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Audience 7.6 - Very impressive stuff. This band sounds so much heavier live than on their record, and their record is pretty damn heavy! I would imagine a lot of young people at this gig later formed their own bands and decided they could be even heavier than these guys - thus was born the modern metal sound. So, to me, it just sounds like these guys were taking the music they heard as kids (Blue Cheer, Led Zeppelin, Black Sabbath), and putting their own twist on it. Great stuff!
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FM Radio Broadcast 8.5 - The tape source shows its age, and then there’s the telltale radio compression as well so you get a reasonably clear sound with a lack of high end clarity, occasional minor drop outs, that sort of thing. It’s not that bad, I expect better of an FM broadcast but there’s not much out there from this station, this is a pretty rare thing, and the band, while very good, never achieved a lot of commercial success. They are traditional AOR rock that sometimes reminds me of Bob Seger or Meatloaf.
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Audience 8.6 - A little thin but surprisingly clear, and man, just to hear this stuff I gotta say it’s a privilege. The material these bands came up with around this time – 1972-73 – it’s just a whole different world of rock and roll that most people were, and still are, completely unaware of. I like the experimental spaciness of the opening “jam sessions” with Franco Battiato (probably with members of the other bands), you get the feeling these guys were really tuned in to each other because it’s not recklessly chaotic, there’s a mystical beauty to it. The Quella Vecchia Locanda is just insane, too bad only one song, and it’s not complete, but I think only a small portion was missed I could be wrong. Garybaldi’s set consists of most of the Astrolabio record, which is very cool but I wished there was some of the Nuda stuff on here.
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Audience 8.8 - Solid right in the middle, with perhaps a little bit of “darkness” in the mix towards the low end that causes a fractional amount of over saturation but this is a fine recording. Let me put it this way, something like this seems to have been “authorized” or at least recorded with the knowledge of the artists. It’s placed too well in the venue, and no audience interference you have to think they knew it was being recorded.