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Audience 9.5 - Outstanding! Yes, it’s just another killer quality audience tape that seems to be the hallmark for the Zappa legacy. Probably because you have devoted fans keen on preserving the experience and doing it with care, and an artist who diligently worked hard to provide a high quality audio experience. ZAPPA PLAYS ZAPPA Sentrum Scene Oslo, Norway November 24, 2013 Disc 1 01. Intro 02. The gumbo variations 03. Dweezil's intro to "Roxy and elswhere" 04. Penguin in bondage 05. Pygmy twylyte 06. Dummy up 07. Village of the sun 08. Echidna's arf (of you) 09. Don't you ever wash that thing 10. Cheepnis 11. Son of orange county 12. More trouble every day Disc 2 13. Be bop tango 14. Florentine pogen 15. Teenage wind 16. Teenage prostitute 17. The black page # 1 (drum solo) 18. The black page # 2 19. Dweezil talks 20. I come from nowhere 21. Dweezil talks 22. The duke of prunes Disc 3 23. Peaches en regalia - Intro to... 24. The torture never stops - Audience ovations 25. Encore intro 26. Watermelon in easter hay 27. Dweezil talks 28. Zombie woof 29. Muffin man Dweezil Zappa: guitar, vocals Scheila Gonzalez: saxophone, flute, keyboards & vocals Ben Thomas: vocals, trumpet, trombone, percussion Chris Norton: keyboards, vocals Kurt Morgan: bass Ryan Brown: drums -
Audience 8.7 - This slightly above average tape sounds like it has been re-mastered and life restored to it, but the mix favors percussion and keys. The rest of the band is a little behind them but thankfully Carlos’ solos rise up above much more in the mix. I did find it an interesting tape with an atmosphere that lets you kind of soak up the Italian vibe – between the chatter and the feel of the venue itself it is kind of strangely…renaissance. Let’s just say the recording captures a little more than just the rock band that evening and it adds a lot to the experience. That is why I can still recommend this to fans, and the fact that it is 1971 which is that interesting period with Neil Schon. Santana Palaido Milano, Italy April 27, 1971 1. -Waiting 2. -Incident At Neshabur 3. -Toussaint L'Overture 4. -Taboo 5. -Batuka 6. -Evil Ways 7. -Soul Sacrifice 8. -Samba Pa Ti 9. -Black Magic Woman - Gypsy Queen 10. -Oye Como Va 11. -Savor 12. -Jingo -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Pandora's Leftover Permanent Vacation Sessions Little Mountain Studios Vancouver, Canada March 1, 1987 1 -Joey Kramer Drum Solo 2 -Toys In The Attic 3 -Train Kept A Rollin' (Instrumental) - Girl Keeps Coming Apart (Rehearsal, Instrumental) -
Studio 9.0-9.4 - Varies as far as the overall sound and mix but does not stray much below a solid 9.0…but man what you are getting here is bona fide Aerosmith and NOT the dressed up, slicked out, packaged presentation of Aerosmith that the record company needed in order to make vast profits. This is down and dirty, raw, primal, and above all – fantastic! To hear unadulterated guitars, guttural, almost fuzz style bass, and howling, tortured Steven, and this is 1987 mind you! How can it be? I don’t know but this set rocks! Aerosmith Permanent Vacation Outtakes 1987 Disc 1 1. Heart's Done Time (early studio rehearsals AKA Right Key, Wrong Key Hole) 2. Magic Touch (early demo version) 3. Magic Touch (final pre-production with different lyrics) 4. Rag Doll (final pre-production with different lyrics and solo) 5. Simoriah (final pre-production) 6. Simoriah early demo version) 7. Dude (looks like a lady) (final pre-production without intro) 8. Dude (looks like a lady) (early demo version with different lyrics) 9. Dude (looks like a lady) (early studio rehearsals) 10. Dude (looks like a lady) (original working demo version) 11. St. John (final pre-production) 12. St. John (early demo version) 13. St. John (early studio rehearsals) Disc 2 1. Hangman Jury (early studio rehearsals) 2. Girl Keeps Coming Apart (final pre-production) 3. Girl keeps coming apart (early studio sessions without vocals) 4. Girl keeps coming apart (early studio rehearsals without vocals) 5. Angel (original working demo version) 6. Permanent vacation (final pre-production) 7. Permanent vacation (early demo version) 8. I'm Down (final pre-production) 9. Got To Find A Way (original working demo version including "The movie") 10. Got To Find A Way (early studio rehearsals) Disc 3 1. Walking On Danger Street (original working demo version) 2. Walking On Danger Street (early studio rehearsals) 3. Feel The Pain (original working demo version AKA Sleeping Sickness and Scream In Pain) 4. Feel The Pain (final complete demo version) 5. Hollywood (early studio rehearsals) 6. Hollywood (original working demo version) 7. Funky Thing (original working demo version) 8. Funky Thing (Joe's Funky early demo version) 9. Once Is Enough (original working demo version) 10. Love Me Like A Bird Dog (original working demo version) 11. Love Me Like A Bird Dog (early studio rehearsals) 12. Take It Easy (early studio rehearsals) 13. Is Anybody Out There? (early studio rehearsals) -
Studio 9.0 - The quality does vary but it stays within a general high quality 8.9 to 9.3 range because the material is from a wide variety of sources such as the studio, TV, radio, and live. An interesting introspection of the artist beginning with very early tracks pre-Sugarcubes. Björk Early and Rare Assorted Unreleased Studio and Live Tracks 01 -Icelandic Folksong (Björk as a Child) 02 -Langt Ude i Skoven (Björk as a Child) 03 -I Love To Love (Björk as a Child) 04 -Jolakötturinn 05 -Dancing Queen (Sugarcubes Studio) 06 -Whole Lotta Loving To Do (El Vez & Sugarcubes) 07 -Nu Flyver Anton (Danish Soundtrack) 08 -Short Time Affair (Comic Relief BBC 14.3.1997) 09 -Min Farfar Drikker Södmelk (Danish Grammy 7.2.1998) 10 -Jolasveinar ganga um golf (Merry Christmas from Björk) 11 -Satisfaction (w/ P.J. Harvey) 12 -Pin var ekki ad bioa (w/ Icelandic Band Draumsyn, Studio 1980) 13 -Su - Patrei (Elgar Systers, Studio 1986 from Unreleased Album) 14 -Geri pao sem mer synist (Sugarcubes Skytturnar Demos) 15 -Sweet Jane (Sugarcubes Skytturnar Demos) 16 -Misty (Live @ Hotel Borg, Reykjavik 30.8.1990 w/ Gling Gl¢ Band) -
Audience 9.1 - Small club vibe permeates this very intimate recording as Al sings his songs with a crack band behind him…often chatting it up with the audience who responds in kind. As I listened, I could not help but think this music really reminds me of Lou Reed, with less bratty New York attitude and more gay San Francisco. Al Stewart Band Wolfgangs San Francisco, Ca. 1983-08-11 01. -Unknown Title 02. -Unknown Title 03. -Time Passages 04. -Cafe Society 05. -Almost Lucy 06. -Rumours of War 07. -Intros - On The Border 08. -Accident On 3rd Street 09. -Valentino Way 10. -Intros - Year Of The Cat 11. -End of the Day 12. -If It Doesn't Come Haturally Leave It 13. -Paint By Number Al Stewart: vocals, guitars Peter White: guitars, keyboards, bass Adam Yurman: bass, guitars Kaz: Alto sax, keyboards Steve Chapman: drums -
Soundboard 9.8 - Superb is how I would define this recording. If you have any interest in any of the musicians from Jefferson Starship and Jefferson Airplane than I highly recommend this one. This gig eventually led to the members deciding to go tour. HOT TUNA The Fillmore San Francisco, CA 03-04-88 w/Paul Kantner, *w/Papa John Creach, +w/Will Scarlett, #w/Grace Slick Disc 1 1. -I Know You Rider 2. -Hesitation Blues 3. -Walkin' Blues 4. -Other Side Of This Life 5. -The Bag I'm In 6. -I'll Be All Right Someday 7. -99 Year Blues 8. -Mariel 9. -Intro To Grace 10. -Wooden Ships 11. -Intro To Papa John 12. -3rd Week In The Chelsea 13. -Down Home Blues 14. -Keep On Truckin' Disc 2 1. -Intro 2. -Keep Your Lamps Trimmed And Burning 3. -Candyman 4. -I See The Light 5. -Martha 6. -Embryonic Journey 7. -Ice Age 8. -Carlos Vonseca 9. -San Francisco Bay Blues 10. -Genesis 11. -Parchman Farm+ 12. -Good Shepherd 13. -Grace Speaks Disc 3 1. -Papa John Intro 2. -Let Us Get Together Right Down Here 3. -John's Other 4. -Vampire Women*+ 5. -Have You Seen The Stars Tonight? 6. -Mann's Fate 7. -Put It In My Hands 8. -I'm Movin' 9. -Killing Time In The Crystal City 10.-Water Song 11. -America 12. -Volunteers -
Audience 9.3 - It’s hard to get much better than this as far as overall enjoyment…for one thing yes it sounds great but man, the band is in the pocket, razor sharp and ready to fuck things up in Netherlands. Sammy has his shtick so dialed in it is easy to forget the effortless banter of his nemesis David Lee Roth. And…finally there is Satch’s incredible fiery guitar work that is quite breathtaking here. Chickenfoot Poppodium 013 Tilburg, The Netherlands 01-17-2012 Disc 1 01. Lighten Up 02. Alright Alright 03. Big Foot 04. Sexy Little Thing 05. Soap on a Rope 06. Up Next 07. My Kinda Girl 08. Down the Drain Disc 2 09. Three and a Half Letters 10. Something Going Wrong 11. Turnin' Left 12. Future in the Past 13. Crowd cheering & Sammy talks 14. Different Devil 15. Oh Yeah 16. Foxy Lady -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce Band Tour Of Europe 1975 Volume One Salle Vallier Marseille, FR 1975-04-29 Disc 1 01 -You Burned The Tables On Me 02 -Morning Story 03 -Pieces of Mind 04 -Keep It Down 05 -One 06 -Spirit Disc 2 07 -Without A Word 08 -Tickets To Waterfalls 09 -Weird Of Hermiston 10 -Post War Band: Jack Bruce - Vocals, Bass, Piano Mick Taylor - Guitar Carla Bley - Organ, Synthesizer, Clavinet, Mellotron, Electric Piano Ronnie Leahy - Piano, Electric Piano, Synthesizer Bruce Gary - Drums Jack Bruce, Carla Bley & Mick Taylor -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Two Mozartsaaal im Rosengarten Mannheim, WG 1975-05-05 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -Out Into The Fields 11 -You Burned All My Tables 12 -Without A Word 13 -Smiles And Grins -
Audience 8.8-9.2 - All seem to be recorded with the same gear but the Marseille show seems maybe slightly upgraded due to either taper position or just better acoustics. Over all this is a highly rated set of shows for the quality of the recordings. The stage mix does vary just a bit as to who is more present, but you hear all the stuff going on as it was live-mixed for the performance (meaning I don’t think taper error caused any lack of presence of, say, synthesizer or guitar on any given performance). The taper used the first song, and in some cases part of the second song to dial in the levels (an indication of really good gear being used) and as such you may notice a volume change, albeit relatively smooth, and once he’s dialed in it is smooth sailing. The performances are sometimes a little hesitant but do gel during instrumental segments much more. I will say this: Mick Taylor is a fantastic player, but I would not call him “progressive” and this music wants to be more prog but it is constrained and maybe that is why it did not blossom much. Jack Bruce, Carla Bley & Mick Taylor Tour Of Europe 1975 Volume Three Musikhalle Hamburg, WG 1975-05-13 Disc 1 01 -Can You Follow 02 -Morning Story 03 -Keep It Down 04 -Pieces Of Mind 05 -Tickets To Waterfalls 06 -Weird Of Hermiston 07 -Post War 08 -Spirit Disc 2 09 -One 10 -You Burned The Tables On Me 11 -Without A Word 12 -Smiles And Grins 13 -Sunshine Of Your Love -
Audience 9.3 - I found this to be highly immersive and exceptionally enjoyable. First of all the band sounds invigorated, breathing new life into the old catalog of songs but fiery with the newer material. I like how you can tell when the taper has to duck so as not to be discovered because at those moments (thankfully few) you hear the music suddenly seem above you and farther away, kind of cool actually. All in all – great sound, great performance. ROLLING STONES SOFI STADIUM INGLEWOOD, CA. 2021-10-14 Disc 1 01. intro 02. Let's Spend The Night Together 03. 19th Nervous Breakdown 04. Here`s to you Charlie 05. Rocks Off 06. Get Off My Cloud 07. Tumbling Dice 08. Ruby Tuesday 09. You Can't Always Get What You Want 10. Living In A Ghost Town 11. Start Me Up 12. Honky Tonk Women Disc 2 13. band introductions 14. Connection 15. Slipping Away 16. Miss You 17. Midnight Rambler 18. Paint It Black 19. Sympathy For The Devil 20. Jumpin' Jack Flash 21. Gimme Shelter 22. (I Can't Get No) Satisfaction 23. outro -
Soundboard 9.4 - A nice, low gen board from what I consider the apex of this band. In fact I would say my favorite live Santana originates from the Lotus era. I will say this mix does highlight percussion in a way that you hear cymbals and other instruments in a different aural space, almost in stereo as they seem to phase across the speakers and sometimes may even give you the feeling you are hearing tape hiss but alas it is actually residual crash cymbal sounds and maracas. Interesting. Santana Metropolitan Sports Arena Minneapolis, MN March 19, 1973 Disc 1 01 Going Home - A-1 Funk - Every Step Of The Way 02 Samba Pa Ti 03 Look Up (To See What’s Coming Down) 04 Just In Time To See The Sun 05 Incident At Neshabur 06 Bambele 07 Stone Flower 08 Batucada Disc 2 09 Xibaba (She-Ba-Ba) 10 Stone Flower (Reprise) 11 Waiting 12 Castillos De Arena, Part 1 (Sand Castle) 13 Free Angela > Concierto de Aranjuez 14 Mantra - Kyoto 15 Castillos De Arena, Part 2 (Sand Castle) 16 Earth 17 Se A Cabo 18 Savor 19 Toussaint L’Overture -
Sunrise, Fl. 1992 Audience 9.1 - A really nice and bright recording. It’s not as full on the low end but it’s there, everything is pretty clear and it is a pretty spacious, atmospheric tape. Groningen 1992 Audience 9.2 - This tape is bright, good balance, and a realistic live atmosphere. Black Sabbath 1992-07-24 & 09-17 Disc 1 Sunrise Musical Theater Sunrise, Florida 1992-07-24 101 Soundcheck (Vinny Appice) - Intro 102 E5150 103 The Mob Rules 104 Computer God 105 Children Of The Sea 106 Time Machine 107 War Pigs 108 I 109 Die Young 110 Guitar Solo - Sabbath Bloody Sabbath 111 Black Sabbath Disc 2 201 TV Crimes 202 Master Of Insanity 203 After All (The Dead) 204 Drum Solo 205 Iron Man 206 Heaven And Hell 207 Neon Knights 208 Paranoid - Heaven And Hell (Reprise) Disc 3 Evenementenhal Groningen, Netherlands 1992-09-17 301 E5150 302 The Mob Rules 303 Computer God 304 Children Of The Sea 305 Time Machine 306 War Pigs 307 I 308 Die Young Disc 4 401 Guitar Solo - Sabbath Bloody Sabbath 402 Black Sabbath 403 Master Of Insanity 404 After All (The Dead) 405 Drum Solo 406 Iron Man 407 Heaven And Hell 408 Neon Knights 409 Paranoid - Heaven And Hell (Reprise) -
Audience 9.7 - both of these shows were recorded onto a 4-track machine which is clearly obvious when you hear just how crystal this stuff sounds, as well as the separation of instruments. Some minor stuff does occur with the old tape in a couple spots but that passes without much fuss, it’s hard to knock these recordings but I do have to let you know what I hear. HIGHLY RECOMMENDED! Pat Metheny Trio Boston 1974 Disc 1 Pooh's Pub Boston, MA, USA June 1974 01) Bright Size Life 5:09 02) There Is No Greater Love 8:42 03) Exercise No.6 (Early version of "Unity Village") 4:21 04) Guitar+Bass Duo 6:01 05) Continuum 7:35 06) Guitar Solo 5:07 07) Unquity Road 4:20 08) Wrong Is Right 6:05 09) Ida Lupino 10:47 10) All The Things You Are 11:05 Disc 2 Zircon Boston, MA, USA June 1974 01) Exercise No. 3 (early version of "Missouri Uncompromised") 4:08 02) Waltz (early version of "Sirabhorn") 7:35 03) All Sus 4's 14:54 04) April Joy 4:05 05) Stella By Starlight 11:12 06) Omaha Celebration 8:11 07) Methuselah Blues 8:41 Pat Metheny - Guitar Jaco Pastorius - Bass Bob Moses - Drums -
Studio Quality 9.8 - Almost as good as could be, a tiny amount of hum only noticeable at the beginning and end of songs…this is almost perfect but it is unmastered studio demos that to my ears sound very close to final mix. Ozzy Osbourne Ozzmosis Demos 1. It Feels So Good To Be Bad 2. Denial 3. Too Far Gone 4. Ghost Behind My Eyes 5. Frustrated Yes I'm Hated 6. Dream For Tomorrow 7. Say Yeah Yeah 8. Oh No The Bitch Won't Go 9. My New Rock And Roll 10. Perry Mason 11. Old L.A. Tonight 12. See You On The Other Side