-
Soundboard 9.3/Studio 9.4 - Excellent quality all around, and of course it’s Thin Lizzy so you know the jams are top shelf. Thin Lizzy Golders Green Hippodrome London, UK. July 26, 1973 1. The Rocker 2. Things Ain't Working Out Down At The Farm 3. Slow Blues 4. Gonna Creep Up On You 5. Suicide Track 6-9 - Thunder & Lightning sessions 6. -Bad Habits 7. -Baby Please Don`t Go 8. -Mama Don`t Like It 9. -Chosen One -
Soundboard 9.6 - Another near perfect one from you-know-who and this time guest appearance by Miles Davis. I did hear some minor static interference with Prince’s guitar pedal during some solos, nothing that would probably even be noticed by most people. Prince w/ Miles Davis (track #8 ) 12-31-87 Paisley Park Studios Minneapolis, MN This New Years Eve show was a benefit for the Minnesota Coalition for the Homeless 01: Hot Thing 02: If I Was Your Girlfriend 03: Let's Go Crazy 04: When Doves Cry 05: Purple Rain 06: 1999 07: U Got That Look 08: It's Gonna Be a Beautiful Night > Six > Miles solo > Housequake > Chain of Fools > Cold Sweat > Take the A Train > Housequake > Funky Man > Land of 1000 Dances > Piano jam > Alphabet Sweat > Cold Sweat > Float Like a Butterfly, Sting Like a Bee > Housequake > It's Gonna Be a Beautiful Night -
Soundboard 9.5 - Crisp, intimate, warm, inviting sound. It’s like, I don’t know, being there or something (cliché but true). Al DiMeola El Mocambo Toronto, Ontario, Canada June 17, 1977 1. -Mediterreanean sundance 3:58 (3:49) 2. -flight over Rio 7:28 (7:11) 3. -midnight tango 7:57 (7:39) 4. -percussion and drum solos 6:58 (6:42) 5. -elegant gypsy 12:29 (12:01) 6. -band introductions 2:10 (2:05) 7. -the wizard 11:45 (11:18) 8. -race with the devil on the Spanish highway 10:23 (9:57) Al DiMeola- guitar Stu Goldberg- keyboards Eddie Colon- timbales and percussion Lee Pastora- congas Eric McCann- bass Chuck Burgi- drums -
Soundboard 8.9 - Kinda cool when you get these board tapes that pan a guitar, and then one other lead instrument to the other side, which in this case is keyboards. I think this allows for an examination of the instrument in question, so you might find yourself listening once and concentrating on guitar, then another time you’ll give drums and keys more attention…and that is why this show might have you coming back several times for more. Interesting! THE ALLMAN BROTHERS BAND Manley Fieldhouse Syracuse, New York, April 7, 1972 Disc 1 1. -Statesboro Blues 2. -Done Somebody Wrong 3. -Ain't Working Time No More 4. -One Way Out 5. -Stormy Monday 6. -You Don't Love me 7. -In Memory Of Elizabeth Reed 8. -Midnight Rider Disc 2 1. -Whipping Post 2. -Jam SUNY Stonybrook, New York, July 26, 1970 3. -Mountain Jam -
Audience 8.2 - A loud and raucous tape, with a band of noise in the upper mid frequency that prevents better separation of instruments. Saving grace? Duane is the clearest instrument on this recording – in fact it is his guitar that soars over the sound to the degree that you almost inevitably focus solely on him throughout. As it happens, Gregg’s vocals are next up in the mix. THE ALLMAN BROTHERS BAND Academy Of Music, New York August 15, 1971 Disc 1 1. -Statesboro Blues 2. -Trouble No More 3. -Don’t Keep Me Wonderin’ 4. -Done Somebody Wrong 5. -One Way Out 6. -In Memory of Elizabeth Reed Disc 2 1. -Blue Sky 2. -Midnight Rider 3. -Hot ‘Lanta 4. -You Don’t Love Me - Soul Serenade - You Don’t Love Me 5. -Revival -
Audience 8.5 - What this tape represents is an almost uncanny time warp back in time, the sound that the taper captured is amazing – the mix and separation of instruments is what damages an otherwise exceptional sounding tape. With that being said, it’s got a lot to appreciate regardless of the actual music contained herein. For instance, once the soundman dials the mix in better, the music does sound MUCH better and guitar rises slightly higher up front making for a more enjoyable listening experience. The sound of this tape is good, with a punchy upper midrange but not uncomfortable, and roaring “low end” and I say that because while bass is not well defined, it certainly is present in the lower frequencies here. This tape will grow on you, and I promise once you start, and get past the first song (where the live mix is getting dialed in), you’ll find yourself more and more sucked in to it. Robin Trower Long Island Arena, Commack, NY November 19th 1976 THE BAND Robin Trower guitar James Dewar vocals Bill Lordan drums Rustee Allen bass SETLIST 1 -Intro 2 -Same Rain Falls 3 -Lady Love 4 -Bridge Of Sighs 5 -Caledonia 6 -The Fool And Me 7 -Long Misty Days 8 -Too Rolling Stoned 9 -Daydream 10 -Day Of The Eagle 11 -Little Bit Of Sympathy 12 -Messin' The Blues 13 -Rock Me Baby 14 -Goodnight -
Soundboard 9.6 - A high point of this show is the song "We're Barefootin'", the only known performance of the song. There's the "Crosses Sermon", from none other than Rev. Willie G. and one helluva La Grange Medley too! Great vibe and the crowd is insane. Ahhhh, the good 'ol days! ZZ Top April 15th, 1980 (Deguello Tour) Pine Knob, Claskston, MI 01. -I Thank You 02. -Waitin' For the Bus 03. -Jesus Just Left Chicago 04. -Precious And Grace 05. -Francine 06. -I'm Bad, I'm Nationwide 07. -Manic Mechanic 08. -Heard It On The X 09. -Fool For Your Stockings 10. -Nasty Dogs & Funky Kings 11. -We're Barefootin' 12. -Cheap Sunglasses 13. -Beer Drinkers & Hell Raisers 14. -La Grange - Sloppy Drunk - BBQ Medley 15. -She Loves My Automobile (Lone Wolf Horn Section) 16. -Hi-Fi Mama (Lone Wolf Horn Section) 17. -Tush -
Audience 8.7 - This is a “realistic” sounding tape, by that I don’t mean it sounds like it was recorded on a Realistic tape machine, rather it sounds like what your ears may have heard had you been at the show sitting towards the back of the hall. Is that bad? Not necessarily, because the tape sounds pleasing to the ears. Good, round, atmospheric…only flaw is the detail is missing. I can’t make out individual band members except the main gultars, bass, drums, and vocals. Other instruments come and go during the show as they get a spotlight on them, but I rate this show as very good because it’s so relaxing and pleasant overall and deserves a real deep dive into its contents. Bryan Ferry Cape Cod Coliseum, South Yarmouth, Mass. U.S.A. June 25, 1977 1. -tuning :35 2. -let's stick together 2:48 3. -shame shame shame 3:20 4. -road runner 2:49 5. -all night operator 2:58 6. -could it happen to me 3:37 7. -in your mind 4:44 8. -casanova 3:01 9. -love me madly again (with Chris Spedding guitar jam) 10:12 10. -love is the drug 3:44 11. -Tokyo Joe 3:51 12. -this is tomorrow 3:07 13. -the in crowd 5:22 14. -a hard rain's gonna fall (with band introductions) 5:34 15. -the price of love 5:07 Bryan Ferry: lead vocals Martin Drover: sax Chris Mercer: trumpet Ann ODell: keyboards Mel Collins: sax Phil Manzanera: guitar Chris Spedding: guitar John Wetton: bass Paul Thompson: drums -
KISS - "New York Academy Of Music - First Demo Tape 1973" Academy Of Music, New York Ciy, NY December 31st, 1973 KISS - 1st demo tape Electric Lady Studios, New York City, NY March 13th, 1973 Produced and engineered by Dave Wittman supervised by Eddie Kramer 01 Deuce 02 Strutter 03 Cold Gin 04 Watchin' You 05 Black Diamond Academy Of Music, New York Ciy, NY December 31st, 1973 06 Deuce 07 Cold Gin 08 Nothin' To Lose 09 Firehouse 10 Let Me Know 11 100,000 Years (rare live version) 12 Black Diamond 13 Goin' Blind (Howard Stern show) 14 Love Theme From KISS (1995 NYC KISS Konvention tour) 15 Mr. Speed (1995 NYC KISS Konvention tour) 16 Dirty Livin' (extended version 1979) Notes: On March 13, 1973, KISS recorded a low-budget five-song demo tape with producer Eddie Kramer. In October of 1973, Bill Aucoin, who had witnessed several KISS concerts during the summer months, approached the group to become their personal manager. KISS hired Aucoin, and subsequently inked a recording contract with Casablanca Records on November 1, 1973. KISS was the first act signed to Neil Bogart's new label. KISS began recording tracks for their debut LP at Bell Sound Studios in New York City during Autumn of '73. On December 31st, KISS performed at the Academy of Music in New York City, opening for Blue Öyster Cult and Iggy Pop, with the hyped New Years Eve gig billed as the band's official industry premiere. This has gone down in KISStory as the first time Gene would accidentally ignite his hair while breathing fire at the end of "Firehouse!" "Dirty Livin'" extended version wasn't very widely known at the time of release, possibly because it was only released in countries like Italy, Germany, France and Mexico. Soundboard 8.6 The board mix favors only one half of the band to the near exclusion of the others but does level out some as it progresses. In this presentation it certainly allows you to understand the contributions of Ace! The bonus material is all outstanding. This is worth picking up despite the strange board tape because it is extremely early Kiss and these kinds of tapes are very scarce. -
Soundboard 9.1 - Recorded and broadcast this is as expected a very good recording. The music is also… let’s face it these guys were top shelf and had a classy approach to heavy metal. Armored Saint 11/9/84 Harpo's Detroit, MI WLLZ - FM broadcast - A 1. March of the Saint 2. Mutiny on the World 3. Stricken by Fate 4.Seducer 5. Take a Turn 6. Envy 7. Glory Hunter 8. False Alarm 9. Can U Deliver 10. Lesson Well Learned 11.Madhouse 12.outro and interview -
SDBRD 9.5 - Excellent comp of extended guitar jamming, from 1978-1980 period. FRANK ZAPPA "Monsters" 01 Persona Non Grata (1978-10-15 Stony Brook) 02 Outside Now (1980-10-31 New York City) 03 City Of Tiny Lites (1980-11-18 St. Paul) 04 Easy Meat (1980-06-24 Geneva) 05 Inca Roads (1979-03-19 Brest) 06 Chunga's Revenge (1980-07-02 Frankfurt) 07 Black Napkins (1978-10-13 Passaic) -
Audience 8.9 - A good, clear, and very strong recording. The percussion is crisp and detailed, all of the music is well balanced, Prince vocals are mixed above all which is great. This gig celebrated Prince’s receiving the Minnesota Music Awards honors. Prince 1986-05-20 Bloomington - Carlton Celebrity Room 6th Annual Minnesota Music Awards 01. Intro 02. Raspberry Beret 03. Girls And Boys 04. Life Can Be So Nice 05. Controversy (Incl. All Day All Night) 06. Mutiny (Incl. Holly Rock - Dream Factory) 07. Kiss 08. Love Or $ 09. Awards Speech -
Soundboard 9.6 - Fantastic sound and even better performance here. Look, I know Skynyrd had a lock on all things Southern Rock for most of the 70’s, but can we agree that Molly Hatchet carried the torch admirably into the 80’s? They did. Here is proof. MOLLY HATCHET NASSAU COLISEUM UNIONDALE, NY FEBRUARY 18, 1979 WLIR FM BROADCAST THE BAND Danny Joe Brown vocal Dave Hlubek guitars Duane Roland guitars Steve Holland guitars Banner Thomas bass Bruce Crump drums 1 -Bounty Hunter 2 -Gator Country 3 -Big Apple 4 -Dreams 5 -One Man's Pleasure 6 -Trust Your Old Friend 7 -The Harp Jam - Long Tall Sally 8 -Boogie No More -
Studio Quality 8.9 - The quality is great but you have to get past the first song and a half as there is some static present. Once you move past those tracks you get some very interesting studio rehearsals and outtakes. I love the rawness here, it’s very visceral and powerful. ALICE COOPER Studio Outtakes Killer and Muscle Of Love album 01. Desperado 02. Be My Lover 03. Killer 04. Halo Of Flies 05. You Drive Me Nervous 06. You Drive Me Nervous Part 2 07. Man With The Golden Gun 08. Teenage Lament 09. Woman Machine 10. Never Been Sold Before 11. Muscle Of Love 12. Muscle Of Love Part 2 13. Workin Up A Sweat 14. Babe Please Don't Stop 15. Hard Hearted Alice -
Soundboard 9.6 - A radio broadcast that has excellent clarity and punch. Paradise Theater Boston, Mass. USA October 29, 1978 1. -Life Beyond L.A. 6:19 2. -If Heaven Could Find Me 4:46 4. -Not As You Were 4:15 5. -How Much I Feel 5:47 6. -And... Somewhere I've Never Traveled > 5:12 7. -Nice, Nice, Very Nice 6:07 8. -The Brunt 5:39 9. -Band Intros - Holding On To Yesterday 5:55 10. -can't Let A Woman (Get Into My Head) 6:23 11. -I Wanna Know 7:17 Ambrosia David Pack: vocals, guitar Chris North: keyboards David Cutler Lewis: keyboards Joe Puerta: lead vocals, bass Burleigh Drummond: drums, percussion, background vocals -
Audience 8.7 - A good recording with what seems to be a little middle band compression but not too much. So, it’s smooth low end and louder upper middle and highs but softer middle band, that is not necessarily bad, it’s just lacking in that punch factor. It is though, as stated, a pretty decent recording. Oh, and the last song of the evening is “Don’t Fear The Reaper” so VERY cool to hear another live version of that. You know why BOC fans love the live recordings? Because with 5 guitar players at any given time, you just want to hear what they do with these amazing songs on stage. Folkets Park Malmo, Sweden 1978-05-25 01 R.U. Ready 2 Rock 02 ETI 03 Harvester of Eyes 04 Cities on Flame 05 Golden Age of Leather 06 Then Came the Last Days of May 07 ME 262 08 Hot Rails to Hell 09 Godzilla 10 This Ain't the Summer of Love -> 5 Guitars 11 Born to be Wild 12 Don't Fear The Reaper -
Studio Quality 9.7 - As good as you can hope for. Prince recorded a lot of these tunes several times with different combinations and different mixes and that explains why you will see these tracks popping up on different collections. Hendrix did the same thing. Prince: Box O Chocolates Compilation of outtakes. All sourced from low generation tapes... NOTHING has been ripped from existing bootlegs. You won't hear a better version unless the purple vault is opened! 1. Witness 4 the Prosecution 3:52 2. Movie Star 4:24 3. A Place in Heaven 2:50 4. The Ballad Of Dorothy Parker 3:58 5. Starfish and Coffee 2:46 6. Girl O' My Dreams 1:27 7. Cant Stop This Feeling I Got 2:10 8. We Can Funk 5:31 9. Data Bank 7:56 10. Wonderful Ass 11. All Day All Night -
Soundboard 9.3 - I was unfamiliar with the live sound of Stevie Wonder having only heard his studio output, I was happy to hear that he and his band really could jam. I’ll be exploring more live Wonder because of this show. Stevie Wonder Brighton Theatre Brighton, England, UK July 4, 1973 01. -Time Of Contusions 02. -Drums - Instrumental 03. -Stevie Talking 04. -Higher Ground 05. -Superwoman (Where Were You When I Needed You) 06. -To Know You Is To Love You 07. -Signed, Sealed, Delivered 08. -Visions In My Mind - Stevie Preaches - Visions In My Mind 09. -Sunshine Intro 10. -You Are The Sunshine Of My Life 11. -Superstition 12. -Lot Of My Dreams -
FM Radio broadcast 9.3 - The band is in your living room. The drums will knock your head clean off. The bass is pumping, and Ted is absolutely shredding. Ted Nugent Ector County Coliseum Odessa, TX. July 29th 1982 01. -Stormtroopin’ 02. -Wang Dang Sweet Poontang 03. -Dog Eat Dog 04. -We’re Gonna Rock Tonight 05. -Cat Scratch Fever 06. -No, No, No 07. -Fighting’ Words 08. -Good and Ready 09. -Great White Buffalo 10. -Ted Talk 11. -Carmine Appice Drum solo 12. -Motor City Madhouse 13. -Stranglehold 14. -Radio Interview -
Soundboard 9.8 - A beautifully mixed audio, with a touch of “verb” that allows for some air around the music. Crisp, but not crispy, warm, punch when warranted, and clean but not sterile. Pat Metheny Group Michigan State University, McDonel Hall Kiva East Lansing, MI, USA October 31, 1979 01. Phase Dance (Metheny/Mays) 7:47 02. Airstream (Metheny/Mays) 7:33 03. Pat's remarks 1:31 04. April Joy (Metheny) 4:48 05. Unity Village (Metheny) > solo guitar > The Windup (Keith Jarrett) 12:51 06. The Epic (Metheny/Mays) 15:55 07. Old Folks (Willard Robison/Dedette Lee Hill) 7:36 08. Jaco (Metheny) 4:03 -
Audience 8.6 - In contrast to the Finland show, this one doesn't have the boominess but it is thinner sounding, however it is very clear and Kay is much more audible. Guitar, drums, and vocals very clear albeit thin. I found the bass to be lovely, round, very cool to hear such detail! This is NOT a muddy recording, and being 1970 that means you get the classic songs performed close to the records. Steppenwolf University Of Maine Portland Campus Gym Portland, Maine February 28th, 1970 1. Intro-Sookie Sookie 2. Don't Step On The Grass, Sam 3. From Here To There Eventually 4. Magic Carpet Ride 5. The Pusher 6. Born To Be Wild -
Studio and Live Various Sources 9.0 - All sources used appear to be from low gen tapes and broadcasts, I did not hear anything that sounded worse than what I remember…but some of this stuff I’d not heard before so I have to go on assumptions. I like this set very much though, and so will you. The Velvet Underground "Caught Between The Twisted Stars" 4 Volumes Vol.1 Valleydale Ballroom Columbus, OH. 11-04-66 Last Track Poor Richard's Club Chicago, IL. 6-23-66 1. Melody Laughter 2. Femme Fatale 3. Venus In Furs 4. Black Angels Death Song 5. All Tomorrow's Parties 6. Waiting For The Man 7. Heroin 8. Run Run Run 9. Poor Richard's -
Studio and Live Various Sources 9.0 All sources used appear to be from low gen tapes and broadcasts, I did not hear anything that sounded worse than what I remember…but some of this stuff I’d not heard before so I have to go on assumptions. I like this set very much though, and so will you. The Velvet Underground "Caught Between The Twisted Stars" 4 Volumes Vol.2 1. Nothing Song (Valleydale Ballroom, Columbus 66) 2. Venus Heroin (NYC December 1965) 3. Chic Mystique (Delmonico's Hotel, NYC 1-08-66) 4. Train 'Round The Bend - Oh! Sweet Nuthin' (Decond Fret, Philly, PA. May 1970) -
Studio and Live Various Sources 9.0 - All sources used appear to be from low gen tapes and broadcasts, I did not hear anything that sounded worse than what I remember…but some of this stuff I’d not heard before so I have to go on assumptions. I like this set very much though, and so will you. The Velvet Underground "Caught Between The Twisted Stars" 4 Volumes Vol.3 1. Sweet Sister Ray (La Cave, Cleveland, OH. 4-30-68) 2. Sister Ray (Boston Tea Party 3-15-69) 3. Hey Mr. Rain (Wembley Arena, London 6-6-93) 4. Heroin (La Cave, Cleveland, OH. 4-30-68) -
Studio and Live Various Sources 9.0 - All sources used appear to be from low gen tapes and broadcasts, I did not hear anything that sounded worse than what I remember…but some of this stuff I’d not heard before so I have to go on assumptions. I like this set very much though, and so will you. The Velvet Underground "Caught Between The Twisted Stars" 4 Volumes Vol. 4 1. Searchin' ("Swan Mix" 09-67 Mayfair Recording Studio, NYC) 2. Lady Godiva's Operation (Mono Mix, 09-67 Mayfair NYC) 3. The Gift (Wembley 6-06-93) 4. Run Run Run (Hilltop Rock Festival, Ringe, NH. 8-02-69) 5. What Goes On (Live 1968) 6. Guess I'm Falling In Love (NYC 04-67) 7. A Short Lived Torture Of Cacophony (NYC 1965) 8. Black Angels Death Song (Bataclan Club, Paris 1-29-72) 9. The Biggest, Loudest, Hairiest Group Of All (Bataclan 72) 10. A Distant Mirror -
Audience 8.4 - They should call this tape “Noise In The Attic” ha ha! Actually, I am being very tough here, it’s a bright tape, it favors high end but is not too screechy…I just need more low end personally. That being said – vocals are in the front here, followed by Joe Perry, so that is crucial to this being a worthwhile listen. Taper has to hide his gear once or twice, so you occasionally hear the inside of his coat. Not too many 1975 period tapes out there, I am thankful for this one…you will be too, especially when the coast is clear and taper brings the mic back out (makes for a really refreshing audio moment!). Aerosmith Hara Arena Dayton, Ohio, U.S.A. May 24, 1975 1. -toys in the attic 2. -S.O.S. (too bad) 3. -somebody 4. -sweet emotion 5. -lord of the thighs 6. -dream on 7. -walk this way 8. -no more, no more 9. -write me 10. -same old song and dance 11. -train kept a rollin' (with drum solo) -
Soundboard 8.8 - A very old sounding tape that received a recent “facelift” giving it some more punch while reducing tape noise (without compromising any high end). What you end up with is another very good early performance (whilst the band was still doing some Pretties For You numbers) in very good quality. I never get tired of the early Alice Cooper stuff, even if I still don’t understand “Sun Arise” ha ha! Alice Cooper Paramount Theatre Seattle, WA, USA July 10, 1971 01 Intro (1:37) 02 Sun Arise (5:07) 03 Caught In A Dream (2:49) 04 I'm Eighteen (5:32) 05 Is It My Body (8:14) 06 Second Coming (2:40) 07 Ballad Of Dwight Fry (7:33) 08 Black Juju (9:50) Vincent Furnier (Alice Cooper) - Lead Vocals, Harmonica Glen Buxton - Lead Guitar Michael Bruce - Rhythm Guitar, Keyboards, Backing Vocals Dennis Dunaway - Bass Guitar, Backing Vocals Neal Smith - Drums, Backing Vocals -
George Harrison All Things Must Pass Sessions Studio Quality 9.6 - All volumes are excellent. George Harrison - All Things Must Pass Sessions Volume 3 01. Nowhere To Go - Thanksgiving Session, November 1968, with Bob Dylan 02. Nowhere To Go - demo 03. Pete Drake's Talking Steel Guitar - outtake, Early Mono Remix 04. Pete Drake's Talking Steel Guitar - outtake, 1982 stereo remix 05. Plug Me In - RS1 06. Plug Me In - RS2 07. Run Of The Mill - Acoustic demo, 1970 08. Run Of The Mill - Basic tracks with scratch vocal 09. Run Of The Mill - Vocal and keyboard overdubs onto basic tracks 10. Run Of The Mill - Horn overdubs onto basic tracks 11. Run Of The Mill - RS1, False Start 12. Run Of The Mill - RS2 13. Tell Me What Has Happened To You - Acoustic demo 14. Wah Wah - (demo) 15. Wah Wah - Take 3, Backing tracks, Early stereo remix 16. Wah Wah - Take 3, Backing tracks, RS1) 17. What Is Life - Backing tracks with guide vocal 18. What Is Life - Guitar and piano overdubs onto backing tracks 19. What Is Life - Horn overdub onto backing tracks 20. What Is Life - Backing tracks, Take 25, RS1 21. What Is Life - Early stereo remix 22. Window, Window - Acoustic demo, 1970 -
Audience 8.7 - This recording is better than it has a right to be, after all it is in a big stadium, early 70’s so the gear, if it doesn’t weigh 80 pounds, has to be cheap crap…but, dang it this sounds cool! Granted, instrument separation isn’t great (it is good enough), and it isn’t super close up, but all that still does not detract from how stompin’ this is. Great fun! Humble Pie Orlando Sports Stadium Orlando, FL. 12-16-1972 1. -Tuning Up - Intro 2. -Up Your Sleeve 3. -C'mon Everybody 4. -Honky Tonk Women 5. -I Wonder 6. -Hallelujah I Love Her So 7. -I Don't Need No Doctor 8. -Hot 'N Nasty 9. -Roadrunner -
Audience 8.6 - Not a bad tape at all, and seeing how there’s now all of what, one known live tape of this band I would say that is kind of cool. The band? Well they are in their final incarnation here, and playing is very loose and experimental…but honestly they needed to ditch the flautist as he contributes not only nothing, but he’s in the way. Let the guitarist do his thing ‘cause he seems to be able to turn on the switch and lay down bursts of awesome psychedelic insanity. Dzyan Esslingen, Germany 1974-07-14 01 The Road Not Taken 02 For Earthly Thinking 03 Unknown Title 04 Unknown Title -
FM Radio Broadcasts 9.6 - Excellent as always – sound and performance. Prince Tracks 01-04 1985-03-30 Syracuse - Carrier Dome Tracks 05-10 1990-07-22 Madrid - Estadio Vicente Calderon 01. Let's Go Crazy 02. I Would Die For U 03. Computer Blue 04. Little Red Corvette 05. 1999 06. Kiss 07. Purple Rain 08. Take Me With You 09. When Doves Cry 10. Baby I'm A Star -
Radio Broadcast 8.8 - A most welcome discovery! Insanely cool hearing this band play live in the USA. The material is compelling, the band is tight and very convincing although they needed some work on their stage banter ha ha! Very cool indeed! Epitaph Agora Cleveland, OH (WMMS-FM) 1973-10 01 Introduction 02 Fresh Air 03 Outside the Law 04 Big City 05 Early Morning 06 Reflexion 07 Stop Look and Listen 08 Who Do You Love -
Audience 8.8 - At first my thought was that this was a recording for a broadcast because even though it sounds like an audience recording, that may just mean that the station used room mics to capture the concert. What tipped me off to the fact that this is indeed just a really good audience tape is the clapping near the mic after the songs. AC/DC Palladium, New York, NY August 24th 1977 1. -Live Wire 2. -Shes Got Balls 3. -Problem Child 4. -The Jack 5. -High Voltage 6. -Whole Lotta Rosie 7. -Baby Please Don't Go THE BAND Bon Scott lead vocals Angus Young lead guitar Malcolm Young rhythm guitar backing vocals Cliff Williams bass backing vocals Phil Rudd drums -
Soundboard 8.8 - OK, so yeah this board tape is extremely clear but it suffers from the sterility of most board tapes, and when the band is ACDC, you really need that electric atmosphere a rowdy audience provides. I also found this tape kind of missing some “guts”, but, if you want to hear everything, all guitars and drums, vocals (including backing vocals), then you can’t miss with a clean board tape that allows everything to be present. AC/DC B'ginnings Club Shaumberg IL Broadcast Live on WJKL, Elgin IL 1978-09-14 1. -Intro 2. -Live Wire 3. -Problem Child 4. -Sin City 5. -Gone Shooting 6. -Bad Boy Boogie 7. -Rock and Roll Damnation 8. -The Jack 9. -Dog Eat Dog 10. -Rocker 11. -Let There Be Rock -
Audience 8.3 - Limitations with the microphone is probably what prevents this recording from blossoming as it sometimes seems like it wants to do. You can hear it, for instance, during some of the passages, but I think the overloading of the bass crowds out the guitar a bit too much (although you can hear guitar, just not in a clear and detailed manner). Drums and keyboards dominate with a very insistent, pulsing bass undercurrent throughout. Does that count this out? Not at all, due to the disparity of live BJH recordings, I think this one is worth exploring. The compositions and playing make up for the limitations on the tape. Barclay James Harvest Greens Playhouse Glasgow, Scotland 1972-11-19 01. -Medicine Man 02. -Mockingbird 03. -Summer Soldier 04. -Galadriel 05. -After the Day 06. -Dark Now My Sky -
Soundboard 9.3 - This is, for me, a real revelation. I never knew anything of this band outside of their lone smash hit “My Sharona”, which incidentally happens to hearken me back to a very specific time and place of my youth when this song blasted from every radio every 10 minutes. Listening to this show, I am stunned at how excellent the band is, and how good ALL of the songs are. How they remained pigeonholed and forgotten as another 1 hit wonder it just amazes me because they should have been more than that. I could not stop playing this once I started…I was on board for the whole ride and will do it again! THE KNACK THE FORUM INGLEWOOD, CA 1980-03-30 01. Baby Talks Dirty 02. Your Number Or Your Name 03. Oh Tara 04. The Hard Way 05. I Want Ya 06. Mr. Handleman 07. End Of The Game 08. Hey Little Girl 09. Tell Me You're Mine 10. Good Girls Don't 11. Heartbeat 12. Can't Put A Price On Love 13. Hold On Tight And Don't Let Go 14. Come A Little Bit Closer 15. Frustrated 16. (She's So) Selfish 17. My Sharona 18. (Havin' A) Rave Up 19. Not Fade Away 20. We Love You -
Radio Broadcast 9.2 A touch of hiss present, but other than that this is a pleasant and airy recording. Electronic music with an atmosphere that would convince you otherwise. Excellent! Isao Tomita Hammersmith Odeon London, England 01 Introduction 0:50 02 Dawn (from Daphnis et Chloe Suite No. 2) (Ravel) 4:29 > 03 Snowflakes Are Dancing (Debussy) 2:14 > 04 Clair de Lune (Debussy) 5:58 05 Synthesizer Sounds Demonstration (narrated by Bob Walker) 10:54 06 Arabesque No. 1 (Debussy) 4:10 Firebird Suite (w/Michael Reeves on piano) (Stravinsky) 07 Part 1 - Intro and Dance Of The Firebird 5:18 08 Part 2 - Round Of The Princesses (Khorovod) 5:12 09 Part 3 - Internal Dance Of King Kastchei 4:01 10 Part 4 - Berceuse and Finale 7:39 -
Soundboard 9.0 - The unmistakable emphasis in this mix is the percussion (and to a lesser extent keyboards) but that makes for an interesting take on this one…you are forced to reckon with the powerhouse engine room for once, and with no regrets either. It’s still a good recording, and everyone else is there but you will know who’s taking the stage in the mix here. Santana Circus Krone Munich, Germany April 20th, 1971 Carlos Santana (g/perc/vo) Neal Schon (g) Gregg Rolie (kbd/vo) David Brown (b) Coke Escovedo (perc) Michael Carabello (perc) Jose "Chepito" Areas (perc) Michael Shrieve (ds) 1 -Incident At Neshabur -5:12 2 -Taboo -5:08 3 -Jungle Strut -5:46 4 -Toussaint L'Overture -6:17 5 -Evil Ways -4:41 6 -Samba Pa Ti -3:45 7 -Black Magic Woman - Gypsy Queen -6:01 8 -Oye Como Va -4:13 9 -Savor-3:59 10 -Jingo- 4:45 11 -Soul Sacrifice -13:11 12 -Gumbo -5:18 13 -Se A Cabo -2:06 14 -Treat 9:19 -
Audience 8.8 - Well here it is folks, the BEST early vintage ZZ Top recording to ever surface. We already gave up a long time ago that the band would dig into their archives for us, but now it’s been completely left up to the fans to provide the early documents…and for better or worse they have (mostly worse). After all this time a tape has surfaced that presents a powerful early testament to the rocking blues power of ZZ Top before they “made it” to the FM bigtime. The hits were already in the repertoire, but only hinting at the massive success to come. This is the REAL DEAL – a clear, loud, balsy tape from very early in the bands career. ZZ Top Hec Edmundson Pavilion Seattle, WA December 5, 1973 01 Thunderbird 02 (Somebody Else Been) Shaking Your Tree 03 Chevrolet 04 Waitin' For The Bus 06 Jesus Just Left Chicago 06 Gonna Ride Away (?) 07 Beer Drinkers and Hell Raisers 08 I Just Got Back From Baby's 09 Rattlesnake Shake 10 La Grange 11 Let's Go Get Stoned + Mellow Down Easy -
Pro TV Studio 8.7 - A good live recording with atmosphere, it sounds slightly dated but has the ability to transport you to the time and place…I think that when a recording can do that, it overcomes some of the limitations that may be present. This recording does lack a little bit of middle band clarity. Yes Amsterdam Concert Hall Netherlands 1972 (Last track - Hollywood Bowl 1975) 1. I've Seen All Good People 2. Heart Of The Sunrise 3. Rick Wakeman Solo 4. Long Distance Runaround 5. Yours Is No Disgrace 6. The Gates Of Delirium -
Audience 8.2 - Not one of the better ones, it lacks clarity (drums are actually pretty clear though, and the vocals do rise above somewhat) and to these ears, I gotta say, this is the closest I have ever heard Boston sounding like a heavy metal concert. The lack of sonic clarity does not mean you can’t tell they were f’ing loud! Boston Wings Stadium, Kalamazoo, MI December 12, 1976 01 Intro 02 Rock-n-Roll Band 03 Shattered Images 04 More Than A Feeling 05 Peace of Mind 06 Something About You 07 Man I'll Never Be 08 Smokin' - Foreplay Band line-up Brad Delp - lead vocals, guitar (died March 9, 2007, aged 56) Sib Hashian - drums, backing vocals (died March 22, 2017, aged 67) Tom Scholz - guitars, organ Barry Goudreau - guitars Fran Sheehan - bass, backing vocals -
Soundboard 9.0 - A large, open air festival “board” tape which probably uses some open stage micing. I would venture to guess this must have been a difficult show to control, and a recording made with an eye for a broadcast that they fought with every step of the way. That said, it’s pretty good stuff under all the circumstances. COLOSSEUM Ruisrock Festival Turku, Finland August 22nd 1970 01 - Rope Ladder To The Moon (10:28) 02 - The Machine Demands A Sacrifice > Drum Solo (cuts) (10:54) 03 - Downhill And Shadows (12:11) 04 - Lost Angeles (11:29) 05 - Walking in the Park (6:12) Lineup: Dick Heckstall Smith: sax John Hiseman: drums Dave " Clem" Clempson: guitar Dave Greenslade. keyboards, vibes Tony Reeves : bass Chris Farlowe : vocals -
Soundboard 9.4 - A superb mix and live recording with exceptionally vibrant percussion, clear concise guitars, well balanced vocals, and good atmosphere. Chambers Brothers February 12, 1971 Fillmore East New York City, NY 01. -New Generation (13:36) 02. -Funky (5:25) 03. -Let's Do It (2:50) 04. -Pollution (3:45) 05. -When The Evening Comes (8:01) 06. -I Can't turn You Loose (6:27) 07. -Love, Peace & Happiness - Jam (12:34) -
Audience 8.8 - A very good recording here, and the atmospherics are plentiful. There’s a natural reverb going on that adds another dimension to this, and I mean that in a good way. Lovely! Van Morrison featuring the Caledonia Soul Orchestra Sports Arena San Diego, CA December 1, 1973 01 Instrumental 02 Instrumental 03 Moondance prelude (instrumental) - Van Intro 04 Come Running 05 Ain’t Nothin’ You Can Do 06 Warm Love 07 Into The Mystic 08 I’ve Been Working 09 I Just Want To Make Love To You 10 Here Comes The Night 11 Hard Times 12 I Believe To My Soul 13 Help Me 14 Boogie Chillen’ 15 Domino 16 Caravan 17 Gloria 18 Brown Eyed Girl Sid Page - violin Jack Schroer - saxophone Bill Atwood - trumpet Bill Bridges - guitar David Hayes - bass David Shaw - drums James Trumbo - piano, organ -
Radio Broadcast 9.3 - Some tape hiss but otherwise a beautiful full sounding set here. This music is glorious, it’s maybe not everyone’s cup of tea but it’s very heartfelt and genuine, delicate, contemplative, uplifting. Highly recommended! INCREDIBLE STRING BAND WPLJ Radio Broadcast Live in A&R studios of WPLJ Radio, New York, May 1971 Fillmore East, May 18, 1971 1. Dream The World Alive 2. You've Been A Friend To Me 3. Spirit Beautiful 4. Evolution Rag 5. Turquoise Blue 6. Bright Morning Stars 7. Cosmic Boy 8. Jigs 9. Darling Belle 10. May The Long Time Sun Shine -
Soundboard 9.3 - A decent but kind of middle rangey sound, but in this case I like it because it gives the Kinks a more punkish sound. This material is also kind of punkish so the delivery and the sound of the recording itself convinces you that this band wanted to impart the punk attitude. Some of the songs are definitely not punkish but we know it’s not all encompassing, just generally I think The Kinks liked the punk ethos. I mean, they play a song called “Prince Of The Punks” so what does that tell you? The Kinks Providence Civic Center, Providence, RI September 23, 1979 01 Lola 02 Low Budget 03 Superman 04 Attitude 05 Catch Me Now I’m Falling 06 You Really Got Me 07 Pressure 08 Misfits 09 Prince of the Punks 10 Stop Your Sobbing Band line-up Ray Davies – guitar, harmonica, keyboards, vocals Dave Davies – lead guitar, backing vocals Ian Gibbons – keyboards, backing vocals Mick Avory – drums Jim Rodford – bass, backing vocals (died Jan. 20, 2018) (aged 76) Nick Newall - additional keyboards -
Audience 8.2 - Well, it isn’t a recording that will win any grammies but damn if it isn’t RAW just like the band and their music. This recording actually suits this band – it’s a little rough, but it’s brutal and in your face. The vocals fight for bandwidth against angry and loud guitars, driving bass, and furious non-stop drums. It’s actually kind of a fun listen despite its limitations. Oh, and some good news – it is not a muddy mess at all, it’s just a loud band in a small club sounding for all the world like the debut of punk rock. Iggy and the Stooges Max's Kansas City New York, NY, USA Monday August 6th, 1973 01 - Raw Power 02 - Head On 03 - Gimmie Danger 04 - Cock In My Pocket 05 - Search and Destroy 06 - I Need Somebody 07 - New Orleans 08 - Johanna Line-up: Iggy Pop - Vocals James Williamson - Guitar Ron Asheton - Bass Scott Asheton - Drums -
Pro Broadcast 9.3 - A long improvisational track which really is, in my opinion, way ahead of everyone else in terms of trying new things and being completely off the cuff with sounds and textures. It’s not like traditional space rock, in fact it is not even rock, although the band are players and can make noise when they want to make noise. The fidelity is solid, I can hear everything very clearly and ambience is abundant. Amm unknown venue, London, UK 03.02.1970 1. free improvisation (40:35) line-up Lou Gare: sax, violin Keith Rowe: g,eletr,radio Cornelius Cardew: p,cello Eddie Prevost: perc Christopher Hobbs: perc