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Audience 7.3 - A rough document that reminds me a little bit of the Boston 1969 tape. There’s a lot of inherent noise within the bandwidth of the poor old analog tape trying to capture the sheer power of the Who in 1969, but you know it does manage to get enough that you can adjust and start to get into it. It’s raucous, yup, but so was the band! -
Audience 7.8 (from vinyl source) - Pretty strong if a little bass heavy (good!). Vocals up front, some vinyl noise present – adds a bit of nostalgia to the bootleg! -
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Audience 9.0 - Ok, so here’s the deal with this one – skip past the first song because it’s toast, the levels were not set and the distortion is off the charts. After that the taper readjusts levels and off we go to a really nice, atmospheric and clear recording of a powerful show. -
Audience 8.1 - A shaky start to this recording, but it smooths out and becomes listenable with clear vocals that rise up and out of the depths. The interesting thing about this show is that Pete is nailing all his solos with precision, a rare thing to be honest. The band is in fine form, they even play “However Much I Booze” which was only done a handful of times on this tour. -
Audience 7.5 - Overloaded tape, but surprisingly isn’t distorting, it just can’t contain the power of The Who in 1970. That being said, I bet even the casual fan will find something redeeming here – a loud concert whereby at least you can hear everything – loudly! I kind of got into it, by the time Young Man Blues kicks in, you are in this for the duration. -
Audience 8.7 - Very good! Much wider stereo sound field with some hall dynamics present, and just a little less definition with Pete in the mix but it's actually got a great live feel to it. Highly enjoyable. -
Audience 7.1 - Somewhat distant and an underlying cacophony but there is a reason why Who collectors go for the 1972 European tour tapes – quality be damned – because the band was really peaking at this time. So, good show, average recording. -
Audience 8.0 - Loud, very up front and loud but it’s just great. Not technically great, if you want to cross hairs, but a very solid tape and one worthy of consumption. -
Soundboard 7.8 - The main problem here is the funky mix. It may be a monitor mix, because where the instruments are placed and how they are mixed overall not only changes occasionally, but seem to indicate this is probably just that, a monitor mix. -
Audience 8.7 - This tape barely contains the driving, relentless energy of the Who. It does, in fact, manage to remain somewhat stable even if Roger gets a little lost in the mix. Sheer power, loudness that probably caused some major hearing loss for a few folks. -
Audience 8.9 - Very lively, great atmosphere! Sound is very very good, and the mix that gets to your ears includes everything happening on stage but what I really love is the sound of the drums. Fills the arena yet is pretty tight, with that slight bouncing off the walls effect that gives an almost 360 degree experience. The Who June 11, 1974 Madison Square Garden, NYC disc one: 01 - I Can't Explain 02 - Summertime Blues 03 - Young Man Blues 04 - Baba O' Riley 05 - Substitute 06 - 5 15 07 - Behind Blue Eyes 08 - Tattoo 09 - Boris The Spider 10 - Bell Boy 11 - Dr. Jimmy Disc 2 01 - Won't Get Fooled Again 02 - Pinball Wizard 03 - See Me, Feel Me 04 - My Generation - My Generation Blues 05 - Punk And The Godfather 06 - Drowned -
Audience 8.8 - Once the taper settles in this show sounds fantastic! Clear, decent mix and great atmosphere. A real treat! -
Audience 8.6 This is a pretty common Who boot, and, well, it’s fine but to me I thought guitar was too low in the mix. It’s a rollicking good show, bass, vocals sound strong followed by Moon, and to be fair, during quieter parts Townshend’s guitar is clearer. It’s during the heavy parts where guitar loses force (it’s there, it’s not completely gone!) and probably it saves the tape deck from overloading so I’d rather it a little behind in the mix than completely distorting the tape. THE WHO Alameda County Stadium, Oakland, Ca 10. Oct. 1976 Disc 1: 01. -I Can't Explain 02. -Substitute 03. -My Wife 04. -Baba O'Riley 05. -Squeeze Box 06. -Behind Blue Eyes 07. -Dreaming From The Waist 08. -Magic Bus 09. -Amazing Journey 10. -Sparks Disc 2: 01. -The Acid Queen 02. -Fiddle About 03. -Pinball Wizard 04. -I'm Free 05. -Tommy's Holiday Camp 06. -We're Not Gonna Take It 07. -See Me Feel Me 08. -Summertime Blues 09. -My Generation 10. -Join Together 11. -My Generation Blues 12. -Won't Get Fooled Again encore: 13. -Shakin' All Over 14. -Spoonful 15. -Johnny B. Goode -
Audience 8.4 - Not a bad stadium recording that has a huge atmosphere and consequently not the best definition, although Roger soars high above with his articulate vocals. Bass is the underlying foundation of this recording…probably worth getting as it does seem to edge out a large portion of Euro ’70 tour tapes. THE WHO Stadthalle, Offenbach, West-Germany Sept. 13, 1970 Disc 1: 01. Heaven And Hell 02. I Can't Explain 03. Young Man Blues 04. Don't Even Know Myself 05. Water 06. Overture 07. It's A Boy 08. 1921 09. Amazing Journey > 10. Sparks 11. Eyesight To The Blind 12. Christmas 13. The Acid Queen 14. Pinball Wizard Disc 2: 01. Do You Think It's Alright? xx. Fiddle About (missing?) 02. Tommy Can You Hear Me? 03. There's A Doctor 04. Go To The Mirror! 05. Smash The Mirror 06. Miracle Cure 07. I'm Free 08. Tommy's Holiday Camp 09. We're Not Gonna Take It > 10. See Me Feel Me 11. Summertime Blues 12. Shakin' All Over > 13. Twist And Shout 14. My Generation > 15. Naked Eye > 16. Magic Bus approx. 117 mins -
Audience 7.7 - Pretty decent recording, rather quiet audience this time. The sound rings out clear. My hunch is this may be a vinyl source but it’s been handled properly. Really good for the time. -
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Audience 7.7 - A distant recording, and some hiss present, but the music can be discerned. Not going to have a lot of dynamics, but for collectors out there, you can enjoy this one for what it is…and it continues to fill in the missing pieces of the Keith Moon years.