• SDBRD 9.8  - Almost absolutely perfect, like you get both guitars in their own space so you can hear what each player is doing perfectly. This is how I prefer to listen to ACDC!  
  • Pro  9.0 - This recording is great for the time period but it seems that it has been remastered to remove what was probably a great deal of hiss. There’s some left here, but I gotta say this is still one hell of a nice recording.  
  • Soundboard  9.0 - A mix that captures the band firing on all cylinders, certainly you have to say that Alice Cooper had total command of performance throughout his career and if you worried that his drinking might affect him onstage, well listen to these early shows. I hear no signs of inebriation. In fact this is extremely tight and strong performance wise.
    Alice Cooper Civic Arena Pittsburgh, PA, USA December 27, 1971
    01 Be My Lover (4:48) 02 You Drive Me Nervous (2:28) 03 Yeah, Yeah, Yeah (4:38) 04 I'm Eighteen (5:34) 05 Halo Of Flies (9:47) 06 Is It My Body (7:05) 07 Dead Babies (5:35) 08 Killer (4:45) 09 Long Way To Go (2:55)
    Vincent Furnier (Alice Cooper) - Lead Vocals Glen Buxton - Lead Guitar Michael Bruce - Rhythm Guitar, Keyboards, Backing Vocals Dennis Dunaway - Bass Guitar, Backing Vocals Neal Smith - Drums, Backing Vocals
     
  • Hard driving Dallas rock band that worked all the clubs back in the day (1972-1975) before changing their name to Brat and slowly moving into a different direction. Featuring the guitar pyrotechnics of Dickey Ferguson, who found a measure of success much later during his stint in US Kids.
  • Dallas based Christian proto-metal band that recorded loads of material and performed live but never actually released anything to the public. Two discs worth of master quality studio demos, and live, tracks. Very competent band that were obviously heavily influenced by the NWOBHM groups especially Judas Priest, Iron Maiden, and maybe a healthy dose of classics like Thin Lizzy and Wishbone Ash with the dual guitar action a lot of the songs feature. Top shelf!
  • Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine.
  • Soundboard  9.5 - Obviously this was recorded and mixed for a reason because it is really marvelous. (The Cellar)
  • Audience 8.7 to 9.0 (range) - All pretty darn good. Classic early Kiss, and very interesting at times especially when they do the groove rock numbers. Wish they did that more.
  • Soundboard 9.5 - Magnifique! Love the cool panning during Dazed.
  • Audience 9.3 - One of those “must have” titles that is quite necessary for any serious Pink Floyd collector. While this recording is not perfect, it does have exceptional atmosphere and each instrument is distinct. The overall timbre of the recording is in the mid range, and sometimes at full volume there’s just a touch of overcrowding but there are what I call “the intangibles” of what makes a recording rate 9.0 or higher and this tape has them.
  • Audience 9.7 - Almost as good as you can stand for an amateur capture. It won't even be apparent to you at first, it will be three or four songs in when you find you are completely captivated by this show. I mean, literally it sounds like you are right there. One of the best of the best for this tour without a doubt. Crisp clean and refreshing!
  • Audience 8.3 - This is as good as I have ever heard this show sound. Possibly from a very low generation tape source or master because there is no hiss, and it is pretty clear although not super dynamic. The band was in top form during this European series of concerts.
  • Soundboard 9.8 - Exceptional sound and performance make this not only a must have, but a desert island disc!
  • Soundboard 9.0 - Excellent and rare document of an amazing band at an amazing time of their career.…simply put this is an absolute must have!
  • SDBRD 8.8 - One of the best, if not the best, of the later Ted Nugent & The Amboy Dukes live recordings. Great playing abounds, and Ted is Ted, as usual, and it kind of makes one wonder – did David Lee Roth get his schtick from having been to one of these gigs?  Seems like it.

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