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Audience 7.7 - Somewhat compressed sound translating into a murky type mix, but sonically it is not offensive just not very detailed. There’s also some tape noise present. The selling point of course is that this is a very adventurous, musically speaking, set. Long long tracks with much bravado and brilliance. Worth it for that alone!
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Radio Broadcast 8.8 - Well, this is one unique sounding recording for a radio broadcast. When I first began to listen I thought this was an open mic style thing but when the guitar kicked in I knew it was probably a live mixed open mic/close mic job. The engineer battles to get a decent mix but it doesn’t reach the levels of what you’d expect of a professional broadcast recording. Does that mean it is bad? No, it’s decent sounding for all intents and purposes…but it certainly could have been a lot better. That said, it’s a great performance by the band. I was introduced to the music of Yes not by the ubiquitous Close To The Edge but from the album Tormato, which they are touring here, and in particular by the song “Don’t Kill The Whale” which I love to this day and which is performed here. Yes International Amphitheatre Chicago, Illinois, USA 24 September 1978 Disc 1 1.01 -WKQX Intro (0:06) 1.02 -Young Person's Guide - Close Encounters Intro (4:07) 1.03 -Siberian Khatru (10:13) 1.04 -Heart Of The Sunrise (11:09) 1.05 -Future Times - Rejoice (7:04) 1.06 -Circus Of Heaven (5:12) 1.07 -Time And A Word - Long Distance Runaround- The Fish - Perpetual Change - Soon (25:42) Disc 2 2.01 -Don't Kill The Whale (4:32) 2.02 -Madrigal (0:51) 2.03 -The Clap (4:47) 2.04 -Starship Trooper (10:15) 2.05 -On The Silent Wings Of Freedom (7:57) 2.06 -Madrigal (1:13) 2.07 -Rick Wakeman Solo (5:31) 2.08 -Awaken (16:11) 2.09 -I've Seen All Good People (8:13) 2.10 -Roundabout (8:51) 2.11 -WKQX outro (1:02) Jon Anderson - vocals, guitar, harp Steve Howe - guitars Chris Squire - bass quitars Rick Wakeman - keyboards Alan White - drums
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Sale!This set was assembled with both the hardcore collector and casual collector in mind. The variety of material that will appeal to longtime Yes collectors is the immediate standout feature, aside from the beautiful design of the canister itself. Now, let this be the one and only disclaimer: The inclusion of the Dallas 1972 show, even though it may be considered below the high standards set by collectors of this venerable progressive rock band, was too important to not acknowledge here because, as you know, we lost Alan White not that long ago and the Dallas '72 gig was his first with the band. It's also kind of interesting to hear how well he did with only a couple of days to learn the challenging material. The rest of the set is an excellent combination of stuff guaranteed to keep you interested throughout the entire set. Highlights include the new to circulation Providence 1976 which is an excellent sounding tape, and the demos/alternates from Time And A Word. NOTE: PLEASE ALLOW 2-3 DAYS BEFORE SHIPPING YES DECADES 1970-1980 Disc 1 Time And A Word Demos 01. No Opportunity Necessary, No Experience Needed #1 02. Then #1 03. Everydays #1 04. Sweet Dreams 05. The Prophet 06. Clear Days #1 07. Astral Traveller #1 08. Time And A Word #1 09. No Opportunity Necessary, No Experience Needed #2 10. Then #2 11. Everydays #2 12. Time And A Word #3 13. Dear Father 14. Clear Days #2 15. Astral Traveller #2 16. Time And A Word #2 Disc 2 Yale BOWL New Haven, Connecticut 1971-07-24 1. -YOURS IS NO DISGRACE 2. -YOUR MOVE - I'VE SEEN ALL GOOD PEOPLE 3. -CLAP - CLASSICAL GAS 4. -PERPETUAL CHANGE Incl.Drum Solo New York City, NY. November 24, 1971 5. -Firebird Suite 6. -Roundabout 7. -I've Seen All Good People 8. -The Clap 9. -Wakeman Solo 10. -Long Distance Runaround 11. -The Fish Disc 3 New York Cont'd 1. -Perpetual Change 2. -Yours Is No Disgrace San Bernardino, Ca. March 17, 1972 03. -Firebird Suite 04. -Roundabout 05. -Heart Of The Sunrise 06. -The Clap 07. -Perpetual Change 08. -I've Seen All Good People Disc 4 Memorial Auditorium Dallas, Texas July 30, 1972 (1st show with Alan White) 1. -Firebird Suite 2. -Siberian Khatru 3. -Heart Of The Sunrise 4. -I've Seen All Good People 5. -Mood For A Day 6. -America 7. -And You & I 8. -Wakeman solo Disc 5 Friedrich-Ebert-Halle Ludwigshafen, Germany April 14th, 1974 01 -Firebird Suite 02 -Siberian Khatru 03 -And You And I 04 -Close To The Edge 05 -The Revealing Science of God Disc 6 Ludwigshafen Cont'd 06 -The Ancient 07 -The Ritual 08 -Roundabout 09 -Starship Trooper Disc 7 Mecca Arena Milwaukee, WI 1976-08-16 01 -Apocalypse 02 -Siberian Khatru 03 -Sound Chaser 04 -I've Seen All Good People 05 -Jon's Rambling Introduction of "The Gates of Delirium" 06 -The Gates of Delirium Disc 8 Milwaukee Cont'd 07 -Long Distance Runaround 08 -Moraz Solo 09 -Steve Howe Solo: On Wings Of Gold ~ The Clap 10 -Jon Anderson Harp Solo 11 -Jon's Rambling Introduction of "Heart of the Sunrise" 12 -Heart of the Sunrise 13 -Jon Thanks the Tour Personnel and Introduces "Ritual" 14 -Ritual 15 -Roundabout Disc 9 Providence Civic Center Providence, Rhode Island June 10, 1976 01. -Intro – Apocalypse 02. -Siberian Khatru 03. -Sound Chaser 04. -I've Seen All Good People 05. -Gates Of Delirium 06. -Long Distance Runaround 07. -Patrick Moraz Solo 08. -Clap (Steve Howe Solo) Disc 10 Providence Cont'd 09. -Jon Anderson Solo 10. -Heart Of the Sunrise 11. -Ritual 12. -Roundabout 13. -Starship Trooper Disc 11 Jon Anderson in London Royal Albert Hall December 1, 1980 1. -Yes medley part 1 2. -Rejoice 3. -Yes medley part 2 4. -Some Are Born 5. -Nostalgia 6. -Petrushka 7. -Far Away In Bagdad - Bird Song - One More Time 8. -Hear It 9. -Take Your Time 10. -Song Of Seven
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Audience 8.6 - This is a very fine recording that has recently surfaced, a tour that had the band displaying their absolute mastery of the ultra complex progressive rock extravaganzas that sometimes took up nearly the entire side of an LP. Audiences back then were fully engaged with such performances, unlike today.
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Audience 7.8 - Interesting recording, seems like it was done from the keyboard side of the stage for sure as they come through clear and loud, followed by guitar. The rhythm section is somewhat indistinct and vocals, while pretty front and center too, are fighting for the space that the keyboards occupy causing a bandwidth battle. What you have is a fight to control the mid-band range, so while I think this recording is good and clear, it’s too much happening in the middle. One thing you may also notice, the feeling you might get is that this is still the 70’s, even though it is the end of the decade, the music and atmosphere here is still firmly planted in the 70’s.