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Aud 6.9 - Distant, with only Jimi’s singing and a booming bass audible, except for when Jimi is soloing and then you hear his leads bouncing almost like quadraphonic around the venue. Now, that does add some cool atmospherics, but this tape is for the hard core. Lastly, I can say at least this – Red House sounds much better, and I am sure if someone remastered this tape it would bring out a lot more good stuff so it is salvageable IMHO.
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Audience 8.5 - OK, so the deal here is that the taper seems to be real close to the PA system and his machine is getting bombasted like heck, but the thing is holding up somewhat. Early on, the snare drum is pegging his meters and it’s kind of annoying until he seems to either move a little or dial back the recording levels because it evens out after a couple songs. A very kinetic and wild show and recording that throws you headfirst into the action, a thrill ride of epic proportions I would say. Have fun!
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Aud 6.9 - Not very good, but I think someone has mastered this nonetheless because a lot of the mid band muck is gone, and you can hear Jimi sing! You get his guitar next in this mix, and at times the sun peaks from behind the clouds. I think, if you are a collector, this is of historical importance due to Jimi’s connection with the Southern blues.
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Aud 8.4 - Oh how I love this show! Why? It’s reasonably clear with only a bit of upper level distortion – but man, this just blows EVERYTHING away! The set list for one, it’s got some little gems on it, and the playing – YUP – he’s killin’ it. What else? Oh, a very intimate feel, just has a sort of immediate impact kind of sound. Mitch and Noel are spot on, Jimi feeds off of their energy as well as the audience. A MUST!
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Aud 6.9 - Not an impossible one, for instance, vocals and guitar are here, although in a not-so-hi-fi form. That being said, the guitar bombastics in this show are second to none. He’s really letting it all fly, so I figure he was getting a good sound from his backline and he was in a terrific mood. Fiery show and worth getting for that alone.
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Aud 7.3 – 7.5 - This recording ranges due to the fact that it is a 3 source merge. When it is at a 7.5 or even higher, it is pretty good stuff, like Red House for instance really shines. The weaker parts of the show just lack some definition and clarity but you can hear everything on stage, with some atmosphere too. Overall it is a special show, you get that sense from the bands performance.
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SDBRD 9.0 and Aud 7.8 - What you have here are two big upgrades. The first is a well travelled sdbrd that had problems that were never addressed, but should have been. Mainly, hiss and uneven volume. Those have been fixed here, and the results are spectacular! The second show was not terrible but got little respect mainly because of terrible tape noise. Thanks to modern technology, that has been fixed. Now, this tape is MUCH easier to listen to, even though it still gets cluttered during very loud passages.
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CD 1 Aud 8.2 Nice version here, must be a very low gen tape source. CD 2 Aud 8.3 I like this recording a lot, it’s a touch overloaded but you hear a very realistic sound, pretty close to what you may have heard standing close to the mains. Maybe a little bit of tape saturation (not distortion, two different things!), otherwise this one is very fun to hear putting you right in the middle of it all.
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Aud 7.4 - Lo-Fi sound to be sure but the upside is that it’s not a sludge wall of sound mess here. Guitar is reasonably clear and louder than everything else by far as it sort of cuts right through this tapes’ audio spectrum. Drums peak through the haze next followed by distinguishable bass notes, and Jimi is remarkably clear as far as hearing every word he sings. Let your ears adjust to the narrow bandwidth and you are going to enjoy this show a lot more. It has many good qualities to offset a lack of sonics. Less loud songs shine through the clouds.
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Aud 7.5 - A very decent and clear recording from perhaps a little further back in the hall than one would prefer, but guitar is prominent, then drums and bass with Jimi vocals a little bit behind the noise. Also, I am glad the sound has a little separation, enough to discern everything that is going on, so big plus there!
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Aud 7.1 - Here’s an interesting situation, a marginal recording that is clear and audible. How can that be? It’s a transistor cassette deck recording, but the capture is centered, and the band is actually clear, just lo-fi. A recent remastering really brought out some of the music and to my ears lifted this tape out of “curiosity only” and into actual collectable status.