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Brand New - Soundboard/Studio Quality -For a band with such a vast output, there is very little material out there of Rush's music in its embryonic stage. In fact, the only glimpse we've been given of their songs as works in progress have been the few times they've debuted compositions live prior to their being recorded. But to hear actual studio demos, well, that's another thing entirely. Here they are the power Windows Album fully “Demoed” along with a unreleased studio track! -
Rockford - Soundboard 9.6 - Overflowing with reckless power, this recording literally leaps out of the speakers and ROCKS your balls off! More like this please!! Long Beach - Audience 9.4 - A recording that rivals any soundboard tape, it has all the energy, dynamics, clarity, atmosphere, and feel you can ask for and more. I hope the band gets a chance to hear this one, if they haven't already. I am sure they would be astounded. CHEAP TRICK ROCKFORD ARMORY ROCKFORD, IL. OCTOBER 31, 1977 Disc 1 01. INTRO - HELLO THERE 02. COME ON COME ON 03. ELO KIDDIES 04. TAXMAN MR THIEF 05. OH CANDY 06. YOUR ALL TALK 07. SPEAK NOW OR FOREVER HOLD YOUR PEACE 08. BIG EYES 09. SOUTHERN GIRLS 10. DOWNED 11. LOSER 12. AIN'T THAT A SHAME 13. PLEASE MRS HENRY Disc 2 14. I WANT YOU TO WANT ME 15. HE'S A WHORE 16. DOWN ON THE BAY 17. GOODNIGHT NOW 18. CLOCK STRIKES TEN 19. AUF WIEDERSEHEN Long Beach Arena Long Beach, CA December 31, 1977 20. Big Eyes 21. Southern Girls 22. Downed 23. High Roller 24. Ain't That A Shame 25. Oh Caroline 26. Clock Strikes Ten 27. Auf Wiedersehen 28. He's A Whore 29. Goodnight THE BAND Robin Zander lead vocals guitar Rick Nielsen lead guitar vocals Tom Petersson 12 string bass vocals Bun E. Carlos drums -
Audience 8.8 - The sound of this recording owes almost all of its characteristics to the house PA sound. What I mean is this: The recorder very accurately captured exactly what this gig sounded like, and so if there is any particular thing that is not as good as it could be, we need to talk to the sound man. This tape captures this show in excellent quality, I would say the rating reflects more what the sound itself actually was like at this show - not great (for me I just did not love the drum sounds, and thought the guitars could be louder) but really very good. I think it is a matter of preference then, because some people might really like the way this show sounds coming out of the main PA system. Bangles Beacon Theatre New York City, NY March 28, 1986 01 Restless 02 Walking Down The Street 03 James 04 September Gurls 05 Not Like You 06 He's Got A Secret 07 I'm In Line 08 If She Knew What She Wants 09 Return Post 10 Let It Go 11 Going Down To Liverpool 12 Manic Monday 13 Angels Don't Fall In Love 14 I'm Not Talking 15 Hero Takes A Fall 16 Dover Beach 17 7 & 7 Is 18 Want You 19 Yes It Is -
Audience 9.0 - This is actually how The Bangles should sound live. This is as punk as I have heard them. The guitar tone is killer, the drums are bare bones and perfect...vocals delivered directly into my ears like sweet butter spread on an ear of corn. The Bangles Marquee Club London, England February 20, 1985 01. Silent Treatment 02. All About You 03. Live 04. The Real World 05. James 06. Restless 07. Where We're You When I Needed You 08. I'm In Line 09. He's Got A Secret 10. Going Down To Liverpool 11. Tell Me 12. Hero Takes A Fall 13. Want You 14. I'm Not Talking 15. 7 & 7 Is 16. Dover Beach 17. I'm Going Home 18. How Is The Air Up There 19. Pushin' To Hard -
Audience 9.2 - One thing you get from a great audience tape that a soundboard can't reproduce is how the vocals actually sound. What I mean is that when a signal goes directly from mic to board, it's going to be nothing like what the vocalist will sound like to the audience. The PA system translates vocals to the ears the way the band wants it to sound like, and therefore a truer representation of the live sound that you go to a show to get. This tape delivers that and more - atmosphere, and great individual instruments (especially drums), this is really good stuff. Heart St. Paul Civic Center St. Paul, MN 12-05-1987 Disc 1 1. Bad Animals (6:09) 2. The Wolf (5:26) 3. Barracuda (4:14) 4. Nothin' At All (5:08) 5. What About Love (4:53) 6. Dreamboat Annie (4:08) 7. These Dreams (4:41) 8. Straight On (3:57) 9. Even It Up (4:59) 10. I Want You So Bad (5:14) Disc 2 1. Wait For An Answer (5:06) 2. Who Will You Run To (4:45) 3. Never (4:06) 4. How Can I Refuse (4:51) 5. Crazy On You (5:15) 6. If Looks Could Kill (5:29) 7. Bebe Le Strange (3:19) 8. Magic Man (3:08) 9. Alone (4:11) 10. Rock And Roll (6:21) -
Soundboard 9.5 - A lively board tape that suggests the band was thinking of a live release. This is not a reference mix to my ears. Rainbow 1983-09-14 St. David's Hall Cardiff, UK Disc 1 101 Over The Rainbow 102 Spotlight Kid 103 Miss Mistreated 104 Fool For The Night 105 I Surrender 106 Can't Happen Here 107 Difficult To Cure 108 Bass Solo 109 Keyboard Solo 110 Difficult To Cure (Reprise) 111 Guitar Solo 112 Drum Solo Disc 2 201 Death Alley Driver 202 Catch The Rainbow 203 Lazy Intro 204 Drinking With The Devil 205 Power 206 Blues 207 Stargazer 208 Stranded 209 All Night Long 210 Maybe Next Time 211 Since You've Been Gone 212 Woman From Tokyo - Smoke On The Water Intro 213 Long Live Rock 'N' Roll - Hey Joe -
Audience 2 Source Matrix 9.2 - The best part here is how awesome the bass and drums sound together - so massive yet enough detail to separate them nicely. Guitars and vocals occupy essentially the same space in the mix, neither rising high enough to hog the bandwidth. So, all in all I think this matrix gives us the best possible audio of this show and that is a really good thing!
Rush The Palace of Auburn Hills Auburn Hills MI 2011-04-17 Disc 1 01 Video Intro (Rash - The Real History of Rush Act 1) 02 The Spirit Of Radio 03 Time Stands Still 04 Presto 05 Stick It Out 06 Workin' Them Angels 07 Leave That Thing Alone 08 Faithless 09 BU2B (Brought Up To Believe) 10 Freewill 11 Marathon 12 Subdivisions Disc 2 13 Video Intro (Rash - The Real History of Rush Act 2) 14 Tom Sawyer 15 Red Barchetta 16 YYZ 17 Limelight 18 The Camera Eye 19 Witch Hunt 20 Vital Signs 21 Caravan Disc 3 22 Neil Peart Drum Solo 23 Closer To The Heart 24 2112 Overture - Temples Of Syrinx 25 Far Cry 26 La Villa Strangiato 27 Working Man 28 Video Outro (I Still Love You Man) -
Soundboard 9.8 - Frighteningly great! Super clear, dynamic, power and finesse all the way. A jewel, get this one! Johnny Winter Denver, Colorado, USA 1980 Disc 1 1. Hideaway 2. Killing Floor 3. Ez Rider 4. Catfish Blues 5. One Step At A Time Disc 2 6. Johnny B. Goode 7. Stranger 8. Highway 61 9. She Moves Me 10. Jumping Jack Flash 11. It's All Over Now 12. The Crawl -
Audience 9.6 - Man, someone sure knew what they were doing. This is great, like it could be a broadcast. The tip off for me was when I heard the whistle from someone in the audience near the taper. Judas Priest Westfallenhalle Dortmund, Germany December 17, 1983 1. Riding on the Wind 2. Breaking the Law 3. Freewheel Burning 4. You've Got Another Thing Comin' 5. Living After Midnight 6. Victim of Changes 7. Hell Bent for Leather 8. Sinner (Bonus 1981) * *Bonus recorded live in Lausanne 1981 [audience] -
FM Broadcast 9.2 - Even though this is a broadcast, it retains a "rough" mix quality to it which suits the band's sound and style. The recording quality is fantastic, it does not have a lifeless feel but rather an obvious impromptu feel as you can tell by the stage feedback as the mix gets dialed in. The Bangles Queen Margaret Union Glasgow, Scotland March 1, 1986 FM Broadcast 1. In a Different Light 2. Live 3. Restless 4. Walking Down Your Street 5. James 6. September Gurls 7. Not Like You 8. Manic Monday 9. He's Got a Secret 10. If She Knew What She Wants 11. Return Post 12. Let It Go 13. Going Down to Liverpool 14. Angels Don't Fall in Love 15. I'm Not Talking 16. Hero Takes a Fall -
Audience 9.7 - The detail, the atmosphere, the depth, and finally THE PERFORMANCE. Wow man, this is almost better than being there. I save a ton of money, and parking stress! Get this!
David Gilmour Madison Square Garden New York City,NY November 10, 2024 (2024-11-10) Disc 1 101 Guy Pratt intro 102 5 A.M. 103 Black Cat 104 Luck and Strange 105 Speak To Me 106 Breathe 107 Time 108 Breathe (reprise) 109 Fat Old Sun 110 Marooned 111 A Single Spark 112 Wish You Were Here 113 Band introductions 114 Vita Brevis Disc 2 201 Between Two Points 202 High Hopes 203 Sorrow 204 The Piper's Call 205 A Great Day For Freedom 206 In Any Tongue 207 Banter Disc 3 301 The Great Gig In The Sky 302 A Boat Lies Waiting 303 Banter 304 Coming Back To Life 305 Banter 306 Dark and Velvet Nights 307 Sings 308 Scattered 309 Encore break 310 Comfortably Numb and final good byes Lineup: David Gilmour - vocals, guitars, steel guitar Guy Pratt - bass, vocals Ben Worsley - guitar, vocals Greg Phillinganes - keyboards, vocals Rob Gentry - keyboards, vocals Adam Betts - drums Louise Marshall - vocals, piano Hattie Webb - vocals, harp Charley Webb - vocals, guitar, ukulele Romany Gilmour - vocals, harp -
Audience 9.2 - I would have given this a higher rating but for some occasional volume fluctuations. Minus those, this is a "raise the hair on your back" type of recording. I can't explain it, some tapes just have it, this unquantifiable element, it's a lot to do with the band being recorded as much as it is in how they were recorded, and where exactly the taper sat, and what he used to record - so you take all that and factor it in to what is happening to you as you listen to an event that took place decades ago...that comes to life again and you are right there. As I listened to this, my neck hairs stood up. The Kinks Universal Amphitheatre Los Angeles, CA August 17, 1979 01 Sleepwalker - Tired Of Waiting For You 02 Life On The Road 03 Where Have All The Good Times Gone 04 Permanent Waves 05 Misfits 06 Lola 07 Low Budget 08 (Wish I Could Fly Like) Superman 09 Catch Me Now I'm Falling 10 You Really Got Me -
Audience 8.8 - A well made recording that does straddle the fence a bit. There's some narrowness in how well defined the extreme ends are in both low and high end, meaning your middle frequencies are spot-on, clear, and defined but when you get to the real high end it gets crinkly up there. It does not damage the listening experience but could if you really crank up the volume. The taper does some adjusting it seems, as the show progresses it sounds like the tonality, or levels...something changes slightly...I don't know what really happens but sometimes this show is dialed in and sounds really great and then just ever so slightly it gets less defined or maybe it is my imagination. Either way, this is a really decent recording. The Kinks Crawford Hall University Of California Irvine Irvine, CA February 13, 1976 01 Education 02 The First Time We Fall in Love 03 I'm In Disgrace 04 Headmaster 05 The First Time We Fall in Love (Reprise) 06 The Hard Way 07 The Last Assembly -
Soundboard 10 - This is a rare "10" perfection rating that is not given out unless and until a recording stops you dead in your tracks and commands your undivided attention. You know it when you hear it, and this is about as good as it can get short of you being placed in the optimal spot at the venue and even then you may not be getting something as good as this! Kansas Live at The Uptown Theatre Chicago, Illinois USA 1980-10-28 & 29 01 - Icarus (6:18) 02 - Paradox (4:20) 03 - Cheyenne Anthem (3:49) 04 - Dust In The Wind (5:59) 05 - Miracles Out of Nowhere (6:50) 06 - Loner (3:03) 07 - Anything For You (4:03) 08 - Don't Open Your Eyes (4:08) 09 - Got To Rock On (3:58) 10 - No One Together (6:07) 11 - Hold On (4:14) 12 - Relentless (9:21) 13 - Portrait (5:43) 14 - Carry On Wayward Son (5:43) The Band: Kerry Livgren - guitar, vocals Steve Walsh - keyboards, vocals Phil Ehart - drums Dave Hope - bass, vocals Robbie Steinhardt - violin, viola Rich Williams - guitar, vocals