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Audience 9.3 - Good dynamic capture of one of the better performances. A must have! -
Pro Studio 9.8 -
All Studio Quality 9.7 -
CD 1 and 2: Madrid - Aud 7.8 - Focus on the guitars here, so less than stellar but good for listening to the amazing guitar interplay which is superb during this show CD 3 and 4: Niagara Falls - Aud 8.4 - A remastered version of a pretty good gig, sound is very bright and lively, and that helps convey the manic energy of the band and audience, who respond overwhelmingly. Both shows offer benefits to the Priest fans. -
Both shows are really good, around 8.5 with the second version coming in a touch higher to me. Some annoying clapping along at times but that is the Japanese audience for ya. Most of the time they are VERY well behaved. -
Both Nights Vastly improved because you now get as complete a show as possible with the two source merge using the audience and the soundboard sources. The second show is pretty decent audience, around 7.8 really but it’s very interesting to get the back to back performances to hear the differences. -
Both Shows: Early Show - Audience 7.2 - The lesser of the two shows, but the performance is strong, you’ll know they mean business after the first 30 seconds of Immigrant Song! Late Show - Audience 7.7 - Several notches cleaner and stronger than the early show, but both are worth your time. -
Radio Broadcast 8.5 - This is a big upgrade to what you may have heard before. Music is total mind frying acid induced psychedelia ala Hendrix. KILLER MAN! -
CD 1 - FM Broadcast 8.8 / CD 2 - FM Radio Broadcast 9.1 / CD 3 - FM Radio Broadcast 8.9 / CD 4 - Audience 8.7 -
Audience 9.3 - Another superb audience highly rated for not only the good clean capture but also for the show itself and the dynamics and effect it all has on the listener emotionally. It’s truly a time capsule, and the DVD is the icing on the cake. This set is now expanded to include the soundboard portion of the show. This is a must own! -
Audience 8.8 - Crisp, well defined sound. -
Audience 9.4 (both shows) - Expertly recorded from optimal position with high end gear. Clear and nuanced, with some headroom allowing for the atmosphere of the event to add another dimension to the sonically excellent captures. -
Volume 1: CD 1 - Pro Radio Broadcast 9.5 CD 2 - Belgium 1974 - Pro Radio Broadcast 9.4 & Soundboard 9.1 CD 3 - Roslyn, NY 1974 - Soundboard 9.1 CD 4 - Bob Harris 1974 - Soundboard 9.1 and The Bottom Line, NY 1976 - Soundboard 8.7 -
CD 1 - Audience 8.8 / CD 2 - Audience 7.7 / CD 3 - Audience 7.2 / CD 4 - Audience 8.3 Some tape problems persist but they are not severe and do not affect the tape or show for that matter, but for a minor faint pop type sound. -
Multiple sources used to make up this first volume of the 70’s series. * The first is a really cool 1967 show that is professionally recorded in an amateur fashion. So, yes, a pro recording but whoever engineered it was slow on the uptake, levels are peaked, the mix is funky, oh well, it could have been much better but for a super early Spirit show this is PURE GOLD and the surprise is how jazzy they are here. * The second disc comes from another early gig (1969) from Seattle and is Audience 8.3 for the clarity but has some hiss, and is not exactly hi-fi but you can hear everything very nicely and clear, pretty much, maybe vocals are a little buried but that is all. * Disc 3 is the continuation of the previous plus begins the Chicago 1975 gig (Disc 4) which is Soundboard 8.8 and has lovely atmosphere, and I think it is in stereo, or at least the way it is panned, mimics a stereo effect. -
Studio and Live - Excellent source material used, especially the studio stuff. The June 10, 1979 performance is perhaps the weakest tape here but one can still hear all the action from the stage even if it sounds a little far back. Fans consider the Accolades set to be a classic piece, it’s easy to hear why.