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Audience 8.8/9.1 - Two pretty good recordings with the second evening (July 4th) having the benefit of much more high end definition and overall clarity, with soaring headroom that makes for a generally relaxing listen, so you’ll tend to favor it more but that is not saying July 3rd is bad, it’s actually also very decent just not as clear and defined as the 4th. Pink Floyd Madison Square Garden New York City, New York July 3-4, 1977 Disc 1 (July 3rd) 01. -Announcer - Sheep [11:17] 02. -Pigs On The Wing Part 1 [1:25] 03. -Dogs [18:59] 04. -Pigs On The Wing Part 2 [3:35] 05. -Pigs (Three Different Ones) [18:00] 06. -SOYCD (parts 1-5) [13:26] Disc 2 01. -SOYCD (parts 1-5) - Welcome To The Machine [8:44] 02. -Have A Cigar [5:03] 03. -Wish You Were Here [7:30] 04. -SOYCD (parts 6-9) [21:09] 05. -Money [13:34] 06. -Us & Them [7:53] Disc 3 01. -Sheep [3:35] 02. -Sheep [7:24] 03. -Pigs On The Wing Part 1 [2:18] 04. -Dogs [8:08] 05. -Dogs [9:19] 06. -Pigs On The Wing Part 2 [2:30] 07. -Pigs (Three Different Ones) [10:36] 08. -Pigs (Three Different Ones) - reprise [5:28] Disc 4 01. -Shine On You Crazy Diamond (Parts I-V) [15:14] 02. -Welcome To The Machine [7:13] 03. -Have A Cigar [5:01] 04. -Wish You Were Here [7:22] 05. -Shine On You Crazy Diamond (Parts VI-IX) [22:21] 06. -Money [10:24] 07. -Us & Them [8:59] -
Hammersmith 1977 Audience 8.5 Not bad for a ’77 aud. but it doesn’t open up much, stays within a bandwidth that allows you to hear everything on stage but with mostly guitar and bass, with Ozzy singing rising over it all. Drums are somewhat buried the snare comes through OK The more I listen to the more I adjust and like it, like the rating indicates this isn’t terrible seeing as how there are few really stellar ’77 tapes. 6-10-78 Audience 8.4 This tape does not rise above what seems at first a noisiness, where you don’t get a good separation of instruments and a frequency that favors upper mid and highs, but thankfully not annoyingly so. I would say that you might still endure it all the way through regardless because while I was not blown away, I also wasn’t offended. It’s average, but not garbage bin material. 6-19-78 Audience 9.0 The best of the Hammersmith set for sure. It’s pretty clear and has good separation of instruments. I did find it leans more to treble tone, but you can add bass and not destroy this at all…so there’s a lot to like about this show. Black Sabbath Hammersmith Story 1977-1978 Disc 1 Hammersmith Odeon London, UK 1977-03-13 101 Supertzar 102 Symptom Of The Universe 103 Snowblind 104 War Pigs 105 Gypsy 106 Black Sabbath Disc 2 201 Dirty Women 202 Drum Solo 203 Rock 'n' Roll Doctor 204 Guitar Solo 205 Electric Funeral 206 Jam 207 N.I.B. 208 Iron Man 209 Children Of The Grave 210 Paranoid Disc 3 1978-06-10 301 Supertzar 302 Symptom Of The Universe 303 War Pigs 304 Snowblind 305 Never Say Die 306 Black Sabbath 307 Dirty Women 308 Drum Solo 309 Rock 'n' Roll Doctor 310 Guitar Solo 311 Jam 312 Electric Funeral 313 Iron Man 314 Fairies Wear Boots 315 Children Of The Grave 316 Paranoid Disc 4 1978-06-19 401 Supertzar 402 Symptom Of The Universe 403 War Pigs 404 Snowblind 405 Never Say Die 406 Black Sabbath Disc 5 501 Intro 502 Dirty Women 503 Drum Solo 504 Rock 'n' Roll Doctor 505 Guitar Solo 506 Jam 507 Electric Funeral 508 Iron Man 509 Fairies Wear Boots 510 Children Of The Grave 511 Paranoid 512 Outro (She's Gone) -
Delaware 1985 Soundboard 9.3 Nice to hear this period of Trower with a good, punchy board tape that does present a minimal amount of hiss (evident between songs) but other than that not much to complain about. W. Hollywood 1990 Soundboard 9.2 Technically speaking this would rate much higher as it is what one would call a “pristine” board tape. Yes it sounds crystal clear and Robin is literally singing in your ear (a bit much perhaps), but the rating reflects what I personally consider to be a downside of board tapes…the lack of atmosphere and reliance on perfect mix. This was probably mixed for the benefit of what was coming from the stage and not for the sake of the recording being made. It’s a reference tape is what it is. Contrast this to the next show in the set and you’ll begin to understand why I always say a great audience tape beats a board tape. Karlsruhe 2009 Audience 9.5 This show gets a stellar rating because while it is not technically a superior recording (mainly due to the very slight amount of overdrive) it represents most of what I love about great audience recordings. This recording captures the lightning into a bottle so to speak. The fact that there is just a slight bit of overdriven energy (for lack of a more technical term) or lets call it “saturation” for the sake of the audiophiles out there – either way the point is that this recording will get more repeat plays than the board tapes in this set. Robin Trower Three Decades 1985-2009 Disc 1 The Stone Balloon Newark,Delaware,U.S.A. 1985-07-24 01 -Too Rolling Stoned 02 -Into Money 03 -Keeping A Secret 04 -Day Of The Eagle 05 -Bridge Of Sighs 06 -None But The Brave Musicians Robin Trower - Guitar Dave Bronze - Bass & Vocals Martin Clapson - Drums Disc 2 The Roxy West Hollywood CA. March 25th 1990 01 -Intro 02 -Too Rolling Stoned 03 -Rock Me Baby 04 -Sea Of Love 05 -Day Of The Eagle 06 -Bridge Of Sighs 07 -Turn The Volume Up Disc 3 08 -No Time 09 -Ev'ry Body's Watching You 10 -Daydream 11 -Tear It Up 12 -Natural Fact 13 -Little Bit Of Sympathy 14 -The Ring 15 -Extermination Blues THE BAND Robin Trower guitar Davey Pattison vocals Glenn Letsch bass Dee Johnson drums Disc 4 Jack Bruce & Robin Trower Karlsruhe (GER) Tollhaus 2009-02-25 01 - Seven Moons 02 - Lives Of Clay 03 - Distant Places Of The Heart 04 - Sunshine Of Your Love 05 - Carmen (New song, unreleased) 06 - She's The One 07 - We're Going Wrong 08 - So Far To Yesterday Disc 5 09 - Just Another Day 10 - Perfect Place 11 - Bad Case Of Celebrity 12 - The Last Door 13 - Come To Me 14 - I'm Home 15 - White Room 16 - Politician Musicians: Jack Bruce: b, v Robin Trower: g Gary Husband: dr -
Milwaukee 1980 FM Broadcast 8.7 - This was broadcast, the question is, was it recorded professionally and did it sound like this when it was aired? Probably it did not sound like this – because this is below the threshold for what is acceptable for a legitimately broadcast live performance which means it is probably an off-air tape that has suffered from degradation. That being said, it’s been re-mastered and it sounds decent enough to be included in a set which features all soundboards so that says something for it. Vancouver 1981 FM Broadcast 8.8 - This is another one of those not quite living up to radio broadcast expectations probably due to a capture off the air onto cassette tape, regardless it still sounds fine just a bit dated. A re-mastering helped considerably and that is why the show is included in this set. Dortmund 1982 Soundboard 9.1 - Sounds like a large, open air stadium and that atmosphere is preserved onto the tape. A really decent one for the collectors out there. Daytona 1984 Soundboard 9.2 - Wow, the 80’s, and the unique obsession with that (now very dated) certain drum sound that can take any song and make it “new wave” ha ha! Thankfully it’s not the case on every song otherwise I would have said skip this show, but it’s a good, well recorded one so enjoy it. Raleigh 1985 Soundboard 9.4 - Good hard panning of the guitars so that you can distinctly hear each of them as autonomous instruments. A hard rocking sound was mixed on this evening. Heart Love Alive 80-85 Disc 1 Milwaukee Arena Milwaukee, Wisconsin July 25, 1980 1. -Radio Advertisement 2. -Bebe Le Strange 3. -Crazy On You 4. -Straight On 5. -Even It Up 6. -Raised On You 7. -Strange Night 8. -Just the Wine 9. -Dog & Butterfly 10. -Down On Me 11. -Mistral Wind 12. -Hijinx - Silver Wheels 13. -Break 14. -Magic Man 15. -Barracuda 16. -Rockin' Heaven Down 17. -Rock & Roll Disc 2 01. -Sweet Darlin' 02. -I'm Down - Long Tall Sally 03. -Unchained Melody Empire Stadium Vancouver, Canada August 2, 1981 04. -Bebe La Strange 05. -Magic Man 06. -Even It Up 07. -Raised On You 08. -Dog And Butterfly 09. -Mistral Wind 10. -Crazy On You 11. -Rockin' Heaven Down 12. -Barracuda 13. -Break 14. -Rock And Roll Disc 3 Westfallenhalle Dortmund, Germany May 28, 1982 01. -Straight On02. -Even It Up 03. -Raised On You 04. -Dog And Butterfly 05. -Tell It Like It Is 06. -Barracuda 07. -Rock And Roll Elland Road Leeds, England May 29, 1982 08. -intro 09. -Bebe Le Strange 10. -Magic Man 11. -Straight On 12. -Even It Up 13. -Tell It Like It Is 14. -Raised On You 15. -Angels 16. -Dog And Butterfly 17. -Silver Wheels 18. -Crazy On You 19. -City's Burning 20. -Barracuda 21. -Rock And Roll Disc 4 Bandshell Daytona Beach, FL March 23, 1984 01. -Jealousy 02. -Magic Man 03. -The Heat 04. -Mistral Wind 05. -For Your Love 06. -Johnny Moon 07. -Straight On 08. -Even It Up 09. -Bebe LeStrange 10. -How Can I Refuse 11. -Allies 12. -Barracuda Dorton Arena Raleigh, NC August 31, 1985 13. -If Looks Could Kill Disc 5 01. -The Wolf 02. -Barracuda 03. -Straight On 04. -Never 05. -These Dreams 06. -Dog And Butterfly 07. -Nobody Home 08. -What He Don't Know 09. -Shell Shock 10. -Bebe Le Strange 11. -Even It Up 12. -How Can I Refuse 13. -What About Love 14. -Magic Man 15. -Allies 16. -band introductions 17. -Crazy On You -
Various Sources 9.0 - I give this a high rating for many reasons, as it can be easily assumed that the sound quality will vary being a compilation. The producers were smart to put it together this way, I found it to play much like a legitimate record company release. The worst of the recordings is in itself not even that bad, in the context you are hearing it in, it takes on new significance. I myself did not realize how few times some of these songs were played live, so having a collection like this makes sense. I enjoyed it immensely. So will you. Genesis Collection of Rare Live Recordings 1970 - 1998 Track List: Disc One: 1970-1972 01. Looking For Someone (2-22-1970) 02. The Light (3-7-1971) 03. Twilight Alehouse (2-26-1972) 04. Harlequin (3-4-1972) 05. Bye Bye Johnny (4-14-1972) 06. Happy The Man (4-18-1972) 07. Going Out To Get You (4-18-1972) 08. One-Handed Drum Solo (6-28-1972) 09. Can-Utility And The Coastliners (8-20-1972) 10. Seven Stones (8-22-1972) Disc Two: 1972-1975 01. Supper's Ready (11-18-1972) 02. Harold The Barrel (1-20-1974) 03. Horizons (5-4-1974) 04. Watcher Of The Skies (1-24-1975) 05. It (1-24-1975) 06. The Musical Box (1-24-1975) 07. The Waiting Room (5-2-1975) Disc Three: 1977-1978 01. Lillywhite Lillith-The Waiting Room-Wot Gorilla (01-01-1977) 02. All In A Mouse's Night (01-02-1977) 03. Inside And Out (06-24-1977) 04. Down And Out (06-07-1978) 05. Supper's Ready (From Apocalypse In 9/8) (06-14-1978) 06. Ballad Of Big (07-29-1978) 07. I Know What I Like (In Your Wardrobe) (07-29-1978) 08. Dancing With The Moonlit Knight-Musical Box (Closing Section) (10-13-1978) Disc Four: 1980-1984 01. Back In NYC (29-06-1980) 02. Me And Virgil (27/-09-1981) 03. Like It Or Not (30-11-1981) 04. The Knife (23-12-1981) 05. No Reply At All (22-08-1982 - Featuring Phenix Horns) 06. Paperlate (22-08-1982 Featuring Phenix Horns) 07. 11th Earl Of Mar - Squonk - Firth Of Fifth (11-10-1983) 08. 11th Earl Of Mar - Behind The Lines - Firth Of Fifth - Musical Box (17-01-1984) Disc Five: 1986-1998 01. In The Cage - In That Quiet Earth - Supper's Ready (10-15-1986) 02. Mama (05-09-1992) 03. Carpet Crawlers (10-23-1992) 04. Nowhere Else To Turn (Unreleased B-Side) 05. Small Talk (12-13-1997) 06. Thats All (01-23-1998) 07. Hold On My Heart (01.29.1998) Details: A wonderful live collection that gives you some of the rarest Genesis performances from throughout their career. Even if you're a collector of every individual show this is still a keeper to have, one reason being the unreleased track on disc 5, "Nowhere Else To Turn", sure it's a Ray Wilson-led Genesis track, but one of the very few unreleased studio tracks by Genesis to have leaked to the collector's. Disc One: 1970-1972 01 Looking For Someone (February 22nd, 1970 BBC Radio) 02 The Light (March 7th, 1971 - later morphed into "Lillywhite Lilith" and "The Colony Of Slippermen") 03 Twilight Alehouse (February 22nd, 1972 Civic Hall, Dunstable, U.K.) 04 Harlequin (March 4th, 1972 Technical College, Watford, England) 05 Bye Bye Johnny (April 14th, 1972 Palasport, Pavia, Italy - early version of "Can-Utility And The Coastliners") 06 Happy The Man (April 18th, 1972 Piper Club, Rome, Italy) 07 Going Out To Get You (April 18th, 1972 Piper Club, Rome, Italy) 08 One-Handed Drum Solo (June 28th, 1972 Town Hall, Watford, England) 09 Can-Utility And The Coastliners (August 20th, 1972 Piper 2000 Club, Via Reggio, Italy) 10 Seven Stones (August 22nd, 1972 Teatro Alcione, Genoa, Italy - rarely ever played live) Disc Two: 1972-1975 01 Supper's Ready (November 18th, 1972 Imperial College, London, England) 02 Harold The Barrel (January 20th, 1974 Palasport, Reggio Emilia, Italy - only 2 live versions exist) 03 Horizons (May 4th, 1974 Academy of Music, NYC) 04 Watcher Of The Skies (January 24th, 1975 Shrine Auditorium, Los Angeles) 05 It (January 24th, 1975 Shrine Auditorium, Los Angeles) 06 The Musical Box (January 24th, 1975 Shrine Auditorium, Los Angeles) 07 The Waiting Room (May 2nd, 1975 Hippodrome, Birmingham, England) Disc Three: 1977-1978 01 Lillywhite Lillith - The Waiting Room - Wot Gorilla (January 1st, 1977 Rainbow, London, England) 02 All In A Mouse's Night (January 2nd, 1977 Rainbow, London, England) 03 Inside And Out (June 24th, 1977 Earl's Court, London, England) 04 Down And Out (June 7th, 1978 Scandinavium, Gothenburg, Sweden) 05 Supper's Ready (June 14th, 1978 Westfalenhalle, Dortmund, Germany) 06 Ballad Of Big (July 29th, 1978 MSG, New York City) 07 I Know What I Like (July 29th, 1978 MSG, New York City) 08 Dancing With The Moonlit Knight - Musical Box (October 13th, 1978 Uptown Theater, Chicago, Illinois) Disc Four: 1980-1984 01 Back In NYC (June 29th, 1980 MSG, New York City) 02 Me And Virgil (September 27, 1981 Velodromo Anoeta, San Sebastian, Spain) 03 Like It Or Not (November 30th, 1981 Capital Center, Landover, Maryland) 04 The Knife (December 23rd, 1981 NEC, Birmingham, England) 05 No Reply At All (featuring Phenix Horns) (August 22nd, 1982 Forest Hills, New York City) 06 Paperlate (featuring Phenix Horns) (August 22nd, 1982 Forest Hills, New York City) 07 11th Earl Of Mar / Squonk / Firth Of Fifth (November 10th, 1983 Mecca Arena, Milwaukee, Wisconsin) 08 11th Earl Of Mar / Behind The Lines / Firth Of Fifth / Musical Box (January 7th, 1984 McNichols Arena, Denver, Colorado) Disc Five: 1986-1998 01 In The Cage / ...In That Quiet Earth / Supper's Ready (October 15th, 1986 Forum, Los Angeles) 02 Mama (May 9th, 1992 Astrodome, Houston, Texas) 03 Carpet Crawlers (October 23rd, 1992 Mayflower Theater, Southampton, England) 04 Nowhere Else To Turn (Unreleased 1997 B-Side - Ray Wilson on lead vocals) 05 Small Talk (December 13th, 1997 RTL Studios, Paris, France) 06 Thats All (January 23rd, 1998 Bray Studios, London, England - only Ray Wilson version) 07 Hold On My Heart (January 29th, 1998 Sport Hall, Budapest, Hungary) -
Four Discs of music that will melt your brain. All are either Very Good or Excellent quality, so it’s not a jarring experience to sit through all four discs, they have a certain continuity to them. I think this is a great time period of music and these guys were just on another level. It’s a fun thing to ponder, whether there are any bands that can do this sort of thing today – and the answer is “I really don’t think so”. SOFT MACHINE TIME TRIPS 1969-1972 Disc 1 Live at the Lyceum, London, October 5, 1969 Lineup Mike Ratledge – Lowery Organ, Piano Hugh Hopper – Bass (Fuzz Bass) Robert Wyatt – Drums, Vocals 1. Moon In June (17:45) 2. Facelift (4:43) 3. Eamonn Andrews (5:57) 4. Mousetrap-Noisette-Backwards-Mousetrap reprise (7:16) 5. Esther's Nosejob (11:27) Disc 2 6. improv - Facelift middle section reprise (3:50) 7. Dedicated To You But You Weren't Listening (0:21) 8. We Did It Again (3:38) 9. Noisette reprise (0:56) 1970-10-10 Ronnie Scott's Jazz Club London England Lineup Elton Dean - alto sax Hugh Hopper - bass Mike Ratledge - organ Robert Wyatt - drums, vocals 10. -Facelift 11. -Kings and Queens 12. -Virtually (pts.2 & 3) 13. -Slightly All The Time 14. -Eamonn Andrews 15. -Esther's Nose Job 16. -Fire Engine Passing with Bells Clanging - Pig - Orange Skin Food - A Door Opens and Closes - 10.30 Returns To The Bedroom (pt. 1) - Pigling Bland - Esther's Nose Job (reprise) - 10.30 Returns To The Bedroom (pt. 2) Disc 3 Casino Lido, Venice, Italy September 24, 1971 1. - Drop - MC - Out-Bloody-Rageous (20:57) 2. - All White Slightly All The Time - Plain Tiffs (21:22) Lineup Elton Dean - alto sax, saxello, fender rhodes electric piano Mike Ratledge - organ, fender rhodes electric piano Hugh Hopper - bass Phil Howard - drums Disc 4 Piper Club, Rome, Italy 24 April 1972 01 -All White - 7:47 02 -Slightly All The Time 1 - 8:39 03 -Slightly All The Time 2 - 3:36 04 -Drop - 5:56 05 -MC - 5:24 06 -Out-Bloody-Rageous - 14:00 07 -As If 1 - 1:01 08 -As If 2 - 0:50 09 -As If 3 - 3:33 10 -As If 4 - 5:19 11 -As If 5 - 0:26 12 -LBO - 9:04 13 -Pigling Bland - 5:04 Line Up: Mike Ratledge - organ, electric piano Hugh Hopper - bass Elton Dean - alto sax, saxello, electric piano John Marshall - drums -
Toronto 1978 FM Broadcast 9.7 - Ok, now we are just being spoiled! A fantastic, vibrant, near perfect recording of a superb performance! In fact, it’s actually several performances, where they just took the best of each show and broadcast it. I am fine with it! It’s great man. Seattle 1978 FM Broadcast 9.1 - This is solid all the way, it’s not quite as lively sounding as the Toronto but it’s professional and satisfying and pairs well on the set. Todd Rundgren & Utopia CHUM-FM Broadcast El Mocambo Toronto, Canada October 31 & November 1, 1978 Source: FM Lineage: FM > CASSETTE > SONY DTC 790 DAT > Philips CDR 870 > EAC > WAV > FLAC Transfered by: jfb File Size: 595 MB Performers: Todd Rundgren Kasim Sulton Roger Powell Willie Wilcox Setlist: Disc 1 1. -Radio Intro 2. -Real Man 3. -It Wouldn’t Have Made Any Difference 4. -Love of The Common Man 5. -Trapped 6. -Abandon City 7. -The Seven Rays 8. -Can We Still Be Friends 9. -Death of Rock And Roll 10. -You Cried Wolf 11. -Gangrene Disc 2 1. -A Dream Goes On Forever 2. -The Last Ride 3. -Black Maria 4. -Eastern Intrigue - Initiation 5. -Couldn’t I Just Tell You 6. -Hello Its Me 7. -Just One Victory Notes: This is an amazing performance with excellent sound. There were 6 concerts over 3 nights at the El Mocambo (a small club in Toronto) and this broadcast made a complete concert of the best bits of the October 31 and November 1 shows. Disc 3 The Place Seattle WA. August 12, 1978 KZOK FM Broadcast 1 -KZOK Intro - Tune up 2 -Real Man 3 -It Wouldn't Have Made Any Difference 4 -Love Of The Common Man 5 -Trapped 6 -Abandon City 7 -The Verb To Love 8 -The Seven Rays Disc 4 9 -Can We Still Be Friends 10 -The Death Of Rock 'N Roll 11 -You Cried Wolf 12 -Gangrene 13 -A Dream Goes On Forever 14 -Black Maria 15 -Eastern Intrigue 16 -Initiation 17 -Couldn't I Just Tell You 18 -Hello It's Me THE BAND Todd Rundgren guitar drums vocals Roger Powell keyboards vocals Kasim Sulton bass vocals guitar John "Willie" Wilcox drums vocals bass -
Studio Quality 9.0-9.3 - The rating is generally accurate throughout although to be picky you could slightly vary some of the sessions by fractions. Nice to have all of this material gathered together like this. Excellent set! Thin Lizzy Complete Studio Collection 67-83 Disc 1 Trend Studios Demos '67-69 01. -Mama & Papa 02. -Ageing 03. -It's Really Worthwhile 04. -Dublin 05. -The Friendly Ranger (John Cann guitar) Sessions 71-73 Philip Lynott (vocal/bass) Brian Downey (drums) Andy Gee (guitar) 01. -Look what The Wind Blew In 02. -Return of the Farmer's Son 03. -Dublin 04. -Going Down 05. -Whiskey In The Jar 06. -Black Boys On The Corner 07. -Gonna Creep Up On You 08. -Whiskey In The Jar 09. -Whiskey In The Jar 10. -Gonna Creep Up On You 11. -Little Girl In Bloom 12. -Vagabonds of the Western World 13. -Randolph's Tango 14. -Slow Blues 15. -Little Girl In Bloom Disc 2 Studio Sessions 1974 1. -Things Ain't Working Out At The Farm 2. -Ghetto Woman 3. -Little Darling 4. -Little Girl In Bloom 5. -Little Darling 6. -Showdown 7. -Slow Blues (instrumental) 8. -Sitamoia 9. -Little Darling 10. -Black Boys On The Corner 11. -It's Only Money 12. -Still In Love With You 13. -Sitamoia 14. -She Knows 15. -It's Only Money 16. -Sha La La 17. -Philomena 18. -Banshee 19. -Philomena Disc 3 1974 Frankfurt, Germany with Andy Gee and John Cann 01. -It's Only Money 02. -Little Darlin' 03. -Slow Blues 04. -Little Girl In Bloom 05. -Gonna Creep Up On You 06. -Rock 'N' Roll With You 07. -Whiskey In The Jar 08. -The Rocker 09. -Sitamoia 10. -Drum Solo 11. -Hard Driving Man 12. -Little Darlin' 13. -Talk To Your Daughter Disc 4 1975-1978 Sessions 01. -Wild One ITV-75 02. -Rosalie 5/29-75 03. -Suicide 5/29-75 04. -Halfcaste 5/29-75 05. -Warriors 2/12-76 06. -Jailbreak 2/12-76 07. -Emerald 2/12-76 08. -Cowboy Song 2/12-76 09. -Johnny 9/23-76 10. -Fools Gold 9/23-76 11. -Don't Believe A Word 9/23-76 12. -Johnny The Fox Meets Jimmy The Weed 9/23-76 13. -Don't Believe A Word 2/1-77 14. -Bad Reputation 8/1-77 15. -Killer Without A Cause 8/1-77 16. -Dancing In The Moonlight 8/1-77 17. -That Woman's Gonna Break Your Heart 8/1-77 18. -Downtown Sundown 8/1-77 19. -Dancing in The Moonlight 8/11-77 20. -Rosalie 5/11-77 Disc 5 1978 Black Rose Sessions January 21st, 1978 Rampart Studios 01 -Rock Your Love (unreleased, written by Jimmy Bain) 02 -A Night In The Life Of A Blues Singer (long version) January 22nd, 1978 Rampart Studios 03 -Cold Black Night (unreleased) 04 -Hate (unreleased) 05 -With Love (Huey Lewis on harmonica) 06 -Parisienne Walkways (Huey Lewis on harmonica) 07 -Black Rose (Huey Lewis on harmonica) 08 -Got To Give It Up (slow, different lyrics) 09 -Toughest Street In Town 10 -Don't Believe A Word (Lynott-Moore vocals) February 1st, 1978 Good Earth Studios 11 -Ode To A Black Man (original version) 12 -Spanish Guitar (different lyrics) 13 -Parisienne Walkways (demo) 14 -Are You Ready (unreleased studio version) 15 -Blackmail (unreleased, covered by Wild Horses) 16 -Waiting For An Alibi (slower, different lyrics) 17 -Fanatical Fascists (Lynott vocals) 18 -Leaving Town (unreleased) -
Audience 9.0/8.5/8.7 - All four discs are very good source tapes with the first two discs being the strongest with a sound quality that sits nicely on the ears, very comfortable, albeit slightly further back in the hall than the other two discs. I think the other shows maybe feature a louder, more up front guitar sound, but at the same time are also a bit more crowded in that frequency although at no time is there distortion present. Disc 3 suffers from a little bit of the typical big sound onto little cassette recorder where it’s just not as clear as you wish but at least you can hear what is going on, and it is not what I would call muddy sounding. Disc 4 is decent in the fact that you have a clear guitar, tone is audible which is crucial when you are listening to Leslie West. All instruments audible and distinct but not rising much above a middle to upper 8 rating. All in all, I am pleased at the overall sound quality in this set seeing as how there are not many really high quality audios of this band. West, Bruce & Laing European Conquest Disc 1 Falkoner Center Copenhagen, Denmark March 28, 1973 01. -Don't Look Around 02. -Pleasure 03. -Why Dontcha 04. -Third Degree 05. -Mississippi Queen - West Solo Disc 2 06. -Roll Over Beethoven 07. -Love Is Worth the Blues 08. -Powerhouse Sod 09. -The Doctor 10. -Sunshine of Your Love Disc 3 Circus Krone Munich, Germany April 13, 1973 1. Don't Look Around 2. Pleasure 3. Why Dontcha 4. Third Degree 5. Missippi Queen 6. Roll Over Beethoven 7. Powerhouse Sod 8. Politician 9. Sunshine Of Your Love 10. Audience 11. The Doctor Landwirtschaftshalle Kaiserslautern, West Germany 1973-04-14 1. -DON'T LOOK AROUND 2. -PLEASURE 3. -WHY DON'TCHA 4. -THIRD DEGREE 5. -MISSISSIPPI QUEEN 6. -ROLL OVER BEETHOVEN 7. -LOVE IS WORTH THE BLUES 8. -POLITICIAN 9. -SUNSHINE OF YOUR LOVE Musicians LESLIE WEST- Guitar/Vocals(Ex-Mountain) JACK BRUCE- Bass/Vocals(Ex-Cream) CORKY LAING- Drums(Ex-Mountain) -
Volume 1,2,3: BBC 1971-1978 – Pro Studio 9.8 (each Volume is individually housed in its separate gate-fold cover). From the moment the first track plays to the last, fasten your seat belts because it’s quite a ride! A MUST! -
CD 1 - Pro 8.8 (and the best disc of this set) CD 2 - Audience 6.4 (possibly the worst of this set, but if you turn it up louder it sounds better actually. Levels are low!) CD 3 - Audience 7.2 (a big step up from previous disc, levels a little low but not so much, kind of thin, gets crowded when the band is loud.) CD 4/5 - Audience 7.7 (good stereo separation, everything is clear, a decent recording!) Bachman-Turner Overdrive The BTO Box Disc 1 Agora Cleveland, OH 1974 01 -Don't Get Yourself In Trouble - Little Gandy Dancer 02 -Give It Time 03 -Welcome Home 04 -Hold Back The Water 05 -Blue Collar 06 -Give Me Your Money Please 07 -Let It Ride 08 -American Woman 09 -Honky Tonk Woman Disc 2 Friedrich-Ebert-Halle Ludwigshafen, West Germany 1975-05-11 1. -Introduction 2. -ROLL ON DOWN THE HIGHWAY 3. -GIVE IT TIME 4. -SLEDGEHAMMER 5. -LET IT RIDE 6. -ROCK IS MY LIFE AND THIS IS MY SONG 7. -BLUE MOANIN' 8. -FREE WHEELIN' 9. -WELCOME HOME 10. -Guitar Solo - Bass Solo 11. -NOT FRAGILE 12. -YOU AIN'T SEEN NOTHING YET 13. -TAKIN' CARE OF BUSINESS 14. -SLOW DOWN BOOGIE Disc 3 CNE Grandstand Toronto, Canada August 24, 1976 1. -Take It Like A Man 2. -Give It Time 3. -Hold Back The Water - Welcome Home 4. -Don't Get Yourself in Trouble 5. -Find Out About Love 6. -Blue Collar 7. -Rock Is My Life & This Is My Song 8. -Not Fragile 9. -Let It Ride 10. -Hey You 11. -Four Wheel Drive 12. -You Ain't Seen Nothing Yet Disc 4 Shimm Hall Nagoya, Japan October 2, 1976 1. -Give Me Your Money, Please 2. -Give It Time 3. -Hold Back The Water 4. -Welcome Home 5. -Don't Get Yourself In Trouble 6. -Find Out About Love 7. -Blue Collar 8. -Sledgehammer 9. -Rock Is My Life & This Is My Song 10. -Not Fragile 11. -Let It Ride 12. -Hey You 13. -You Ain't Seen Nothin' Yet 14. -Roll On Down The Highway Disc 5 Nagoya cont'd 1. -Four Wheel Drive 2. -Takin' Care Of Business 3. -Slow Down Boogie - Thank You - Domo -
Audience - all shows Berlin Aud 7.2 A reasonably clear tape, Jimi vocals come through and guitar is right up front too. Drums a little buried but you get enough to know what’s going on. Enjoyable! Cologne Aud 7.0 Mono recording without much separation of instruments, guitar being the clearest here. Hamburg Aud 6.6 Very loud and distorted recording. Nuremberg Aud 6.7 Thin, with tape noise present, no dynamics, only Jimi's guitar is heard but it is heard clearly ringing out like he was the only one mic’d up! -
A superbly put together set! Looks positively spectacular. The recordings are all generally pretty decent. CD 1 Audience 7.7 - CD 2 Audience 8.7 - CD 3 Soundboard 9.0 - CD 4 Audience 8.4 - CD 5 Audience 8.4 (these last two discs you MUST turn the volume up loud because the levels are low but the fidelity is decent. The louder the better, and it does NOT distort because there is a ton of headroom here to play with). -
This set collects not so widely available shows of varying quality but certainly ones that fill in missing parts to a collection. CD 1 - Audience 7.4 - Actually not that bad at all, and probably one of the better ones of this set. CD 2 - Audience 7.7 - Fine recording that kind of stays in a rather crisp mode, but if I were to remaster it or want to add bass this recording is a PERFECT one because highs are so good on this, and accurate to a fault really. A decent recording that needs low end but VERY enjoyable! CD 3 - Audience 7.0 - Might be the worst of this set, but Randy is clear here on this tape, followed by Ozzy, so the priorities are at least straight! CD 4 - Audience 7.5 - Right down the middle, as far as sound-field, but it is not that hard to go ahead and appreciate this for what it is. Mediocre and at times gets really good and clear especially during softer sections of songs. CD 5 - Audience 7.3 - I would rate this higher for the fact that levels are good, and everything can be heard, but the fault is that everything is mid to upper band and gets too harsh for me. I think a good EQ would do wonders, because at least the mids and highs are there in which to round out more and even reduce in favor of low mid and low frequencies.
