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Audience 8.4 -
Audience 9.8 - This is so good, so smooth, so spacious, so warm, so amazing that not only could it be officially release…it SHOULD be officially released. HIGHLY recommended for any fan of music, period. U.K. Civic Auditorium Santa Monica, CA July 28, 1978 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder 01 Alaska 02 Time To Kill 03 The Only Thing She Needs 04 Forever Until Sunday 05 Thirty Years 06 By The Light Of Day Part 2 07 Presto Vivace/In The Dead Of Night Part 1 08 Caesar's Palace Blues -
Audience 10 - This is the first 10 rating I have ever issued. Why? Simply put, this recording is BREATHTAKING. The detail, the precision, the mix, the dynamics, the atmosphere, the playing, the quality is nothing short of PERFECT. So, if I had the information on these tapers I would ask them for copies of anything else they recorded. It’s THAT GOOD folks. -
Soundboards 8.7 - A bit on the thin side with some minor tape noise. Altogether it’s not bad because the sound is clear enough to get every player on stage, and if you have your own Equalizer, you can bring in a little more low end very easily. -
Audience 8.9 - A super clear recording with a marvelous drum sound. Recording levels are a touch low so crank it up, don’t worry it sounds MUCH better loud! ELECTRIC SUN Hammersmith Odeon London, England May 23, 1983 THE BAND Uli Jon Roth Guitar vocals Ule Ritgen Bass Backing Vocals Clive Bunker Drums Simon Fox Drums percussion David Lennox keyboards Jenni Evans Vocals Dorothy Patterson Vocals Disc 1 1 -Intro 2 -Icebreaker 3 -Firewind 4 -What Is Love 5 -Why? 6 -Enola Gay - Hiroshima Today 7 -Angel of Peace 8 -Return (Chant Of Angel) 9 -Cast Away Your Chains Disc 2 10 -Virgin Killer 11 -Drum & Percussion Solo 12 -Electric Sun 13 -The Night The Master Comes 14 -Polar Nights 15 -Beethoven 16 -Hell Cat 17 -Dark Lady 18 -Midnight Sun -
9.5 - Professionally recorded with a mobile truck, open mic direct to reel to reel. Difficult to accurately describe this, you could call it so many things. Uli Trepte was the bassist in Krautrockers Guru Guru, this is what he did after that. I should say “after his brain cells all waved bye bye” because this Spacebox stuff is about as “out there” as “music” can possibly get. -
Audience 7.2 - For the time, this is actually pretty decent. I mean, this band was LOUD, and really there’s no way to properly record on some cheap cassette player. Still, a rare early show, applaud this taper please! -
Audience 7.9 - A very loud and almost distorted tape, not quite, but certainly pushed to the max which gives this show an immense feeling of unbridled power and fury. Absolutely intense! I really think you are going to dig this one, I certainly did. -
Audience 7.0 - Might not be the highest fidelity, but you can hear all the instruments, each one, so no dynamics here, just enjoy the wild music these guys made back in the day. Historical artifact for collectors. -
Audience 8.8 - Very cool, great atmosphere! -
Audience 7.6 - I rate this highly because I am amazed that the taper got something this decent because it is obvious the gear is amateur and the band is LOUD as all hell. That being said, this should give you a very good idea of what you could have expected seeing this band in the early 70’s. -
Audience 8.2 - A real gem! Someone did a great remastering on this very low generation tape, what used to be a frustrating, muddy mess is now a real treat. Technology has made it possible to breathe new life into the old tapes of yore. -
CD 1 - Audience 7.4 - Strong and loud without the dreaded over driven distorted mess or squashed lo fi sound. Jamming! CD 2 - Audience 7.0 - Tape is a bit over-saturated but even so, you do get everything on the stage in full force (meaning sledgehammer to your skull). -
Sale!
Audience 7.7 - Most of the unauthorized recordings of Uriah Heep with John Lawton as lead vocalist are only of fair audio quality. John's vocals are clear through most of the recording. The recording is a bit cut-up in places but the big upside is an unusual setlist featuring some tunes from Heep's Firefly album. Also John's bluesy vocals shine throughout. -
Audience 8.4 - A barn-burner gig and maybe one of the best of the tour (recorded, anyway) with some unbelievable jamming. The audio is decent, some mid band clutter was equalized to allow less noise and more music to permeate your space. I think that made the difference with this tape. It’s worth getting and will impress you even more than you might already have been with these guys. Always gave their best. URIAH HEEP Portland Expo, Portland, ME August 19th 1973 THE BAND David Byron vocals Mick Box guitar Ken Hensley keyboards Gary Thain bass guitar Lee Kerslake drums SETLIST 1 -Tune up - Intro 2 -Easy Living 3 -Sweet Lorraine 4 -Stealing 5 -July Morning 6 -The Dreamer 7 -If I Had The Time 8 -Gypsy 9 -Keyboard solo - Gypsy reprise 10 -Drum Solo 11 -Seven Stars 12 -Sweet Freedom 13 -Look At Yourself 14 -Love Machine 15 -Roll Over Beethoven 16 -Blue Suede Shoes 17 -Hound Dog I8 -I Got A Woman 19 -At The Hop - Let's Go To The Hop 20 -Thank you, Goodnight -
Audience 7.8