• Audience 8.4 - This is a very rare glimpse at a short lived incarnation of Johnny Winter’s band, mainly the addition of his brother Edgar.  So it’s an interesting tape, sounds VERY close to the main P.A. system and consequently has some upper mid crowding which makes for a strange mixture of a tape that is both clear and bright, and overcrowded in the upper mid band. It’s good sounding but does not give you much separation of instruments. For collectors this has to be considered a very important tape though.
  • Sale!

    Y & T – San Francisco 1980 (1CD)

    Original price was: $16.49.Current price is: $14.00.
    Soundboard 8.8 - This recording, while being very clear and obviously recorded for a broadcast, is somewhat dated sounding…in a really good way. It sounds like a relic lost in time, but the band is good and tight. It’s the beginning of the 80’s, and their sound would soon get more FM friendly, here it’s still got that “proto metal” edge to it.
  • Sale!

    Y & T – Winterland 1974 (1CD)

    Original price was: $16.49.Current price is: $14.00.
    Soundboard 9.3 - Takes a minute to get a mix, but then it’s off to the races. Interesting to hear this very early period of the band. Very much a good o’l fashioned American hard rock band.
  • Sale!

    LED ZEPPELIN – Fillmore East 1969 (3CD)

    Original price was: $28.49.Current price is: $26.00.

    CD 1 - Audience 7.4 - Tape a little hissy, but since the highs are preserved we can live with that. It’s pretty clear at times, and then sometimes a touch cluttered up but overall the listener can appreciate this old tape for the explosive performance captured decently for the time. CD 2 - Audience 7.4 - A very powerful low end is the hallmark of this tape, and then there’s Robert, man this is his show! A good tape, a great performance. CD 3 Audience 7.3 - Unlike the other FE 69 recordings, this tape showcases Jimmy’s guitar, and of course Robert who probably would not even need a microphone he is so dynamic. This show he is literally just phenomenal sounding.

  • Sale!

    BLACK SABBATH – Hollywood Bowl 2016 (The End) (2CD)

    Original price was: $23.49.Current price is: $22.00.
    Soundboard 9.5 - Cool to hear such a nice board because quite frankly the volume and mix of most of the live recordings I have heard just have little separation of instruments and I like hearing Geezer clearly.  Drums sound great on this one. It also happens to be the final show.
  • Sale!

    THE WHO – Colmar 1976 (2CD)

    Original price was: $23.49.Current price is: $22.00.
    Audience 7.9 - The only thing that stops this recording from shining bright is the low end. It’s a thunderous low end, a roaring train, but it’s probably what the gig sounded like too. So, it’s not that it’s ruined, but that you should roll off the bass a little if you have an EQ, and then you’ll have something much better to listen to. A good recording – with loads of bass!
  • Sale!

    THE CRAMPS – Trash Is Neat 1977-1984 (1CD)

    Original price was: $16.49.Current price is: $14.00.
    Studio recordings 8.8 - sounds like a vinyl source, cleaned up for the most part.
  • Sale!

    ROGER WATERS – Brazil 2002 (1CD)

    Original price was: $16.49.Current price is: $13.49.
    Soundboard 9.8 - Great presence on vocals and guitars, bass is completely in the pocket and the mix is flawless. I am glad the keyboards are not buried because they add so much to the sound.
  • Soundboard 9.4 - Professionally mixed, and it shows.
  • Audience 8.6 - Talk about being in the crowd, this recording is total immersion if ever there was immersion! But, here’s the good news – it’s a BLAST!  The crowd is really an integral part of this performance, the band senses they have a great audience and they really play to them. It’s rather fun and gives you a tremendous feeling of nostalgia. A great ride!
  • Audience 7.9 - This is the complete concert from the 23rd and NOT the officially released Dec, 24th Rainbow show. The problem with it being unofficial, or course, is that it was not recorded professionally, and in this case the audio is a little on the muddy side. I don’t think it is ruined though, because it’s not “thick” mud, it’s just missing something on the high end.
  • Audience 8.6 - A very early tape featuring the bands original guitarist. For those who have not heard anything like this before, well, it does not sound like the Police as we know them, it’s still good, but different.  To my ears, the guitarist does not have the polish we have come to expect from this band, but he’s got quite a lot of spit!
  • Audience 8.8 - A warm and inviting recording that spreads the audio spectrum out very evenly. May be from midway back in the hall, as it is not super sharp, but likewise it is also not too echoey or bassy either. It is a pretty atmospheric sound, with guitar leads swirling above and around adding to the liveness of the recording.
  • Audience 8.5 - Solid punch but maybe some lack of clarity in the lower mid to low end, although for some reason the bass kick is clear.  It’s nice to have something from this early on in pretty decent fidelity though, so I have to recommend this one. It’s nice!
  • Audience 8.4 - A great find here!  So few Power Windows tour shows out there, and this one, while not a “great” recording, is pretty clear and has a lot of atmosphere. Does sound maybe midway in the venue, so you get a little of that “wash” or stadium “verb” effect but to my delight the bass notes are distinct and not just a boominess. It’s maybe the guitar that is slightly lost, with Geddy also being a touch behind the sound rather than in front. Overall, it is still a good listen and well worth having.
  • Audience 8.3 - Always nice to find another decent sounding 1981 show as there’s not an abundance of them compared to other years. The recording is a little bit cluttered in the very middle of the sound spectrum but thankfully does not suffer from the aud killers such as muddiness or distortion. All the instruments fight for the center but are clearly heard notwithstanding.  Occasionally you may notice a bit of phasing which helps the recording to my ears because it’s almost like a cool effect that they meant to do!  A good one to add to the collection.
  • Audience 9.1 - Taper was very close to the main PA but it does not distort and the sound goes directly to your brain, it does not stop for directions. HOT HOT HOT!! Get it.
  • Audience 8.6 - A serviceable recording, it stays sort of in the midrange spectrum but is pretty powerful anyway. I suspect this may be audio that was taken from a video source, but to my ears it sounds better than a typical home video camera audio capture.
  • Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer.
  • Audience 7.8 - A recording that slowly gets a little better after the first song or two but I have to tell you – for historical purposes this recording is the first time Brian Johnson appears on tape with the band (live, not studio). I think he does a fine job filling the spot too, but that’s up to every fan to decide.
  • Radio Broadcast 9.7 - Great job on the recording by the station.
  • Audience 9.0 - A very “present” recording, meaning the audio captured on this tape sounds remarkably realistic which is ideal for a live recording. Love it!
  • Soundboard 8.6 - Very clear, with occasional wow and flutter but the atmosphere is intact and the history is undeniable. A certain must for any Kiss fan!
  • Audience 8.3 - At first, you would have expected this to sound awful, being an awfully loud band playing in a small club with primitive gear…and it’s not exactly perfect but for what it is it is DAMN good!  Guitars up front, vocals a but buried, drums reasonably clear, but you get a real sense of the action and the sound is not bad at all.  Historically, this is absolutely a must for any ACDC fan.
  • Soundboard 9.7 - Sound quality is top notch. Also features 3 bonus tracks taken from a 1976 official unreleased album entitled "Impossible Album".
  • Audience 8.1 - Do not be dismayed by this sound rating, in fact this has been re-mastered and is vastly superior to all other versions out there. The lineage of this recording was the cause of some confusion for decades – it was believed to have been from Rotterdam but is in fact Amsterdam. Why this show has been overlooked by collectors is beyond me, it’s a marathon concert and should be in the collection. Maybe it was the marginal sound quality of previous versions? Oh well, now we have this.
  • Audience 7.4 - Interesting to listen to this, it’s almost like they are performing on a soundstage, but the quality is only so-so. I do not know what to make of it, my instinct says this was a TV broadcast, maybe this was recorded off the TV volume?  It’s not too bad, just not a very wide dynamic range.
  • Soundboard 9.5 - 4 Disc Set, 2 Shows (Early and Late show) It doesn't get better than this one  (in my top 10)  Killer! Also listed both shows (individually) under "Upper Darby" 1980.  
  • Audience 8.0 - A good reference recording, does not deliver a palette full of dynamic sound colorization or anything like that but it is a pretty clear, one-dimensional recording. One thing I can say is that collectors will want this, as any 1972 show is well worth having in my opinion and this one is very decent even if it lacks a solid low end (not necessarily thin, just not a lot of bottom).
  • Audience 9.2 - Sweet “in the pocket” sound makes this a great listen!
  • Audience 9.3 - Extremely vibrant and dynamic recording.
  • Audience 9.3 - This is Chris Squire’s show! Bass sounds rad!
  • Audience 9.5 - Flawless audience capture!
  • Soundboard 9.5 - Right here, this is the one to get from this tour. Sparkling! Note: Of all the Yes shows I have heard, and I have heard many, although there are many close seconds, for some reason this is my all time favorite. The Audio is superb and the vibe is present with both the audience and the band. Stunning!  
  • Audience 7.8 - A MAJOR upgrade here folks! This recording used to suffer a horrible low mid range boom and muddiness that killed an otherwise decent tape and really good performance capture. Now, even though it is still roughly an average tape, it is minus that deal-breaking boom/mud in the middle. Apparently, the recording being in stereo, while mastering they found by moving it wider (stereo panning) they got the affected channel muted enough where it was crap sounding, but saved what music was there. It worked wonders. Now this tape is worth your time, so rediscover it today.
  • Soundboard 8.8 - A loud board mix, with a little crispiness in the ultra high frequency but what this actually translates to as the show plays is CRUNCH factor which helps liven up what could have been a flat, lifeless board tape. The remastering helped because the levels were kind of low, and the bass needed to be dialed back just a tick, but just that light touch really made this tape a whole point better. Fantastic prime era Halen comin’ out yer speakers like lightning bolts. MUST HAVE!!!
  • Audience 7.8 - Stadium sound all the way. Boomy and loud and CRAZY audience but damn, it’s hard not to love it. The good news here is the drums are defined and not just a sloppy boomy mess, the guitar slices through the mud and lands on your ears in the right spot, then Dave yelps, and does his thing. The end of Hot For Teacher when the drum solo starts the whole place goes bananas.
  • Audience 8.4 (both shows) - I absolutely love this set. A must for fans.
  • Early Soundboard 8.6 - High energy; it does get a little "hot" as far as the mix but it doesn't detract from the experience of hearing Van Halen in a small club playing their asses off before they hit the big time. Dave is in fine form, as always. A great gig, a very good recording, a great band at a great time. Highly recommended.
  • Audience 8.7 - Really loud and up front sound but no distortion makes for a real thrill ride. I love this recording. I think it captures the manic energy happening on stage. Wonderful
  • 5.1 - Sounds like it was recorded on a cheap old cassette recorder. No low end, squeaky sounding...but, historically significant recording. Bonus tracks sound excellent.
  • This is an Audience recording, my rating is a 7.3 quality, not a bad show.  It's got one thing I can appreciate, a lively atmosphere without being obnoxious and intrusive although I got to tell you, sometimes the audience makes the performance...want proof?  Listen to the Madison Square Garden 1984 show - you can honestly say that the loud, obnoxious, and totally over the top crowd and atmosphere is what totally makes that show. I found myself more interested in the crowd believe it or not. I must offer that show in the future - seriously the audience is the best part even though the band is on fire and inspired by the crowd. This one is close to that mania, but nothing compares to that MSG show.
  • Audience 7.2 - A bit thin sounding but I could get everything that was happening, and while it is not hi-fi sound, I could equalize and bring out the bottom end a bit. Still decent enough.
  • Audience 8.2 - A real gem! Someone did a great remastering on this very low generation tape, what used to be a frustrating, muddy mess is now a real treat. Technology has made it possible to breathe new life into the old tapes of yore.
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