Audience 9.5 - Many of you will be surprised by my rare high rating for an audience tape…but man, I gotta tell you, this is 100% justified. Yes, it’s sonically really nice, but it delivers that magical quality that real fans know about and is kind of hard to explain the uninitiated. Let me try: you feel like you are seated there at the show, you feel the anticipation, you know what is about to happen yet can’t quite believe how actually incredible it truly is. Enough hyperbole, you get it, I love this one. But to be fair, the recording quality is more like a 9.2, still great, but it’s the atmosphere, the spaciousness, the rolling drums that seem to pan across the speakers, the great sound mix, all of it equals pure magic and a legitimate 9.5. Queen Long Beach Arena Long Beach, CA December 20, 1977 Disc 2 01 We Will Rock You intro 02 Brighton Rock 03 Somebody To Love 04 Death On Two Legs 05 Killer Queen 06 Good Old Fashioned Lover Boy 07 I'm In Love With My Car 08 Get Down Make Love 09 The Millionaire Waltz 10 You're My Best Friend 11 Liar 12 Love Of My Life 13 '39 Disc 2 14 My Melancholy Blues 15 White Man 16 The Prophet's Song 17 Guitar Solo 18 The Prophet's Song (reprise) 19 Now I'm Here 20 Stone Cold Crazy 21 Bohemian Rhapsody 22 Keep Yourself Alive 23 Tie Your Mother Down 24 We Will Rock You* 25 We Are The Champions 26 Sheer Heart Attack 27 Jailhouse Rock 28 God Save The Queen  

Audience 8.7  - A somewhat slightly above average recording that thankfully remains very listenable and stable, there are some periods during the show where the tape improves maybe to an 8.8 but once your ears adjust and you settle in, at the end you will think it wasn’t bad at all. It is NOT muddy, in fact there’s very little tape hiss so this must emanate from a low gen tape or it has been worked on. When some songs go from quiet to loud (as they frequently do at a Pink Floyd concert), the tape machine seems to take a second to adjust, perhaps it has an automatic level adjuster, but despite those tiny momentary hiccups the tape is largely smooth sailing. Worth exploring! Pink Floyd Hallenstadion Zürich, Switzerland February 3, 1977 Disc 1 1. -Sheep 2. -Pigs On The Wing (pt. 1) 3. -Dogs 4. -Pigs On The Wing (pt. 2) 5. -Pigs (3 Different Ones) Disc 2 1. -Shine On You Crazy Diamond (pts. 1-5) 2. -Welcome To The Machine 3. -Have A Cigar 4. -Wish You Were Here 5. -Shine On You Crazy Diamond (pts, 6-10) 6. -Money  

Audience 9.3 - This is what I would call a definitive release in that I think if you wanted to know what Sabbath was in ’87 you can use this as a reference. For one thing, it sounds great – and another reason is because it sounds like the band is doing what it had in mind with the line-up and sound. A new direction maybe, but in the same way that maybe Technical Ecstasy was also a new direction. It’s still Sabbath, the bone structure is all there, but the smile has changed…and it has a place in the discography. Black Sabbath Stadthalle Bremen, Germany 1987-11-25 Disc 1 101 Supertzar 102 Neon Knights 103 Children Of The Sea 104 War Pigs 105 Die Young 106 Drums Solo 107 Iron Man 108 Born To Lose Disc 2 201 Black Sabbath 202 Glory Ride 203 Heaven And Hell 204 Guitar Solo 205 Sabbath Bloody Sabbath - Heaven And Hell (Return) 206 Children Of The Grave 207 The Shining 208 Paranoid  

Soundboard 9.4 - A biting and aggressive sounding recording that really works great for the 1994 version of Black Sabbath. I personally enjoy rediscovering this band because after Mob Rules I kind of lost track of their career. Black Sabbath The Sting New Britain, CT 1994-02-08 Disc 1 101 -Supertzar 102 -Time Machine 103 -Children Of The Grave 104 -Children Of The Sea 105 -I Witness 106 -The Mob Rules 107 -Into The Void 108 -Psychophobia 109 -Black Sabbath Disc 2 201 -Neon Knights 202 -Immaculate Deception 203 -The Wizard 204 -Cross Of Thorns 205 -Symptom Of The Universe 206 -Headless Cross 207 -Paranoid Hammersmith Odeon London, UK 1994-04-13 208 Iron Man 209 Sabbath Bloody Sabbath  

FM Broadcast 9.8 - Just about as good as it can get, this captures the moment and freezes it forever in such granular detail that it feels like you are sitting right next to Dickie’s amp. It makes you appreciate his playing like never before. I mean, I play the guitar, but I have no concept of how you turn it into an extension of yourself to the degree that it is practically impossible to make even the slightest mistake. Not that his playing is perfection, it almost is, but just that he uses the instrument to convey so much feeling that it is impossible even to tell if he ever misses a note or phrases something wrong. Does that make sense? NOTE: The artwork shows disc two with only the last two tracks but the set has been tracked to include "Jessica" and "The Way Love Goes" on disc 2...so the artwork will not be changed to reflect the song order it just is what it is. Dickey Betts & Great Southern The Bottom Line NYC, NY. 4/19/77 (early show) Disc 1 01 pre ramble 02 Blue Sky 03 Run Gypsy Run 04 Out To Get Me 05 Bougainvillea 06 In Memory of Elizabeth Reed 07 Nothing you Can Do 08 Southbound Disc 2 09 Jessica 10 The Way Love Goes 11 talk 12 High Falls 13 Ramblin' Man  

Audience 8.8 - This is a well rounded recording that delivers most of what is required to ensure a show remains worthy of repeat listens. The only real limitations I could discern are a slight “noisiness” somewhere between the upper mid band and the high band frequencies that are more noticeable during cymbal crashes – and even then it’s minimal. Maybe another critical observation is the overall audio mix coming from the stage is not ideal, it’s not bad, but it’s not as guitar/vocal prominent as you might be used to, again even that is being overly critical because it’s also not that bad. This is a good tape that may not satisfy the perfectionists out there but will take care of the rest of us (me included!). Frank Zappa Chapiteau Mulhouse (France) July 1, 1980 Disc 1 01 -Watermelon In Easter Hay 02 -Keep It Greasey 03 -Pick Me, I'm Clean 04 -City Of Tiny Lights 05 -Pound For A Brown (Mo & Herb's Vacation, Sheik Yerbouti Tango Coda, Filthy Habits) 06 -Cosmik Debris 07 -You Didn't Try To Call Me 08 -I Ain't Got No Heart Disc 2 09 -Love Of My Life 10 -You Are What You Is 11 -Easy Meat 12 -Mudd Club 13 -The Meek Shall Inherit Nothing 14 -Joe's Garage 15 -Why Does It Hurt When I Pee? 16 -Dancin' Fool 17 -Bobby Brown 18 -Ms. Pinky 19 -In France (incl.La Marseillaise) 20 -In France - Luigi & The Wise Guys 21 -Stick It Out (incl.Looney Tunes) 22 -The Illinois Enema Bandit Line-up: Frank Zappa's Band, March - July 1980 FZ, Ike Willis, Ray White, Arthur Barrow, David Logeman, Tommy Mars  

Soundboard 9.4 - A newly remastered version of the matinee soundboard show in all it’s glory restored – with bonus material from Seattle, this is well worth re-examining because I found it to be a really pro job, and you don’t have to suffer through the inferior audience tape thrown in because quite honestly there would be no point at all. George Harrison Live In Los Angeles 1974 (matinee) Los Angeles Forum 12.11.1974 Disc 1 01 -Hari's On Tour (Express) 02 -While My Guitar Gently Weeps 03 -Something 04 -Will It Go Round In Circles 05 -Sue Me Sue You Blues 06 -Zoom, Zoom, Zoom 07 -Naderdani 08 -Cheparte 09 -I Am Missing You 10 -Dispute And Violence 11 -For You Blue 12 -Band Introductions 13 -Give Me Love (Give Me Peace On Earth) 14 -In My Life 15 -Tom Cat 16 -Maya Love Disc 2 Center Coliseum Seattle. Washington 4th November 1974 (matinee) 01 -Nothing For Nothing 02 -Dark Horse 03 -Outa Space Billy 04 -What Is Life 05 -My Sweet Lord  

Audience 9.0 - A really fine attempt to capture a loud metal band in a small club. Thankfully it seems the taper came prepared, he found his spot and delivers a stable recording of the entire show. Fates Warning Webster Theater Hartford, CT November 22, 2013 Disc 1 01 Ozzy Intro                3:35 02 The Second Intro            3:16 03 One Thousand Fires            8:00 04 Life in Still Water            5:09 05 One                    4:15 06 A Pleasant Shade of Gray, Part III    4:18 07 Another Perfect Day            4:21 08 Down to the Wire            4:23 09 A Pleasant Shade of Gray, Part VI    4:15 10 Pieces of Me                3:59 Disc 2 11 I Am                    5:27 12 The Eleventh Hour            8:06 13 Point of View            4:59 14 Firefly                5:41 15 Wish                    4:17 16 A Pleasant Shade of Gray, Part XI    3:55 17 Through Different Eyes        4:10 18 Monument                6:12 19 Encore Break                1:56 20 Still Remains               13:25 21 Outro                0:25 Total                     1:44:04 Band Ray Alder - Vocals Jim Matheos - Guitar Mike Abdow - Guitar Joey Vera - Bass Guitar Bobby Jarzombek - Drums