OK City - Soundboard 9.6 - Excellent from the start, with a great tonal quality that brings out tremendous detail in the guitar. This board tape manages to not sound like a "bored" tape! New York - Soundboard 9.4 - A more toned down, warmer sound than the OKC, this board tape focuses on the band as a whole. The sound is full, rich, and inviting which presents the listener a choice: do you like the more "live" sound or do you prefer an almost "studio" like quality in a live recording? I would opt for a healthy combination of both I suppose.

Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular!  Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 11, 2024 Disc 1 01 - 5 AM 02 - Black Cat (False start) 03 - Black Cat 04 - Luck And Strange 05 - Speak To Me - Breathe 06 - Time 07 - Fat Old Sun 08 - Marooned 09 - Wish You Were Here 10 - Band Introduction 11 - Vita Brevis 12 - Between Two Points 13 - High Hopes 14 - Sorrow Disc 2 15 - The Piper's Call 16 - A Great Day For Freedom 17 - In Any Tongue 18 - The Great Gig In The Sky 19 - A Boat Lies Waiting 20 - Coming Back To Life 21 - Dark And Velvet Nights 22 - Sings 23 - Scattered 24 - Comfortably Numb

Audience 9.0 - I have to say this is a very good recording if your preference is to really be able to make out the vocals and to hear every nuance of the lead guitar possible. In fact, the sonics tend to favor the upper mid-range and highs, to the extent that I was not enthusiastic about the sound of the snare drum here...but that just shows you how articulate that range is. Is it screechy then? No, it's not that this is chirpy or screechy high at all, but one may want to play with the EQ to bring up more low end maybe...because to my ears that is what it needs. Otherwise, again, this is a VERY clear, articulate (especially upper mid and highs) recording. Black Sabbath Mid-Hudson Civic Center Poughkeepsie,NY. USA 31 May 1989 Disc 1 101. Ave Satani + The Gates of Hell (intro tape) (03:12 min) 102. Headless Cross (06:09 min) 103. Neon Knights (05:27 min) 104. Children of the Sea (06:17 min) 105. Call of the Wild (05:31 min) 106. The Mob Rules (04:03 min) 107. When Death Calls (06:11 min) 108. War Pigs (06:24 min) Disc 2 201. Guitar solo + Die Young (06:45 min) 202. Black Sabbath (08:49 min) 203. Devil and Daughter (04:43 min) 204. Iron Man (04:35 min) 205. Children of the Grave (04:42 min) 206. Encore break (02:01 min) 207. Heaven and Hell (07:39 min) 208. Paranoid + Heaven and Hell (reprise) (04:40 min) Line-up: Tony Iommi (guitars) Tony Martin (vocals) Neil Murray (bass) Geoff Nicholls (RIP) (keyboards, background vocals) Cozy Powell (RIP) (drums)

Audience 9.6 - Man, someone sure knew what they were doing. This is great, like it could be a broadcast. The tip off for me was when I heard the whistle from someone in the audience near the taper. Judas Priest Westfallenhalle Dortmund, Germany December 17, 1983 1. Riding on the Wind 2. Breaking the Law 3. Freewheel Burning 4. You've Got Another Thing Comin' 5. Living After Midnight 6. Victim of Changes 7. Hell Bent for Leather 8. Sinner (Bonus 1981) * *Bonus recorded live in Lausanne 1981 [audience]