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Audience 8.8 - Spectacular live presence and good clear vibrant recording. -
Audience 8.0 - Sounds a little subdued, but it’s clear for the most part. Needs a kick in the highs. -
Soundboard 9.7 - Just about as good as you’d ever want. -
Audience 8.7 & Audience 9.7 - The first part of the disc is electric and the rest is an acoustic in-store, and it is very intimate and excellent! I prefer it to the electric set in fact. -
Pro Pre-Broadcast Master FM 9.7. It’s hard not to be drawn in to this performance; actually it’s Linda who does all the heart stealing here. Wow, I’d consider collecting all of the live shows at this point because I never knew how much genuine charm and warmth this lady had, and transferred to audiences effortlessly. Oh, and the songs are good too! -
CD 1 - Audience 7.4 / CD 2 - Soundboard 9.5 / CD 3 - Soundboard 9.2 -
Audience 8.3 - Good and clear. -
Audience 7.5 - This tape is not nearly as bad as what it used to sound like before we had high end re-mastering tools. So, it’s got some noise issues that kind of keep it from really opening up but the amazing thing now is you really can hear the whole band, and Jimmy is just on fire. Collectors really praise the band performance from this show, and it is obviously much improved now, so yeah, I recommend it. (3-27-70) -
Audience 8.2 - This is a good recording, clear and pretty strong when the levels are right, but there’s the rub. The sound levels occasionally drop a notch lower throughout the course of the set, ultimately they do settle into a predictable place which is fine, think of it like listening along when suddenly they hit the overdrive pedal. When that happens, it gets VERY good for a while. Well worth having this despite that. -
Audience 7.2 - Yes a little rough here, but this is so historically important as it represents some of the earliest thundering by the fledgling Led Zeppelin live in the United States. The tape seems to improve in spots, and the re-mastering on it has really helped immensely. * Bonus DVD-A is a real plus, and those with higher end systems will be able to take advantage of the higher resolution audio. -
Audience 7.0–7.4 - Muddled, distant and lacking in separation of instruments, this is for completists only. To be fair, the mud does clear somewhat and some remastering has allowed us to hear reasonably clear lead guitar and higher frequencies that are not residing down where the tape distortion is, so for instance songs like Stairway To Heaven are like sun rays peaking through, so I gave this a spread rating which is more realistic. -
Audience 8.6 - A fantastic early recording of the band during their summer rock festival circuit tour. These are some of their most fiery performances, playing in front of huge festival crowds where there is palpable kinetic energy, and this show really delivers! At times, taper seems to move to different spots and so the sound occasionally fades but then comes back strong again. -
Audience 7.4 - A little cluttered in the middle, volume pushed to max – but not that bad and quite historical given the fact it’s the first show in Osaka which was a legendary stand of concerts back in ’71. (first night 9-28-71) -
Both Shows: Early Show - Audience 7.2 - The lesser of the two shows, but the performance is strong, you’ll know they mean business after the first 30 seconds of Immigrant Song! Late Show - Audience 7.7 - Several notches cleaner and stronger than the early show, but both are worth your time. -
Audience 7.6 - I am glad I familiarized myself with this tape again. Robert is the star of this tape, so you do not get a super clear audio although it is still worthwhile in many regards. Robert is riding these guys to fame and fortune. One thing you will notice is that the band seems to be comfortable and perfectly tight but loose! -
Both Nights Vastly improved because you now get as complete a show as possible with the two source merge using the audience and the soundboard sources. The second show is pretty decent audience, around 7.8 really but it’s very interesting to get the back to back performances to hear the differences.