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Official reissue from ShroomAngel Records, this is a collection of live (and live in studio) tracks by the 70's Dallas, TX. prog band Hands (before they were known as Hands, they were called Prism). -
Soundboard 9.2 - Another fun show with the boys. Come on, really if you can’t get into this you just need to drink a couple of beers and relax, maybe smoke a doob or something. -
Audience 8.8 & 8.7 - Same taper for both nights, and thankfully this is someone who knew what they were doing as you can tell they diligently set their levels and position to maximize the end results, and man, what end results these are! More probably for the outstanding performance and great house mix, but the tapes have held up well with just maybe a touch of overload in very loud parts that do not annoy, just you may notice it on occasion. Great performances by the band especially Craig who just rips on the guitar on practically every song and even Grace is in excellent form. A must! -
Officially reissued by ShroomAngel, this CD gathers together the 1977 demos recorded by a group of musicians based in the Canterbury section of London. The music is spacey, with Middle East overtones and occasionally reminds of a minimalist version of Steve Hillage. -
Audience 8.8 - A historic concert showcasing the full orchestra, this was to be the final evening for them as it was all dismantled due to financial disaster. The recording is quite good though, vocals have marvelous presence, and the music comes through pretty well with some cluttering (we are talking about dozens of instruments here) in the center, but you will appreciate this in many ways. A real find for the collector,...pretty much indispensable. -
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Audience 9.0 - Ok, so here’s the deal with this one – skip past the first song because it’s toast, the levels were not set and the distortion is off the charts. After that the taper readjusts levels and off we go to a really nice, atmospheric and clear recording of a powerful show. -
FM Radio 9.4 - Pretty slammin’ stuff here. The band is pretty hot around this time, very confident, with a good set list. Occasional static does make a presence on this tape, but it kind of lurks behind the music rather than over the top of it. -
Audience 8.8 - A great, atmospheric and electrically charged show! Not a lot of heaviness to the bottom, but there is a roundness there, a pleasant to the ears mid rangy kind of sound with a lot of articulation on the high end (not shrill!) which causes the slide work from Duane to fill the hall and make for tons of electricity. Collectors will love this one. Now, one small thing to report, there is sometimes some minor static on the tape (barely noticeable) but it’s no bother. Get this! -
Audience 8.4 - A tape that seems like it’s been heavily re-worked to clean it up and give it some life. Pretty decent, leans towards the upper frequencies a bit, lacks some punch in the center, but it is still a good one. -
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Audience 8.1 - I was expecting the worst when I became aware of this recently surfaced show, but to my surprise it isn’t all that bad. It’s lacking some depth and low end but it is clear, and close, and shows some detail. It’s a fine recording, and if you have a subwoofer, well there ya go. -
Soundboard 9.5 - The evening before this show in Kansas City, the band had just played a stadium with a stacked line-up, so they were probably pretty amped up for this show. They got to showcase some of the Marathon LP material in front of an appreciative, but much smaller crowd than the night before. A great one! -
Soundboard 9.4 - What a great year for Santana, really it all came together 71-72 and they were smart to record a number of shows in preparation for the live album release that became known as "Lotus" (the Japan 1972 show which is great). Any one of these other ’72 shows could have been the album as they are all stellar. -
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Audience 8.9 - Just the right amount of sonic clarity and separation of instruments with “live atmosphere” to make for a realistic listening experience. Sounds much like what you could have expected having been there. This was also the last show of the tour. Excellent! -
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Audience 8.9 - A really good, solid, and clear tape, showcases the considerable talent of Zappa and the always excellent cast of characters he assembles each tour. This show features a lot of solid horn work, and Zappa plays very nicely with a good tone. There were a couple songs I was unfamiliar with and enjoyed quite a bit. I rather like the song Rollo! Fun stuff. -
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Audience 9.4 - What a fantastic recording! Seriously, the louder you crank it, the better it sounds. Beautiful, full round bass, punchy and clear drums and guitar that is not washed out by P.A. and hall dynamics. Good show atmosphere, appreciative home crowd, and a band inspired and having loads of fun. Hot damn! -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
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Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended! -
Audience 7.8 - A little bit rough but its incredible nonetheless…see, truth be told it took me 10 years to finally acquire this show. I have a special interest in it. I will say that, actual audio fidelity, while not hi-fi, is not lo-fi either – it has some power to it (without distortion!) and I LOVE the audience reactions throughout. A fiery gig! -
Soundboard 9.6 - A must for every Kinks collector! The band was REALLY cooking on this tour, here’s some proof. -
Audience 9.4 - Superior to a board tape in my opinion because it is recorded in the way that your ears would have picked up the sound in the venue, with the perfectly balanced stereo mixing and balancing of instruments to each side of the stage. Wonderful! -
Replicated from the masters used to make the LP reissue, this CD release includes a bonus track from a live concert performance in 1976 which was taken from multi-track master tapes. -
Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement. -
Audience 8.9 - You can turn the volume way up and it gets better and better because the wise taper knew what he was doing. The show is incomplete though but you won’t find me complaining. Thankful for what I have, and you will be too! -
SDBRD 9.2 - Must be in every fans collection but if it isn’t, go for it because it’s one of the best shows ever! Disc two is also SDBRD but I rate it a solid 8.9 as it is not as crisp, but it’s still great stuff. -
The 2017 show is an Audience 8.7 - Decent but not showing a lot of dynamics / The 2018 show is Soundboard 9.4 and the star of this set. -
Soundboard 9.8 - Simply fantastic! A MUST!!!! -
Soundboard 9.4 - Incendiary is all I can say to describe this. High level guitar going on, be prepared for off the charts shred before shred was even a thing. -
FM Broadcast 9.0 - There’s not much information as to what this is exactly, but to me it sounds like a live in studio thing. It’s pretty cool actually. -
SDBRD 9.7 - A professional recording and it shows. -
Heyoka - The Spirit of Revelation 2-LP. Gatefold cover colored vinyl limited edition double album filled with incredible late 70s progressive hard rock from this unheralded Texas group. Mention the name Heyoka to any self respecting rock music aficionado in the state of Texas and chances are they remember this legendary 70s hard rock band. Without a doubt this band was one of the greatest unsigned bands ever to originate from Texas. Opening for every major touring act that passed through San Antonio, including Rush’s first tour of America, this band even had a song featured on MTV in the early 80’s, before it got unceremoniously banned. They featured two guitarists, a singer that played flute, keyboards, and a crack rhythm section. The music is reminiscent of Jethro Tull and Kansas, but retaining a unique quality all its own that will take the listener on a musical journey evoking Native American imagery under the mystical guide of Black Elk. All tracks recorded between the years 1977 and 1986, almost all previously unissued. For those into classic era Rush, Kansas, Jethro Tull, Thin Lizzy and the like. An absolute must-have release! This double album collection features bonus tracks not found on the CD version! Also comes with a 12 x 24 color poster! (m/m/m) THIS RECORD IS NOW OFFICIALLY OUT OF PRINT! This copy (on the website) is the last. TRACKS: Side A: 1. Thunderdreamer 2. Wooden Birds 3. The Quest 4. And The Pessimist Fled Side B: 1. Metamorphosis 2. The Monotony of Change 3. Change My Ways 4.Danger Stranger* Side C. 1. The Trilogy: I Passage II Restrictions III Revelations Side D. 1. Taking Notes/Feel It* 2. It’s All Gonna Be Alright 3. Video Madness 4.Disco Sux * bonus tracks only on vinyl version -
Audience 8.5 - This band, while known as a blues band, played at rock and roll volume. That is why most of their 70’s recordings are either muddy or distorted. This one is creeping up to the very edge of distortion but it does not cross over – it does max out the headroom of the tape though. Look at the rating, it’s a very, very good recording considering the scarcity…and the amazing set list! Come on, if you are a fan, dive into this one! -
Audience 8.1 - Do not be dismayed by this sound rating, in fact this has been re-mastered and is vastly superior to all other versions out there. The lineage of this recording was the cause of some confusion for decades – it was believed to have been from Rotterdam but is in fact Amsterdam. Why this show has been overlooked by collectors is beyond me, it’s a marathon concert and should be in the collection. Maybe it was the marginal sound quality of previous versions? Oh well, now we have this.