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Soundboard 9.2 -
Audience 7.6 - I wish this sounded better because it’s one of the few recordings capturing that rare moment when they are joined by the Zeppers. So, yeah, a little rough with the loudness and all, but important in a historical sense. -
CD 1 - Brisbane - Audience 7.8 (a little bit flat maybe but it is clear enough you hear the whole band, still enjoyable nonetheless) CD 2 - Lancaster - Audience 8.6 (a great recording here) -
Audience 8.5 - Nothing much to complain about here. A good and very “live” sounding tape. Gives you the atmosphere which, if done properly, adds much to the tape. -
Audience 7.9 - Foot- stomping and LOUD recording! Bristles with energy, the tape can barely contain it but it does. Fun show! -
Shotgun were a 1970s rock band from Dallas. The band consisted of Guy Houston on drums, Hugh Coleman on bass, John Michael Soria on lead guitar, Russ Skarsten on keyboards, and Billy Metcalf on lead vocals. The band's 1976 album, recorded but never released, Dallasian Rock was remastered and reissued by ShroomAngel Records, in 2014. Reviewing the album for seaoftranquility.org, Pete Pardo awarded the album five stars and said: "This is incredible material that should have been huge back in the day, and the amazing thing is it still sounds fresh and exciting here in 2014. The ShroomAngel team have done a wonderful job on the remastering, so be prepared for a killer listening experience." -
Audience 7.8 - Both shows roughly the same with enough differences to say one has qualities the other doesn’t have and vice versa. So whereas in one show you might get more definition on guitar, the other will have more vocal presence and a slightly better rhythm section. Take your pick, two vintage Atomic Rooster gigs hardly a losing proposition. -
Audience 8.3-8.7 - What starts out sounding kind of boomy, slowly starts to turn into a very good and powerful recording as if the taper started on one side (bass) and moved to the middle…either that or the sound man finally got it right. Either way this will surely please! -
Audience 7.0 -
This is the first release on the Shroom Productions record label begun in 1995. It consisted of tracks mostly from Hands 1977 January Sound recording sessions in Dallas, TX. The CD was put together from that plus an assortment of other tracks because, at the time, it was not known if there would be another Hands CD, we just did not know what the demand would be. Well, some 3000 copies later, and there is STILL demand for this great music. Numerous reviews and consistently high ratings give praise to this band and this CD in particular. Discover them if you have not heard any of their music, I mean, if you love bands like Gentle Giant, King Crimson, Kansas, Yes, Camel, Happy The Man, Gryphon, Greenslade, UK, or PFM. -
Soundboard 9.7 -
Pro recordings 9.4 - Totally excellent. -
Audience 8.6 - A little bit thin as far as this recording goes in that it could use a little more bottom end but that is not a deal breaker because it is not a “shrill” thin, just could use more lows. That being said, there’s a lot to chew on with this show. Great performance, good quality, so just be aware the singer requires some getting used to! Have fun. -
Audience 8.3 - This recording captures a medium to large hall atmosphere from maybe middle rows and is quite good under those circumstances. It actually lends a cool vibe to the show, despite that naturally huge reverb going on. Oh, if you are unfamiliar with them, here’s the deal: GREAT hard and heavy jazz rock leaning towards rock with a very quirky singer. Once you get used to him, you are LOVING this band. -
Audience 8.7 - A strong and intense recording with a percussive tilt to it, so you get a very present and crisp drums and percussion. Everything else is also pretty clear but I would have liked guitars more up front but they are fine. This period of the band is exciting and intense, so if you love your progressive jazz hard rock played with fire and intensity that sometimes is off the charts this band is for you. -
Audience 8.8 - A very direct and punchy recording that delivers the music straight into your ears without passing through any air. As if you are sitting in front of the speaker as they play, nobody in front of you. It makes for a cool experience to hear this super intense band so intimately.