Pro 9.5/Aud. 8.8/Aud.9.4 - The main attraction I would say is the Nokia 09 show which is fantastic audience tape with lots of brightness, atmosphere, and enough punch to really elevate the listening experience. The Disc 1 LA main set is also great, and of course the highlight for me being his flawless rendition of Spanish Castle Magic. The Tonight Show tracks are obviously pro recordings and are nice to have since it was so long ago who keeps up with it anymore? A great title for the collection!
-
Prince Club Nokia Los Angeles, CA. March 29, 2009 & Conga Room, LA. 3-28-09 + Bonus Disc 1 1. Intro By Jay Leno (Tonight Show 3-25-09) 2. Purple Rain - O'l Skool Company (Tonight Show 3-25-09) 3. Intro By Jay Leno (3-26-09) 4. Dreamer (3-26-09) 5. Feel Better, Feel Good, Feel Wonderful (Tonight Show 3-27-09) Conga Room 3-28-09 6. Soundcheck - Prince Remembers Sonny T. 7. I'm Yours 8. Colonized Mind 9. Chaos & Disorder 10. With A Little Help From My Friends 11. Prince Remembers Michael B. 12. I Like It There 13. All Shook Up 14. Empty Room 15. Peach 16. Spanish Castle Magic 17. When You Were Mine 18. Guitar 19. Prince Remembers Touring With Tamar 20. Dreamer Club Nokia, LA. 3-29-09 21. The Beautiful Ones 22. Nothing Compares 2 U Disc 2 1. Under The Cherry Moon 2. Dreamin' About U 3. When Eye Lay My Hands On U 4. Journey To The Center Of Your Heart 5. The Sun, The Moon And Stars 6. Sometimes It Snows In April 7. When The Lights Go Down - Over The Rainbow 8. Eye Luv You, But Eye Don't Trust U Anymore 9. Prince Discusses AEG Live 10. She Spoke 2 Me 11. Life Is Like Looking 4 A Penny In A Large Room With No Light 12. Sweet Thing 13. Insatiable 14. Scandalous -
Studio Quality 9.5 - This 2CD set compiles some of the best uncirculating or hard to find Badfinger demos and studio outtakes. Many other worthy tracks were excluded since they already appear in excellent quality on other collections. (ie. Apple Demos 1970-1972 and Complete Ass). Highlights include a 'new' version of Coppertoone Blues, the speed corrected demo of Without You (I Can't Live), the first appearence on CD of an alternate 'piano version' of Do You Mind and the rough mixes of several tracks from their classic Apple-era. In addition the original mix of the 1974 'Head First' album taken from cassette obtained directly from Mike Gibbins in the late 90's. These 1974 mixes are different from the 2000 Snapper CD mixes and are a major upgrade from other circulating copies.Badfinger Without You 1968 - 1975 Demos, Outtakes and Rarities Disc 1 01 Carry On Til Tomorrow – 1969 Demo 02 Knocking Down Our Home – 1968 Demo Given To Paul McCartney 03 Maybe Tomorrow – 1969 Recording For B66bc Radio 04 John Forgot To Sing – 1970 Pete Ham Demo 05 No Matter What – 1970 Early Mix W / Alternate Lead Vocal 06 I Can Not Take It – 1970- Alternate / Extended Mix – No Horns 07 No Matter What – 1970 ‘Top Of The Pops’ Live Vacal Version With Fixed Intro 08 Without You – 1969 Pete Ham Demo 09 Without You – 1969 Tom Evans Demo- Speed Corrected 10 We’re For The Dark – 1970 Alternate Mix- Different Guitar Overdubs, No Horns Or Strings 11 I’ll Be The One – 1970 Rehearsal 12 Take It All – 1971 Pete Ham Demo 13 Day After Day – 1971 Rough Mix Alternatelead Vocal And Lacking Overdubs 14 Name Of The Game – 1971 Unreleased Al Kooper Single Mix 15 Do You Mind – 1972 “Ass” Outtake – 1st Unreleased Version From Upgraded Source 16 Do You Mind – “Ass” Outtake – Piano Based Version – Unreleased To Date 17 Coppertone Blues – New Composite Version From Original Pete Ham Demo And 1972 “Ass” Outtake Backing Track 18 Shine On – 1973 Rehearsal 19 Oh Wow – 1973 Unfinished Track From Self-titled Warner Bros. Sessions – Aka ‘Love My Lady’ 20 Song For A Lost Friend – 1973 Rough Mix Of Finished Take With Extened Ending 21 Where Do We Go From Here – 1973 Rough Mix Of Finished Take With Piano vs. Steel Drums 22 It Does Not Really Matter – 1974 Undubbed Pete Ham Demo 23 Just How Lucky We Are – 1974 Longer Pete Ham Demo 24 Ringside – 1975 1st Pete Ham Demo 25 Ringside – 1975 Longer Pete Ham Demo – One Of His Final Recordings 26 Dennis – 2006 Edit Version From ‘Perfection; The Songs Of Badfinger’s Pete Ham & Tom Evans Promo Disc 2 01 Lay Me Down – Alternate Take Warner Bros. Mix 02 Turn Around – Alternate Take Warner Bros. Mix 03 Keep Believing – Alternate Take Warner Bros. Mix 04 Rockin ‘Machine – Alternate Take Warner Bros. Mix 05 Passed Fast – Alternate Take Warner Bros. Mix 06 Saville Row – Alternate Take Warner Bros. Mix 07 Moonshine – Alternate Take Warner Bros. Mix 08 Rock ‘N’ Roll Contract – Alternate Take Warner Bros. Mix 09 Back Again – Alternate Take Warner Bros. Mix 10 Hey, Mr Manager -. This Is The Rough Mix Done By Engineer Phil Mcdonald, At Apple Studios On December 15th, 1974. SECRET BONUS TRACKS 11 Piano Red - unreleased 12 Sweet Tuesday Morning - alternate take 13 No Good At All - unreleased 14 Loving You - alternate version 15 Dreaming - unreleased 16 Rock 'N' Roller - unreleased 17 Regular - alternate version 18 Regular - alternate mix 19 When I Say - early mix 20 Blind Owl - early rehearsal 21 Timeless - early take 22 Timeless - alternate take 23 I Can Love You - take 7 -
Audience 9.0 -A lovely, intimate sounding show. Now, don't get me wrong, there seems to be a large audience but the quality of the capture feels smaller, closer, warmer than your average midsize venue.Ry Cooder and The Moula Banda Rhythm Aces Mayfair Theatre Santa Monica, CA March 16, 1987 Late Show Disc 1 01 Showtime Intro 02 Little Sister 03 Smack Dab In the Middle 04 Go Home Girl 05 If Walls Could Talk 06 Money Honey 07 How Can A Poor Man Stand Such Times And Live 08 One Meat Ball Disc 2 09 Women Will Rule The World 10 Jesus On The Mainline 11 He'll Have To Go 13 Crazy 'Bout an Automobile (Every Woman I Know) 14 Canción Mixteca 15 La Bamba - Twist And Shout Jim Keltner - drums Ry Cooder - guitar, vocals Van Dyke Parks - keys Jorge Calderon - bass Flaco Jimenez - accordion Miguel Cruz - percussion Steve Douglas - sax George Bohannon - trombone Bobby King - tenor Terry Evans - baritone Arnold McCuller - tenor Willie Green Jr - bass -
Audience 9.4 - Excellent sound and atmosphere, enough audience participation near the taper to remind you that you're part of a live concert but not enough to interfere which in my estimation is what lends a missing element to most sdbrd tapes. I'd officially release this if I was the band.Tygers Of Pan TangNakano SunplazaTokyo, JapanSept. 30, 1982Disc 101. Intro 02. You Always See What You Want To See 03. Lonely At The Top 04. Letter From L.A. 05. Blackjack 06. Never Satisfied 07. Paris By Air 08. Tides 09. Wild Catz 10. Don't Stop By 11. Suzie Smiled 12. Love Don't Stay 13. The Actor 14. Slave To FreedomDisc 201. Love Potion #9 02. Life Of Crime 03. Hellbound 04. Raised On Rock 05. Gangland 06. Outro -
Audience 8.7 - While this tape may not enjoy the same clarity as some of the Japan 82 recordings, it does have a good powerful delivery nonetheless. Vocals come through the clearest, but the combination of bass, and guitars follows with the force of a piledriver to your skull...and I rather like it. The bonus here is the inclusion of the set by the band The Rods, and having never heard of any live tapes of them before, it was a most welcome addition to this great vintage Iron Maiden set.Iron Maiden Colston Hall Bristol, England 1982-03-11 Disc 1 {79:49} 01 - Intro [Doctor Doctor] ........ 3:39 02 - The Ides of March ............ 0:51 03 - Murders in the Rue Morgue .... 3:28 04 - Wrathchild ................... 3:32 05 - Run to the Hills ............. 4:25 06 - Children of the Damned ....... 4:46 07 - The Number of the Beast ...... 5:31 08 - Another Life ................. 3:43 09 - Killers ...................... 5:39 10 - 22 Acacia Avenue ............. 6:31 11 - Total Eclipse ................ 4:12 12 - Drum Solo .................... 3:20 13 - Transylvania ................. 6:12 14 - The Prisoner ................. 5:48 15 - Hallowed Be Thy Name ......... 7:14 16 - Phantom of the Opera ......... 6:51 17 - Iron Maiden .................. 3:58 Disc 2 {63:50} 01 - Sanctuary .................... 6:52 02 - Drifter ...................... 7:46 03 - Running Free ................. 5:03 04 - Prowler ...................... 4:32 Bonus Rods 05 - Rocking And Rolling .......... 3:26 06 - Waiting For Tomorrow ......... 4:02 07 - Get Ready To Rock 'n' Roll ... 5:34 08 - Nothing Going On In The City . 3:32 09 - Too Hot To Stop .............. 4:07 10 - Crank It Up .................. 5:54 11 - Getting Higher ............... 3:42 12 - Drum Solo .................... 3:50 13 - Power Lover .................. 5:23 -
Audience 9.2 - Here we have a real treat for those who now realize what we had in our youths with the "Seattle Sound" as epitomized by Soundgarden, a sound that fit the times very appropriately. Now for the kicker: This show not only sounds great but has plenty of fun moments with Chris Cornell and the audience (I think he's a bit toasty on the potent German suds). What I liked most is the live sound here is mixed well for the guitars especially, only Chris gets a bit drowned out during the extreme volume heavier parts but overall it's hitting the sweet spot, at least for me.SOUNDGARDEN April 1, 1994 Musikhalle Frankfurt, Germany Disc 1 01. Night Surf (intro) 02. Jesus Christ Pose 03. Spoonman 04. Let Me Drown 05. Mailman 06. The Day I Tried To Live 07. My Wave 08. Room A Thousand Years Wide 09. Black Hole Sun 10. Searching With My Good Eye Closed - It's A Beautiful Day 11. Superunknown Disc 2 15 12. Rusty Cage 13. Half 14. Mind Riot 15. Fell On Black Days 16. Hands All Over 17. Kickstand 18. Like Suicide 19. Face Pollution 20. encore break 21. Somewhere 22. Head Down 23. Limo Wreck -
Audience 9.0 - A big sound here, and I mean it can be asbig as you want because there's just enough headroom here to add volume without fear of too much of any one thing to take away from other frequencies. It's an even sounding mix, with maybe just a little more emphasis on the massive bass/guitar attack. But even then, you still get all the vocals and drums you need...its a well rounded recording giving you sense of venue as one more benefit that comes with audience recordings.
BLACK SABBATH Mayflower Theatre Southampton, UK 6th September 1992 Disc 1 1. E5150 2. The Mob Rules 3. Computer God 4. Children of the Sea 5. Time Machine 6. War Pigs 7. I 8. Die Young 9. Guitar Solo 10. Black Sabbath Disc 2 1. Master of Insanity 2. After All (The Dead) 3. Drum Solo 4. Iron Man 5. Heaven and Hell 6. Neon Knights Ronnie James Dio - Vocal Tony Iommi - Guitar Geezer Butler - Bass Vinny Appice - Drums Geoff Nicholls - Keyboards -
Audience 9.0/9.2 - Two very good captures that convey a lot of information, most notably the popularity of the band at such an early stage of their careers, and that the Japanese used very high quality taping gear and knew instinctively how to stealth record a rock show. This is good for historical purposes in that these recordings always eventually take on much more significance with the passage of time. This is my argument for why artists should relax their stances against "bootlegging" because while your moment may be on the surface a commercial venture, in the long run it is a milestone not just for the artist in their career but in the overall culture and therefore should be, if possible, preserved. End of rant.
Judas Priest Japan Tour 1978 Disc 1 Nagoyashi-Kokaido Nagoya, Japan August 3, 1978 1. Intro 2. The Great Gates Of Kiev 3. Exciter 4. White Heat, Red Hot 5. The Ripper 6. Sinner 7. Beyond The Realms Of Death 8. Better By You, Better Than Me 9. Victim Of Changes 10. Diamonds And Rust 11. Genocide 12. Starbreaker 13. Tyrant Disc 2 Festival Hall Osaka, Japan August 5, 1978 1. The Great Gates Of Kiev 2. Exciter 3. White Heat, Red Hot 4. The Ripper 5. Sinner 6. Beyond The Realms Of Death 7. Better By You, Better Than Me 8. Victim Of Changes 9. Diamonds And Rust 10. Genocide 11. Starbreaker 12. Tyrant -
SDBRD 9.2/Audience 8.8 - Two sources comprise this offering, with the first (and thankfully the bulk of the recording) being very good quality, I would say excellent more precisely. Being a soundboard it does come off a little on the dry side, and by contrast the audience taped portion (the last 1/3 of the show) is very good, and lively, which wakes up certain instruments giving them more accuracy as far as what they actually sounded like coming through the at the show. The guitar in particular has a different attack and dynamic from the audience tape, in a good way. This is almost the perfect example of what kind of differences there are, both positive and negative, between a board and an audience tape source.
Frank Zappa Hemmerleinhalle Neunkirchen am Brand, West Germany 25-Feb 1978, Disc 1 01 The Purple Lagoon 02 Dancin' Fool 03 Peaches En Regalia 04 The Torture Never Stops 05 Tryin' To Grow A Chin 06 City Of Tiny Lights 07 Baby Snakes 08 Pound For A Brown 09 Is That Guy Kidding Or What 10 I Have Been In You Disc 2 11 Flakes 12 Broken Hearts Are For Assholes 13 King Kong (incl White Person, YCDTOSA 6) 14 Wild Love 15 Yo Mama 16 San Berdino 17 Watermelon In Easter Hay 18 Dinah Moe Humm 19 Black Napkins -
Audience 9.3 - The secret to making a lifelike stealth recording is knowing what kind of microphone to use and how to operate peak level control meters. If you master those two aspects, the rest comes down to location inside the venue and physical handling of the gear. In this case, every element is handled appropriately with excellent results. There's a reason why they call the taper (Mike Millard RIP) Mike The Mic. Moody Blues Pacific Amphitheatre Costa Mesa, CA August 30, 1990 Disc 1 01 Lovely To See You 02 Gemini Dream 03 The Voice 04 Rock 'N' Roll Over You 05 Tuesday Afternoon 06 I Know You're Out There Somewhere 07 The Story In Your Eyes 08 Your Wildest Dreams 09 Isn't Life Strange Disc 2 10 The Other Side Of Life 11 I'm Just A Singer (In A Rock And Roll Band) 12 Nights In White Satin 13 Legend Of A Mind 14 Question 15 Ride My See-Saw -
Audience 9.4 - Having listened very critically to this performance, I offer the following conclusion: BRILLIANCE. Simply put, this is a mature John McLaughlin leading an ensemble through a series of confident, muscular, thought-provoking pieces of jazz-rock music that goes into many more places than the old band ever did. Does that mean it's all fire and speed? No, it's really not, although there are places where it is appropriate and the band goes there...with the utmost confidence. Bravo to John McLaughlin for knowing the strengths of his band and really allowing all of them to shine. Very mature and a positive outcome was the result. Great recording too! Mahavishnu Bottom Line New York City, NY August 14, 1985 Early Show Disc 1 01 Tuning 02 Radio - Activity 03 Clarendon Hills 04 Nostalgia 05 East Side West Side 06 Jonas Hellborg Solo - Little Wing Disc 2 07 Living In The Crest Of A Wave 08 Flight Of The Falcon 09 Nem Um Talvez 10 Just Ideas - Jozy 11 Pacific Express - Gottlieb Solo 12 Unknown title - Are You The One? Are You The One? -
Audience 9.7 - It takes the soundman a little while to dial it in, I mean, there's a lot going on so give him a break! Once he gets his mix right, it's off to the raises and one heck of a winning ticket. This is one of the best, Alan White has never been as fluid, even with the extended and complex jamming he's on every beat like a beastmaster. Steve Howe is in excellent form, in fact they all are...amazing! Yes Long Beach Arena Long Beach, CA June 23, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium 06 Your Move Disc 2 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 The Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams Jon Anderson - Vocals Chris Squire - Bass Steve Howe - Guitar Alan White - Drums Patrick Moraz - Keyboards -
Soundboard 9.6 - Superb recording that delights the senses in every way with precision attack. The distortion this band uses does not in any way mask imperfection as so many other bands use it for, in fact the band is unbelievably tight, and the mix highlights each of them in a very harmonious way but especially tantalizing is the bass sound and placement in the mix. You'd expect, and even almost prefer that the vocals be the star of the show but they are not particularly highlighted as good as they are. The guitar solos are breathtaking, and each player is panned to one side in a non-synthetic stereo sound-field giving the listener a sense of space, like natural surround sound. Great great recording! Stryper B.B. Kings Blues Club New York, NY. Sept. 24, 2005 Disc 1 1. Intro 2. For You 3. Open Your Eyes 4. Make You Mine (cut) 5. Loud N Clear 6. Loving You 7. The Rock That Makes Me Roll 8. Reach Out 9. Calling On You 10. Free 11. Lady 12. Honestly 13. Passion Disc 2 14. All For One 15. Band Intros - Drum Solo 16. Live Again 17. Reborn 18. The Way 19. To Hell With The Devil 20. More Than A Man 21. Soldiers Under Command 22. Closing Prayer -
Audience 9.7 - Spectacular, crystal clear and lush sound makes you sink deeply into this one. For some, the Grateful Dead are not easily understood, but this show and this recording can easily be understood as beautiful music played with passion and talent galore. Now, to be honest, this set is missing an important segment, the "space/drums" part is conspicuously absent, but there is still plenty of lengthy workouts to keep you engaged with the psychedelic overtones of a Dead concert as well as the more bluegrass and bluesy numbers. All in all this is one for the history books. Grateful Dead Long Beach Arena Long Beach, CA December 13, 1980 Disc 1 01 Feel Like A Stranger 02 Sugaree 03 C.C. Rider 04 To Lay Me Down 05 Minglewood Blues 06 Ramble On Rose 07 Lost Sailor 08 Saint Of Circumstances Disc 2 09 Deal 10 Scarlet Begonias 11 Fire On The Mountain 12 Playing In The Band 13 Not Fade Away 14 Black Peter 15 Sugar Magnolia 16 One More Saturday Night -
Audience 9.0 - A warm, comfortable recording. Plenty of headroom, and a good instrument balance. The music is challenging and expertly performed, stuff like this is why a hardly every play my guitar anymore. What's the point? Chris Impelliterri is a beast! Impellitteri Umeda Club Quattro Osaka, Japan May 29, 2015 Disc 1 01. Carl Orff Carmina Burana 02. The King IS Rising 03. Speed Demon 04. Warrior 05. Time Machine 06. Power Of Love 07. Guitar Solo 08. We Own The Night 09. Guitar Solo 10. Stand In Line 11. Face The Enemy 12. Venom Disc 2 01. Garden Of Eden 02. Wicked Maiden 03. Drum Solo 04. The Future Is Black 05. Lost In The Rain 06. Band Introductions 07. Answer To The Master 08. Jam Session 09. Warrior -
Audience 9.0 - A clean and well made recording that allows for increase of volume without causing headaches! Everything is very well balanced, guitars and bass are in the pocket and drums sound spectacular. Every now and then you get that slight phasing effect that typically happens if someone passes in front of the mic...very briefly, and it does not distract. Impellitteri Umeda Club Quattro Osaka, Japan June 4, 2019 Disc 1 01. Intro 02. Carmina Burana 03. The King Is Rising 04. Warrior 05. Run For Your Life 06. Father Forgive Them 07. Wicked Maiden 08. We Own The Night 09. Lost In The Rain 10. Over The Rainbow 11. Crazy Train Disc 2 01. Stand In Line 02. Jam (Smoke On The Water, Man On The Silver Mountain, Burn) 03. Since You've Been Gone 04. Answer To The Master 05. The Future Is Black 06. Hypocrisy 07. Band Introductions 08. Symptoms Of The Universe