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Sale!ALL Soundboard 9.7 - Dive right into this amazing collection of sonically superb live offerings and get a totally new appreciation for Eddie Money and his super-tight band.
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Sale!Soundboard 9.7 - Perfection in every way, and let me tell you, you will be completely engrossed in this concert and in the songs themselves. RIP Eddie Money.
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Audience 9.7 - There’s no way this isn’t a professional recording, it’s too good and it doesn’t come across as a board tape but it could be, if they used some ambient mics and mixed that in but either way this is simply spectacular. If you are wondering how Eddie must sound now with so many years removed from grunge I have news for you – he sounds as good as ever and his band is great, and the songs he performs in his set are all great. This…is…great! Eddie Vedder & The Earthlings Beacon Theatre, New York, NY (4 Feb 2022) Disc 1 01-Drive (R.E.M. cover) 02-Room At The Top (Tom Petty and the Heartbreakers cover) 03-Timeless Melody (The La’s cover) 04-I'll Be Waiting 05-The Dark 06-Invincible 07-Long Way 08-Brother The Cloud 09-I'm One (The Who cover) 10-The Haves 11-Fallout Today Disc 2 12-Mrs. Mills 13-[Chad Smith Drum Solo] 14-Rose Of Jericho 15-Try 16-Dirty Frank (Pearl Jam song) (with "Freaky Styley" tease; preceded by "Black Summer" tease) 17-Porch (Pearl Jam song) Encore: 18-Isn't It A Pity (George Harrison cover) 19-Not For You (Pearl Jam song) 20-Rockin' In The Free World (Neil Young cover) Encore 2: 21-[Intros & Thanks] 22-Purple Rain (Prince cover) (Josh Klinghoffer on lead vocals for 2nd & 3rd verses) Eddie Vedder & The Earthlings: Eddie Vedder: vocals, guitar Josh Klinghoffer: guitar, keyboards Andrew Watt: guitar Chris Chaney: bass Glen Hansard: guitar, keyboards Danny Clinch: Harmonica on "Try" Chad Smith: drums
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Aud/FM? 7.7 - Hard to say really what the source is for this one. To my ears, it sounds like it was recorded for local broadcast, and being the year 1974 was probably sponsored by a local AM radio station It sounds like the engineers did spare the expense of the recording, so, yeah, it’s less than what you might expect of a broadcast.
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Audience 8.8 - This is the good stuff, seriously good I mean. What you are getting in this one is a band really unstoppable, with a monstrous hit in Frankenstein that the audience is going nuts for and for good reason – a penultimate version that will leave you completely floored. Very strong recording puts you in the action with a front row seat. I love it! EDGAR WINTER WITH RICK DERRINGER BOSTON MUSIC HALL BOSTON, MA SEPTEMBER 10, 1974 THE BAND Rick Derringer guitar vocals Dan Hartman bass vocals Chuck Ruff drums Edgar Winter Clavinet Mellotron organ piano synthesizer vibraphone saxophone vocals SET LIST CD 1 1 -JUST PLAYING THAT ROCK AND ROLL 2 -JUST AROUND THE BAND 3 -HANGING AROUND 4 -MAKE IT FUNKY 5 -WE'RE GONNA GET TOGETHER 6 -UNCOMPLICATED 7 -EAST STREET 8 -FREE RIDE CD 2 1 -ROCK AND ROLL HOOCHIE COO 2 -TEENAGE LOVE AFFAIR 3 -FRANKENSTEIN 4 -UNDERCOVER MAN 5 -DO LIKE ME
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Audience 9.5 - Unbelievably awesome! Strap yourself in and get ready to hear just how insanely good a well done audience recording can be. This recording also includes a couple of songs by the opening act Climax Blues Band. Edgar Winter Group Long Beach Arena Long Beach, CA October 14, 1975 + Two Bonus Tracks from Climax Blues Band's opening set Disc 1 01 Introduction 02 Let's Do It Together Again 03 Rock And Roll, Hoochie Koo 04 Cool Dance 05 Shuffle Low 06 Devil With The Blue Dress On 07 Don't Ever Say Goodbye 08 Frankenstein Disc 2 09 Just Another Punk 10 Free Ride 11 Keep Playin' That Rock 'n' Roll 12 Tobacco Road 13 Undercover Man 14 Goin' To New York (Climax Blues Band Opening) 15 All The Time In The World (Climax Blues Band Opening)
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Audience 7.3 - Don’t let the poor rating diminish what is a very rare artifact. No other recordings of this period exist, which is hard to believe. Coming from a master cassette, the sound is cavernous and not well defined, but it is also very clear which may sound impossible but it’s true. It’s clean, and not a complete waste at all. In fact, I listened to it, gave it a chance, and decided that it is acceptable for hard core fans who want to know what White Trash sounded like live, in Detroit, in 1977. And they were stunning, to be honest.
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Audience 8.8 - A nicely atmospheric tape that is very clear, with pretty decent instrument separation and emphasis on vocals so you hear every lyric. Nothing is drowned out in this mix! Fabulous tape! ELO Anaheim Stadium Anaheim, CA. August 26, 1978 Disc 1 1. Intro 2. Standing In The Rain 3. Night In The City 4. Turn To Stone 5. Can't Get It Out Of My Head 6. Cello Solo 7. Tightrope 8. Telephone Line 9. Rockaria Disc 2 1. Violin Solo 2. Strange Magic 3. Mr. Blue Sky 4. Sweet Talkin' Woman 5. Evil Woman 6. Do Ya 7. Livin' Thing 8. Ma-Ma-Ma Belle 9. Roll Over Beethoven
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Sale!Audience 8.9 - Just the right amount of sonic clarity and separation of instruments with “live atmosphere” to make for a realistic listening experience. Sounds much like what you could have expected having been there. This was also the last show of the tour. Excellent!
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Audience 8.2 - A good sounding recording if you want to just know what is happening on stage and don’t mind a perfectly balanced mix, or crispness in the highs. Some breaking up at volume, where the intensity of this band is just too much for the tapers equipment. Still, I have to tell you, there is reward in this tape if you stick it out. Not saying it gets that much better, but I am saying this is one GREAT rock band! Just overwhelming intensity, and interesting compositions, it keeps you interested to hear what happens next.
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Audience 8.0 - Very forceful and loud capture, some taper conversations present, but a very immediate live feeling as if this could have been taped a couple of years ago. Some high frequencies have a squelchiness to them, but when the band is all playing together the audio retains a more comfortable timbre. Overall this is pretty good stuff, and very heady music. I’ve heard people compare them to Pink Floyd, and to be honest I do hear that in some of their compositions, but that is not entirely accurate in describing them. Maybe if you said they were stylistically similar to PF but with a Deep Purplish ensemble approach to the sound, you would be closer.
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Audience 8.4 - Very decent, with good clarity on guitars, some tape noise present but not intruding on the sounds of the music. Sometimes this gets a little over saturated but not to distortion, just more in a little cluttering but this is still way too good of a gig, and a very decent capture, so I can’t slag on it just because there are some minor flaws.