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Pro Soundboard 9.8 - One of the best ever. Must get it. -
Soundboard 9.2 - Very direct and forceful sounding, but a touch harsh I would say. Still I am being picky, it’s a damn good one! -
Studio Quality 8.9 - The quality is great but you have to get past the first song and a half as there is some static present. Once you move past those tracks you get some very interesting studio rehearsals and outtakes. I love the rawness here, it’s very visceral and powerful. ALICE COOPER Studio Outtakes Killer and Muscle Of Love album 01. Desperado 02. Be My Lover 03. Killer 04. Halo Of Flies 05. You Drive Me Nervous 06. You Drive Me Nervous Part 2 07. Man With The Golden Gun 08. Teenage Lament 09. Woman Machine 10. Never Been Sold Before 11. Muscle Of Love 12. Muscle Of Love Part 2 13. Workin Up A Sweat 14. Babe Please Don't Stop 15. Hard Hearted Alice -
Audience 7.3 - A rip-roaring, over the top onslaught of greasy rock and roll captured painfully close to the PA. Sounds like this may be lifted from vinyl, and there’s tape noise artifacts present. But, all that taken into account, this is still a very good time and not painful on the ears despite the volume (I think someone attempted to remaster this but it can use one more time). -
Pro Soundboard 9.5 - Stellar, super clean! -
Soundboard 8.9 - It’s a very clean, good board but it features a heavy reverb sound, but it’s probably natural reverb. Still an interesting kind of atmospheric recording. -
Audience 8.6 -A sonic blast not held back by some of the typical limitations such as the actual venue itself which is notorious for sounding more like a gymnasium than a concert hall. Tape cannot be faulted for being muddy, it’s not very clean, but that is due to proximity to PA and unprofessional gear. That being said, the tape scores high in terms of sheer electricity and fun…once your ears adjust, yeah, but what a ride! Band did not know they were being taped by someone so I guess this is a pretty honest performance. They sound very primitive, underground, gritty…and I guess that is why Cooper made changes because perhaps that style and sound was getting outdated on such a large caliber tour. Personally, I much prefer this honest, maybe if a bit more crude, band sound. Alice Cooper Boston Garden Boston, Massachusetts March-26-1973 the band alice cooper vocals michael bruce guitar glen buxton guitar dennis dunaway bass neal smith drums 1 -intro - tune up 2 -hello hooray 3 -billion dollar babies 4 -elected 5 -im 18 6 -raped and freezing 7 -no more mr nice guy 8 -my stars 9 -unfinished sweet 10 -I Love The Dead 11 -schools out 12 -under my wheels 13 -god bless america -
Soundboard 8.7 - It’s fine just sounds a little dated to me, all the instruments are present which is cool since a lot of times Glenn’s guitar is mixed low or struggles to be heard. -
BYG Label - France EX/EX -
Soundboard 9.7 - Sparkling, immaculate, totally pro mix and sound. -
Pro Radio Broadcast 9.2 - Sounds very much like a product of its time, and, it is rather good and Aldo shreds convincingly. -
Audience 8.4 - Very rare show, perhaps slightly on the thin side but screaming guitar and vocals stand out. A must have for any Aldo Nova fan! -
Studio Quality 9.5 - Demo Sessions from "No Parole From Alcatrazz ". -
Audience 8.0 - Crisp and loud mids/highs with a little lacking in bottom but very enjoyable nonetheless. The band sometimes sounds a little unsure, but the energy is great. -
Audience 9.1 - Small club vibe permeates this very intimate recording as Al sings his songs with a crack band behind him…often chatting it up with the audience who responds in kind. As I listened, I could not help but think this music really reminds me of Lou Reed, with less bratty New York attitude and more gay San Francisco. Al Stewart Band Wolfgangs San Francisco, Ca. 1983-08-11 01. -Unknown Title 02. -Unknown Title 03. -Time Passages 04. -Cafe Society 05. -Almost Lucy 06. -Rumours of War 07. -Intros - On The Border 08. -Accident On 3rd Street 09. -Valentino Way 10. -Intros - Year Of The Cat 11. -End of the Day 12. -If It Doesn't Come Haturally Leave It 13. -Paint By Number Al Stewart: vocals, guitars Peter White: guitars, keyboards, bass Adam Yurman: bass, guitars Kaz: Alto sax, keyboards Steve Chapman: drums -
Soundboard 9.5 - Crisp, intimate, warm, inviting sound. It’s like, I don’t know, being there or something (cliché but true). Al DiMeola El Mocambo Toronto, Ontario, Canada June 17, 1977 1. -Mediterreanean sundance 3:58 (3:49) 2. -flight over Rio 7:28 (7:11) 3. -midnight tango 7:57 (7:39) 4. -percussion and drum solos 6:58 (6:42) 5. -elegant gypsy 12:29 (12:01) 6. -band introductions 2:10 (2:05) 7. -the wizard 11:45 (11:18) 8. -race with the devil on the Spanish highway 10:23 (9:57) Al DiMeola- guitar Stu Goldberg- keyboards Eddie Colon- timbales and percussion Lee Pastora- congas Eric McCann- bass Chuck Burgi- drums