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The year of original recording is not specified on the CD but it looks to be late 60's. CD is new, never played. -
Audience 8.3 - A fine recording all things considered. It’s a big hall, recording comes from somewhere in the middle of the arena but the capture is reasonable albeit without a good definition and some mild boominess. Overall you can be happy with this recording and of course the band has a fine repertoire. -
Audience 8.7 - Both very decent recordings capturing a band that is on the cusp of breaking up, but holding it together very nicely for the shows. Interesting stage banter and occasional extended lead jamming present, certainly worthy of your consideration. -
Soundboard 9.0 and Audience 8.6 - This is a very interesting document of a period of time in the band’s history where they lost a key member of the band in guitarist Randy Bachman. That did not stop them, as these shows attest. Quality varies but is consistently good across all shows with the first part being Soundboard and the rest very clear and reasonably dynamic Audiences. -
CD 1 - Soundboard 8.3 / CD 2 - Soundboard 8.8 / CD 3 - Soundboard 8.8 What a difference from 1966 to 1975! I rather like the 70’s Guess Who more, but fascinating to hear their formative sound and style. -
CD reissue of an album that came out in 1970. CD is new, never played. -
Audience 8.7 - This is a solid effort, it captures a typically rowdy J. Geils party atmosphere without sacrificing the music at all. Taper has good seats, and he manages not to get too bumped around because it sounds like a lot of stuff was being consumed this evening in 1972. A good one to have! J. Geils Band February 13, 1972 University Of Maine, Gorham, Maine SET LIST: 1: SNOW CONE 2: WAIT 3: Find Me A New Love 4: It Ain't What You Do 5: Looking For A Love 6: Homework 7: Pack Fair And Square 8: Cry Me One More Time 9: Whammer Jammer 10: Cruisin' For A Love 11: Serves You Right To Suffer 12: First I Look At The Purse 13: I Don't Need Women -
Audience 8.5 - A steady, reliable recording that delivers a very live, natural sound but lacking just a little separation of instruments. Still a VERY good one! -
Sale!
Early and Late Shows - Soundboard 9.1 and Soundboard 8.6 - The late show board tape is slightly problematic in that vocals and to some extent the drums are really prominent in the mix but the rest is pushed back. Acoustic songs come through nicely, they bring up piano and acoustic guitar so you get everything more even. At times it gets a little better, it’s not bad it’s just not as good a mix as the early show. -
Audience 8.4 - A very rare treat, to hear a complete “Preservation” era show. There’s really not a lot of 1973 recording around. This one sounds just fine, while not venturing too far in either direction dynamically, and some lack of clarity down low in the spectrum…but the upper mids and highs seem fine. It’s a good recording that could use your own EQ flavoring to round it into shape. I am happy to have this as I have not heard many, if any, ’73 tapes as good as this. THE KINKS Boston Music Hall Boston, MA April 1st 1973 THE BAND Ray Davies vocal guitar Dave Davies lead guitar vocal Mick Avory drums John Dalton bass John Gosling keyboards Laurie Brown trumpet John Beecham trombone tuba Alan Holmes saxophone clarine SETLIST 1 -Intro 2 -Victoria 3 -Acute Schizophernia Paranoid Blues 4 -Until The End Of The Day 5 -Medley (The Last Time I Saw You/Little Queenie/Shakin All Over/Whole Lotta Shakin Going On, Etc) 6 -Maybe Because I'm A Londoner 7 -Lola 8 -Dedicated Follower Of Fashion 9 -Celluloid Heroes 10 -Here Comes Yet Another Day 11 -Picture Book 12 -People Take Pictures Of Each Other 13 -Alcohol 14 -Skin and Bones - Dry Bones 15 -Good Golly Miss Molly 16 -You Really Got Me 17 -All The Day And All Of The Night 18 -Thank You - Announcements -
Audience 8.6 - Talk about being in the crowd, this recording is total immersion if ever there was immersion! But, here’s the good news – it’s a BLAST! The crowd is really an integral part of this performance, the band senses they have a great audience and they really play to them. It’s rather fun and gives you a tremendous feeling of nostalgia. A great ride! -
Audience 9.0 - Fantastic recording really, in fact I can only try and be real nitpicky to try to find anything outright bad about it. It’s close up, warm, atmospheric (I don’t mean echo or reverb either), and pretty good separation of instruments. Kick drum is even present, so it is also detailed. Good One! -
Audience 8.4 - A very rare tape here, new to circulation and not bad, but not great either. What is the downside? Recorded towards the back of the hall, and some consistent tape noise that crowds the middle a little. The upside? It’s actually not bad sounding for all that was against it, you get used to it and after a few minutes you realize it’s very listenable. The crowd is pretty rowdy, I heard fireworks going off at one point – and they really love their Kinks in Cape Cod. I like this for the collectors, they will appreciate it. The Kinks Cape Cod Coliseum, South Yarmouth, MA July 2, 1977 Band line-up Ray Davies – lead and backing vocals, rhythm guitar, keyboards (1964–1997) Dave Davies – lead guitar, backing and lead vocals (1964–1997) John Gosling – keyboards, piano, backing vocals (1970–1978) Mick Avory – drums, percussion (1964–1984) Andy Pyle – bass (1976–1978) Pamela Travis - backing vocals (1977) Claire Hamill - backing vocals (1977) Total Time = 01:28:12 Disc 1 01 One of the Survivors 02 Rush Hour Blues 03 Tired of Waiting 04 Set Me Free 05 Sunny Afternoon 06 Well Respected Man 07 Death of a Clown 08 All Day & All of the Night 09 Slum Kids 10 Life On The Road* Disc 2 11 Stormy Sky* (end cuts) 12 Life Goes On* 13 School Days 14 The Hard Way 15 Education 16 Full Moon 17 Banana Boat Song 18 Lola 19 You Really Got Me 20 Jukebox Music -
Soundboard 9.5 - A professionally recorded concert, this was broadcast on the famous Rockpalast TV show in Germany. -
Audience 8.7 - This tape, when it first surfaced, was to many Kinks collectors the Holy Grail of live tapes. It marked the band’s triumphant return to the States, and the band was determined to make up for lost time. A fiery performance and a great capture. A tiny bit of tape chatter in the first track but it smooths out from there and is a real rocket ride! The Kinks Fillmore West, San Francisco, 11-29-1969 01 - Till The End Of Day 02 - Mindless Child Of Motherhood 03 - Last of the Steam-Powered Trains 04 - You're Looking Fine 05 - Mr. Churchill Says 06 - Big Sky 07 - You Really Got Me 08 - All Day And All Of The Night 09 - Love Me Till The Sun Shines 10 - Brainwashed 11 - Medley 12 - Louie Louie 13 - Victoria 14 - Medley -
Audience 8.7 - A kick ass show and quality is perfectly suited for the kind of loud and raucous music the Kinks made…albeit with excellent melodic sense. Recording has loads of power without overloading so I believe taper was using very good stuff for the time.