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Tilburg 2008 Audience 9.3 Taper right in the sweet spot with good gear means you will absolutely love this recording. Bold and striking, the guitar is distinct, vocals perfect, and everything else forming a backdrop without being lost. Wowsers! Tilburg 2009 Audience 9.5 This ladies and gentlemen is the proper way in which to capture a live recording. Now, the fact that it is a progressive rock band with multiple sonic textures and loads of dynamics means you have to work a little harder to make sure you a. set up in a good spot, b. use professional gear and c. know how to use the gear. This, if done correctly, is the result. A SPECTACULAR RECORDING which is a must have even if you don’t know who Mars Volta is, and if that is the case, why not start here? Stunning. The Mars Volta 2008-03-06 013 Tilburg The Netherlands Disc 1 01. -A Fistful of Dollars [01:44] 02. -Roulette Dares (The haunt of) [18:00] 03. -Viscera Eyes [09:20] 04. -Wax Simulacra [03:52] 05. -Goliath [12:44] 06. -Ouroborous [16:53] Disc 2 07. -Tetragrammaton [17:07] 08. -Agadez [15:14] 09. -Cygnus ... Vismund Cygnus [30:28] 10. -Aberinkula [05:42] Disc 3 11. -Drunkship of Lanterns [18:58] 12. -Asilos Magdalena [06:46] 13. -Miranda That Ghost Just Isn't Holy Anymore [06:04] 14. -Day of the Baphomets [14:07] Disc 4 2009-12-07 013 Tilburg The Netherlands 01. -A Fistful of Dollars [02:10] 02. -Son et Lumiere & Inertiatic ESP [05:51] 03. -Cotopaxi [04:44] 04. -L'Via L'Viaquez [09:59] 05. -Goliath [07:53] 06. -Mexican flu speech [01:12] 07. -Eriatarka [15:05] 08. -Since We'Ve Been Wrong [05:55] 09. -Cicatriz ESP [23:47] Disc 5 10. -Halo of Nembutals [05:38] 11. -Miranda [05:11] 12. -Teflon [05:43] 13. -Viscera Eyes [08:09] 14. -Bass solo [02:20] 15. -The Widow [4:00] 16. -Roulette Dares (The haunt of) [10:27] -
Audience 9.0 - A very good recording, maybe a little “soft” but that is the house I think, bass is the predominant player, guitar is not as far up in the mix as one would prefer but it’s decent and all notes are audible. The drums are nice here, and the atmosphere is not pronounced but is present to some degree. It has the sense of just being a smaller venue, which it is, and so you sense that as you listen. Good players are joined up with Lenny, guys with plenty of jazz pedigree. Lenny White Golden Bear Huntington Beach, CA April 2, 1978 Early and Late Sets Disc 1 (Early Set) 01 Prelude: Theme For Astral Pirates (incl. intro) 02 Pursuit 03 talk / band intros 04 Mandarin Warlords 05 intros 06 And We Meet Again 07 Big City 08 Sweet Dreamer 09 Mating Drive Disc 2 (Late Set) 01 Intro, tuning, warmup 02 Chicken Fried Steak 03 talk / band intros 04 Universal Love 05 talk 06 Sunset Burgundy 07 talk 08 Theme For Astral Pirates (incl. Revival, Climax) 09 Assault 10 Sorceress Lenny White - drums, percussion Marcus Miller - bass Don Blackman - keyboards, vocals Jamie Glazer - guitar Nick Moroch - guitar -
SDBRD 9.5 - Expertly recorded and of course this show is pure gold if you enjoy genuine American blues because the guys on stage are THE BLUES personified. Incredible performance, amazing quality! Muddy Waters and his band with Johnny Winter Live at the Tower Theater Philadelphia, Pa. March 6, 1977 Disc 1 1. -Hideway 2. -Cotton Gin 3. -Last Night 4. -See See Baby 5. -Rocket 6. -How Long 7. -Slow Blues 8. -Done Got Over it 9. -Crosscut Saw 10. -Talk to Your Daughter 11. -Band Intros Disc 2 1. -Muddy Intro 2. -Hoochie Coochie Man 3. -Blow Wind Blow 4. -Walkin' Through the Park 5. -Deep Down in Florida 6. -Blues Had a Baby 7. -I Can't Be Satisfied 8. -Trouble No More 9. -Howlin' Wolf 10. -Mannish Boy 11. -Got My Mojo Workin' 12. -Oh Baby Muddy Waters Johnny Winter Pinetop Perkins Willie Smith James Cotton Charles Calmese Bob Margolin -
Audience 9.5 - Holy Moly this is RED HOT! The recording is right in your face but not distorted at all. It’s amazing how close this sounds, its super clear too. The only knock I have is that the bottom end is not as beefy as I would prefer. I really wanted more low end punch but if that is the only knock, then you probably should explore this one because not only is it great audio-wise but the playing is off the charts, and I mean seriously Jeff Beck and Stanley Clarke are at the absolute peak of Mount Everest here. JEFF BECK/STANLEY CLARKE BAND Live at Les Arenes de Fréjus Fréjus, France 10. July 1979 Disc 1 1. -Darkness - Earth In Search Of A Sun 2. -Star Cycle 3. -Blue Wind 4. -Journey To Love 5. -Freeway Jam 6. -Goodbye Pork Pie Hat Disc 2 7. -School Days - Jamaican Boy - School Days 8. -Diamond Dust 9. -Loopsy Lu - Scatterbrain 10. -Rock 'N Roll Jelly 11. -'Cause We've Ended As Lovers 12. -Superstition Jeff Beck: el.-guitar Stanley Clarke: el.-bass Tony Hymas: keyboards Simon Phillips: drums -
Audience 8.7 - So let me put it this way – the recording is not perfect, but is near perfect for someone who needs to try and understand what makes Iron Maiden special. This captures a night, just another night (in fact this was a stand of shows at the Radio City Music Hall) on a long, never ending tour for the band but they play as if it was their last show. It’s amazing how night after night, town after town, tour after tour, Iron Maiden never gives a bad performance. I love this capture even though it suffers a few bumps and bruises, because it’s in the trenches from the hardcore fans perspective, it’s as if the taper is working as hard to capture the gig as the band is in delivering it. I LOVE it, and once I started playing this, I could not stop. I think you’ll love it too. Iron Maiden World Slavery Tour - The Seven Dates Of Hell Radio City Music Hall NYC, New York January 18, 1985 Disc 1 01. Intro 02. Aces High 03. 2 Minutes To Midnight 04. The Trooper 05. Revelations 06. Wrathchild 07. Flight Of Icarus 08. Rime Of The Ancient Mariner 09. Powerslave Disc 2 10. Guitar Solo 11. The Number Of The Beast 12. Hallowed Be Thy Name 13. Iron Maiden 14. Encore Break #1 15. Run To The Hills 16. Running Free 17. Encore Break #2 18. Sanctuary 19. WNEW FM New York interview with Nico Jan. 22 -
Audience 8.5 - A somewhat roughed up old tape with some hiss, and audience members who appear on the tape in their excitement (not too bad) but the music is here man, it’s relatively close to the stage and guitar seemed to be a little back behind the rest except when he used the talk box and it was front and center… very strange! Bass is sitting nicely in the mix (not a boomy sound, pretty defined). I enjoyed listening, especially because Joe was really good, he kept me engaged with this one. I found the audience near taper to be interesting and I enjoyed hearing them on the tape believe it or not. It is a real time capsule! So, all in all, I do recommend to fans because how much Joe/Barnstorm is out there anyway? Joe Walsh & Barnstorm Wollman's Rink Central Park, New York, NY August 11, 1973 01 Meadows 02 Midnight Moodies 03 Tend My Garden - Drums 04 Rocky Mountain Way 05 The Bomber 06 Turn to Stone 07 Funk #49 Band line-up Joe Walsh - lead guitar, lead vocals Kenny Passarelli - bass guitar, backing vocals Joe Vitale - drums, percussion, flute, backing vocals Rocke Grace - keyboards (died July 23, 2020) (aged 68) -
Studio Quality 9.4 As expected, these are from studios sessions and having been remastered (to freshen the old tapes up), it sounds quite good. The material sounds a bit dated though, I mean I know it is Bowie but it’s probably not his best stuff in my opinion…some people like it though. David Bowie - Sigma Sound 1974 1. Young Americans [first take] 0:20. An incomplete version with no vocal. 2. Young Americans [second take] 2:57. An incomplete version which ends with David laughing after singing “President Nixon.” 3. Young Americans [third take] 5:40. A complete version with slight lyrical differences to the finished version. 4. Shilling The Rubes 5:09. Complete version. Towards the end of the song David says, “That’s going to be very nice when it’s got its hat on!” 5. I’m A Laser (The Gouster) 6:09. Complete version. 6. After Today 4:42. Complete version but played at a much faster tempo than the version released by Ryko in 1989. 7. Sweet Thing 4:43 (Ava Cherry on lead vocals). All tracks recorded on 13 Aug 1974 except track 7 which was recorded on 9 Jul 1974. -
All Soundboard 9.3 - This entirely depends on how much you want to hear blazing, inventive lead guitar and don’t mind if the bass sounds more like a rhythm guitar, That is what the bass sounds like to my ears, it’s there, but it’s not “low end” it’s more like a heavy rhythm guitar. It works for this style of rock though – and it’s all good stuff, if maybe a tad generic with the singing. BADLANDS Lost In The Shadows Disc 1 Richfield Coliseum Cleveland, Ohio 1989-09-23 1. -HARD DRIVER 2. -BALL & CHAIN 3. -DEVIL'S STOMP 4. -DREAMS IN THE DARK 5. -WINTER'S CALL 6. -Guitar Solo 7. -HIGHWIRE Palace Of Auburn Hills Detroit, Michigan 1989-09-22 8. -HARD DRIVER 9. -BALL & CHAIN 10. -DEVIL'S STOMP 11. -DREAMS IN THE DARK 12. -WINTER'S CALL 13. -Guitar Solo 14. -HIGHWIRE Disc 2 Hara Arena Dayton, Ohio 1989-08-30 1. -HARD DRIVER 2. -BALL & CHAIN 3. -WINTER'S CALL 4. -DANCING ON THE EDGE 5. -STREETS CRY FREEDOM 6. -JADE'S SONG - DREAMS IN THE DARK 7. -DEVIL'S STOMP 8. -Guitar Solo State Fairgrounds Du Quion, Illinois 1989-09-01 9. -HARD DRIVER 10. -BALL & CHAIN 11. -WINTER'S CALL 12. -DREAMS IN THE DARK 13. -DEVIL'S STOMP 14. -Guitar Solo 15. -HIGHWIRE -
Fillmore East 1969 Audience 8.4 - A bit of hiss is present, the music is not crystal clear until the guitar kicks in and then it comes alive. I’ll tell you what listening to this did for me: I started to understand why hippies tripped balls to Canned Heat, there is a very weird acid vibe going on, things get distorted and intense, and extremely psychedelic in a blues based presentation that is really kind of crazy. Maybe it was due to the band blowing up amplifiers, I don’t know but it’s intoxicating and you can’t stop listening to it, maybe it’s just this show, this weird recording that seems to do weird things…on purpose? You decide. Atlanta Pop Festival 1969 Audience 8.8 - A very interesting sounding old tape, with lead guitar and vocals quite present as if taper was real close but no distortion (although some tape hiss). The performance is bristling with acid blues rock electricity. It’s just palpable, I get these guys I really understand what the magic was. Canned Heat Fillmore East New York, New York, U.S.A. 02-07-1969 Disc 1 01 - Ain't That Lovin' You Baby 02 - Bullfrog Blues 03 - Sugar Mama - Bass solo 04 - Killin' Floor 05 - On The Road Again 06 - Bear Talking 07 - The Boogie Disc 2 1st Annual Atlanta Pop Festival Atlanta International Raceway Fulton County, GA July 4, 1969 01 -Going Up the Country 02 -Bring It on Home 03 -Number Nine Train 04 -When You're Twenty-Six 05 -Fried Hockey Boogie Line-up: Bob The Bear Hite - vocals, harp Alan Wilson - guitar, harp, vocals Henry Vestine - guitar Larry Taylor - bass Adolfo Fito de la Parra - drums -
Audience 8.8 - A very satisfying recording, with a great snare drum sound and I highlight that because it is often overlooked. Dio sounds clear and if I fault anything it’s maybe Toni’s guitar which is just slightly behind the overall sound coming from the mains but still it’s really not too bad and the solos really come across clearly. It’s a fine live sound all around and is comfortable on the ears. Black Sabbath 1981-01-20 Hammersmith Odeon London, UK Disc 1 101 Supertzar 102 War Pigs 103 Neon Knights 104 N.I.B. 105 Children Of The Sea 106 Sweet Leaf 107 Drums Solo 108 Sweet Leaf (Reprise) 109 Lady Evil 110 Black Sabbath Disc 2 201 Heaven And Hell 202 Iron Man 203 Guitar Solo 204 Die Young 205 Paranoid - Heaven And Hell (Reprise) 206 Children Of The Grave -
Radio Broadcast 9.3 - Everything on this disc (includes some bonus material) is fantastic and well worth exploring. Arc Angels Paradise Theater Boston, MA December 16, 1992 Disc 1 01. -Paradise Cafe 02. -Dimples 03. -Carry Me On 04. -The Famous Jane 05. -Good Time 06. -Spanish Moon 07. -Sent By Angels 08. -Always Believed In You 09. -Sweet Nadine 10. -Angel 11. -Shape I'm In Disc 2 12. -Living In A Dream 13. -encore break 14. -band introductions 15. -Looking Back 16. -Too Many Ways To Fall 17. -Too Many Ways To Fall (David Letterman Show - 1993-01-06) Pittsburgh, PA. December 8, 1992 18. -Paradise Cafe 19. -Dimples 20. -Always Believed In You 21. -Angel 22. -Living In A Dream 23. -Too Many Ways To Fall Doyle Bramhall II: guitar, vocals Charlie Sexton: guitar, vocals Tommy Shannon: bass Chris Layton: drums -
Soundboard 9.2 - Loud and right in the pocket! A rocket in the pocket that is… oh yeah Let’s Go! The RAMONES Utica, NY 4 Acres 1977-11-14 01 -Rockaway Beach 02 -Teenage Lobotomy 03 -Blitzkrieg Bop 04 -I Remember You 05 -Glad To See You Go 06 -Gimme Gimme Shock Treatment 07 -You're Gonna Kill That Girl 08 -53rd & 3rd 09 -Sheena Is A Punk Rocker 10 -I Can't Give You Anything 11 -Let's Dance 12 -Here Today Gone Tomorrow 13 -Surfin' Bird 14 -Cretin Hop 15 -Listen To My Heart 16 -California Sun 17 -I Don't Wanna Walk Around With You 18 -Pinhead -
Audience 9.2 - Good location, excellent equipment, focus, and a good PA system in the venue means only one thing – an excellent audience tape. This is really well done. Stanley Clarke Greek Theatre Los Angeles, CA September 11, 1979 01 Beyond The 7th Galaxy 02 Rock 'N' Roll Jelly 03 Silly Putty 04 Goodbye Pork Pie Hat (Charles Mingus) 05 Band intro 06 School Days 07 I Wanna Play For You 08 Confirmation (Charlie Parker) 09 Lopsy Lu 10 Life Is Just A Game 11 Hot Fun Stanley Clarke - electric & acoustic basses Steve Bach - keyboards Charles "Icarus" Johnson - guitars Simon Phillips - drums Alfred Williams - saxophones Al Harrison - trumpet Al Binkley - trumpet Dale Devoe - trombone -
Audience 9.3 - Super tight, clean recording from real close. Obviously a taper who knew what to do, and did it. Excellent! King Gizzard and the Lizard Wizard Coachella Valley Music and Arts Festival - Weekend 1 Outdoor Theatre Indio, CA 2022-04-15 01. -Intro 02. -Rattlesnake 03. -Honey 04. -Self Immolate 05. -Venusian 2 06. -Mars For The Rich 07. -Gaia 08. -Gamma Knife -
Audience 8.8 - I was surprised at just how good this sounded. The first half of the first song you wonder how it will be, and you fear it might wobble because taper is adjusting things on the fly but it gets sorted and wow, I have to give props to taper on this one! He sounds maybe halfway back in the venue, so not close up, but he’s using either high end consumer gear or maybe something more professional to be able to lock in his levels and get a really good timbre. Jethro Tull Hulman Center Terre Haute, IN 1975-10-17 Disc 1 01. -Audience Announcement 02. -Thick As A Brick 03. -Minstrel In The Gallery 04. -Wond'ring Aloud 05. -To Cry You A Song (with Flute Solo) 06. -A New Day Yesterday 07. -Skating Away On The Thin Ice Of The New Day 08. -Ladies (with Drum Solo) Disc 2 09. -War Child 10. -War Child Suite - Quartet 11. -Cross-Eyed Mary 12. -Bungle In The Jungle 13. -The Story Of The Hare Who Lost His Spectacles 14. -Aqualung 15. -Wind-Up 16. -Back-Door Angels 17. -Locomotive Breath 18. -Hard-Headed English General 19. -Back-Door Angels (reprise) -
Audience 8.8 - A good, bright recording that features rich bass, and strong vocals in particular. This allows you to hear the musicianship which believe it or not, these guys have! I also appreciate their nods to the classics. W.A.S.P. Elysee Montmartre Paris, France October 28, 1992 Disc 1 01 The Invisible Boy 02 The Real Me 03 L.O.V.E. Machine 04 Chainsaw Charlie (Murders in the New Morgue) 05 Wild Child 06 The Idol 07 The Headless Children 08 The Great Misconceptions of Me Disc 2 09 Hellion 10 On Your Knees 11 I Don't Need No Doctor 12 I Wanna Be Somebody 13 Blind in Texas -
Soundboard 9.1 - This is a strong, powerful sounding board with a pretty decent sound mix, although not super clear, but not a muddy mess…somewhere in between the two but leans toward being mostly clear. Metallica Live in Davenport, IA - DEAD HEROES May 30, 1986 Coliseum Ballroom Damage, Inc. Tour 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Welcome Home (Sanitarium) 4. The Thing That Should Not Be 5. Cliff Burton Bass Solo 6. Damage, Inc. 7. Seek & Destroy 8. Creeping Death 9. Am I Evil? 10. Whiplash 11. The Four Horsemen 12. Motorbreath -
Soundboard 8.7 - This is the kind of soundboard that was probably meant just for soundman audio reference. It’s fine though, and generally speaking, way better than any audience tape because Metallica, especially in 1986 (I know because I saw them in ’86 and it was the loudest concert I’d ever heard) was so loud there wasn’t any way to get a good capture unless you had excellent gear with mic level adjustment. Metallica - Metal, Inc. Live @ The Coliseum, El Paso TX May 12, 1986 1. Master Of Puppets 2. For Whom The Bell Tolls 3. Ride The Lightning 4. Welcome Home (Sanitarium) 5. Seek And Destroy 6. Creeping Death 7. Am I Evil? 8. Damage, Inc. -
Studio Rehearsals 8.8 - Thankfully recorded on something other than a cheap boombox so the quality is there as far as being able to hear everything clear. Vocals are the only thing that does not ring out clearly, but other than that this is gold. This early Metallica is a far cry from what would be in just a few short years. METALLICA 1982.03.XX - Downey, CA Rehearsals in Ron McGovney's Garage 1. Hit the Lights 2. Helpless 3. Jump in the Fire 4. Let It Loose 5. Sucking My Love 6. Am I Evil? 7. The Prince 8. Killing Time Released in '94 via a collaboration between KNAC and Ron McGovney, a number of these demos were debuted during the CLASSIC and ORIGINAL Mandatory Metallica show on 105.5 KNAC. They did a whole week with Ron McGovney in the studio and some of these gems were played on the air. Pat O'Connor, one of the DJ's from the Mandatory show, had his hand in putting out numerous Silver Bootleg CD's and promptly released Sucking My Love between '94 and '95 and then released Things That Should Not Be in late '95. Always an interesting listen... they had a long way to go. Lineup: James Hetfield - Vocals (No Guitar) Dave Mustaine - Guitar Ron McGovney - Bass Lars Ulrich - Drums -
Soundboard 9.3 - An expertly recorded and mixed show. It’s hard to find anywhere to improve it, but maybe, and I am nitpicking here, but boosting the guitars in the mix a bit (disclaimer: I am a guitarist, I have bias!). Kick Axe Country Club Los Angeles CA 1984-09-17 01 – Alive & Kickin’ (4:10) 02 – On The Road To Rock (4:43) 03 - Vices (4:13) 04 – Just Passin’ Thru (4:56) 05 - Maneater (3:24) 06 – Runnin’ Wild In The Night (3:30) 07 – The Dark Crusade (7:12) 08 – Dreamin’ About You (5:16) 09 – Stay On Top - Drum Solo (6:09) 10 – Heavy Metal Shuffle (3:14) Band: George Criston - vocals Larry Gillstrom- guitar Raymond Arthur Harvey - guitar Victor Langen - bass Brian Gillstrom - drums -
Audience 8.7 - This band, while not a household name by any stretch, actually did gain quite a following throughout Europe and even to a much lesser degree in the USA. They played a style of progressive rock that was accessible but did not convert to singing in English completely and that probably won over more fans in their home country. The recording here is clear, it provides just enough dynamics and detail to let you sink yourself into their sound, although the recording suffers some level problems towards the end, but recovers enough to end on a high note. The material is great, I am reminded of Pink Floyd, Eloy, and perhaps maybe a bit of ELP. Novalis Festival Nordestedt, Germany 1977-09-10 Disc 1 01 -Irgendwo, Irgendwann 02 -Wunderschätze 03 -Astralis 04 -Sommerabend Disc 2 05 -Track 05 06 -Wer Schmetterlinge Lachen Hört 07 -Track 07 08 -Track 08 09 -Es Färbte Sich Die Wiese Grün Brandung Feuer bricht in die Zeit Sonnenfinsternis Dämmerung -
Soundboard 9.4 - A beautiful recording, love how it just sounds so natural, it’s a joy to listen to this one! Lou Reed Park West Chicago, IL US Performance date: 1978-04-14 Broadcast date: 2013-03-03 01 Gimme some good times 02 Satellite of love 03 Leave me alone 04 Walk on the wild side 05 Coney Island baby 06 Dirt 07 Street Hassle 08 Sweet Jane 09 Rock 'n' roll -
Home Recordings 8.8 - You have to give props to Lou Reed because he can take an acoustic guitar and a bedroom atmosphere and crank out demos that you can’t ignore. The songs man, he can write! Lou Reed Demo Tape Recorded: Fall and Winter of 1970 1. I'm So Free 2. I Can't Stand It 3. Walk and Talk It Fall 1970 4. Going Down 5. Ride Into the Sun 6. I'm Stick With You 7. Lisa Says 8. Kill Our Sons (aka Kill Your Sons) 9. Lonely Saturday Night (aka Goodnight Ladies) 10. So in Love 11. She's My Best Friend 12. Looking Through the Eyes of Love (aka Oh Jim) Winter 1970 -
Amsterdam 1973 Soundboard 8.9 - Nice to have good, clean board tapes of this line up. I think this is his best band, and I think he sounds terrific here. Sheffield 1973 Soundboard 8.9 - Another great board tape featuring Lou’s best band. I love the sound of the band let alone their musicianship. Lou rises to the occasion, he knows he has to deliver or he’ll be overshadowed by these fine players. Thankfully, he actually does! Lou Reed "Berlin To Amsterdam To Sheffield" Disc 1 Concertgebouw Amsterdam 1973.09.20 01. Intro - Sweet Jane 02. How Do You Think It Feels 03. Caroline Says 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Vicious 08. Oh, Jim 09. Heroin Disc 2 Oval Hall Sheffield 1973.09.29 01. Intro - Vicious 02. How Do You Think It Feels 03. Caroline Says I 04. I'm Waiting For The Man 05. Satellite Of Love 06. Walk On The Wild Side 07. Oh, Jim 08. Heroin 09. Rock 'n' Roll 10. White Light - White Heat Lou Reed - vocals Steve Hunter - guitar Dick Wagner - guitar Ray Colcord - organ Peter Walsh - bass Pentti Glan - drums -
Soundboard 9.6 - A tight, expertly mixed board tape. I think how they mic’d this up to include audience was a great idea, it adds so much to this recording. Lou feeds off their excitement. Lou Reed - "Live At The Roxy" December 1,1976 Roxy Theatre, Los Angeles KMET FM Radio Broadcast Disc 1 01 Intro 02 Sweet Jane 03 I Believe In Love 04 Lisa Says 05 Kicks 06 She's My Best Friend 07 I'm Waiting For The Man Disc 2 01 A Sheltered Life 02 You Wear It So Well 03 Claim To Fame 04 Vicious Circle 05 Heroin 06 Walk On The Wild Side 07 Coney Island Baby Lou Reed - vocals, guitar Michael Fonfara - keyboards Bruce Yaw - bass Marty Fogel - sax Michael Suchorsky - drums -
Audience 8.6 - This is a surprisingly decent sounding tape. I was not expecting it to be anything close to this good, quite frankly. Clarity is reasonable, it’s not a muddy tape, there is some dynamic to it without distortion (although bass is not well defined). The key components are all here though, and it’s a tape (and gig) that can be welcomed wholeheartedly by the punters. Led Zeppelin Musicarnival Warrensville Heights, OH July 20, 1969 01. The Train Kept A-Rollin' 02. I Can't Quit You 03. Dazed And Confused 04. White Summer 05. Black Mountain Side 06. You Shook Me 07. How Many More Times -
Audience 9.5 - Astounding! Not just for the excellent sound but the dynamics are so present here, you get lush, rich lows and then all the way up through the spectrum including detailed but not sizzling highs. Combine all that with the energy of Tusk performed with a marching band at the LA Forum and man, yeah, this is the stuff! Fleetwood Mac The Forum Inglewood, CA December 6, 1979 Disc 1 01 Say You Love Me 02 The Chain 03 Don't Stop 04 Dreams 05 Oh Well 06 Rhiannon 07 Oh Daddy 08 What Makes You Think You're The One 09 Sara 10 Not That Funny 11 Save Me A Place Disc 2 12 Landslide 13 Tusk (with the USC Marching Band) 14 Angel 15 You Make Loving Fun 16 I'm So Afraid 17 World Turning 18 Blue Letter 19 Go Your Own Way 20 Sisters Of The Moon 21 Second Hand News 22 Songbird -
Audience 8.8 - On the rarity scale this is one of those needle in a haystack recordings. It’s an obscure “group” (actually just a duo but here it sounds like they have some accompaniment), and the music straddles the fence between fold psyche and space rock (that’s a good thing). I would say this couple was trying to stretch something as far as they could in the context of a “folk” duo. Interesting material, very positive vibes! Emtidi Quarter Latin Berlin, Germany 1973 01. Unknown Title 02. Unknown Title 03. Die Reise 04. Unknown Title 05. Unknown Title 06. Saat 07. Touch the Sun 08. Unknown Title All attempts were made to decipher the unknown song titles. -
Soundboard 9.5 - This is a compilation of unreleased guitar vehicles and exceptional solo excerpts for fans of the "Shut Up N' Play Yer Guitar" and "Guitar" albums. The sound quality is excellent soundboard. Yes, some of us are guilty of skipping over the “vamp” sections in order to get to the shred. This compilation delivers what I feel are some of Frank’s tastiest pieces, and all in superb quality. FRANK ZAPPA "Lost Guitars" 01 Persona Non Grata (1979-03-19 Brest) 02 Carlos Is Back (1980-11-18 St Paul) 03 The Deathless Horsie (1979-03-31 (E) Munich) 04 Ship Ahoy (1976-01-28 Perth) 05 Bavarian Roads (1979-03-31 (E) Munich) 06 Treacherous Cretins (1984-07-21 Los Angeles) 07 The Krieger Variations (1980-11-13 (L) Pittsburgh) 08 Indiscreet Manners (1979-03-19 Brest) 09 Sleeping Witch (1984-11-03 (E) Stony Brook) 10 After Five (1979-02-19 London) 11 Heavy Duty Judy (1980-12-11 (L) Santa Monica) 12 Semi-Catatonic State (1980-10-31 New York City) 13 The Rump Pump (1980-06-21 Geneva) INCLUDED BAND LINEUPS ===================== 1976: FZ — guitar solo André Lewis — keyboards Napoleon Murphy Brock — sax Roy Estrada — bass Terry Bozzio — drums 1979: FZ — guitar solo Ike Willis, Denny Walley, Warren Cuccurullo — guitar Tommy Mars, Peter Wolf — keyboards Ed Mann — percussion Arthur Barrow — bass Vinnie Colaiuta — drums 1980 EUROPE: FZ — guitar solo Ike Willis, Ray White — guitar Tommy Mars — keyboards Arthur Barrow — bass David Logeman — drums 1980 USA: FZ — guitar solo Ike Willis, Ray White, Steve Vai — guitar Tommy Mars — keyboards Bob Harris — keyboards, trumpet Arthur Barrow — bass Vinnie Colaiuta — drums 1984: FZ — guitar solo Ike Willis, Ray White — guitar Napoleon Murphy Brock — sax (Los Angeles only) Bobby Martin — keyboards, sax Allan Zavod — keyboards Scott Thunes — bass Chad Wackerman — drums -
Audience 9.2 - A lively, airy, and detailed (especially with percussion and vocals) recording. I don’t think they could have done much better than this because the taper position is right in the sweet spot. Genesis Will Rogers Auditorium Fort Worth, TX. 1976-05-07 Disc 1 1. -Dance On A Volcano 2. -The Lamb Lies Down On Broadway 3. -Fly On A Windshield 4. -The Carpet Crawlers 5. -The Cinema Show 6. -Robbery Assault & Battery 7. -White Mountain 8. -Firth Of Fifth Disc 2 1. -Entangled 2. -Squonk 3. -Supper's Ready 4. -I Know What I Like (In Your Wardrobe) 5. -Los Endos 6. -It -
Studio tapes 9.0 - Great to hear this raw, early pre LP stuff because quite frankly it’s fantastic. It’s a different take because there is a real sense of urgency with this recording, like the band know it’s critical to make it happen or they remain bums on the streets of San Francisco. We all know what happened next. Metallica No Life 'Til Leather and Power-Metal Demos "No Life 'Til Leather"-Demos 1 -Hit The Lights 2 -The Mechanix 3 -Motorbreath 4 -Seek And Destroy 5 -Metal Militia 6 -Jump In The Fire 7 -Phantom Lord "Power-Metal"-Demos 8 -Hit The Lights 9 -The Mechanix 10 -Motorbreath - Jump In The Fire -
Soundboard 9.7 - I saw this band around the same time and I can tell you it’s great that there are board tapes around because even though they were spectacular live, the sound was very dense and there’s a lot going on. With this tape you can hear it all in glorious quality, it’s prime stuff, psychedelic rock taken to the next level. Ozric Tentacles April 26, 1994 Fox Theatre Boulder, Colorado, USA Disc 1 01. -Og-Ha-Be 02. -Erpland 03. -White Rhino Tea 04. -Vita Voom - Jurassic Shift 05. -Snakepit 06. -Dissolution Disc 2 07. -O-I 08. -Sunscapes 09. -The Throbbe - Pteranodon 10. -Space Between Your Ears 11. -Kick Muck 12. -encore - Poem 13. -Sniffing Dog Ed Wynne: guitar Joie Hinton: keyboards John Egan: flutes and babble Zia Geelani: bass Merv Pepler: drums