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Audience 7.3 -
Soundboard 8.8 -
Audience 9.2 - Supremely LIVE and vibrant with maybe the slightest touch of tape noise that effects this absolutely zero because it simply DESTROYS everything, it is so good. -
Soundboard 8.8 - Not without its share of problems, this is a good tape to have. I can’t explain the strange phasing issue, with what sounds like a funky stereo to mono and back again drop out every so often. Needs a good remastering with some multi band compression. Still, it’s a soundboard. -
Soundboard 9.0 - Extremely bright, very clear with a highly defined bass although it is not a “low end” bass, just defined. The signal is pushed a little hard, but there’s no distortion present. The cymbal crashes are prominent in the mix to a degree, but get properly subdued during guitar solos. These are nitpicky observations for what is clearly an impressive recording and show. -
Soundboard 9.4 - I love the live mix on this one, it’s not a cookie cutter board mix. One of the best I have heard! -
Audience 8.7 - The tape starts off with some phasing issues but gets progressively better and by the fourth song is pretty solid. -
Soundboard 8.8 -
FM Radio Broadcast 9.4 -
Soundboard 9.0 -
Both Shows - Audience source - 1st source 6.9 2nd source 6.4 - Historical document! Do not confuse this with being a modern, hi-fi experience because it is most assuredly not. One of only a few 1967 shows in existence, we have two different tape sources for this one, both on one disc. That is cool. -
Audience 7.2 - When it comes to The Stones, you can’t deny that ’69 to ’72 is where you need to focus. That’s how it is with me, and therefore ANY tape that comes along from that time period, I want it. So I wasn’t completely disappointed with this audience tape, even with its obvious limitations. -
Audience 8.9 - Raging electric blues recorded as if you were right there. Fantastic! -
Soundboard 8.8 -
Audience 8.6 - What is great about this tape is that again you have a situation where the highs are completely intact, in some parts maybe too much, but it lends itself perfectly to EQ’ing since you have no worry about losing highs. Great live energy, a great performance (when does he not?) also. -
Soundboard 9.2 - A very clean, dry board with dramatic emphasis on guitar as it should. A study in how to rock the blues without falling into same old same old, I mean, the man was a living riff machine! -
Pro Radio Broadcast 8.8 - A fine recording that manages to allow some nice atmosphere into the mix. -
Pro 9.7 - Studio recordings of impeccable quality. -
Soundboard 9.3 - Clear and bright, a solid recording with the only real fault that I find in the mix is a little “sloppiness” with the cymbals but other than that…sit back and enjoy! -
Soundboard 9.5 -
Audience 9.3 -
Audience 9.1 -
Soundboard 9.5 -
Audience 7.6 -
Audience 9.1 - Highly enjoyable, sound fluctuates at times where taper is probably jockeying for better position but overall I rate it highly as it is a good immersive capture. -
Soundboard 9.8 -
Audience 7.2 - A rare show, but sadly no Necromancer. -
Audience 8.6 - Go ahead and crank this, the louder it gets the better it sounds. -
Audience 7.4 - Someone mastered this, it sounds so much better than what I remember. Good Job! -
Audience 7.3 - Raucous show, loud but does not distort. Not too bad. -
Soundboard 8.7 - Technically a clean board but the mix is great if you are a drummer. I exaggerate, it’s decent, but yes this is one to play for aspiring drummers as Neil is well recorded and mixed. There are some minor negative complaints I can make to the recording, but they are on technical levels and most ears will be receptive to this soundboard. -
Audience 7.8 - A must have for any serious Rush fan. One of the best early shows you will ever hear, and I mean on many levels not just sound quality – this one is good but not great – but man oh man, just get this and you will know why I rave about it.