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Audience 8.9 - Just the right amount of sonic clarity and separation of instruments with “live atmosphere” to make for a realistic listening experience. Sounds much like what you could have expected having been there. This was also the last show of the tour. Excellent! -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
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Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended! -
Audience 7.8 - A little bit rough but its incredible nonetheless…see, truth be told it took me 10 years to finally acquire this show. I have a special interest in it. I will say that, actual audio fidelity, while not hi-fi, is not lo-fi either – it has some power to it (without distortion!) and I LOVE the audience reactions throughout. A fiery gig! -
Soundboard 9.6 - A must for every Kinks collector! The band was REALLY cooking on this tour, here’s some proof. -
Audience 9.4 - Superior to a board tape in my opinion because it is recorded in the way that your ears would have picked up the sound in the venue, with the perfectly balanced stereo mixing and balancing of instruments to each side of the stage. Wonderful! -
Replicated from the masters used to make the LP reissue, this CD release includes a bonus track from a live concert performance in 1976 which was taken from multi-track master tapes. -
Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement. -
Audience 8.9 - You can turn the volume way up and it gets better and better because the wise taper knew what he was doing. The show is incomplete though but you won’t find me complaining. Thankful for what I have, and you will be too! -
SDBRD 9.2 - Must be in every fans collection but if it isn’t, go for it because it’s one of the best shows ever! Disc two is also SDBRD but I rate it a solid 8.9 as it is not as crisp, but it’s still great stuff. -
The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
Soundboard 9.8 - Simply fantastic! A MUST!!!! -
Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing. -
FM Broadcast 9.0 - There’s not much information as to what this is exactly, but to me it sounds like a live in studio thing. It’s pretty cool actually. -
SDBRD 9.7 - A professional recording and it shows. -
Audience 8.8 - A strong recording, clear and a good mix allowing you to hear all of the on stage happenings. A small amount of hiss is present, but this is inconsequential especially while the music is playing. A real good one and a real good tour. -
Heyoka - The Spirit of Revelation 2-LP. Gatefold cover colored vinyl limited edition double album filled with incredible late 70s progressive hard rock from this unheralded Texas group. Mention the name Heyoka to any self respecting rock music aficionado in the state of Texas and chances are they remember this legendary 70s hard rock band. Without a doubt this band was one of the greatest unsigned bands ever to originate from Texas. Opening for every major touring act that passed through San Antonio, including Rush’s first tour of America, this band even had a song featured on MTV in the early 80’s, before it got unceremoniously banned. They featured two guitarists, a singer that played flute, keyboards, and a crack rhythm section. The music is reminiscent of Jethro Tull and Kansas, but retaining a unique quality all its own that will take the listener on a musical journey evoking Native American imagery under the mystical guide of Black Elk. All tracks recorded between the years 1977 and 1986, almost all previously unissued. For those into classic era Rush, Kansas, Jethro Tull, Thin Lizzy and the like. An absolute must-have release! This double album collection features bonus tracks not found on the CD version! Also comes with a 12 x 24 color poster! (m/m/m) THIS RECORD IS NOW OFFICIALLY OUT OF PRINT! This copy (on the website) is the last. TRACKS: Side A: 1. Thunderdreamer 2. Wooden Birds 3. The Quest 4. And The Pessimist Fled Side B: 1. Metamorphosis 2. The Monotony of Change 3. Change My Ways 4.Danger Stranger* Side C. 1. The Trilogy: I Passage II Restrictions III Revelations Side D. 1. Taking Notes/Feel It* 2. It’s All Gonna Be Alright 3. Video Madness 4.Disco Sux * bonus tracks only on vinyl version -
Audience 8.5 - This band, while known as a blues band, played at rock and roll volume. That is why most of their 70’s recordings are either muddy or distorted. This one is creeping up to the very edge of distortion but it does not cross over – it does max out the headroom of the tape though. Look at the rating, it’s a very, very good recording considering the scarcity…and the amazing set list! Come on, if you are a fan, dive into this one! -
Audience 8.8 - Very nice and clear, with a great low end presence and warm atmosphere. Absolutely lovely to listen to and besides that it’s from a relatively poorly documented tour. Very worthwhile! -
Soundboard 9.5 - Fantastic, sparkling, brilliance! Right up there with the Cleveland show from 1978. -
Audience 7.5 - Two complete shows from 1984 that see very limited trading and as far as I know there’s been no CD release for either. There is good reason for this – these recordings sucked ass. Unfortunate too, because both gigs are screamers. Now, the good news! Both shows have been re-mastered using the best technology available (whatever they did 35 years ago obviously did not do much) and the results are that you can hear music now, you can hear what Eddie is doing and you can hear the band. No, it is not going to be sonically superior, but it is sonically better than any previous versions, and that is saying an awful lot! Best way to enjoy these is to listen to the original recordings and then pop these discs in, and THEN you will understand the work that went into saving these gigs from obscurity. The packaging on this title is superb by the way. -
Soundboard 9.3 - Recently remastered to give a good board tape a much needed kick in the ass. I heard this tape years ago, and I love what was done to bring out the bad-assery this performance was. -
Audience 7.8 - I can handle an average audience tape as long as the guitar is clear, and this one thankfully showcases guitar in the mix and man, I am glad because he is TEARING it up here! At times even the mix gets really good and clear, like the taper is maneuvering for better position so this is a strong 7.8. -
Audience 9.0 - Fantastic! Stunning performance and incredibly realistic feel of the show captured on this tape. Right up close, freakin’ PA’s pumping but recording levels are set proper and you get slammed in the face with a red hot Van Halen. Love this! -
Audience 8.4 - A rather decent tape that delivers a clear representation of the music happening on stage. I found that maybe the levels were a tad hot, but I prefer that over low levels that you end up having to crank up causing terrible hiss. This one is not suffering at all from that problem! -
Soundboard 9.3 -
Soundboard 9.0 - Fierce! -
CD 1-2 - Audience 8.7 - Most Who collectors may already be familiar with this set, sounds like a good tape source is used and it is complete (hence the title) . But wait a minute – we have the second show now too – how is it? CD 3-4 - Audience 8.2 - Somebody tried heroically to remaster this and I have to say, knowing what it used to sound like, they did a great job. Still some noise artifacts present, but man they did bring out a LOT from this unappreciated recording. Kudos to the sound guy! Worth having this set now. -
Audience 9.0 - Fantastic recording really, in fact I can only try and be real nitpicky to try to find anything outright bad about it. It’s close up, warm, atmospheric (I don’t mean echo or reverb either), and pretty good separation of instruments. Kick drum is even present, so it is also detailed. Good One! -
Soundboard 8.8 - Another strange board tape, probably because they used different effects in their live performance that had to be run through the board. Sometimes you also get a little over-driving when the kick drum pedal hits. It’s a blasting board tape, extremely kinetic and strange at times but a lot of fun too. -
Audience 9.0 - High quality microphones placed in the right spot yield terrific results like this. Bravo! -
FM Radio Broadcast 9.6