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CONTROCANZONISSIMA Roma, Piper Club, January 28th, 1972 Latte e Miele, Delirium, Francesco Guccini, The Trip, Le Orme, Premiata Forneria Marconi, Tito Schipa Jr., Claudio Rocchi, Osanna, New Trolls Disc 3 LE ORME 01. Armando Gallo presenta Le Orme 02. Collage 03. Sguardo Verso Il Cielo 04. Evasione Totale 05. Cemento Armato 06. Rondò Disc 4 PREMIATA FORNERIA MARCONI 01.Carlo Silvestro presenta la PFM 02. È festa 03. Dove e Quando (inclusi assoli & improvvisazioni) 04. La Carrozza Di Hans TITO SCHIPA JR. 05. Combat -
CONTROCANZONISSIMA Roma, Piper Club, January 28th, 1972 Latte e Miele, Delirium, Francesco Guccini, The Trip, Le Orme, Premiata Forneria Marconi, Tito Schipa Jr., Claudio Rocchi, Osanna, New Trolls Disc 1 EDDY PONTI 01. Introduzione LATTE E MIELE 02. Unknwon Title I 03. Unknown Title II 04. Unknown Title III ARMANDO GALLO 05. News Internazionali DELIRIUM 06. Sequenza I e II (Ipocrisia-Verità) 07. Movimento I (Egoismo) 08. Unknown Title(pt.1) 09. Assolo di batteria 10. Unknown Title (pt.2) 11. Assolo di flauto & finale 12. Unknown title 13. Canto di Osanna Disc 2 FRANCESCO GUCCINI 01. Armando Gallo presenta Guccini 02. Canzone per un’amica (In morte di S.F.) 03. Il vecchio e il bambino 04. Un altro giorno è andato 05. Auschwitz 06. Canzone della bambina portoghese 07. Gli Ubriachi THE TRIP 08. Eddy Ponti presenta The Trip 09. Caronte (pt.1) 10. Two brothers 11. L’Ultima Ora e Ode a J. Hendrix 12. Fortuna -
Audience 8.9 - Taper was seated 15 rows back so this recording gets you a good clear image of the event. Being an outdoor venue, there is occasional “wind” effect that does not really bother. A solid capture! -
Audience 8.7 - It’s hard to screw up a recording when you have good equipment and decent seats, unless you fall asleep and drop the recorder on the floor. This crew didn’t, and the results are very good to the ears. -
Soundboard 9.6 - Darn is this great! ... the mix let’s you hear the lead work in fine detail. -
Audience 7.0 - Indispensable for the Iron Maiden collector. Is it perfect? No, far from it. This is one of the earliest recorded gigs that you can possibly HEAR. -
Audiece 7.0 - Loud and noisy, but Maiden fans know all too well the kind of lo-fi muddy sound most of the early recordings suffer from, that’s why this is welcome. It is not nearly as horrid as most, in fact in places this is actually pretty decent. You do get a great feel of the hall, and the energy level, and even though it is a tad crunchy you do get most of the band. -
Volume Two: Audience 7.6 - Just a touch better than Volume one, suffers from the same limitations but has a slightly more open sound. -
Volume One: Audience 7.4 - Thankful for these Japanese tapers who had the best gear at the time. Reasonably clear if a little squashed, it nevertheless is way better than 85% of the early Maiden audience recordings. -
Audience 7.0 - Kind of like the Rainbow show, it is clear and one of the other decent early shows from an audience source. Again, not much bottom end here, but you can hear all instruments clearly. -
Audience 6.0 - Poor recording but it’s all we have. For collectors only. -
Audience 5.0 - Low fi, but so few good recordings from the early days. The lead work is the clearest sound on this, vocals non-existent. Can appreciate the dual guitars on this even though it is low-fi. -
Soundboard 9.7 -
Audience 8.2 - A good recording that gives you the whole show in clear, decent quality with maybe the only real flaw being a sort of pushed back guitar but it is there and you can get just about everything in the mix. Enjoyable! -
Audience 7.5 - Not especially great, however if you are collecting you may want to snag this if you don’t have it yet. You do hear the music, it’s not a hot mess, it’s just simply an average sounding audience show. -
Audience 8.4 - Technically speaking, there would be people that would argue with this rating but you have to account for ENERGY and VIBE and this recording bristles with swagger, sweat, and INTENSITY.