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Audience 8.8 - A recording that features a pretty wide dynamic range giving you a real feel for the event as it happened.
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Steel Panther Sunset Strip Live December 29, 2017 House Of Blues - Mandalay Bay Las Vegas, Nevada Vocals: Michael Starr - Ralph Michael Saenz Lead Guitar: Satchel - Russell John Parish Bass Guitar: Lexxi Fox - Travis Haley Drums: Stix Zadinia - Darren Leader [01] Intro (1:02) [02] Kickstart My Heart (4:21) - Motley Crue [03] Nothin' But A Good Time (4:05) - Poison [04] Sunset Strip Live banter (4:06) [05] Band Introductions #1 (1:47) [06] La Grange (tease) (0:45) - ZZ Top [07] Band Introductions #2 (4:03) [08] Eyes Of A Panter (3:53) [09] Up All Night (4:01) - Slaughter [10] Stage banter - Guitar Medley (1:42) [11] The Final Countdown (intro) (1:01) [12] The Final Countdown (1:38) - Europe [13] stage banter (2:05) [14] Livin' On A Prayer (4:04) - Bon Jovi [15] Sexy Baby (improv tune) (3:03) [16] stage banter (2:16) [17] Jump (4:07) - Van Halen [18] stage banter (4:52) [19] Hot From A Distance (improv) (0:27) [20] Girl From Oklahoma (intro) (1:59) [21] Girl From Oklahoma (5:01) [22] girls on stage banter (2:47) [23] Photograph (2:44) - Def Leppard [24] Youth Gone Wild (3:40) - Skid Row [25] hot bitches banter (0:45) [26] Community Property (3:52) [27] show closing banter (0:42) [28] Paradise City (6:30) - Guns N' Roses Running Time: 81 minutes -
Soundboard 9.5 - A very nice mix, as if done for a proposed live LP. Band is very tight. -
Aud 8.3 - A legendary gig, mainly because of the covers they play for the encore. The tape has a rough beginning but eventually evens out to reveal a surprisingly powerful capture. Most collectors consider this one a must have and from what I understand this source comes from a master tape. -
Pro FM 9.6 - Sound quality is absolutely spot on but so is the band. They were well rested and rehearsed, and it clearly shows with stunning accuracy and a packed set list too. Get this! -
FM Broadcast 9.0 -
A collection of rare, never before issues tracks originating from Texas during the 1970's. Featuring a handful of demos produced by the group Truck, a band who slipped under the radar and whose music remained undiscovered for decades. The rest of the disc is rounded out by some known and some very obscure acts, some so obscure we do not even know what their name is! These tracks were discovered on an old forgotten multi-track reel that was owned by Ernie Myers (guitarist of Hands out of Dallas, TX.). Studios would frequently reuse reels to save costs, and this particular reel was no exception Tracks were discovered on the end of the reel that was used to record some demos in 1980. All that we know of the band are the first names of the members written on a track sheet inside the tape box. The recordings originated out of a studio called JD&D Sound...and that's it. The music is excellent! -
Released in 2002 on the ShroomAngel Records label, this has been officially reissued in this format. This studio album marked 25 years of the bands existence (hence the title). -
Official reissue from ShroomAngel Records, this is a collection of live (and live in studio) tracks by the 70's Dallas, TX. prog band Hands (before they were known as Hands, they were called Prism). -
Soundboard 9.2 - Another fun show with the boys. Come on, really if you can’t get into this you just need to drink a couple of beers and relax, maybe smoke a doob or something. -
Audience 8.8 & 8.7 - Same taper for both nights, and thankfully this is someone who knew what they were doing as you can tell they diligently set their levels and position to maximize the end results, and man, what end results these are! More probably for the outstanding performance and great house mix, but the tapes have held up well with just maybe a touch of overload in very loud parts that do not annoy, just you may notice it on occasion. Great performances by the band especially Craig who just rips on the guitar on practically every song and even Grace is in excellent form. A must! -
Officially reissued by ShroomAngel, this CD gathers together the 1977 demos recorded by a group of musicians based in the Canterbury section of London. The music is spacey, with Middle East overtones and occasionally reminds of a minimalist version of Steve Hillage. -
Audience 8.8 - A historic concert showcasing the full orchestra, this was to be the final evening for them as it was all dismantled due to financial disaster. The recording is quite good though, vocals have marvelous presence, and the music comes through pretty well with some cluttering (we are talking about dozens of instruments here) in the center, but you will appreciate this in many ways. A real find for the collector,...pretty much indispensable. -
Sale!
Audience 9.0 - Ok, so here’s the deal with this one – skip past the first song because it’s toast, the levels were not set and the distortion is off the charts. After that the taper readjusts levels and off we go to a really nice, atmospheric and clear recording of a powerful show. -
FM Radio 9.4 - Pretty slammin’ stuff here. The band is pretty hot around this time, very confident, with a good set list. Occasional static does make a presence on this tape, but it kind of lurks behind the music rather than over the top of it. -
Audience 8.8 - A great, atmospheric and electrically charged show! Not a lot of heaviness to the bottom, but there is a roundness there, a pleasant to the ears mid rangy kind of sound with a lot of articulation on the high end (not shrill!) which causes the slide work from Duane to fill the hall and make for tons of electricity. Collectors will love this one. Now, one small thing to report, there is sometimes some minor static on the tape (barely noticeable) but it’s no bother. Get this! -
Audience 8.4 - A tape that seems like it’s been heavily re-worked to clean it up and give it some life. Pretty decent, leans towards the upper frequencies a bit, lacks some punch in the center, but it is still a good one. -
Sale!
Audience 8.1 - I was expecting the worst when I became aware of this recently surfaced show, but to my surprise it isn’t all that bad. It’s lacking some depth and low end but it is clear, and close, and shows some detail. It’s a fine recording, and if you have a subwoofer, well there ya go. -
Soundboard 9.5 - The evening before this show in Kansas City, the band had just played a stadium with a stacked line-up, so they were probably pretty amped up for this show. They got to showcase some of the Marathon LP material in front of an appreciative, but much smaller crowd than the night before. A great one! -
Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar. -
Sale!
Audience 8.9 - Just the right amount of sonic clarity and separation of instruments with “live atmosphere” to make for a realistic listening experience. Sounds much like what you could have expected having been there. This was also the last show of the tour. Excellent! -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
Sale!
Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended! -
Audience 7.8 - A little bit rough but its incredible nonetheless…see, truth be told it took me 10 years to finally acquire this show. I have a special interest in it. I will say that, actual audio fidelity, while not hi-fi, is not lo-fi either – it has some power to it (without distortion!) and I LOVE the audience reactions throughout. A fiery gig! -
Soundboard 9.6 - A must for every Kinks collector! The band was REALLY cooking on this tour, here’s some proof. -
Audience 9.4 - Superior to a board tape in my opinion because it is recorded in the way that your ears would have picked up the sound in the venue, with the perfectly balanced stereo mixing and balancing of instruments to each side of the stage. Wonderful! -
Replicated from the masters used to make the LP reissue, this CD release includes a bonus track from a live concert performance in 1976 which was taken from multi-track master tapes. -
Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement. -
Audience 8.9 - You can turn the volume way up and it gets better and better because the wise taper knew what he was doing. The show is incomplete though but you won’t find me complaining. Thankful for what I have, and you will be too! -
SDBRD 9.2 - Must be in every fans collection but if it isn’t, go for it because it’s one of the best shows ever! Disc two is also SDBRD but I rate it a solid 8.9 as it is not as crisp, but it’s still great stuff. -
The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
Soundboard 9.8 - Simply fantastic! A MUST!!!! -
Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing.