• Audience 9.6 - Hard to tell if this is Soundboard or Audience, it is that good. My best guess is that it is a Pro Audience, very good gear - probably open reel to reel.
  • Audience 7.7 - Lo-fi but surprisingly clear with a good biting guitar tone, and solid bass. Drums kind of buried.
  • Audience 8.8 - The taping duo responsible for this (and many others) one really knew what they were doing. There’s a few from this venue that unfortunately have overloaded levels, but not this one. This is a smooth ride, well worth the price of a ticket!
  • Audience 8.8 - A strong recording, clear and a good mix allowing you to hear all of the on stage happenings. A small amount of hiss is present, but this is inconsequential especially while the music is playing. A real good one and a real good tour.
  • Audience 7.2 - Sound not good but artwork is spectacular. For collectors only.
  • Audience 8.4 - A rather decent tape that delivers a clear representation of the music happening on stage. I found that maybe the levels were a tad hot, but I prefer that over low levels that you end up having to crank up causing terrible hiss. This one is not suffering at all from that problem!
  • Audience 9.6 - What makes this such an excellent recording imho is that the sound is not only really balanced, but mix-wise it is also superb. I mean, the punch of the bass, the crispness of the drums, the airiness of the keys, guitar right in the pocket…fuck what else do you want? It’s just excellence and your ears be the judge but mine are pretty spot on usually so…yeah, get this one.
  • Radio Broadcast 8.3 - A few generations down, some hiss, but you will love it anyway.
  • Pro Studio 9.8 - A better collection there never was. Perfect, and I don’t just mean sound quality, I also mean the work itself. A MUST have! Traveling Wilburys "Family Tree Volume II" 1. -Handle With Care 2. -Every Little Thing 3. -Walk Away 4. -You Got It 5. -This Is Love 6. -California Blue 7. -The Trembler 8. -I Won't Back Down 9. -Devil's Radio 10. -Fish In The Sand 11. -Got My Mind Set On You 12. -I Drove All Night 13. -End Of The Line I 14. -Dirty World 15. -Rattled 16. -Last Night 17. -Congratulations 18. -Heading For The Light 19. -End Of The Line II  
  • TREAT - Live in Milano, Italy (2016).     (Silver Pressed) Recorded and filmed at the Frontiers Rock Festival, Trezzio, Milano, Italy on April 23, 2016.  
  • FM Radio Broadcast 8.8 - A tape that has held up decently over the years but does not have the expected clarity associated with a radio broadcast. That being said, it’s still very good, has the depth and dynamics just enough for a progressive rock performance on par with the likes of ELP. Great material here…a band that should have continued on but for disco taking over and what not. Tritonus Nachtmusik WDR Radio,Germany 1977-03-24 01. -Between the Universes 02. -Escape And No Way Out 03. -Mars Detection 04. -The Day Awakes 05. -The Day Works 06. -Far in the Sky Peter Seiler (keyboardist) Rolf D. Schnapka (bass, vocals) Arthur Weiss (drums)  
  • Soundboard 9.3 - Of course it’s great but I am not too thrilled with the sound of the drums.
  • Soundboard 9.3 - Mixed well for a live broadcast, so you get a really good sense of what this band was about on the live stage. Now, I always kind of wondered really what these guys were about, and history can now reveal all of that, but my take is that they certainly owed a lot to Rush – that said they took that general presentation to a more FM friendly place. It worked for a while… Triumph Sports Arena Los Angeles, CA March 8, 1985   FM-sourced; lineage unknown  
    1. Intro
    2. Interview
    3. Show Start
    4. When The Lights Go Down
    5. Magic Power
    6. Never Surrender
    7. Allied Forces
    8. Lay It On The Line
    9. Midsummer’s Daydream
    10. Time Goes By
    11. World Of Fantasy
    12. Drum Solo
    13. Rock & Roll Machine
    14. Guitar Solo
    15. Spellbound
    16. Encore Intro
    17. Fight The Good Fight
  • Soundboard 8.7 - Raw, unfiltered and killer. Sure, it ain’t perfect, it is a little squishy and compressed but it’s all there, and there’s plenty of headroom if you want to add Equalizer or even some reverb would help.
  • Audience 7.8 – 8.5 - Why the variable rating? Because the music was excessively loud and during extreme sections of music, there is distortion right in the middle frequency. What does this mean? Well, before the re-master it meant that you could not hear what was going on except for quieter passages (which incidentally sound great, and there is a lot of it since this was a band that played complex, dynamic music) but thankfully now a lot of that has been mitigated. It is still cluttered a bit when at full volume (really gives you an idea of how loud this show must have been) but MUCH better and easier on the ears now. Is it worth it?  I would say probably yes, but I know most prog enthusiasts are also critical of audio fidelity so there’s that. For me, I still got into this one, knowing the improvement made to the tape allowed me to give it a chance and I am glad I did. Triumvirat Palace Theatre Providence, RI 12 October 1974 01 Illusions on a Double Dimple - Flashback - Schooldays - Triangle - Illusions - Dimplicity - Last Dance 02 Mister Ten Percent - Maze - Dawning - Bad Deal - Roundabout - Lucky Girl - Million Dollars Personnel: Jürgen Fritz: piano, synthesizers Helmut Köllen: bass, acoustic guitars, vocals Hans Bathelt: drums and percussion
  • Ranges 7.7 to 8.7 - Not a lot out there on this band. After listening you will gain an appreciation for them and maybe compare them to ELP and you could be forgiven for that. Sound quality is not spectacular but neither is it dog shit. I think this music should be remastered because it is excellent heavy prog!

Title

Go to Top