-
Audience 7.1 - A very subdued tape, and lots of hiss that at some points is cleaner so no real stress. It is reasonably clear in that you can hear everything, just sounds like it needs a kick in the mid range or some good multi-band compression. Interesting to hear these sort of stripped down Dark Side shows.
-
Audience 7.0 - Something about this recording I find very interesting. It’s a haunting, mystical vibe, a somber heaviness that falls over the stadium and envelopes everything. The recording gives you just enough to experience it, despite it not being exactly hi-fi, it is truly fascinating to experience this show from this taper’s perspective. You will be totally pulled into this gig, and the recording slowly does seem to get better. I like it!
-
Audience 8.7 - This is a surprisingly clear tape with a superbly detailed bottom end and would rate MUCH higher if the sound mix brought the guitar and keys up a bit more. These complaints are not the fault of the taper or his gear, but rather the actual PA sound mix at the show, which by the way is VERY good so do not be put off at all, it’s that my preference would be for more guitars.
-
Audience 8.5 - Some tape noise present, and some issues with the tape containing the sheer volume of the PA’s when the band is in full swing, but really this is a pretty “live” tape that gives you a great sense of the moment. Atmosphere is pretty cool, the sound is clear for the most part excepting the somewhat cluttered bandwidth at high volume. Worth getting.
-
Sale!Audience 8.7 - This is a good and reasonably clear (some tape hiss) recording which reminds me a lot of the Hamburg 1971 recording. I would not be surprised if this was done by the same guys. As a bonus, there is a third disc containing the film footage of Atom Heart Mother from this show. It should be playable on most players, this disc is formatted as a video disc (compact disc containing an MP4 file), if you have any problems please let us know. It should play fine on your computer, and most DVD machines will know what to do with it.
-
Audience 8.8 - This tape has good high end response with only a little crunchy crispy on the crashes but the ears like this tape because of the separation of high end to low end. That means the opposite of muddiness – this tape delivers a wide spectrum from low to high making it a treat for the ears.
-
Audience 8.2 - As good as one could hope for, this recording being about as important and critical to the legend that is Pink Floyd as anything they did after Syd. Actually, everything is pretty clear here, and surprisingly you have Syd Barrett actually performing rather well at this gig. A MUST have.
-
Audience 9.3 - One of those “must have” titles that is quite necessary for any serious Pink Floyd collector. While this recording is not perfect, it does have exceptional atmosphere and each instrument is distinct. The overall timbre of the recording is in the mid range, and sometimes at full volume there’s just a touch of overcrowding but there are what I call “the intangibles” of what makes a recording rate 9.0 or higher and this tape has them.
-
Audience 8.8 - Long admired for how clean and clear it is, even though it sounds like it originates from the middle of the hall. Echo is minimal, and atmosphere is plentiful with occasional taper chatter (not much). There’s a little bit of “static” in the recording, possibly because of high recording levels on the original master, but over the years this has been remastered and Equalized so that most artifacts are minimized.
-
Audience 8.0 - A subdued recording that occupies a pleasant bandwidth for the ears but does not venture into dynamics high or low. It’s very interesting hearing these formative versions of Animals tracks, this recording does deliver enough clarity and separation of instruments to be able to appreciate the happenings on stage – and because Pink Floyd is not a “bombastic” band, you do get periods of music that rate in the mid 8’s so a good, not great, tape.
-
Audience 8.9 - Clear and plenty of detail here with a few problems showing up only very occasionally. One thing I noticed is there is a bit of what sounds like the music is moving around overhead, what this could be is the quad system and the mic is picking up the sound as it rotates around the venue. Otherwise it’s some kind of phasing but it’s not too annoying, just wish I knew exactly what it was.
-
Audience 8.9 - An infamous gig, Roger has had quite enough from a fan and spits on him. But the show – the show is a good ‘un, and captured very well here with a very clear and direct guitar sound primarily but solid rhythm section as well and some of the atmosphere does present. Its limitation might be that there are a couple of cuts and other tape related issues (few and far between) and maybe that keys get a little buried at times but really it’s no deal breaker just minor things. Highly recommend this one!
-
Audience 7.7 - A rain shortened show, recorded from what sounds like around the middle of the stadium. So, it’s a little distant, a little muddled, not that great but you do get to hear everything on the stage. When I say muddled I do not mean it is muddy or murky necessarily, just that the sound is not that clear. I think collectors will want this because it is unusual, that the show was stopped for rain – although they did play more, just did not play for as long as they usually did.
-
Audience 8.7 - A loud, loud tape recording that gets right up to the bleeding edge of break up at full volume but thankfully does not go off the edge…too much! So, I have to say about this one, it’s terribly exciting because it has a super realistic feel where you can sense the size of the venue, the air of excitement in the crowd, pretty much all the hallmarks of an exceptional capture. It does get too loud in places, so be warned.