• Audience 8.8 - This show finally comes to light after decades and it’s surprisingly good. It’s extremely insistent and powerful sounding with guitars really up front and vocals thankfully pretty nicely mixed in as well. In fact, even drums here sound nicely integrated into the live sound mix in this small sounding venue. I rather like this one and you will too. Armored Saint Sherwood's Indianapolis, IN. January 30th, 1985 1. March Of The Saint 2. Mutiny On The World 3. False Alarm 4. Take A Turn 5. Stricken By Fate 6. Seducer 7. Madhouse 8. Can U Deliver  
  • Radio Broadcasts 9.4/9.1 - Overall quality is excellent with a couple of these sounding a little dated but nevertheless the quality of the content combined with broadcast over the air quality (never mind how many decades ago) I think this holds up quite well. BLODWYN PIG The Live Sessions John Peel Radio Broadcast Tracks 1-6 1st Feb 1970 Tracks 7-12 13th Dec 1970 1. -The Change Song 2. -Ain't You Coming Home 3. -See My Way 4. -Instrumental 5. -Same Old Story 6. -See My Way (Reprise) 7. -Meaney Mornay 8. -Rock Me Baby 9. -Somebody Just Like Me 10. -See My Way 11. -Slow Down 12. -Worry Personel: Mick Abrahams - guitars, vocals; Andy Pyle - bass; Jack Lancaster - saxophone, flute; Ron Berg - drums; Peter Banks - guitars (B tracks)  
  • Broadcasts 8.8/9.4 - A little variation depending on the source of the recording in question (all fully annotated in the notes), what you get here is a collection of broadcasts over the air during 1969 and 1970 when music was in full change mode and experimentation and blending of genres was all the rage. Blodwyn Pig certainly has to be included in that product description with their jazz-tinged hard rock akin to Jethro Tull without flute (substitute sax instead). Makes sense, since Mick Abrahams helped define Tull’s sound in the beginning days. This is great stuff though and is HIGHLY recommended. BLODWYN PIG 1969-1970 Sessions Disc 1 01 -Ain't Ya Comin' Home ......... 03:14 02 -The Change Song .............. 04:23 03 -The Modern Alchemist ......... 04:45 04 -Mr. Green's Blues ............ 03:47 05 -It's Only Love ............... 03:30 06 -Ain't Ya Comin' Home ......... 03:35 07 -See My Way ................... 06:06 08 -Summer Day ................... 04:09 09 -The Modern Alchemist ......... 06:42 10 -Same Old Story ............... 02:33 11 -It's Only Love ............... 03:25 Disc 2 12 -Same Old Story ............... 03:17 13 -Cat's Squirrel ............... 08:55 14 -Drive Me ..................... 03:37 15 -Slow Down .................... 05:59 16 -Worry ........................ 03:38 17 -Somebody Just Like Me ........ 05:50 19 -See My Way ................... 06:05 19 -Moon's Gone .................. 02:59 20 -Lady Of Liberty .............. 04:22 21 -Lovely Lady .................. 05:11 22 -Lady Of Liberty .............. 05:32 (01-02) February 24, 1969 BBC Studio 2, Aoelian Hall, London UK (BBC Radio "Symonds On Sunday" broadcast March 2, 1970) (03-06) March 24, 1969 BBC Playhouse Theatre, Northumberland Ave London UK (BBC Radio "Top Gear"  broadcast April 13, 1969) (07-08) October 1, 1969 BBC Maida Vale 4, London UK (UK BBC Radio "WS R&B" broadcast October 25, 1969) (09) October 10, 1969 Bremen (German TV "Beat Club 48" broadcast October 25, 1969) (10-11) December 27, 1969 BBC Studios London UK (12) January 29, 1970 Top Of The Pops, Paris Theater, London UK (13-15) February 1, 70 BBC Radio "Top Gear" London UK (16-17) March 4, 1970 BBC Maida Vale 4, London, UK (BBC Radio "WS R&B" broadcast April 5, 1970) (18) May 25, 1970 Bremen (German TV "Beat Club 55" broadcast May 30, 1970) (19-20) September 23, 1970 "Sounds Of The Seventies" London UK (21-22) October 3, 1970 Peel session, London UK Personel: Mick Abrahams - guitars, vocals (01-18) Andy Pyle - bass Jack Lancaster - saxophone, flute Ron Berg - drums Peter Banks - guitars (19-22) Barry Reynolds - vocals (19-22)  
  • Audience 8.9 - A nice recording job in that you really hear the music as clear as can be but also some atmosphere to let you know where you are at. It’s surprising really to hear how an amateur audience tape from ’74 can feature such nice depth, this is not a brittle or thin recording, there’s some meat to this one. Nice! Blood Sweat & Tears Helsinki, Finland 1974.06.06 Disc 1 01 Engine 49 02 God Bless the Child 03 Snow Queen 04 Maiden Voyage 05 She’s Coming Home 06 Mean Ole World 07 So Long Dixie 08 She Does It To Me Disc 2 09 I Love You More Than You’ll Ever Know 10 You Girl 11 Are You Satisfied 12 Mirror Image Suite - Maglomania 13 Mirror Image 14 South Mountain Shuffle 15 Rock Reprise 16 Almost Sorry (That I Left You) 17 Spinning Wheel 18 And When I Die Jerry Fisher - Vocals Jerry LaCroix - Vocals,Saxophone,Harmonica (R.I.P) Georg Wadenius - Guitar Ron McClure - Bass Larry Willis - Piano Bobby Colomby - Drums Bill Tillman - Woodwinds (R.I.P.) Tony Klata - Trumpet Dave Bargeron - Trombone & Tuba  
  • Audience 8.9 - A recording that seems to be, if I had to guess, somewhere mid crowd but manages to bring you closer to the action. Great separation of instruments and a clear capture with zero tape noise so you can almost hear the pot smoke swirling above your head ha ha!  But, this is quite good, and mesmerizing, so have a great trip as you put your time machine headphones on and set it to Seattle in ’76. Cat Stevens Seattle Center Coliseum Seattle, WA 1976-03-06 Disc 1 01. The Wind 02. Moonshadow 03. Where Do The Children Play 04. Another Saturday Night 05. Hard Headed Woman 06. King Of Trees 07. Whistlestar 08. Sitting 09. Sun - C79 10. Lady D'Arbanville 11. Banapple Gas 12. Instrumental 13. Majik of Majiks 14. Tuesday's Dead 15. I Love My Dog Disc 2 16. How Can I Tell You 17. The Hurt 18. Sad Lisa 19. Two Fine People 20. Oh Very Young 21. Blue Monday 22. Father And Sun 23. Ruins 24. Peace Train 25. Wild World 26. Jzero 27. Bitterblue Band Members: Cat Stevens - guitars, piano, lead vocals Alun Davies - guitars, vocals Mark Warner - guitars, bazouki Bruce Lynch - bass Jean Roussel - hammond organ, clavinet, electric piano, synthesizer, piano Gerry Conway - drums percussion Chico Batera - percussion Larry Steele - percussion, flute, acoustic guitar, bass Kimberley Carlson - backing vocals Angela Howell - backing vocals Sue Lynch - backing vocals  
  • Audience 9.1 - God bless the tapers for this one!  What a great show it is, and really I can’t recommend it highly enough because it’s TOTALLY immersive, I mean, sure it’s not 100% perfect but in a way it’s as good as you would hope. It’s a fun experience to hear this man just at the top of his game like this with a band that doesn’t miss a thing, ever. Bob Dylan Hughes Stadium Fort Collins, CO 05/23/76 Disc 1 1. -Mr. Tambourine Man 2. -It Ain't Me Babe 3. -Vincent van Gogh 4. -Maggie's Farm 5. -One Too Many Mornings 6. -Mozambique 7. -Isis 8. -Blowin' In The Wind 9. -Railroad Boy 10. -Deportee 11. -I Pity The Poor Immigrant 12. -Shelter From The Storm 13. -Oh Sister 14. -I Want You Disc 2 1. -Tangled Up In Blue 2. -You're A Big Girl Now 3. -You're Gonna Make Me Lonesome When You Go 4. -Lay Lady Lay 5. -Silver Mantis 6. -Going Going Gone 7. -Idiot Wind 8. -Knockin' On Heaven's Door 9. -Gotta Travel On 10. -A Hard Rain's A-Gonna Fall  
  • Various Sources 8.5/10 - So this is, as the title suggests, a collection of recordings made during this tour but the kicker is that the songs are all ones that were one-off’s (with a couple of exceptions). I found that even the worst track (the final track in the set) was not as bad as they made it seem in the liner notes. Still, when compared to some of the truly outstanding ones in the set, yes maybe it really paled in comparison but there’s only two “marginal” tracks here and they aren’t totally abhorrent. This was a very interesting listen for me personally. Bob Dylan All This Tangled Rope - Street Legal Live 1978 1. -Changing of the Guards - Paris, July 8th 2. -New Pony - Paris, July 5th soundcheck 3. -Baby, Stop Crying - New York City, September 30th 4. -Is Your Love in Vain - Providence, October 7th 5. -Senor (Tales of Yankee Power) - Seattle, November 10th 6. -True Love Tends to Forget - Camberley, July 15th 7. -We Better Talk This Over - Los Angeles, November 15th 8. -Where Are You Tonight - Seattle, November 10th 9. -A Hard Rain's A-Gonna Fall - Nürnberg, July 1st 10. -Gates Of Eden - Camberley, July 15th 11. -Am I Your Stepchild - Madison, November 1st 12. -The Man In Me - Paris, July 6th 13. -Just Like Tom Thumb's Blues - New York City, September 29th 14. -Coming From The Heart (The Road Is Long) - St. Paul, October 31st 15. -I'll Be Your Baby Tonight - Hollywood, December 16th 16. -One Of Us Must Know (Sooner or Later) - Nürnberg, July 1st 17. -Fix It, Ma - Paris, July 3rd soundcheck Notes: 2. poor recording; has not been performed live yet as of March 05; note that a soundcheck recording of "No Time To Think" (the 3rd track on the studio album) circulates, but the quality is markedly inferior to "New Pony," so I chose not to include it. 5. Dylan did not debut the intro story about the "old man with his eyes on fire" until San Diego, November 17th 9. only solo performance of this song in '78 10. mixed source recording, with merge at 0:47 11. "second version" lyrics; does not include my favorite line from the "first version," "I pulled you out of dope scenes, orgies and jam sessions too." 13. second of only two '78 performances 14. only live performance to date as of March 05; a studio demo circulates, as well 15. final number from the final '78 show; minor tape problems 4:07 > 4:11 17. poor recording; author unknown, possibly Dylan; sounds of taping device being moved 0:00 > 0:29, minor edit 0:24 Bob Dylan (vocal, guitar & harmonica) Billy Cross (lead guitar) Alan Pasqua (keyboards) Steven Soles (rhythm guitar, backup vocals) David Mansfield (violin & mandolin) Steve Douglas (horns) Jerry Scheff (bass) Bobbye Hall (percussion) Ian Wallace (drums) Helena Springs Jo Ann Harris Carolyn Dennis (background vocals).  
  • Audience 9.7 - Contrary to what you initially would have thought about Prince audience recordings, that the people there to see him aren’t exactly the type you would think would be overly concerned about getting an excellent capture…sure I am profiling here but it’s true - you expect this crowd is mainly there to bump and grind with each other and party like it’s 1999 or something. Now, I have to say after listening to many Prince audience recordings I come away as being impressed for the most part. This tape confirms what I now believe, that Prince bootleggers actually give a shit about the quality of the sound recordings they make. I LOVE the sound and feel of this tape…hands down I put this up against ANY soundboard you want to throw at me. This has ELECTRICITY and you don’t get that out of line recordings. Prince Celebration Event 2000 Northrop Auditorium Minneapolis, MN. June 13, 2000 Disc 1 1. Najee Intro 2. Anna Stesia 3. The Greatest Romance Ever Sold - 4 The Tears In Your Eyes 4. Uptown 5. Let's Work 6. Delirious 7. Rock N' Roll Is Alive (outro) 8. Purple Rain 9. Prettyman 10. Speech 11. Breathe And Stop 12. Vivrant Thing - La Di Da Di 13. Come On 14. The One 15. The Question Of U 16. When You Were Mine Disc 2 1. Days Of Wild 2. Speech 3. No More Rain (In This Cloud) 4. Dr. Feelgood 5. Speech 6. Nothing Compares 2 U 7. Take Me With U 8. Raspberry Beret 9. Country And Western Jam 10. James Bond Theme 11. (Eye Like) Funky Music 12. The Jam - A Night In Tunisia 13. Everyday People 14. Man O' War 15. Adore Disc 3 1. America - Give It Up Or Turn It Loose - Take The A-Train 2. Kiss 3. Gett Off 4. Gett Off (Houstyle) 5. Doing It To Death - Groove On - Push It Up Bunkers Bar, Minneapolis June 5, 2000 6. Sexy Dancer Bunkers Bar, Minneapolis June 12, 2000 7. You Got The Love 8. Everyday People  
  • Audience 9.4 - A wonderful, warm, full bodied recording that beckons you in from the first note. Say what you will about Rod Stewart but his voice works with this stuff, and even here in 1982 as long as you can’t see him you can appreciate the rock and roll pedigree he brings to the stage. Yeah, I was rather turned off by his image for quite some time, but hearing him live you just find a way to look past that. Rod Stewart Long Beach Arena Long Beach, CA March 24, 1982 Disc 1 01 Tonight I'm Yours (Don't Hurt Me) 02 Sweet Little Rock & Roller 03 Hot Legs 04 Tonight's The Night (Gonna Be Alright) 05 Passion 06 She Won't Dance With Me > 07 Little Queenie 08 You're In My Heart 09 I Just Want To Make Love To You 10 How Long 11 Young Turks Disc 2 12 (If Loving You Is Wrong) I Don't Want To Be Right 13 You Wear It Well 14 (I Know) I'm Losing You 15 Gasoline Alley 16 Maggie May 17 Da Ya Think I'm Sexy? 18 I Was Only Joking 19 Tear It Up 20 Stay With Me  
  • Audience 8.7 - I had a hard time determining whether it was the recording or the PA that caused this tape to fall below the usually excellent quality recordings coming out of the Inglewood Forum around this same time. It’s not terrible; the main issue was an overcrowding of the middle bandwidth. So you get plenty of bottom end and soaring high end (where most guitar leads and vocals, and yes, cymbals are clear) but a lack of separation in that crucial middle. That leaves us with a tape clearly made on decent gear, somewhere in the middle of the venue it sounds like, and likely a master source (zero tape noise), but just not delivering the kind of clarity you would want when you are trying to hear the magical guitar interplay, especially Joe Walsh who just has his own musicality that perks your ears up. Still, a good tape that is worthy of exploration and much appreciated being from that wonderful line-up that featured perennial fave Joe Walsh. The Eagles The Forum Inglewood, CA October 22, 1976 Disc 1 01 Hotel California 02 Outlaw Man 03 Doolin-Dalton - Desperado (reprise) 04 Lyin' Eyes 05 Wasted Time 06 Take It to the Limit 07 New Kid in Town* 08 Desperado 09 Midnight Flyer 10 Turn to Stone Disc 2 11 Already Gone Interlude 12 One of These Nights 13 Funk #49 14 Good Day in Hell 15 Rocky Mountain Way 16 Witchy Woman 17 James Dean 18 Best of My Love 19 Walk Away 20 Tequila Sunrise 21 Take It Easy 22 Carol Don Felder – guitars, harmony and backing vocals Glenn Frey – rhythm guitar, keyboards, vocals Don Henley – drums, percussion, vocals Randy Meisner – bass guitar, vocals Joe Walsh – guitars, keyboards, vocals Jage Jackson – rhythm guitar, percussion Phil Kenzie – saxophone Vince Melamed – electric piano The Monstertones – backing vocals J. D. Souther – vocals, acoustic guitar Joe Vitale – piano, organ, drums, percussion  
  • Audience 8.8 - This came as a total surprise as I never knew it existed…and man, I gotta tell ya this is f’kin AWESOME!  This is a band that is crucial to the burgeoning British punk movement but they owe more to the MC5 than the Sex Pistols. This one off show features the band going under the moniker The Doomed because they have a certain Lemmy Kilmister on bass. What a high energy, totally wild and crazy fun gig too! Good sound quality, thankfully!  Great setlist with a nice handful of covers that highlight their influences (they even do Silver Machine from Hawkwind!). Lots to get into with this little slice of history. Les Punks Electric Ballroom London, England 01. Jet Boy Jet Girl 02. Stretcher Case 03. Anti-Pope 04. Second Time Around 05. Problem Child 06. Silver Machine(Hawkwind) 07. Burgler 08. Looking At You(MC5) 09. Help(Beatles) 10. Marching Men(Rich Kids) 11. Stab Your Back 12. City Kids(Motorhead) 13. New Rose 14. I Feel Alright(The Stooges) 15. Neat Neat Neat Dave Vanian: Vocals Captain Sensible: Guitar & Vocal Lemmy Kilmister: Bass Rat Scabies: Drums  
  • Audience 8.7 - A rare tape of the 1974 tour, you gotta grab these whenever they appear because unfortunately there are precious few. This one does not disappoint in the quality dept. despite being pretty friggin’ loud and close to taper…almost crosses over the line pegging the meters into distortion but it doesn’t…it would have been a total loss if it had. The disclaimer then is “watch out for your ears”. Steely Dan Orpheum Theatre Boston, MA. April 18th, 1974 1. -Intro - Tune Up 2. -Bodisatva 3. -Boston Rag 4. -Do It Again 5. -Any Major Dude 6. -King Of The World 7. -Rikki Don't Lose That Number 8. -Dirty Work 9. -Pretzel Logic 10. -My Old School 11. -Reelin' In The Years Donald Fagen - Keys, Sax, Lead Vocals Walter Becker - Bass, Guitar, Backing Vocals Jeff "Skunk" Baxter - Lead Guitar Denny Dias - Guitar Jim Hadder - Drums, Backing Vocals  
  • Soundboard 9.3 - This entire set is wonderful. Personally I find this era to be my favorite simply because it’s a snapshot of an iconic artist really exploring the depths of his emotions, talent, creativity, and wisdom. Great sound here, really got into this! BOB DYLAN The Summit Houston, Texas November 12th 1981 Disc 1 01. -Introduction - Hughes Aufray 02. -GOTTA SERVE SOMEBODY 03. -I BELIEVE IN YOU 04. -LIKE A ROLLING STONE 05. -THE LONESOME DEATH OF HATTIE CARROLL 06. -MAN GAVE NAMES TO ALL THE ANIMALS 07. -MAGGIE'S FARM 08. -GIRL FROM THE NORTH COUNTRY 09. -BALLAD OF A THIN MAN 10. -SIMPLE TWIST OF FATE 11. -HEART OF MINE 12. -ALL ALONG THE WATCHTOWER 13. -I'LL BE YOUR BABY TONIGHT 14. -FOREVER YOUNG 15. -GAMBLIN' MAN - Clydie King, Regina McCrary, Madelyn Quebec 16. -THE TIMES THEY ARE A-CHANGIN' Disc 2 17. -A HARD RAIN'S A-GONNA FALL 18. -WATERED-DOWN LOVE 19. -SHOT OF LOVE 20. -JUST LIKE A WOMAN 21. -SOLID ROCK 22. -MASTERS OF WAR 23. -WHEN YOU GONNA WAKE UP 24. -IN THE GARDEN 25. -BLOWIN' IN THE WIND 26. -IT'S ALRIGHT, MA (I'M ONLY BLEEDING) 27. -IT AIN'T ME, BABE 28. -KNOCKIN' ON HEAVEN'S DOOR  
  • Audience 8.8 - Here we have two concerts in very good quality that show a band undeniably at the peak, a peak that seemed to stretch out for a VERY long time I might add, but a creative peak that gave audiences a lot to digest musically. The quality of this tape is pretty decent but I give it a knock in the rating (although 8.8 is still high) because I got too much emphasis on an upper mid frequency that didn’t rub me the right way and this is a subjective analysis. The tape allows plenty of information in that you get pretty much everything, it’s clear, and the content is worth the price of admission. I am making a subjective observation but I feel the taper had done an amazing job and it would have gotten a 9.4 if the mic he used delivered more dynamics and a wider sound-field. Picky picky picky!  This sounds good. JETHRO TULL Falkoner Teatret Copenhagen, Denmark 1974-December-04 Disc 1 01. -Introduction 02. -Wind-Up - Passion Play (Excerpt) 03. -Thick As A Brick 04. -My God 05. -Ian Anderson Flute Solo 06. -Ian Anderson Flute Solo - John Evan Keyboard - Strings Solo 07. -Cross-Eyed Mary 08. -How Much Is That Doggie In The Window 09. -Skating Away On The Thin Ice Of A New Day 10. -Wond'ring Aloud - Wond'ring Again 11. -Queen And Country 12. -Ladies 13. -Barriemore Barlow Drum Solo Disc 2 01. -WarChild 02. -Sealion 03. -Bungle In The Jungle 04. -Aqualung 05. -Back Door Angels - Martin Barre Guitar Solo 06. -Locomotive Breath 07. -Back-Door Angels (Reprise) 08. -Introduction 09. -Wind-Up - Passion Play Excerpt 10. -Thick As A Brick 11. -My God 12. -Ian Anderson Flute Solo 13. -Flute - Keyboard - Strings Solo 14. -Cross-Eyed Mary Disc 3 01. -How Much Is That Doggie In The Window 02. -Skating Away On The Thin Ice Of A New Day 03. -Wond'ring Aloud - Wond'ring Again (with Strings) 04. -Queen And Country (with Strings) 05. -Ladies (with Strings) 06. -Barriemore Barlow Drum Solo 07. -Warchild (with Strings) 08. -Sealion - Bungle In The Jungle (with Strings) 09. -Aqualung 10. -Back Door Angels - Martin Barre Guitar Solo 11. -Locomotive Breath 12. -Back Door Angels (Reprise) Disc 2 (Tracks 08-14) and Disc 3: Thursday, December 05, 1974 Falkoner Teatret, Copenhagen, Denmark. Ian Anderson - Vocals, Flute, Acoustic Guitar, Saxophone Martin Barre - Electric Guitar John Evan - Piano, Organ, Synthesizers, Accordion Jeffrey Hammond–Hammond - Bass Guitar, String Bass Barriemore Barlow - Drums, Percussion.  
  • Audience 8.5 - I would designate this recording as a reference recording – what was going on in 1973?  That’s what this tape is, an old newspaper featuring a back story on this local band. Very dated…sound quality is marginal but not in a miserable, muddy, dogshit kind of way. It’s listenable and fun, like I said it is a good reference and may guide you towards other NYD tapes out there. I know I was certainly intrigued enough to seek out other recordings. New York Dolls Felt Forum New York City, NY August 3, 1973 01 Courageous Cat 02 Personality Crisis 03 Looking For A Kiss 04 Bad Girl 05 Great Big Kiss 06 Vietnamese Baby 07 Babylon 08 Pills 09 Trash 10 Frankenstein 11 Jet Boy  
  • Audience 8.2/Studio 9.5 - OK, what we have here is both a blessing and a curse. How to begin?  It’s not the best sounding tape, but, it’s perhaps one of the most important and illuminating tapes to have surfaced in a long time. I’d been collecting Motley Crue for some time (because they have a special place in my early teenage years) and had always thought 1982 was the earliest known recordings.  Should this even be in anyone’s collection?  Considering the revelation it was to me, hearing them sound so confident and amazing as early as this, yes I think it belongs in every collection. It sounds pretty rough, but not rough enough to dismiss. A LOT of work went into the re-mastering to deliver something that started off unlistenable and now can be considered a “good” audience tape. Small club, loud AF band, sub-par taping gear. Why were tapers there recording at all?  Who was Motley Crue in 1981?  By the sound of it, they were already hot stuff on the scene. The demos are excellent; these early demos are also indispensible and belong in every Crue collector’s tape deck. MOTLEY CRUE The Whiskey Los Angeles, CA 12 11 1981 1. Take Me to the Top 2. Runnin' Wild in the Night 3. I Will Survive 4. Toast of the Town 5. Starry Eyes 6. Piece of Your Action 7. Come On and Dance 8. Too Fast for Love 9. Merry-Go-Round 10. Live Wire Bonus Tracks Leathur Demos 1981 11. Public Enemy No.1 12. Take Me To The Top 13. Stick To Your Guns 14. Toast Of The Town  

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