a joy of a tape. Doobie Brothers (feat. Carlos Santana) Arrowhead Stadium, Kansas City, MO July 23, 1976 Total Time = 01:27:10 Set list Disc 1 01 Intro 02 China Grove (Pat Simmons on lead vocals) 03 Takin' It To The Streets 04 Sweet Maxine (Keith Knudsen on lead vocals) 05 It Keeps You Running (Michael McDonald on lead vocals) 06 Rio 07 Neal's Fandango (With instrumental jam) 08 Move Your Feet 09 Eyes of Silver (Michael McDonald on lead vocals) 10 Don't Start Me Talkin' (Keith Knudsen on lead vocals) 11 Black Water Disc 2 12 Wheels of Fortune 13 Take Me In Your Arms (Michael McDonald on lead vocals) 14 Jesus Is Just Alright (Keith Knudsen on lead vocals) 15 Rockin' Down The Highway 16 Road Angel (Tiran Porter on lead vocals) 17 Long Train Runnin* (Michael McDonald on lead vocals) 18 Band Introductions* 19 Listen to the Music* (Keith Knudsen on lead vocals) -
Audience 7.0 - Do not expect much here, it is not a hi-fi experience at all – but it is a fascinating document and good enough to pull you in to a pretty explosive Doors show. I live for this kind of thing – a tormented sounding Jim Morrison in 1968 basically at the vanguard of the Great American Cultural Renaissance.