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The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
SDBRD 9.2 - Must be in every fans collection but if it isn’t, go for it because it’s one of the best shows ever! Disc two is also SDBRD but I rate it a solid 8.9 as it is not as crisp, but it’s still great stuff. -
Audience 8.9 - You can turn the volume way up and it gets better and better because the wise taper knew what he was doing. The show is incomplete though but you won’t find me complaining. Thankful for what I have, and you will be too! -
Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement. -
Replicated from the masters used to make the LP reissue, this CD release includes a bonus track from a live concert performance in 1976 which was taken from multi-track master tapes. -
Audience 9.4 - Superior to a board tape in my opinion because it is recorded in the way that your ears would have picked up the sound in the venue, with the perfectly balanced stereo mixing and balancing of instruments to each side of the stage. Wonderful! -
Soundboard 9.6 - A must for every Kinks collector! The band was REALLY cooking on this tour, here’s some proof. -
Audience 7.8 - A little bit rough but its incredible nonetheless…see, truth be told it took me 10 years to finally acquire this show. I have a special interest in it. I will say that, actual audio fidelity, while not hi-fi, is not lo-fi either – it has some power to it (without distortion!) and I LOVE the audience reactions throughout. A fiery gig! -
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Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended! -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
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Audience 8.9 - Just the right amount of sonic clarity and separation of instruments with “live atmosphere” to make for a realistic listening experience. Sounds much like what you could have expected having been there. This was also the last show of the tour. Excellent! -
Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar. -
Soundboard 9.5 - The evening before this show in Kansas City, the band had just played a stadium with a stacked line-up, so they were probably pretty amped up for this show. They got to showcase some of the Marathon LP material in front of an appreciative, but much smaller crowd than the night before. A great one! -
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Audience 8.1 - I was expecting the worst when I became aware of this recently surfaced show, but to my surprise it isn’t all that bad. It’s lacking some depth and low end but it is clear, and close, and shows some detail. It’s a fine recording, and if you have a subwoofer, well there ya go. -
Audience 8.4 - A tape that seems like it’s been heavily re-worked to clean it up and give it some life. Pretty decent, leans towards the upper frequencies a bit, lacks some punch in the center, but it is still a good one. -
Audience 8.8 - A great, atmospheric and electrically charged show! Not a lot of heaviness to the bottom, but there is a roundness there, a pleasant to the ears mid rangy kind of sound with a lot of articulation on the high end (not shrill!) which causes the slide work from Duane to fill the hall and make for tons of electricity. Collectors will love this one. Now, one small thing to report, there is sometimes some minor static on the tape (barely noticeable) but it’s no bother. Get this!