Soundboard 9.3 - There are moments in this recording that you swear it has to be one of Prince’s best ever – what got him so pumped up for this gig?  Maybe he was pumped for every gig but slightly more at certain gigs. I don’t know but this one got me pumped as well!  Love the energy and fluid playing.

Norfolk 1972 Audience 8.6 - A rough and tumble tape that surprisingly delivers the sounds you need to be able to hear the band play. The most important thing is this: Mick Taylor is the clearest! You wouldn’t expect that in a million years I know but here it is.

Indianapolis 1972 Audience 8.3 - Low end of the totem pole recording that is represented here because it is perhaps the best source for it. Is there anything salvageable at all?  Yes. It’s distant and not distinct but for completists they will be happy to have the good source and complete their 1972 tour collections.

Audience 9.6 - This venue has always been very acoustically prime for capturing from the audience. There is great atmosphere, the kind that not only adds feeling to the recording but also the kind that inspires the artist. This tape showcases everything one looks for in a sound recording.

Audience 9.1  -A great show and a great capture here. Highly recommend this one!

Audience 8.3/8.5 - Despite the low approval ratings of these audio tapes, I have to say I still think they are important to the Megadeth collector for several reasons. There’s just not a lot of recordings from these early periods for some unknown reason, and these shows, having been cleaned up and re-mastered as well as could be done, represent listenable time capsules of perhaps one of the all-time greatest metal band. Megadeth do not get the same accolades as some of the other big metal bands (do I have to mention them?) but I always loved their complexity and sarcasm. I did listen to both of these shows and once my ears adjusted I stuck with it and wrote this review without bias. Average tapes that deserve a place in any collection because of the significance of this band.

Megadeth The Windy City Gigs Disc 1 Metro, Chicago, IL (USA) June 30, 1985 01. -Last Rites - Loved To Death 02. -Killing Is My Business 03. -Skull Beneath The Skin 04. -These Boots 05. -My Last Words 06. -Looking Down The Cross 07. -Chosen Ones 08. -Mechanix 09. -Bad Omen 10. -Encore break 11. -Good Mourning - Black Friday 12. -Rattlehead Disc 2 (U.I.C) Pavilion University of Illinois Chicago, IL 1987-02-12 1. -Intro 2. -Wake Up Dead 3. -The Conjuring 4. -My Last Words 5. -Bad Omen 6. -Rattlehead - Dave's talking about Chicago 7. -Peace Sells 8. -Devil's Island 9. -The Mechanix

Audience 9.3 - One thing you must concede about recordings from this venue – they are almost 100% of the time decent overall but more importantly extremely pleasant atmospherically. Audiences here are generally very attuned to the performer on stage, knowing the music, and there to listen to the music. The Roxy was a venue for music connoisseurs. A brilliant tape here to add to your collection.

Peter Gabriel The Roxy West Hollywood, CA September 30, 1978 Early Show Disc 1 01 Me And My Teddy Bear 02 On Presuming To Be Modern 03 On The Air 04 Moribund The Burgermeister 05 Perspective 06 Indigo 07 White Shadow 08 D.I.Y. 09 Waiting For The Big One 10 Band Introductions 11 Mother Of Violence Disc 2 12 Slowburn 13 Flotsam And Jetsam 14 I Don't Remember 15 Solsbury Hill 16 Modern Love 17 The Lamb Lies Down On Broadway 18 Animal Magic 19 Here Comes The Flood

Soundboard 8.8 - Not your typical board tape here, in fact I hesitate to even call it one because to me it sounds like a stage recording. Either way, it is decent but not great. What is great, however, is this period of the band and this performance is indicative of that peak they attained. Marvelous playing throughout – and like I said the sound quality is decent and enjoyable but I expected more from a professional recording.

Pro Audience 9.2 - This rating may seem confusing and that is because I just don’t believe this to be a board feed recording, nor do I believe it to be a straight audience tape. I believe this may have been recorded for broadcast locally and the station probably hung mics or placed them somewhere in the hall because there’s too much ambience for a straight board tape. It’s very good, it’s got a critical element missing in every board tape and that’s some sense of the room, the audience, etc.