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Audience 9.2 - A recording that does more than merely capture a live concert on tape, it captures the dynamics and palpable vibe of the event. This is lovely stuff, with the band delivering stunning readings of majestic progressive rock numbers like Sound Chaser and Close To The Edge. To be honest, sometimes the overly jazzy keyboards of Moraz do conflict with the style and sound of the band but mostly he is able to provide the correct sounds during the key parts. Yes Hollywood Bowl Los Angeles, CA June 21, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium Disc 2 06 Your Move 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams -
FM Broadcast 8.9 - This recording was done from the radio broadcast even though most people think it is from the reels (it is from a reel to reel, but a recording made from the broadcast). However, once the live over the air sound mix is sorted out, it becomes pretty darn good and even if the tape has some signs of age, it’s a great document and well worth getting. Yes Madison Square Garden NYC, NY Sept. 6, 1980 Steve Howe, Chris Squire, Alan White, Geoff Downes, Trevor Horn cd1 51:30 01. Yours Is No Disgrace 5:01 02. Into The Lens 8:23 03. Clap 4:26 04. And You & I 10:08 05. Go Through This 4:27 06. Man In A White Car 6:17 07. We Can Fly From Here 6:44 08. Tempus Fugit 5:49 09. The Fish (11 seconds) 0:11 cd2 43:21 01 Machine Messiah (Mono) 11:24 02 Starship Trooper 11:55 03 Roundabout 7:42 Bonus: 04 - We Can Fly From Here Studio-Demo - 5:56 05 - We Can Fly From Here 6:23 1980-04-18 (later mix 1980-04-18) -
Audience 8.8 - This is a tape that does improve as it goes ultimately coming to a comfortable place, and one might say it is warm and well balanced. When I hear this I can better appreciate this period of the band, when they were experimenting with their music trying to find a place in the changing world of FM radio and top 40. Does that make it bad? I used to shake my head, but now I understand it, and I find that what they were doing was NEEDED in order to prevent ALL music from that time period sucking so much. YES Civic Center Portland ME USA 02.09.1980 CD 1 (73:20): 01 Does It Really Happen? 02 Yours Is No Disgrace 03 Into The Lens 04 The Clap 05 And You And I 06 Go Through This 07 Man In A White Car Suite 08 We Can Fly From Here 09 Tempus Fugit 10 Amazing Grace - Whitefish CD 2 (77:25): 01 Machine Messiah 02 Starship Trooper 03 Roundabout 04 Can You Imagine?* 05 Telephone Secrets* 06 Mind Drive* 07 Fortune Hunter* 08 You Don't Know+ 09 Make It Easy+ 10 Open Your Box+ * tracks: XYZ session feat. Chris Squire, Alan White & Jimmy Page, april 1981 + tracks: Cinema rehearsals, 1982 -
Audience 8.2/8.6 - The recording starts out borderline, probably due to taper position…but hang in there because midway through the 4th song it improves and becomes a more interesting document because of it, First of all, it’s literally Bob Seger in the peak of his powers with a handful of chart toppers to display proudly. Normally that would not move me, but Bob Seger is old school, he delivers the goods even if his songs are considered “mainstream”, I mean, its good rock and roll no matter what. I love this document for many reasons. Bob Seger Hippodrome de Pantin Paris, France 10-3-77 01 Nutbush City Limits 02 Rock and Roll Never Forgets 03 Travelin Man > 04 Beautiful Loser 05 Turn the Page 06 Get Out of Denver 07 Main street 08 Mary Lou 09 Fire Down Below 10 Sunburst 11 Ramblin Gamblin Man > 12 Heavy Music > 13 Katmandu 14 Night Moves 15 Let it Rock -
Audience 8.7 - A very good tape for the time, and what a good time it is for the Stones. What I really enjoyed the most about this recording is how clear Mick Taylor is in the mix. It’s not a super bright sounding tape, and it is not muddy, it is better than average but it shines in atmosphere, performance, and vibe. The band is clearly enjoying the show as much as the audience is. A keeper! The Rolling Stones NICARAGUAN BENEFIT CONCERT FOR THE VICTIMS OF EARTHQUAKE The Forum, Inglewood, Los Angeles, CA on January 18th, 1973 Disc 1: 01. -Introduction 02. -Brown Sugar 03. -Bitch 04. -Rocks Off 05. -Gimme Shelter 06. -Route 66 07. -It's All Over Now 08. -Happy 09. -Tumbling Dice 10. -No expectations Disc 2: 01. -Sweet Virginia 02. -You Can't Always Get What You Want 03. -Dead Flowers 04. -Stray Cat Blues 05. -Live With Me 06. -All Down The Line 07. -Rip This Joint 08. -Jumpin' Jack Flash 09. -Street Fighting Man -
Audience 9.3 - Super clear, super realistic, the crowd is with him, of that there is no doubt. Warm sounding, and great balance, very vivid tape, memorable concert. Peter Gabriel The Clubhouse Santa Ana, CA June 17, 1980 01 Intruder 02 The Start/I Don't Remember 03 Solsbury Hill 04 Family Snapshot 05 Milgram's 37 06 Modern Love 07 Not One Of Us 08 Lead A Normal Life 09 Moribund The Burgermeister 10 Mother Of Violence 11 Humdrum 12 Gabriel announces the show must end -
Audience 8.5/8.7 - Both tapes are not well known, and are pre-Close To The Edge making them quite interesting to the fans of early period Yes. Both tapes sound pretty good, with the nod going to Tucson for just that little bit of clarity it has overall. There’s enough dynamics, atmosphere, and clarity to allow the listener to settle in to each show and appreciate the details (great ripping Hammond work by Wakeman throughout). Good to have these shows in the collection. Yes Forum Inglewood, CA, USA March 15, 1972 Disc 1 01 Firebird Suite Intro (2:09) 02 Roundabout (7:33) 03 Heart Of The Sunrise (11:15) 04 Perpetual Change (10:12) 05 I've Seen All Good People (6:43) 06 Yours Is No Disgrace (11:51) Disc 2 Community Center Tucson, AZ, USA March 16, 1972 01 Roundabout (7:54) 02 I've Seen All Good People (7:05) 03 Mood For A Day (3:31) 04 Clap (3:56) 05 Heart Of The Sunrise (11:08) 06 Rick Wakeman Solo (5:28) 07 Long Distance Runaround (4:09) 08 The Fish (11:00) 09 Perpetual Change (9:13) -
Audience - 9.5, 8.5, 8.8 We start with a real cracker of a tape, recorded close up with excellent gear…hard to put this down it is extremely captivating. Then we have a first – the first gig in Europe by the band, and it is a very good tape but we are going to feel the difference between this and the first disc. It’s not got the dynamics of the ’77, but it is considered a very good tape nonetheless. The final disc contains a very good recording with plenty of atmosphere and some dynamics, maybe a touch of clutter in a very specific mid band frequency but it is minor to my ears. It’s a real enjoyable tape! Kansas "The Live Collection 1977-1979" Long Beach Arena Long Beach, CA December 31, 1977 Disc 1 01 Magnum Opus Intro > Hopelessly Human 02 Point Of Know Return 03 Paradox 04 Icarus (Borne On Wings Of Steel) 05 Child Of Innocence 06 Closest Chronicles 07 Dust In The Wind > 08 Acoustic Guitar Solo 09 Piano Solo > 10 Lonely Wind 11 Cheyenne Anthem 12 Miracles Out Of Nowhere 13 Drum Solo > 14 The Spider Disc 2 Long Beach 77 cont'd 01 Portrait (He Knew) 02 Sparks Of The Tempest 03 Carry On Wayward Son 04 Down The Road 05 Violin Solo 06 Magnum Opus Congresgebouw Den Haag, Netherlands 3-7-78 07 Carry on Wayward Son 08 Down the Road 09 Point of Know Return 10 Paradox 11 Closet Chronicles 12 Mysteries & Mayhem 13 Lamplight Symphony 14 The Wall 15 Dust in the Wind 16 Cheyenne Anthem Disc 3 Convention Center Tucson, Az 12-7-79 01 On the Other Side 02 People of the South Wind 03 Point of Know Return 04 Closet Chronicles 05 The Wall 06 Dust in the Wind 07 Sparks of the Tempest 08 Child of Innocence 09 Down the Road 10 Stay Out of Trouble 11 Portrait (He Knew) 12 Band Introductions 13 A Glimpse of Home 14 How My Soul Cries Out For You 15 Carry on Wayward Son -
Audience 9.7 - Opening for ELP, this is the short lived Robert Fleischman period just before the arrival of Steve Perry. Hard to find anything about this recording to complain about, it’s amazingly life-like and extremely dynamic – about the only fault is how short it is. Taper arrived late, but makes up for it with a stellar recording. Journey Long Beach Arena Long Beach, CA August 14, 1977 01 Of A Lifetime 02 She Makes Me (Feel Alright) 03 Look Into The Future 04 On A Saturday Nite 05 It's All Too Much (The Beatles cover) > Drum Solo 06 Guitar Solo > You're On Your Own -
Audience 9.2 - Amazing recording! Not that it is perfect, in fact, the audio mix is off, but it is off in a spectacular way. So, it’s basically guitar, I mean, plugged directly into your brain and proceeding to torch your brain cells until they are dry spots on the carpet. Yeah, it’s like that, but don’t worry if you do not hear vocals perfectly, or bass is too low, or drums are not pounding because while all that is here, it is predominately the Johnny Winter and his hypnotizing psychedelic blues at maximum volume show. Johnny Winter Mile High Stadium Denver, Co 6-28-69 Denver Pop Festival 01 Rollin & a Tumblin 02 Help Me 03 Leland Mississippi Blues 04 Mean Town Blues 05 Goin Down Slow 06 It's My Own Fault -
Audience 8.6 - A clear tape, possibly a master source, that presents a very nice performance by the band with a tape that gives you a reasonable recollection of the evening. The tape leans towards a high end propensity while sacrificing any deep lows but I am 100% sure you will LOVE this one because it’s just one of those tapes that seems to get better, the ears adjust, and before you know it you are saying “damn this is pretty good”…because it actually is. As Pretty Woman ends (and there’s a moment in the song where Dave lets loose on some dingus that threw something at him) and it goes into Eddie’s solo, man, this tape TAKES OFF and becomes an easy 9.3 rating. Van Halen The Forum Inglewood, CA September 10, 1982 Disc 1 1. -Romeo Delight 4:14 2. -Unchained 4:01 3. -Drum Solo 2:45 4. -The Full Bug 3:36 5. -Runnin' With The Devil 3:04 6. -Dave Raps 3:34 7. -Jamie's Cryin' 3:28 8. -Little Guitars 4:21 9. -Where Have All The Good Times Gone 3:16 10. -Bass Solo 4:19 11. -Hang 'em High 3:10 12. -Cathedral 1:47 13. -Secrets 3:21 14. -Everybody Wants Some 13:18 Disc 2 1. -Dance The Night Away 3:14 2. -Somebody Get Me A Doctor - I'm So Glad 6:11 3. -Ice Cream Man 7:48 4. -Intruder 1:54 5. -(Oh) Pretty Woman 3:27 6. -Guitar Solo 11:15 7. -D.O.A. 3:36 8. -Ain't Talkin' 'Bout Love 6:05 9. -Bottoms Up 5:46 10. -You Really Got Me - Happy Trails 6:31 -
Audience 8.8 - Very clear and with enough dynamics present to really provide an authentic experience of virtually being there. These kinds of recordings, while technically not considered as excellent (unfairly) due to the measurable fidelity of the audio (in the objective sense) are actually excellent in their own right. This is a well done recording, with the sound “floating” above you and giving you a sense of time and place, of literally being there. Van Halen Fair Warning Tour Greensboro Coliseum Greensboro, North Carolina, USA Tuesday August 25th, 1981 Disc 1 01. On Fire 02. Sinner's Swing 03. Drum solo 04. Hear About It Later 05. So This Is Love 06. Jamie's Crying 07. Bass solo 08. Runnin' With The Devil 09. Dance The Night Away 10. Sunday Afternoon In The Park 11. Romeo Delight 12. Everybody Wants Some!! Disc 2 13. Sounds of Summertime 14. Ice Cream Man 15. Mean Street 16. Guitar solo 17. Feel Your Love Tonight 18. You Really Got Me 19. Unchained 20. Ain't Talkin''Bout Love Line-up: David Lee Roth : Edward Van Halen : Alex Van Halen : Michael Anthony. -
Audience 9.0 - Before I first heard this I assumed it would be a tough listen based on other recordings from this venue. Well, I am very happy to report that my assumption was dead wrong! This is just a great, great recording for the time period. It does seem to be about midway back but this is not a liability in this situation because it seems to give an aura, a sense of time and place, with the ambience and natural echo (just a touch). I really love everything about this tape! Spirit Mammoth Gardens, Denver, Co June 5th, 1970 01. Decisions (by Gypsy) 02. Sweet Stella Baby 03. 1984 04. It's All The Same 05. Fresh Garbage 06. Unknown Instrumental 07. Jealous 08. It Shall Be > Poor Richard 09. Groundhog (incomplete) -
Audience 8.2 - A somewhat average tape that is brand new to circulation and captures a good time for Lou when he had some great songs and great players with him. Plus side of the recording is that it is low gen and clear enough to hear the band although keyboards are quite behind in the stage mix. Lou is more prominent, with bass and guitar next. A good tape for a lo-fi cassette recorder snuck into the venue in the mid 70’s. Lou Reed Milwaukee Auditorium Milwaukee, WI. 10-31-1974 1. -Tuning 2. -Intro Jam 3. -Sweet Jane 4. -Vicious 5. -Ride Sally Ride 6. -Heroin 7. -Kill Your Sons 8. -N.Y. Stars 9. -Animal Language 10. -Sally Can't Dance 11. -Walk On The Wild Side 12. -White Light White Heat 13. -Goodnight Ladies -
Soundboard 8.7 - This is clear enough and is a board tape but my guess is that it is actually sourced from a line feed (video) because I do notice some compression on the signal. Still, it is highly enjoyable, getting ample amounts of bass, drums, and of course guitars (even some panning effects now and then, very cool). Capital Centre Landover, MD. August 12th 1978 Disc 1: 1. -Just What The Doctor Ordered (4:25) 2. -Yank Me, Crank Me (4:17) 3. -Dog Eat Dog (5:29) 4. -Free For All (5:24) 5. -Snakeskin Cowboys (5:00) 6. -Cat Scratch Fever (5:29) 7. -Need You Bad (5:23) 8. -Tight Spots (3:06) 9. -Name Your Poison (5:38) Disc 2: 1. -Wang Dang Sweet Poontang (6:05) 2. -Guitar Solo (6:11) 3. -Stormtroopin' (4:57) 4. -Stranglehold (10:46) 5. -Motor City Madhouse (9:13) 6. -Gonzo (6:35) -
Audience 8.3 - This recording has you right in the thick of things. Equally enjoying both the electric excitement of the Kinks and the amazing responses from the audience. Quality is a little above average but the instruments are clear and not muddy. The vocals are very clear, which is important because Ray commands the show. This show has been written about, and not just for the incident involving Ray falling into the amps during Apeman. One to remember! The Kinks Philharmonic Hall, New York, NY March 30, 1971 Band line-up (personnel : May 1970 - November 1976) Ray Davies - lead vocals, rhythm guitar Dave Davies - lead guitar, backup vocals John Dalton - bass guitar, backup vocals Mick Avory - drums, percussion John Gosling - keyboards Total Time = 73:37 Set list 01 Intro 02 Till the End of the Day 03 Brainwashed 04 You're Looking Fine 05 Apeman 06 Waterloo Sunset 07 Sunny Afternoon 08 Give My Love To Rose 09 Get Back In Line 10 A Pub With No Beer 11 Lola 12 Louise -- tape flip -- 13 Big Sky 14 Milk Cow Blues 15 See My Friends 16 Powerman 17 One Night With You 18 You Are My Sunshine 19 You Really Got Me 20 All Day & All of the Night 21 Top of the Pops The Kinks play at Lincoln Center's prestigious Philharmonic Hall (later renamed Avery Fisher Hall). In contrast to the elegance of the hall, Ray Davies' spontaneous, campy, outrageous, sometimes disoriented performance elicits a huge crowd response. When he falls into a bank of amplifiers (brother Dave kindly steps aside when he sees Ray toppling), members of the audience leap on stage to finish the song "Apeman" for Ray. By all accounts it is a night to remember. -
Audience 8.3 - Do not let the low rating dissuade you from obtaining this show, because it is actually pretty clear and for this tour probably one of the better auds. It does lean toward low end, in a good way because it does not crowd everyone else out. Eddie is on fire and you hear him well, vocals and bass are solid (vox are a touch behind it all but still right there) so perhaps drums are the weakness but even then I can hear what he’s doing. Once your ears adjust, man this ain’t that bad. Van Halen Monday, April 14, 1980 MECCA Arena, Milwaukee, WI Disc 1 01 -Radio Promo 02 -Intro 03 -Romeo Delight 04 -Bottoms Up 05 -Runnin' With The Devil 06 -Tora Tora - Loss Of Control 07 -Take Your Whiskey Home 08 -Dance The Night Away 09 -Women In Love 10 -Jamie's Cryin' 11 -banter 12 -Feel Your Love Tonight Disc 2 13 -Bright Lights, Big City 14 -Atomic Punk 15 -And The Cradle Will Rock 16 -Light Up The Sky 17 -Guitar Solo 18 -Ain't Talkin' Bout Love -Encores- 19 -Applause 20 -Ice Cream Man 21 -You Really Got Me -
Soundboard 8.8 - Not too bad for a 48 year old tape. Does have some lack of clarity (minor) being old analog but for the most part I say dive right in because with this band…well the water is rather deep, and colorful. GONG 1972-12-14 Maison des Jeunes Rodez, France CD1 1. Gnome intro 2. Pot Head Pixies 3. Zero the Hero & the Witch's Spell 4. I am your Pussy 5. Why are we Sleeping? 6. Radio Gnome Invisible 7. I Feel so Lazy 8. It's The Time of Your Life CD2 1. Tropical Fish 2. Dreaming it 6:04 3. Flying Teapot 6:55 4. Flying Teapot pt. II 12:54 5. Flying Teapot pt. III 4:46 CD3 1. Lawrence The Alien 2. Blues For Findlay 3. Encore Jams lineup: Daevid Allen - voc, guitar, glissando guitar Shakti Yoni - space whispers & vocals Bloomdido Bad de Grass - sax, voc Hi T Moonweed - synth Francis Moze - bass Laurie Allan - drums -
Audience 8.6 - Very low gen (no noise) recording that is leaning much more towards the bright side, perhaps even a little bit crispy but a recording like this can be tuned to your liking. What prevents a recording from having any chance at all is muddiness, and thankfully there is no muddy quality to this tape. All in all, I have to rate this as a show that one notices first the performance (from the opening notes you know it is going to be a good one), and the ears do adjust to the concert hall sound very soon, notwithstanding the EXTREMELY excited audience…like, throughout the entire show. Can’t blame ‘em I guess, but damn let the band play! Rush Lakeland Civic Center Arena Lakeland, Florida, USA Sunday April 11th, 1982 Track List: Disc 1: 2112 (Overture/The Temples Of Syrinx) Freewill Limelight Beneath, Between & Behind Subdivisions (Early Version) The Camera Eye YYZ / drum solo Broon's Bane The Trees The Analog Kid (Early Version) Disc 2: The Spirit of Radio Red Barchetta Closer to the Heart Tom Sawyer Vital Signs Working Man Hemispheres (Armageddon) By-Tor & The Snow Dog In The End In The Mood 2112 (Grand Finale) La Villa Strangiato -
All discs are Audience recordings of VERY GOOD quality. All sound bright, and with the exception of maybe one show (which sounds a little crowded up in the middle frequency), are pretty wide and clear. Having listened to all of it, I have to rate this set as spectacularly fun to listen to, it's just a really good time for the band who are riding high on their successes but not yet ready to relax too much. Having a good time, but meaning business too. Great stuff! Van Halen FAIR WARNING TOUR CANISTER Disc 1 Providence Civic Center Providence, RI May 15, 1981 1. -On Fire 3:43 2. -Sinner's Swing! 3:47 3. -Drum Solo 1:30 4. -Hear About It Later 4:50 5. -Dave Raps 2:22 6. -So This Is Love 4:40 7. -Jamie's Cryin' 3:40 8. -Bass Solo 3:13 9. -Runnin' With The Devil 3:02 10. -Dance The Night Away 3:40 11. -Romeo Delight 7:38 12. -Everybody Wants Some!! 8:18 13. -Mean Street 5:22 Disc 2 Providence Cont'd 1. -Ice Cream Man 10:32 2. -Guitar Solo 7:38 3. -Lucille 2:47 4. -You Really Got Me 10:57 5. -Unchained 4:47 6. -Ain't Talkin' 'Bout Love 6:26 Disc 3 Los Angeles Sports Arena Los Angeles, CA, USA June 19, 1981 1. -On Fire 3:50 2. -Sinner's Swing! 3:40 3. -Drum Solo 2:24 4. -Hear About It Later 4:51 5. -Dave Raps 2:35 6. -So This Is Love 3:25 7. -Jamie's Cryin' 3:37 8. -Bass Solo 3:43 9. -Runnin' With The Devil 3:17 10. -Dance The Night Away 3:18 11. -Sunday Afternoon In The Park 3:18 12. -Romeo Delight 4:43 13. -Everybody Wants Some!! 9:04 Disc 4 Los Angeles cont'd 1. -Sounds of Summertime 4:02 2. -Ice Cream Man 5:45 3. -Mean Street 5:16 4. -Guitar Solo 6:57 5. -Feel Your Love Tonight 2:56 6. -You Really Got Me 4:37 7. -Unchained 5:27 8. -Ain't Talkin' 'Bout Love 5:43 Disc 5 The Forum Inglewood, CA June 20, 1981 1. -On Fire 3:51 2. -Sinner's Swing! 3:37 3. -Drum Solo 2:26 4. -Hear About It Later 4:54 5. -Dave Raps 3:08 6. -So This Is Love? 3:09 7. -Jamie's Cryin' 3:45 8. -Bass Solo 3:39 9. -Runnin' With The Devil 3:24 10. -Dance The Night Away 5:09 11. -Sunday Afternoon In The Park 1:55 12. -Romeo Delight 3:14 Disc 6 LA Forum cont'd 13. -Everybody Wants Some!! 9:24 14. -Ice Cream Man 7:56 15. -Mean Street 4:54 16. -Guitar Solo 6:01 17. -Feel Your Love Tonight 2:57 18. -You Really Got Me 4:59 19. -Unchained 6:32 20. -Ain't Talkin' 'Bout Love - Happy Birthday to Michael Anthony 6:30 Disc 7 Great Western Forum Inglewood, CA June 21, 1981 1. -On Fire 3:58 2. -Sinner's Swing! 3:35 3. -Drum Solo 2:36 4. -Hear About It Later 4:48 5. -Dave Raps 2:53 6. -So This Is Love 3:26 7. -Jamie's Cryin' 3:46 8. -Bass Solo 3:23 9. -Runnin' With The Devil 3:24 10. -Dance The Night Away 4:55 11. -Sunday Afternoon In The Park 1:58 12. -Romeo Delight 4:36 13. -Everybody Wants Some!! 6:10 14. -Ice Cream Man 5:35 15. -Mean Street 5:03 Disc 8 the Forum cont'd 1. -Guitar Solo 7:37 2. -Feel Your Love Tonight 3:06 3. -You Really Got Me 4:11 4. -Unchained 4:37 5. -Ain't Talkin' 'Bout Love 5:02 Arizona Veterans Memorial Coliseum Phoenix, AZ September 28, 1981 6. -On Fire 7. -Sinner's Swing 8. -Alex Van Halen Drum Solo 9. -Hear About It Later 10. -So This Is Love 11. -Jamie's Crying 12. -Michael Anthony Bass Solo 13. -Runnin' With The Devil 14. -Dance The Night Away 15. -Sunday Afternoon In The Park Disc 9 Phoenix cont'd 16. -Romeo Delight 17. -Everybody Wants Some 18. -Lucille 19. -Ice Cream Man 20. -Mean Street 21. -Edward Van Halen Guitar Solo 22. -You Really Got Me 23. -Unchained 24. -Ain't Talkin''Bout Love Disc 10 Greensboro Coliseum Greensboro, North Carolina, USA August 25th, 1981 01. -On Fire 02. -Sinner's Swing 03. -Drum solo 04. -Hear About It Later 05. -So This Is Love 06. -Jamie's Crying 07. -Bass solo 08. -Runnin' With The Devil 09. -Dance The Night Away 10. -Sunday Afternoon In The Park 11. -Romeo Delight Disc 11 Greensboro cont'd 12. -Everybody Wants Some!! 13. -Sounds of Summertime 14. -Ice Cream Man 15. -Mean Street 16. -Guitar solo 17. -Feel Your Love Tonight 18. -You Really Got Me 19. -Unchained 20. -Ain't Talkin''Bout Love -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 22, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 15, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:43 02 - The Spirit of Radio 4:44 03 - Tom Sawyer 5:12 04 - Freewill 5:28 05 - Digital Man 6:46 06 - Subdivisions 5:29 07 - Vital Signs 5:16 08 - The Camera Eye 7:01 09 - Closer To The Heart 3:18 10 - The Analog Kid 4:50 11 - Broon's Bane 1:33 12 - The Trees 4:24 13 - Red Barchetta 6:19 DISC 2: 01 - The Weapon 8:14 02 - New World Man 4:00 03 - Limelight 4:37 04 - Countdown 6:00 05 - 2112 Temples Of Syrinx 6:22 06 - Xanadu 2:31 07 - La Villa Strangiato 3:28 08 - In The Mood 3:17 09 - YYZ / Drum Solo 10:47 -
Audience 8.6 - Taped by the same person using the same gear so there is only minor differences between these shows which are related specifically to position, and it sounds like taper was in roughly the same general position for each show. Very consistent throughout, although just to be super detailed I have to prefer the second show which seems to be slightly closer to my ears. The quality is very clear, leans towards the upper end of the sound spectrum but not too harsh, only to the point I think you could add some bass and that would really allow these shows to satisfy. They are all very good, bass would put them into the great category. Rush May 14, 1983 National Exhibition Centre, Birmingham, England DISC 1: 01 - 3 Stooges Intro 0:47 02 - The Spirit of Radio 4:37 03 - Tom Sawyer 5:10 04 - Freewill 5:28 05 - Digital Man 6:40 06 - Subdivisions 5:25 07 - Vital Signs 5:11 08 - The Camera Eye 6:58 09 - Closer To The Heart 3:20 10 - The Analog Kid 4:51 11 - Broon's Bane 1:33 12 - The Trees 4:26 13 - Red Barchetta 6:28 DISC 2: 01 - The Weapon 8:00 02 - New World Man 4:01 03 - Limelight 4:43 04 - Countdown 5:55 05 - 2112 Temples Of Syrinx 6:24 06 - Xanadu 2:28 07 - La Villa Strangiato 3:32 08 - In The Mood 3:59 09 - YYZ / Drum Solo 11:08 -
Audience 8.3 - What is happening with this tape is that the bass frequencies are too much for the microphone, and it causes some peaking (not pure distortion, just level peak). On the plus side, it’s relatively open in all the other frequencies, meaning you can actually listen to this show and once your ears sort of adjust to the limitations, it’s not that bad. I would still call this one for hardcore collectors only though, even when there is a shortage of 1979 tapes. On a personal note, I listened to the entire show and liked it, I think it has a place in the collection. Van Halen Northlands Coliseum Edmonton, AB, Canada September 18, 1979 Disc 1 1. Light Up The Sky 6:39 2. Somebody Get Me A Doctor / Drum Solo 4:20 3. Runnin' With The Devil 4:29 4. Dance The Night Away 3:25 5. Beautiful Girls 3:31 6. DLR Talking 5:03 7. On Fire 6:13 8. You're No Good 3:56 9. Jamie's Cryin' 3:21 10. More DLR Talking 3:38 (includes "Eyes of the Night" tease) Disc 2 11. Feel Your Love Tonight 5:14 12. Outta Love Again 6:28 13. Ice Cream Man 7:10 14. Ain't Talkin' 'Bout Love 10:05 15. Eddie's Guitar Solo 8:41 16. You Really Got Me 9:11 -
Audience 8.5 - A thin-ish recording, but it is pretty clear and thus can be appreciated. It’s a really fine performance too. Genesis Ambassador Theatre St. Louis, MO April 23, 1976 01 Dance On A Volcano 02 Lamb Lies Down On Broadway 03 Fly On A Windshield 04 Carpet Crawlers 05 Cinema Show 06 Robbery, Assault And Battery 07 White Mountain 08 Firth Of Fifth 09 Entangled 10 Squonk 11 Supper’s Ready 12 I Know What I Like 13 Los Endos 14 It > Watcher Of The Skies -
Audience 8.6 - A little age shows in this tape, but it’s nicely mid-rangey and kind of phat too, meaning it’s got some balls to it even though it may be a little compressed and aged. I would recommend this one though, because one key quality of this tape is that the two guitars are really nicely separated, almost a wide pan effect if you can believe it. Sounds pretty cool. AEROSMITH Paris, France Pavillon porte de Pantin 1976 november 1st 1. Intro 2. Mama Kin 3. Write Me A Letter 4. S.O.S. (Too Bad) 5. Lick And A Promise 6. Big Ten Inch Record 7. Sweet Emotion 8. Rats In The Cellar 9. Dream On 10. Lord Of The Thighs 11. Last Child 12. Walk This Way 13. Sick As A Dog 14. Same Old Song And Dance 15. Train Kept A Rollin’/ Get The Lead Out/ Batman Theme/ Movin’ Out/ Peter Gunn Theme 16. Crowd 17. Toys In The Attic Steven Tyler - vocals Joe Perry - guitar Tom Hamilton - bass Joey Kramer - drums Brad Whitford - guitar -
Audience 8.8 - Excellent sound with good balance and great live mix where you pretty much get a good blend of the bass and drums without that annoying boominess. Great time period too! Van Halen Theatre Mogador, Paris, France Wednesday May 10th, 1978 01- On Fire 02- I'm The One 03- Runnin' With The Devil 04- Feel Your Love Tonight 05- Atomic Punk 06- Little Dreamer 07- Ain't Talkin' 'Bout Love 08- Voodoo Queen 09- Ice Cream Man 10- Guitar solo 11- You Really Got Me 12- D.O.A [fades in] 13- Summertime Blues 14- Bottoms Up! -
Audience 8.6 - Small club vibe and really good sound with an emphasis on percussion clarity and presence. Recording leans to the mid and upper end but it’s not too brittle there, so it’s very comfortable but can use some added low end anyway. Aside from that, this is quite good. Psychedelic Furs Punto a Capo, Budria, Italy June 8, 1984 Band line-up Richard Butler – vocals John Ashton – guitar Tim Butler – bass guitar Keith Forsey – drums, percussion Total Time = 83:22 Disc 1 01 Love My Way 02 Pretty In Pink 03 Here Come Cowboys 04 My Time 05 President Gas 06 Sleep Comes Down 07 The Ghost In You 08 Heaven -- tape flip -- 09 Angels Disc 2 10 Sister Europe 11 Alice's House 12 Heartbeat 13 Forever Now 14 Imitation Of Christ 15 Into You Like A Train 16 India The Psychedelic Furs are an English rock band founded in 1977. Led by singer Richard Butler and his brother Tim Butler on bass. The Psychedelic Furs are one of the many acts spawned from the British post-punk scene. Their debut album was in 1980. But in 1982, the band were reduced to a four-piece. The Furs did find success in the US with their next release, 1981's Talk Talk Talk, which included the original version of "Pretty in Pink", which was later re-recorded for the 1986 movie soundtrack "Pretty in Pink". This movie would help launch Molly Ringwald's acting career. -
Soundboard 9.1 - This mix favors Mick Jagger, but I like the very lifelike feel of it overall. It’s not super well separated but everything can be heard well enough and that includes the piano (although horns are pushed back), and Mick Taylor is especially present when he solos (an added bonus!). There is no doubt that this recording must be present in every Rolling Stones fan’s collection. The Rolling Stones Philadelphia Specialties Plus Spectrum Sports Arena Philadelphia,Pennsilvania 20th & 21st July 1972 CD ONE 01 Brown Sugar July 21st early show 02 Bitch July 21st early show 03 Rocks Off July 21st early show 04 Gimme Shelter July 21st early show 05 Happy July 21st early show 06 Tumbling Dice July 21st early show 07 Love In Vain July 21st early show 08 Sweet Virginia July 20th only show 09 You Can't Always Get What You Want July 21st early show 10 All Down The Line July 21st early show CD TWO 01 Midnight Rambler July 21st late show 02 Band introduction 03 Bye Bye Johnny July 21st late show 04 Rip This Joint July 21st late show 05 Jumping Jack Flash July 21st late show 06 Street Fighting Man July 21st late show 07 Uptight - Satisfaction July 20th only show 08 Dead Flowers 09 Don`t Lie To Me 10 Honky Tonk Woman 11 Loving Cup 12 Torn And Frayed 13 Ventilator Blues 14 Sweet Black Angel CD TWO: Tracks 8 (First show), 9 (Second show), 14 (First show - audience recording) Tarrant County Convention Centar, Fort Worth, Texas 24th June 1972 Tracks 10, 11, 12, 13 Pacific Coliseum, Vancouver, Canada 3rd June 1972 (Audience recording) -
Soundboard 9.2 - A warm sounding tape, very punchy where it needs to be, maybe if I can complain about anything it would be in the relative sterility of it but that’s a soundboard’s Achilles heel isn’t it ? I’d recommend this to anyone, it is what we like to call “a keeper” for sure! Disc 1 1-1 Subdivisions 1-2 The Body Electric 1-3 The Enemy Within 1-4 The Weapon 1-5 Witch Hunt 1-6 New World Man 1-7 Between The Wheels 1-8 Red Barchetta Disc 2 2-1 Distant Early Warning 2-2 Red Sector A 2-3 Closer To The Heart 2-4 YYZ 2-5 Drum Solo 2-6 YYZ (Cont.) 2-7 Temples Of Syrinx 2-8 Tom Sawyer 2-9 Red Lenses Notes: Live at Neil Blaisdell Center, Honolulu, Hawaii, USA 25th November 1984 [STEREO SOUNBOARD] (noiseless!) The last show of Grace Under Pressure Tour -
Audience 8.6 - A recording that is very clear but dangerously close to being too crisp on the highs…but thankfully it doesn’t sizzle and ruin anything. It’s still very good – might could use more thickness, but you will probably be able to enjoy this show and certainly are welcome to boost the low end which will help. RUSH Date: April 18, 1994 Location: Buffalo Memorial Auditorium Buffalo, New York, USA DISC 1 Intro 1:10 Dreamline 4:58 The Spirit of Radio 4:56 The Analog Kid 5:47 Cold Fire 4:57 Time Stand Still 5:51 Nobody's Hero 5:21 Roll The Bones 6:09 Animate 7:54 Stick It Out 5:13 Double Agent 4:55 DISC 2 Limelight 4:33 Mystic Rhythms 5:57 Closer to the Heart 5:35 Show Don't Tell 5:25 Leave That Thing Alone 5:54 The Rhythm Method 7:12 The Trees 5:21 Xanadu 6:32 Hemispheres: Prelude 4:16 Tom Sawyer 5:29 Force Ten 4:41 YYZ 3:23 -
Audience 8.9 - A very well balanced recording with lovely high end and a smoothness that is nice on your ears. The band is relaxed and having a great show. Band name: Rush Date: February 24, 1994 Venue: The Omni Location: Atlanta, Georgia, USA Tour name: Counterparts Disc 1 (63:09) Intro/Dreamline The Spirit Of Radio The Analog Kid Cold Fire Time Stands Still Nobody's Hero Roll The Bones Animate Stick It Out Double Agent Limelight Disc 2 (62:12) Mystic Rhythms Closer To The Heart Show Don't Tell Leave That Thing Alone The Rhythm Method The Trees Xanadu Hemispheres: Prelude Tom Sawyer Force Ten YYZ -
Audience 8.3 - Not recorded from the best vantage point on the best gear, but taper made the best of it, and it gets incrementally better from the time where he moves to a better spot (closer). Tape has all the hallmarks of a large stadium, loud rock concert, the regular deal…not going to blow anyone away. Now that I’ve said that, there’s some good news! Yup – Pete is playing great and he is the clearest sounding, followed by Roger, and the bass has a good, deep, rumbling growl that comes through (NOT boomy!). If this tape had been boomy, I would have rated it in the upper 7’s. The Who Sports Arena, San Diego, CA October 7, 1976 Band line-up Roger Daltrey - lead vocals, harmonica Pete Townshend - guitar, vocals John Entwistle - bass, vocals Keith Moon - drums, vocals Total Time = 01:39:56 Disc 1 01 I Can't Explain 02 Substitute 03 My Wife 04 Baba O'Riley 05 Squeeze Box 06 Behind Blue Eyes 07 Dreaming From the Waist 08 Magic Bus 09 Amazing Journey 10 Sparks Disc 2 11 The Acid Queen 12 Fiddle About 13 Pinball Wizard 14 I'm Free 15 Tommy's Holiday Camp 16 We're Not Gonna Take It 17 See Me, Feel Me 18 Summertime Blues 19 My Generation 20 Join Together 21 My Generation Blues 22 Won't Get Fooled Again Show comments: The Who/Mother's Finest For this Who show, the realistic recorder was used. First song, first row behind the stage looking at Keiths Moon’s back. Track two starts and I’m looking for a better recording position. The stage has typical left and right arrays but there was also an extra array on the right side facing the stage. Strangely not one to the left side. I parked myself in front of it which was basically just above me. On minor movement towards the center of the arena on the right side to avoid two chicks with whistles and the remaining show was recorded in that position. -
Four Discs of music that will melt your brain. All are either Very Good or Excellent quality, so it’s not a jarring experience to sit through all four discs, they have a certain continuity to them. I think this is a great time period of music and these guys were just on another level. It’s a fun thing to ponder, whether there are any bands that can do this sort of thing today – and the answer is “I really don’t think so”. SOFT MACHINE TIME TRIPS 1969-1972 Disc 1 Live at the Lyceum, London, October 5, 1969 Lineup Mike Ratledge – Lowery Organ, Piano Hugh Hopper – Bass (Fuzz Bass) Robert Wyatt – Drums, Vocals 1. Moon In June (17:45) 2. Facelift (4:43) 3. Eamonn Andrews (5:57) 4. Mousetrap-Noisette-Backwards-Mousetrap reprise (7:16) 5. Esther's Nosejob (11:27) Disc 2 6. improv - Facelift middle section reprise (3:50) 7. Dedicated To You But You Weren't Listening (0:21) 8. We Did It Again (3:38) 9. Noisette reprise (0:56) 1970-10-10 Ronnie Scott's Jazz Club London England Lineup Elton Dean - alto sax Hugh Hopper - bass Mike Ratledge - organ Robert Wyatt - drums, vocals 10. -Facelift 11. -Kings and Queens 12. -Virtually (pts.2 & 3) 13. -Slightly All The Time 14. -Eamonn Andrews 15. -Esther's Nose Job 16. -Fire Engine Passing with Bells Clanging - Pig - Orange Skin Food - A Door Opens and Closes - 10.30 Returns To The Bedroom (pt. 1) - Pigling Bland - Esther's Nose Job (reprise) - 10.30 Returns To The Bedroom (pt. 2) Disc 3 Casino Lido, Venice, Italy September 24, 1971 1. - Drop - MC - Out-Bloody-Rageous (20:57) 2. - All White Slightly All The Time - Plain Tiffs (21:22) Lineup Elton Dean - alto sax, saxello, fender rhodes electric piano Mike Ratledge - organ, fender rhodes electric piano Hugh Hopper - bass Phil Howard - drums Disc 4 Piper Club, Rome, Italy 24 April 1972 01 -All White - 7:47 02 -Slightly All The Time 1 - 8:39 03 -Slightly All The Time 2 - 3:36 04 -Drop - 5:56 05 -MC - 5:24 06 -Out-Bloody-Rageous - 14:00 07 -As If 1 - 1:01 08 -As If 2 - 0:50 09 -As If 3 - 3:33 10 -As If 4 - 5:19 11 -As If 5 - 0:26 12 -LBO - 9:04 13 -Pigling Bland - 5:04 Line Up: Mike Ratledge - organ, electric piano Hugh Hopper - bass Elton Dean - alto sax, saxello, electric piano John Marshall - drums -
Audience 8.8 - I can’t fault this too much even though it is not a tape without a certain sonic limitation – but it’s not enough of a fault to be critical of what is a fantastic performance paired with a warm, energy filled tape. It’s a great capture that barely holds the intensity before it begins to break-up, albeit only slightly, as the volume overwhelms the microphone. Is that bad? Normally it spells disaster if the recording equipment is, say, a realistic or some no-name generic piece of crap but this taper is obviously using high end stuff. The point at which volume and intensity causes normal gear to fail only slightly bother this set-up. So, I recommend it as one of the better 1976 tapes out there. It’s simply great and you’ll love it. YES 1976-07-22 PNE Coliseum Vancouver, British Columbia Canada DISC 1 1.01 Siberian Khatru (9.45) 1.02 Sound Chaser (10.32) 1.03 I've Seen All Good People (6.50) 1.04 The Gates Of Delirium (21.11) 1.05 Long Distance Runaround (2.41) 1.06 Keyboard Solo (5.16) DISC 2 2.01 The Clap (4.55) 2.02 Harp Solo (4.01) 2.03 Heart Of The Sunrise (10.29) 2.04 Ritual (27.18) 2.05 Roundabout (8.49) -
Soundboard 9.4 - Minor hiss present in quiet passages but does not impact any music. This is a great show, impressive in every regard especially the incendiary guitar work by unheralded master Daryl Stuermer. Many people were first introduced to Ponty through this album, Imaginary Voyage, and it’s on full display here in a live setting. EXCELLENT!! Artist: Jean-Luc Ponty Date: 23rd October 1976 - Early Show Venue: La Paloma Theatre, Encinitas, CA 01 - Imaginary Voyage 25:56 02 - Passenger Of The Dark 9:07 03 - Renaissance 9:11 04 - Question With No Answer 6:19 05 - Lost Forest 9:35 06 - Wandering On The Milky Way 4:02 07 - Aurora 13:46 Encore: 08 - New Country 4:11 09 - Tarantula 3:12 Total time 1:25:19 Jean-Luc Ponty - Electric Violin Daryl Stuermer - Guitar Alan Zavod - Keyboards Tom Fowler - Bass Mark Craney - Drums -
Studio Quality 9.7 - Fascinating! Just hearing these songs before the sweeteners were added is incredible. I kind of like the raw takes better, well, almost. The Cars First Album Demos 01 Good Times Roll (live) 02 My Best Friend's Girl (demo) 03 Just What I Needed (demo) 04 I'm In Touch With My World (demo) 05 Don't Cha Stop (demo) 06 You're All I've Got Tonight (demo) 07 Bye Bye Love (demo) 08 Moving In Stereo (demo) 09 All Mixed Up (demo) 10 They Won't See You 11 Take What You Want 12 Wake Me Up 13 You Just Can't Push Me 14 Hotel Queenie -
Soundboard 9.7 - Crisp and elegant, this describes both the music and the audio fidelity here. The band is in really fine form, actually a good time period. Pat Metheny Group 1981-03-27 University Of Houston, Cullen Auditorium, Ezekiel W. Cullen Building, Houston, Texas, USA, 1981-03-27 Disc 1 01 Phase Dance (Pat Metheny, Lyle Mays) 02 Better Days Ahead (Pat Metheny) 03 The Windup (Keith Jarrett) 04 James (Pat Metheny, Lyle Mays) 05 Offramp (Pat Metheny, Lyle Mays) 06 'It's For You' (Pat Metheny, Lyle Mays) 07 The Bat Part II (Pat Metheny, Lyle Mays) 08 Ozark (Pat Metheny, Lyle Mays) 09 Turnaround (Ornette Coleman) Disc 2 10 Goin' Ahead (Pat Metheny)/As Falls Wichita, So Falls Wichita Falls (Pat Metheny, Lyle Mays) 11 Jaco (Pat Metheny) 12 Untitled / Au Lait (Pat Metheny, Lyle Mays) 13 San Lorenzo (Pat Metheny, Lyle Mays) 14 (Cross The) Heartland (Pat Metheny, Lyle Mays) 15 American Garage (Pat Metheny, Lyle Mays) Line-Up: Pat Metheny, guitars, guitar synthesizer Lyle Mays, piano, synthesizers, organ, autoharp Steve Rodby, acoustic bass, electric bass Dan Gottlieb, drums, autoharp Naná Vasconcelos, vocals, percussion, berimbau -
Soundboard 9.4 - A very cool, immediate and high impact sound and vibe…and the band, My God! Not all of their shows had that insane intensity and sharpness…sometimes they wandered and lost focus but not here…no way. This…is…amazing! Play this for your kids’ friends when they try to impress you with some new flavor of the month band they are into. Ha! Mahavishnu Orchestra Adelbert Gymnasium Case Western University Cleveland, OH February 17, 1973 Disc 1 Birds Of Fire > Open Country Joy Hope > Awakening Miles Beyond Disc 2 One Word Sanctuary > The Dance Of Maya Vital Transformation John McLaughlin - Electric Doubleneck Guitar Rick Laird - Electric Bass Jerry Goodman - Electric Violin Jan Hammer - Keyboards Billy Cobham - Drums -
Soundboard 8.7 - A show that factors in to what would become a stellar career over many decades. Pretty much on her own now (no longer paired with Gram Parsons R.I.P.) she started playing in the clubs in the DC area when a producer came to record this show for future reference as he crafted her breakout solo album. Did she know he was at the gig? Who knows, but she obviously made an impact. Emmylou Harris and the Angel Band 1974-05-08 Red Fox Inn Bethesda, Maryland Disc 1 01 -Hot Burrito #1 02 -Hickory Wind 03 -Shop Around 04 -Honky Tonk Blues 05 -Louise 06 -California Cottonfields 07 -High On The Hilltop 08 -Reconstructed 09 -When Will I Be Loved 10 -God Knows I Love You 11 -Before Believing 12 -Queen Of The Silver Dollar 13 -Someone I Used to Know 14 -Tonight the Bottle Let Me Down 15 -A Song for You 16 -High On The Hilltop 17 -Born Again 18 -Drifting Too Far From Shore Disc 2 01 -Country Baptizin' 02 -That's All It Took 03 -Together Again 04 -Your Good Girl's Gonna Go Bad 05 -Our Father 06 -Maybe Mexico 07 -Sold it All Away 08 -Instrumental (Jeff Wisor & J.B. Morrison) 09 -Satan's Jewel Crown 10 -Born Again 11 -Country Baptizin' Angel Band : Bruce Archer - Guitar Mark Cuff - Drums Tom Guidera - Bass Danny Pendleton - Steel Guitar w/ John & Fayssoux Starling, J.B. Morrison & Jeff Wisor on tracks 7-11 (disc 2) {After Gram Parsons's death} Emmy moved back to D.C., where Tom Guidera had also become a country music convert. With pedal steel player Danny Pendleton and two other musicians, they put together the Angel Band and started gigging around the clubs, playing some of the songs she’d performed with Gram. Eddie Tickner made Harris his number one priority and he convinced Mary Martin, an A&R representative from Warner/Reprise Records (the label that had released Parsons’ solo work) to investigate an Angel Band show in a Washington nightclub. Emmylou Harris became a Reprise Records recording artist in 1974; with her daughter Hallie in tow, the Angel Band relocated to Los Angeles to begin work on Harris’s first true solo album. To produce, Martin paired Harris up with Nova Scotia native Brian Ahern, the mastermind behind Anne Murray’s spate of hits in the early 70’s. She brought the quiet Canadian to hear the Angel Band, and he recorded the performance on a hand-held cassette machine to study at home. This sounds better than a hand-held cassette machine recording, purportedly a sound board, but it's not by any means what we think of as soundboard quality by today's standards. -
Audience 8.4 and Audience 8.2 - Both performances showcase a confident Jeff Beck, but in terms of sound quality the London show is clearer and bass has less boom so you can really dial in to the playing. The Manchester show is not that bad but it is a bit murkier, slightly more dynamic in the vocal dept. and I think the London show edges it out in performance quality as well. Doesn’t mean you will ignore it, just that you will favor the London gig, in fact the London show is a real contender to be in all Jeff Beck fans’ collections. Beck, Bogert, & Appice .... February 3, 1973 Imperial College of Printing; London, England Jeff Beck - guitar, vocals Tim Bogert - bass, vocals Carmine Appice - drums, vocals Set List: Disc One 01 - Superstition 02 - Livin' Alone 03 - I'm So Proud 04 - Lady 05 - Morning Dew - Drum Solo 06 - Sweet Sweet Surrender 07 - Lose Myself With You - Bass Solo 08 - Black Cat Moan - Jeff's Boogie - Blues De Luxe - Black Cat Moan Disc Two 01 - Why Should I Care 02 - Plynth - Shotgun - Plynth 03 - People Get Ready 04 - Oleo - Boogie Beck, Bogert, & Appice .... February 11, 1973 Hard Rock, Manchester, England 05 - tuning stuff 06 - Superstition 07 - Livin' Alone> 08 - I'm So Proud 09 - Lady 10 - Morning Dew - Drum Solo Disc Three 01 - Sweet Sweet Surrender 02 - You Don't Care - Bass Solo - You Don't Care 03 - Jeff's Boogie - Blues Jam - Beverly Hillbillies Jam 04 - Jeff's Boogie (cont'd; with mid-cut) 05 - Why Should I Care? 06 - Plynth - Shotgun - Bass Solo - Plynth 07 - People Get Ready - Lady - Oleo - Jam -
Audience 8.7 - This show features the return to the Spectrum, a venue they had recently played and for some reason decided that they needed to schedule another show there (perhaps they felt the last show there was below par?). Anyway, by all accounts it’s a better gig, and the audio quality is also better with clearer sound and better separation of instruments. The recording levels are a touch low, so you will have to turn up the volume (trust me it won’t distort or break up, it will get even better). Aerosmith The Spectrum Philadelphia PA December 19, 1977 -Back In The Saddle -S.O.S. (Too Bad) -Big Ten Inch Record -I Wanna Know Why -Lord Of The Thighs -Lick And A Promise -Get It Up -Walk This Way -Sweet Emotion -Dream On -Walkin' The Dog -Mama Kin -Draw The Line -Same Old Song And Dance -Train Kept A Rollin' -Milk Cow Blues -Toys In the Attic Back at the Spectrum about 10 weeks after the previous gig. Sounds like someone handed Joe Perry the wrong guitar heading onto stage because he is way out of tune! He tries to tune on the fly, but sounds like he is given another guitar and things improve. A weird start to a show! The band cranks through its classics at this point, an entertaining show to these ears. Good quality for a 1977 gig, straight from the taper. Enjoy! -
Audience 8.6 - This recording does not possess great dynamic range, but it is nice and clear and features some biting guitar and thankfully present vocals. It’s a good ’76 tape and worthy of the collection for sure. Aerosmith Cow Palace San Francisco, CA August 28, 1976 1 -Rats In The Cellar 2 -Dream On 3 -Lord of the Thighs 4 -Last Child 5 -Walk This Way 6 -Sick As A Dog 7 -Same Old Song and Dance 8 -Train Kept A Rollin' 9 -Toys In The Attic -
Audience 8.5 - Interesting tape, it’s very clear concerning Mr. Jagger! I kind of like this kind of tape, because it’s a realistic sound, like probably what your own ears would have picked up had you been there. I really get a sense of the venue, and the mood of the day. The band sound really hyped, it feels they are playing with a sense of urgency and anger. The sound does sometimes slightly fade out but it comes right back and it is not very frequent. Overall it’s a really fun show to hear! Rolling Stones Sept. 28, 1973 Olympiahalle, Munich early show. 1. -Brown Sugar 2. -Gimme Shelter 3. -Happy 4. -Tumbling Dice 5. -Star Star 6. -Dancing With Mr. D 7. -Angie 8. -You Can't Always Get What You Want 9. -Midnight Rambler 10. -Honky Tonk Woman 11. -All Down The Line 12. -Rip This Joint 13. -Jumpin' Jack Flash 14. -Street Fighting Man Setlist: ( 69:32) -
Audience 8.7 - A very well recorded show by all accounts. The sound is round, and has nice timbre. I hear everything clearly, bass sounds warm, guitars are raw and jangly…basically this sounds like the Stones in a club and it’s anything but a club! That is saying a lot, to get a stadium recording to sound closer to you. Well done taper! The Rolling Stones October 24, 1981 Citrus Bowl Orlando, FL CD 1: ----- 1. Under My Thumb [03:51] 2. When The Whip Comes Down [05:36] 3. Let's Spend the Night Together [04:30] 4. Shattered [04:20] 5. Neighbours [04:35] 6. Black Limousine [03:46] 7. Just My Imagination (Running Away with Me) [08:38] 8. Twenty Flight Rock [02:29] 9. Let Me Go [04:12] 10. Time Is on My Side [03:36] 11. Beast of Burden [06:58] 12. Waiting On A Friend [04:47] 13. Happy Birthday [01:00] 14. Let It Bleed [06:55] 15. You Can't Always Get What You Want [07:24] CD 2: ------ 1. intro [00:32] 2. Little T&A [04:07] 3. Tumbling Dice [05:07] 4. She's So Cold [04:34] 5. All Down The Line [03:58] 6. Band intro [00:56] 7. Hang Fire [03:16] 8. Star Star [04:23] 9. Miss You [05:43] 10. Start Me Up [04:52] 11. Honky Tonk Women [03:42] 12. Brown Sugar [03:46] 13. Jumping Jack Flash [08:26] 14. (I Can't Get No) Satisfaction [06:35] -
Audience 8.4 - A fine document albeit not without limitations. Sound is generally clear, the mix is heavily in favor of Keith’s rhythm guitar, although Mick Taylor is not absent. Mick Jagger is audible, not clearly, but he is audible. Bass sounds pretty good, Charlie is there too but not distinctly. It’s not muddy, really, it’s not close, it’s not far – this is a very good “average” tape if that makes any sense. The Seattle portion (included in this set) is maybe in the 8.7 range, this source being a bit better than the other version we offer here. BTW I think the Midnight Rambler version here is one of the best of the tour. The Rolling Stones Pacific Coliseum, Vancouver, Canada 1972-06-03 Center Coliseum, Seattle, WA 1972-06-04 (2nd show) CD1 __Vancouver__ 01 Brown Sugar 02 Rocks Off 03 Gimme Shelter 04 Bitch 05 Tumbling Dice 06 Happy 07 Honky Tonk Women 08 Loving Cup 09 Torn And Frayed 10 Sweet Virginia 11 You Can't Always Get What You Want 12 Ventilator Blues CD2 13 Midnight Rambler 14 All Down The Line 15 Bye Bye Johnny 16 Rip This Joint 17 Jumping Jack Flash 18 Street Fighting Man __Seattle__ 19 intro 20 Brown Sugar 21 Bitch 22 Rocks Off 23 Gimme Shelter 24 The Loveliest Night Of The Year 25 Happy 26 Tumbling Dice CD3 27 Love In Vain 28 Sweet Virginia 29 Loving Cup 30 Band intro 31 You Can't Always Get What You Want 32 All Down The Line 33 Midnight Rambler 34 Midnight Rambler 35 Bye Bye Johnny 36 Rip This Joint 37 Jumping Jack Flash 38 Street Fighting Man Total Time: 2h:57m:28s. -
Audience 9.2 - All three shows are recorded with high end gear, with a respectful audience – and the results are decidedly excellent. It’s a joy to listen to these shows, back to back, and just marvel at the grandiosity on display. These were different times, so painfully obvious when you listen, and quite sad to realize it ain’t ever happening again. Yes 1973-03-10 Tokyo, Japan Artist: Yes Date: 1973-03-10 Venue: Kanda Kyoritsu Kodo Location: Tokyo, Japan Disc 5 5.01 Firebird Suite (1.57) 5.02 Siberian Khatru (9.51) 5.03 I've Seen All Good People (7.19) 5.04 Sakura Sakura (1.23) 5.05 Mood For A Day (3.25) 5.06 MC (0.26) 5.07 The Clap (4.13) 5.08 Heart Of The Sunrise (12.30) 5.09 And You And I (9.51) Disc 6 6.01 Close To The Edge (20.12) 6.02 Rick Wakeman Solo (8.59) 6.03 Roundabout (11.23) 6.04 Yours Is No Disgrace (17.21) 6.05 Starship Trooper (8.58)
