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This is the first release on the Shroom Productions record label begun in 1995. It consisted of tracks mostly from Hands 1977 January Sound recording sessions in Dallas, TX. The CD was put together from that plus an assortment of other tracks because, at the time, it was not known if there would be another Hands CD, we just did not know what the demand would be. Well, some 3000 copies later, and there is STILL demand for this great music. Numerous reviews and consistently high ratings give praise to this band and this CD in particular. Discover them if you have not heard any of their music, I mean, if you love bands like Gentle Giant, King Crimson, Kansas, Yes, Camel, Happy The Man, Gryphon, Greenslade, UK, or PFM. -
Soundboard 9.7 -
Pro recordings 9.4 - Totally excellent. -
Audience 8.6 - A little bit thin as far as this recording goes in that it could use a little more bottom end but that is not a deal breaker because it is not a “shrill” thin, just could use more lows. That being said, there’s a lot to chew on with this show. Great performance, good quality, so just be aware the singer requires some getting used to! Have fun. -
Audience 8.3 - This recording captures a medium to large hall atmosphere from maybe middle rows and is quite good under those circumstances. It actually lends a cool vibe to the show, despite that naturally huge reverb going on. Oh, if you are unfamiliar with them, here’s the deal: GREAT hard and heavy jazz rock leaning towards rock with a very quirky singer. Once you get used to him, you are LOVING this band. -
Audience 8.7 - A strong and intense recording with a percussive tilt to it, so you get a very present and crisp drums and percussion. Everything else is also pretty clear but I would have liked guitars more up front but they are fine. This period of the band is exciting and intense, so if you love your progressive jazz hard rock played with fire and intensity that sometimes is off the charts this band is for you. -
Audience 8.8 - A very direct and punchy recording that delivers the music straight into your ears without passing through any air. As if you are sitting in front of the speaker as they play, nobody in front of you. It makes for a cool experience to hear this super intense band so intimately. -
Audience 8.3 - Some tinny highs but a good defined bass, so a complete sound spectrum present although I might roll off the highs and boost my mids for better listening. -
Soundboard 9.4 - What I find most appealing about this show is the mix, and how they do not bury the guitar which is what you might normally assume given the type of “top 40” music Annie wrote at the time. You will be pleasantly surprised to hear the guitar front and center, and actually pretty grungy sounding. -
Soundboard 9.3 - Some tape hiss during quieter passages, but overall an excellent show. -
Audience 7.1 - A rough tape that improved a lot with some mastering. Now, you actually can really tell what they are doing! Worth it for the improved sound. -
Audience 7.3 - This tape is a welcome find mainly due to the scarcity of live Amon Duul tapes in existence. Sound is not hi-fi, there is some tape noise, there is general noise, and there is music which thankfully can be heard through the din. Actually the mid to highs are intact, some bottom end is missing, it’s still not a completely annoying tape at all, can be enjoyed for what it is. -
Audience 7.8 -
Audience 7.5 - Serviceable tape that at times shows its age with some telltale squeaking at the beginning. Gives you a pretty good representation of the show without offending , but the mix has vocals kind of low, and overall is a touch on the dark side but Duane’s playing is the focus, where it is front and center in the mix. -
Soundboard 9.3 - Pro radio broadcast. -
Audience 7.0 - Somewhat distorted due to proximity to the stage and volume. The tape is clearly overloaded and struggling here. Now the good news – this is a Duane Allman showcase, and he is clear on this tape! It’s a keeper, but not winning any prizes.