Soundboard 9.4 - Anytime you can find a soundboard of this band you really ought to grab it. I think it allows the listener to get all the nuance, the sound effects so-to-speak that make Ghost a little bit better than the competition. Plus the songs are interesting, and the voice is perfectly matched to the style.
Ghost "Paradise Lost" Halle Tony Garnier Lyon, France May 22th 2023 Disc 1 01. -Imperium 02. -Kaisarion 03. -Rats 04. -Faith 05. -Spillways 06. -Cirice 07. -Hunter's Moon 08. -Jesus He Knows Me 09. -Ritual 10. -Call Me Little Sunshine 11. -Con Clavi Con Dio 12. -Watcher in the Sky Disc 2 01. -Year Zero 02. -Spoksonat 03. -He Is 04. -Miasma 05. -Mary on a Cross 06. -Mummy Dust 07. -Respite on the Spitalfields 08. -Kiss the Go-Goat 09. -Dance Macabre 10. -Square Hammer 11. -Sorrow in the Wind-
Audience 8.6 – 8.8 - All of the recordings here are good to very good audience recordings made on obviously portable tape recorders with limited capacity to hold the bandwidth needed for a loud, intense rock group. That being said, the tapes have gone through processing that allows more music information to come through, less tape hiss and background gunk, so you get to actually hear and decipher well what can only be described as groundbreaking experimental rock/jazz/prog by the band that wrote the book on it. Amazing power and finesse on display, and to reiterate my point on sound quality – this collection of live KC is still fundamentally indispensable to any self-proclaimed prog rock aficionado. King Crimson UK 1971 Disc 1 Civic Hall Wolverhampton, UK. 1971 Sept. 10 1. Good Evening - Mellotron Tuning 2. Pictures Of a City 3. Cirkus 4. Formentera Lady - The Sailor's Tale 5. The Letters 6. Cadence And Cascade 7. Ladies of the Road 8. Groon Disc 2 Civic Hall Wolverhampton, UK. 1971 Sept. 10 3. 21st Century Schizoid Man 4. Mars Weeley Festival Clacton, UK. 1971 AUG. 28 5. Pictures Of A City 6. The Letters 7. The Devil's Triangle Preston Public Hall 1971 Oct. 9 8. Pictures Of A City Disc 3 Preston Public Hall 1971 Oct. 9 1. Cirkus 2. Formentera Lady - The Sailor's Tale 3. The Letters 4. Cadence And Cascade 5. Ladies of the Road 6. Groon 7. 21st Century Schizoid Man 8. The Devil's Triangle Disc 4 Town Hall Watford, UK. 15 July 1971 01 -RF Announcement 02 -Pictures of a City 03 -Formentera Lady 04 -The Sailor's Tale 05 -Tune Up & Announcement 06 -Cirkus 07 -The Letters 08 -Cadence and Cascade Disc 5 09 -Improv A Peacemaking Stint Unrolls 10 -RF Announcement 11 -Lady of the Dancing Water 12 -RF Announcement 13 -Ladies of the Road 14 -RF Announcement 15 -21st Century Schizoid Man 16 -The Devil's Triangle BONUS 17. -LARKS TONGUE IN ASPIC II Robert Fripp - Guitar Boz Burrell - Bass, Vocals Ian Wallace - Drums, Backing Vocals Mel Collins - Saxes, Flute Peter Sinfield - Word, Illumintaions -
Early Show Audience 8.8 - Not to be confused with another Chicago ’81, this is from the Uptown Theatre on November 27th, and it’s relatively new to circulation. The sound quality is very good, with especially nice meatiness on drums, and a close, warm guitar tone and presence which makes this one to have in the collection.
Late Show Audience 8.8 - Very similar to the early show, maybe just a touch less defined due to being in a different spot, but at times it’s also just a touch clearer – so this leads me to believe it’s just a matter of where the microphone is at any given time. Must have been a good recorder though, because the sound is good on the low end and the mids, and highs are not excessive but rather kind of toned down in a good way. It’s the kind of recording that you can turn up real loud.
Frank Zappa Chicago 1981
Disc 1 Uptown Theatre Chicago, IL. 11-27-1981 Early show 1. -Treacherous Cretins 2. -Cosmik Debris 3. -You Are What You Is 4. -Mudd Club 5. -The Meek Shall Inherit Nothing 6. -A Pound For A Brown 7. -The Dangerous Kitchen 8. -The Blue Light 9. -Sinister Footwear 10. -Stevie's Spanking 11. -Cocaine Decisions Disc 2 12. -Nig Biz 13. -Tinsel Town Rebellion 14. -Alien Orifice 15. -Teenage Prostitute 16. -Flakes 17. -Broken Hearts Are For Assholes 18. -Yo' Mama 19. -Joe's Garage 20. -Why Does It Hurt When I Pee? 21. -The Closer You Are 22. -City Of Tiny Lights Disc 3 Uptown Theatre Chicago, IL. 11-27-1981 Late show 1. -Zoot Allures 2. -Montana 3. -Easy Meat 4. -Fine Girl 5. -Teenage Wind 6. -Harder Than Your Husband 7. -Bamboozled By Love 8. -King Kong (q: Rite Of Spring) 9. -Sharleena (q: Little Drummer Boy) Disc 4 10. -Drowning Witch 11. -What's New In Baltimore? 12. -Moggio 13. -Dumb All Over 14. -Goblin Girl 15. -The Black Page (q: Fernando) 16. -Strictly Genteel
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Audience 8.5 - I guess if you want to know what this band was about in their heyday, and if you didn’t mind the fact that one of the few tapes in existence sounded like what your parents thought of your heavy metal noise…this is for you. It’s punkish, it’s brash, it’s snotty, it’s ramshackle, it’s amateur, it’s possibly a glorious mess…and they do Vegetable Man so they get high marks for recognizing what is great and what should be covered (that’s because they don’t have enough profound original music to offer at this stage). So, yeah, I suppose this is worth getting in case you A. want to discover this band and B. want to hear what they were like at the beginning. OK, last thoughts – want to know what it sounds like when a freight train begins to crash? In slow motion? Very nearby? Side Note: I liked their song "Taste The Floor" as it reminded me of early Kinks. Plus I could decipher what they were doing...yeah, it was alright.Jesus And Mary Chain Pavilion Theatre Brighton, England 2 February 1985 01. intro 02. In A Hole 03. Vegetable Man 04. You Trip Me Up 05. Ambition 06. Taste The Floor 07. outro
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Studio 9.5 - A really detailed, complete set which contains just about everything you ever wanted to hear regarding the pre-Kiss band Wicked Lester. Is it necessary? I mean, there’s a lot of repetition here, but I have to say it is kind of necessary when you call something complete, you should provide that to the collector and this set does. Quality is great.
Kiss - Complete Wicked Lester Sessions 1971/1972 Disc 1 Electric Lady Studios 18th November 1971 01. Too Many Mondays [0:03:40.20] 02. Love Her All I Can [0:02:35.44] 03. Sweet Ophelia [0:03:06.03] 04. Molly [0:02:32.12] 05. Keep Me Waiting [0:03:22.04] 06. She [0:03:06.41] 07. What Happened In The Darkness [0:03:10.26] 08. We Want To Shout It Out Loud [0:02:46.01] 09. When The Bell Rings [0:03:24.04] 10. Simple Type [0:02:40.24] 11. She (Take 2) [0:03:05.20] 12. Molly (Take 2) [0:02:33.30] 13. We Want To Shout It Out Loud (Take 2) [0:02:43.42] 14. Too Many Mondays (Take 2) [0:03:41.08] Electric Lady Studios August 1972 Sessions 1 15. Keep Me Waiting [0:03:28.12] 16. Love Her All I Can [0:02:40.72] 17. Molly [0:02:28.52] 18. She [0:03:07.43] 19. Simple Type [0:02:37.73] 20. Sweet Ophelia [0:03:09.74] 21. Too Many Mondays [0:04:04.34] 22. When The Bell Rings [0:03:10.62] 23. Molly (Take 2) [0:02:25.12] 24. Too Many Mondays (Take 2) [0:03:59.13] Disc 2 Electric Lady Studios August 1972 Sessions 2 01. We Want To Shout It Out Loud [0:02:43.14] 02. Keep Me Waiting [0:03:10.30] 03. Love Her All I Can [0:02:35.30] 04. Molly [0:02:29.52] 05. She [0:03:03.47] 06. Simple Type [0:02:42.23] 07. Sweet Ophelia [0:03:01.64] 08. Too Many Mondays [0:03:38.14] 09. What Happens In The Darkness [0:03:07.52] Final Album Reel 1972 10. When The Bell Rings [0:03:17.70] 11. Keep Me Waiting [0:03:23.47] 12. Molly [0:02:33.26] 13. Sweet Ophelia [0:03:06.24] 14. Simple Type [0:02:43.25] 15. Too Many Mondays [0:03:44.10] 16. Love Her All I Can [0:02:35.54] 17. When The Bell Rings [0:03:25.10] 18. She [0:03:07.56] 19. What Happens In The Darkness [0:03:10.60] 20. We Want To Shout It Out Loud [0:02:49.33] 21. Long, Long Road [0:04:18.67] Disc 3 Electric Lady Studios Spring 1972 Sessions 01. Keep Me Waiting [0:03:25.42] 02. Long, Long Road [0:04:20.25] 03. Love Her All I Can [0:02:54.69] 04. She [0:03:09.45] 05. Simple Type [0:02:48.22] 06. Sweet Ophelia [0:03:16.64] 07. We Want To Shout It Out Loud [0:03:10.00] 08. What Happened In The Darkness [0:03:14.67] 09. When The Bell Rings [0:03:11.09] 10. Simple Type (Take 2) [0:02:49.44]
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Gainesville 1978 Soundboard 9.5 - A professional straight board feed recording that is as clean and balanced as you’d ever want – but very occasionally there may be a slight tape drop out (rarely), and the sound is almost too good…meaning it could use some ambience and atmosphere but if you only want to hear this as a musical performance rather than event, this is damn near perfect.
Cincinnati 1989 Audience 9.7 - A soaring, elegant recording that captures this event in spectacular quality. Guitars seem to float over your head and wrap around your ears as they seem to pan across the room, drums filling the spaces and adding immediacy. When the audience claps and responds it’s as if it is a part of the show how it blends in and seems so respectful. Overall man this is a frighteningly good recording and performance and is pretty much in the “must have” range IMHO.
Pat Metheny Group 79/89 Disc 1 Spring Jazz Festival Lake Alice Field, University of Florida Gainesville, Florida 1979-03-30 01-Phase Dance (Pat Metheny, Lyle Mays) 7:35 02-Circus Music (Pat Metheny, Lyle Mays) 6:10 03-PM speaks 1:01 04-Unity Village (Pat Metheny) > The Windup (Keith Jarrett) 13:08 05-The Epic (Pat Metheny, Lyle Mays) 14:35 06-Jaco (Pat Metheny) 4:21 07-PM speaks and tuning 0:54 08-San Lorenzo (Pat Metheny, Lyle Mays) 11:08 09-Re-tuning and PM speaks again 1:39 10-Wrong Is Right (Larry Coryell) 7:53 11-American Garage (Pat Metheny, Lyle Mays) 4:43 Pat Metheny, guitars Lyle Mays, piano, synthesizer, electric organ, autoharp Mark Egan, bass guitar Danny Gottlieb, drums Disc 2 Taft Theatre Cincinnati, Ohio September 22, 1989 1. –Phase Dance 2. -Have You Heard? 3. -Every Summer Night 4. -Hermitage 5. -Better Days Ahead 6. -Farmer’s Trust 7. -Spring Ain’t Here 8. -Straight On Red 9. -Are You Going With Me? Disc 3 10. -The Fields, The Sky 11. -Are We There Yet? 12. -Vidala 13. -Slip Away 14. -Letter From Home 15. -Beat 70 16. -Band Introductions 17. -Minuano (six-eight) Pat Metheny - Guitars Lyle Mays - Keyboards Steve Rodby - Bass Paul Wertico - Drums Pedro Aznar - Voice, Guitar, percussion Armando Marcal - Percussion
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Audience 9.3 - A great, very lively and sharp recording. I love the mix here too, drums are prominent without being boomy, guitars are complimentary and tuneful. This is a really fun hour of listening pleasure and will get repeat plays in your player for sure. The inclusion of Prince on two songs is just the icing on the cake.The Bangles & Prince Warfield Theatre San Francisco, California May 14, 1986 1. Intro (Dead End Justice) - The Runaways 2. In A Different Light 3. Restless 4. Live 5. I Got Nothing 6. Walking Down Your Street 7. James 8. September Gurls 9. He's Got A Secret 10. If She Knew What She Wants 11. Return Post 12. Going Down To Liverpool 13. Manic Monday (with Prince) 14. Let It Go 15. Angels Don't Fall In Love 16. Want You 17. Hero Takes A fall 18. Dover Beach 19. I'm Not Talkin' 20. Walk Like An Egyptian 21. Whole Lotta Shakin' Goin' On (with Prince)
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Audience 9.3 - A really clean, punchy recording that has realistic presence, and is river deep and mountain high – I especially found the drums, kick drum, toms, this was a pleasant surprise for an audience tape to deliver almost studio quality dynamics and placement in the stage mix was on point. Amazing to think that this tape remained out of circulation to only just recently, while we did have other shows from this week at the Hollywood Palace in 1984.
Frank Zappa The Palace Los Angeles, CA July 17, 1984 Disc 1 01 Tuning and Dialogue 02 Zoot Allures 03 Band Introductions 04 Tinsel Town Rebellion 05 Oh No (includes Son Of Orange County) 06 More Trouble Every Day 07 Penguin In Bondage 08 Hot Plate Heaven At The Green Hotel 09 Dumb All Over 10 Evil Prince Disc 2 11 Carolina Hard-Core Ecstasy 12 Advance Romance 13 He's So Gay 14 Bobby Brown 15 Keep It Greasey 16 Honey, Don't You Want A Man Like Me? 17 Carol, You Fool 18 Chana In De Bushwop 19 Let's Move To Cleveland 20 Why Don't You Like Me? -
Audience 9.1 - A fascinating document! Well, for one thing, it has that visceral, thump to your chest power and immediacy while you are immersed in the pit with your bros…but the crowd only makes this better. Such amazing atmosphere! The other thing is that this is NOT your mid 70’s blues guitar pub rock – it is much more along the punk/grunge aesthetic in how Rory is playing and his tone. Sure, he plays a lot of blues, but it does not come across the same as it did in ’74…it comes across as music that can breathe new life into what could be considered a dated musical form.
Rory Gallagher Inselwiese Dinkelsbühl, Germany 05. Juli 1986 Disc 1 01. -Ansage - Moonchild 8:03 02. -Shinkicker 6:39 03. -I wonder who 12:22 04. -Nadine 9:34 05. -Bad Penny 9:08 06. -Seven Days - I'm Ready 12:03 07. -Tattoo'd Lady 8:46 08. -A Million Miles Away 8:42 Disc 2 09. -Follow Me 7:01 10. -Out On The Western Plain 6:39 11. -Walkin Blues 7:06 12. -Rollin & Tumblin 5:43 13. -Big Guns 7:48 14. -I'm A Man 2:58 15. -Messin With The Kid 8:39 16. -Bullfrog Blues 6:37 17. -Seven Days - I'm Ready 10:22 18. -Follow Me 5:32
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Audience 9.7 - Brilliant, clear, deep, good atmosphere, and even though it is pushing the meters it still has some headroom so crank this one up and hear for yourself why I always say a great audience tape beats a soundboard.
Don Henley Pacific Amphitheatre Costa Mesa, CA October 1, 1989 Disc 1 01 Drivin' With Your Eyes Closed 02 Dirty Laundry 03 The End Of The Innocence 04 Building The Perfect Beast 05 If Dirt Were Dollars 06 The Last Worthless Evening 07 Sunset Grill 08 New York Minute Disc 2 09 Shangri - La 10 Hotel California 11 Life In The Fast Lane 12 The Boys Of Summer 13 All She Wants To Do Is Dance 14 I Will Not Go Quietly 15 Band Introduction 16 Desperado
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Soundboard 9.0 - Many people who collect this band’s live recorded works would probably all agree that the 80-81 period is the least favorite, but maybe that is because they never heard this one. This is new to circulation, and it is not without flaws (a few songs fade in, and it is a touch on the “hot” side) but I think it delivers where it counts. I particularly found the drums to be emphasized in a good way, you can feel them, and therefore it lends a heavier feel to the songs, including the seldom played songs they were showcasing from the latest album.
Allman Brothers Band Bell Auditorium Augusta, GA 11/18/1981 Disc 1 1. Jessica 2. Can't Take It With You 3. Straight From The Heart 4. Blue Sky 5. Leavin' 6. Crazy Love 7. Things You Used To Do 8. Midnight Rider 9. In Memory of Elizabeth Reed 10. Need Your Love So Bad 11. Melissa Disc 2 12. Never Knew How Much (I Needed You) 13. One Way Out 14. Southbound 15. The Judgement 16. Statesboro Blues 17. Whipping Post
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Audience 8,7 - A distant recording with that unmistakable large stadium natural reverb that makes you sort of imagine where you are as you listen and squint your eyes to see what Lou Reed is doing on stage. The good news is that everything pretty much is audible, and reasonably clear too. The recording does lack some low end, but is not overly tinny, and drums/vocals are favored in the mix with guitars sort of chiming in just behind. If this wasn’t a clean/clear recording I would say there’s not much use for it but it has redeeming qualities and some charming renditions of some of his most beloved tunes.
LOU REED Stadio Partenio Avellino, Italy 16 June 1980 Disc 1 1. -Sweet Jane 2. -Real Good Time Together 3. -I'm Waiting For My Man 4. -Coney Island Baby 5. -So Alone 6. -Vicious 7. -Walk On The Wild Side 8. -Standing On The Ceremony 9. -Heroin 10. -Growing Up In Public 11. -The Kids 12. -Caroline Says II 13. -The Bed 14. -Sad Song Disc 2 15. -The Power Of Positive Drinking 16. -How Do You Speak To An Angel 17. -My Old Man 18. -Keep Away 19. -Street Hassle (with band intros) 20. -Rock and Roll 21. -Sister Ray The band: Lou Reed - vocals & guitar Stuart Heinrich - guitar Chuck Hammer - guitar Ellard "Moose" Boles - bass Michael Fonfara - keyboards Michael Suchorsky - drums
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Audience 8.8 - A snapshot from the road during a period that for some reason is largely undocumented. The tape is consistent and good, most listeners will settle into it nicely, but those who prefer the pristine boards or Mike “The Mic” Millard quality tapes may be critical of this one. Personally I found this tape to deliver on the essentials, being that it is clear (a little bit overcrowded in the center channel a bit and maybe not the best instrument separation) and reasonably dynamic enough to hold your attention through the duration.Doobie Brothers Louisville Convention Center Louisville, KY December 6, 1973 01 Introduction 02 Listen To The Music 03 Daughters Of The Sea 04 Slippery St. Paul 05 Clear As The Driven Snow 06 Pursuit On 53rd St. 07 Road Angel 08 Long Train Runnin' 09 Down In The Track 10 Discipline 11 Jesus Is Just Alright With Me 12 Without You 13 China Grove Intro Jam 14 China Grove
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Pro Recording 9.4 - This is actually recorded from the audience, or the pit, or somewhere within the hall with professional equipment possibly for broadcast or posterity but it is obviously not an amateur job. The dynamics and atmosphere are excellent, and to my ears it just seems like the band wanted to record this gig for whatever reason.
Rick Wakeman November 16, 1981 Guildhall Preston, UK Disc One (70:34) 1) War Games? (10:29) 2) King Arthur Medley (12:10): a) Arthur b) Lancelot and the Black Knight 3) Sea Horses (5:17) 4) Julia (6:11) 5) Three Wives (13:12): a) Catherine of Aragon b) Anne of Cleves c) Catherine Howard 6) The Proles (5:30) 7) Journey to the Center of the Earth - Part 1 (17:45) Disc Two (60:16) 1) Danielle (4:30) 2) The Probe (4:05) 3) Chamber of Horrors (7:03) 4) The Hymn (3:14) 5) Anne Boleyn (29:04) 6) Robot Man (4:57) 7) Journey to the Center of the Earth - Part 2 (7:23) a) The Battle b) Hall of the Mountain King
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Audience 8.8 - Two sources exist for this show, this being Source #1 and a good step up from the other source. This one sounds fuller, with a rich, deep bass response (at the expense maybe of the mid/high of guitar) and also seems maybe a touch closer to the stage, so less of the boominess which is not detracting at all here even though it is obviously a large stadium.
Pink Floyd The Arms Of Vancouver Pacific National Exhibition Park Vancouver, Canada April 8th, 1975 source #1 Disc 1 1.Raving And Drooling 2. You Gotta Be Crazy 3. Shine On You Crazy Diamond Part 1-5 4. Have A Cigar, Shine On You Crazy Diamond Part 6-9 Disc 2 5. Speak To Me 6. Breathe 7. On The Run 8. Time 9. Breathe (Reprise) 10. The Great Gig In The Sky 11. Money 12. Us And Them 13. Any Colour You Like 14. Brain Damage 15. Eclipse Disc 3 16. audience 17. Echoes
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Audience 8.8 - This is a “power” show, meaning the sound coming at you when you play this (hopefully on a decent system) is very forceful, like you really get a sense of the massive volume and power of a band in their prime. That being said, it is a different power than, say, a heavy metal band in that the sound itself is balanced to the degree you get good instrument separation. The other thing I like about this tape is the stereo pan, it’s nice when you are able to get a sense of the event in a more tangible way and this tape does deliver that effect. So, while not as clear as maybe the Radio City Music Hall show (for another example of a ’73 Aud), this recording delivers the goods and should be acquired.
Pink Floyd Maple Leaf Garden Toronto, Ontario, Canada March 11, 1973 Disc 1 01 -Echoes 02 -Obscured By Clouds 03 -When You're In 04 -Set The Controls For The Heart Of The Sun 05 -Cafeul With That Axe, Eugene Disc 2 01 -Speak To Me 02 -Breathe 03 -On The Run 04 -Time - Breathe (Reprise) 05 -The Great Gig In The Sky 06 -Money 07 -Us And Them 08 -Any Colour You Like 09 -Brain Damage 10 -Eclipse 11 -One Of These Days