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Soundboard 9.4 - Fans of Frank Marino rejoice! Fantastic quality and BLAZING riff bashing by one of rock’s most criminally underrated axemen. Riff’s are certainly bashed but the classy jazz tinged scales that he tosses out with finesse really impresses. Get it now! -
Soundboard 9.0 - A rare show featuring Quicksilver guitarist John Cipollina. -
Soundboard 8.9 - Gritty tone, I like this grungy guitar sound. Pretty good stuff. -
Audience 9.5 - Tremendous and powerful with a great tonality (much better than Frank’s 70’s tone in my opinion). A well rounded set, full of exquisite ensemble playing, tight and nimble riffing and mature, expressive solos. Fantastic!
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Soundboard 9.4 -
Soundboard 9.1 -
Soundboard 9.5 - Wonderful! -
Soundboard 9.7 - Superb! -
Audience 8.8 -
Audience 8.5 -
Audience 8.8 - Everything is clear and delivered to the listener with no interference, artifacts, irritating audience chatter or other. A really nice thing is this. -
Pro TV and Radio Broadcasts 9.0 -
Audience 7.0 - Impossible to really document this band on amateur equipment, they were too loud. I kind of compare them to Blue Cheer, a more progressive, and British, Blue Cheer. That being said, believe it or not this is one of the better live tapes. Loud, crowded, noisy tape, all that yes but man, this is amazing! -
Audience 7.0 - Ultra loud, no clear separation except the drums actually do have some distinction and this tape has a much broader sound spectrum and is not stuck in a very lo-fi mid band position. I like this tape, it features more raw energy than the others and even though is still “rough”, it gets the blood pumping and is quite exhilarating to hear. What a find! A rare show recently surfaced. -
Audience 7.8 - Perhaps the best of the audience May Blitz tapes, still very loud but much more separation of each instrument and loads of raw power on display. Frighteningly intense, brilliant acid psyche hard rock from a very underground band that should have been MUCH bigger. -
Soundboard 9.0 -
Audience 9.6 - Scary good! It would be easy to dismiss this offhand simply because it is 2007 and maybe you are thinking it is not indispensable Megadeth right? Wrong answer. This recording will give you newfound respect and appreciation for this band, with their ultra tight, ultra-sophisticated sense of craft and ability, you will say “yes, time to rediscover this band again” just like I did after listening to this. -
Audience 8.3 - This has been mastered, because where the sounds are placed actually helps better define this recording – the vocals “should” be buried deep but they aren’t, and the bass and the drums are in their own space too. Remarkable to get this so clear because it sounds like at one time it may have been a mess. Bochum 1987 - Audience 8.7 - Wow the bass is kicking, and so defined! -
Soundboard 9.0 - I love this mix you can really hear the bass definition. -
Soundboard 8.6 - Doesn’t matter how good or bad the mix is, this is the real STUFF! -
Soundboard 8.8 - Pure thrash at its finest - Brutal. -
FM Radio Broadcast 9.1 -
Audience 6.8 - Pretty rough, thin, and one dimensional, but fans will want this one. This is when it all happened, this is historic! -
Audience 8.3 - Interesting recording, it is actually very clean, master quality source, but just fails to contain the massive Metallica sound by a mere inches, and I mean by how close to the mains this seems to be. Collectors who do not have this will LOVE it though, it really gives you a real sense of the loudness and intensity of the band. -
Audience 9.1 - A well placed microphone and excellent gear make for a really really nice recording. Revered Italian Rock group of the 1970’s back again and sounding fresh, but some nice old school analog sounds still permeate this performance. -
Audience 9.3 - Wow ... somebody knew what they were doing! Michael Schenker’s Temple of Rock Le Bataclan Paris, France 2015-11-03 Disc 1 01 -Intro 02 -Doctor Doctor 03 -Live and Let Live 04 -Lights Out 05 -Where the Wild Winds Blow 06 -Natural Thing 07 -Before the Devil Knows You're Dead 08 -Victim of illusion 09 -Lovedrive 10 -Coast to coast Disc 2 11 -Vigilante Man 12 -Savior Machine 13 -Too Hot to Handle 14 -Lord of the Lost and Lonely 15 -Rock You Like a Hurricane 16 -Rock Bottom 17 -Attack of the Mad Axeman 18 -Communion everybody 19 -Blackout Michael Schenker - guitar Doogie White - vocals Wayne Findlay - guitar & keyboards Francis Buchholz - bass Herman Rarebell - drums -
Audience 9.5 - Unbelievably good, clear, crisp, and punchy. -
FM Radio Broadcast 8.6 -
Audience 7.3 - Loud and slightly distorted but pretty dang raucous and for that I like it. -
CD 1 - FM Broadcast 8.8 / CD 2 - FM Radio Broadcast 9.1 / CD 3 - FM Radio Broadcast 8.9 / CD 4 - Audience 8.7 -
Soundboard 9.0 and Soundboard 9.3 -
Audience 7.7 - A little boomy, and that typical 70’s hard rock big hall sound but it ROCKS! It’s decent and a lot of fun. -
Audience 7.3 - Sounds very close to the stage, and the tape machine struggles, but there’s something magical about this one…the band sounds more experimental and “free” to just rock it and jam. There is a palpable energy and the recording does capture that. -
Audience 7.0 - For the completist only. -
Audience 8.8 - Very crisp and clean sound. Enjoyable show! -
Audience 7.5 - Average dynamics but the strength of this recording lies not in the tonal spectrum but in the music itself. You WILL gain an even greater appreciation for them after listening. The rewards are huge, a promise I can make without hesitation. Simply breathtaking! -
Audience 7.8 - Probably as good as you can get for the tour right now unless and until a Soundboard surfaces. The reality is this is a stadium rock band and the sound is exactly that. Large kick drum, vocals in front, indistinct PA loud guitar and bass, but that being said, this is probably exactly as it sounded at this show. It is enjoyable for what it is. -
Disc 1 Aud 7.0 low levels and kind of muddy, Robert is up front in the mix. Disc 2 Aud 7.4 much clearly mainly because it’s acoustic, the electric part is slightly less clear but not horrible. -
Audience 8.7 - A kick ass show and quality is perfectly suited for the kind of loud and raucous music the Kinks made…albeit with excellent melodic sense. Recording has loads of power without overloading so I believe taper was using very good stuff for the time. -
Audience 7.5 - Not quite as good as Manchester, some kind of compressed, almost muffled but probably only needs a kick in the highs which you can do on whatever you play it with. There's a little bit of headroom to play with. Not going to blow anyone away but if you've heard any of the other 2015 captures you realize that this and Manchester are the better ones. -
Audience 8.7 - Rockin' good! -
Audience 8.8 - Hell yeah, live and loud, very clear. -
Audience 7.3 - Kick drum and vocals sound great though. -
Audience 8.8 - This recording has been attributed to a soundboard radio broadcast but I highly doubt that. For one thing, listen to the vocals, that should be a dead giveaway. That all being said, the recording is very, very good, a little on the bright side but it is still smokin’ hot and not to be missed. -
CD 1 - Reading 1979 – Audience 5.7 - Loud and thundering but lead guitar is heard through the din, and you can kind of hear Lemmy singing, and there’s some drum like noises too. CD 2 Paris 1980 – Aud 6.9 - You can hear the music on this show. There are practically no decent recordings of the early Motorhead, but this one, even though it is bad, is one of the better ones because you can hear the songs, and it is not distorted. The guitar is really pretty clear – and so is Lemmy thank goodness. Oh, they kick ass on this show - Really. -
Audience 8.8 -
Audience 8.7 / Audience 8.9 -
Soundboard 9.3