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Pro Studio 9.8 - This is not a soundboard but it is professionally recorded from the stage in a recording studio. Not sure if this was broadcast or not, but the way this sounds, it’s not off-air. Very lively, vibrant and exciting! Boz Scaggs Pacific High Recording Studios San Francisco, CA December 19, 1971 01 I Feel So Good 02 We Were Always Sweethearts 03 Look What I've Got! 04 Why Why > equipment troubles at PHRS 05 Monkey Time 06 Near You 07 Love Anyway 08 Baby's Calling Me Home 09 Steppin' Stone 10 Flames Of Love 11 Loan Me A Dime 12 I'm Easy 13 Runnin' Blue -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Pro Made non factory pressed compact disc housed in single pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
Radio Broadcast 9.1 - A fine document, if a touch dated, but either way it sounds warm and full. There’s a lot going on here, I can’t imagine trying to keep up with this pace on stage! Brand X 1977-09-28 Glass Onion Rochester, NY Disc 1: Early Show 1. Radio Intro/Disco Suicide 2. Why Should I Lend You Mine 3. Deadly Nightshade 4. Nightmare Patrol 5. Nuclear Burn Disc 2: Late Show 1. Disco Suicide 2. Earth Dance 3. Malaga Virgen 4. Access To Data 5. Why Should I lend You Mine 6. Deadly Nightshade John Goodsall - Guitar Percy Jones - Bass Robin Lumley - keyboards Morris Pert - Percussion Kenwood Dennard - Drums -
Audience 9.2 A really nice sound on this tape, really captures the size and feel of the venue and all of the music sits nicely within a warm sound spectrum. Brand X The Roxy West Hollywood, CA September 21, 1979 Early Show 01 Disco Suicide 02 Algon 03 Don't Make Waves 04 Dance Of The Illegal Aliens 05 Malaga Virgen 06 And So To F 07 Nuclear Burn John Goodsall - guitar Percy Jones - bass Robin Lumley - keyboards Phil Collins - drums Peter Robinson - keyboards -
Formed in Dallas, Brat were originally known as Cottonmouth (beginning in 1972). They went through a line-up change and a name change in 1975 and became a staple in the local Dallas rock scene. Known as a hard rocking covers band, they interspersed their own songs into their set list and eventually did some demos but nothing became of it. The fact is, they were a gritty, powerhouse live band! They breathed fire and fury into their very eclectic cover songs, and inspired hard rocking originals. This CD comprises their only known studio demos and live tracks. -
CD issue of an album originally released in 1986. The band hailed from Utah. Imported from UK CD is new, never played. -
Audience 8.5 - Tons of atmosphere, and a respectful audience. Nice! -
Audience 8.7 - This is a “realistic” sounding tape, by that I don’t mean it sounds like it was recorded on a Realistic tape machine, rather it sounds like what your ears may have heard had you been at the show sitting towards the back of the hall. Is that bad? Not necessarily, because the tape sounds pleasing to the ears. Good, round, atmospheric…only flaw is the detail is missing. I can’t make out individual band members except the main gultars, bass, drums, and vocals. Other instruments come and go during the show as they get a spotlight on them, but I rate this show as very good because it’s so relaxing and pleasant overall and deserves a real deep dive into its contents. Bryan Ferry Cape Cod Coliseum, South Yarmouth, Mass. U.S.A. June 25, 1977 1. -tuning :35 2. -let's stick together 2:48 3. -shame shame shame 3:20 4. -road runner 2:49 5. -all night operator 2:58 6. -could it happen to me 3:37 7. -in your mind 4:44 8. -casanova 3:01 9. -love me madly again (with Chris Spedding guitar jam) 10:12 10. -love is the drug 3:44 11. -Tokyo Joe 3:51 12. -this is tomorrow 3:07 13. -the in crowd 5:22 14. -a hard rain's gonna fall (with band introductions) 5:34 15. -the price of love 5:07 Bryan Ferry: lead vocals Martin Drover: sax Chris Mercer: trumpet Ann ODell: keyboards Mel Collins: sax Phil Manzanera: guitar Chris Spedding: guitar John Wetton: bass Paul Thompson: drums -
Studio Quality 9.8 - As clean and clear as if it was recorded yesterday…so, yeah this is a no-brainer. Buckingham/Nicks "The Beginning" 01 Crying In The Night 02 Stephanie 03 Without A Leg To Stand On 04 Crystal 05 Long Distance Winner 06 Don't Let Me Down Again 07 Django 08 Races Are Run 09 Lola My Love 10 Frozen Love 11 Without You (Demo) 12 Candlebright (Demo) 13 That's Alright (Demo) 14 Garbo (Demo) 15 Sorcerer (Demo) 16 Cathouse Blues (Demo) 17 The Goldfish And The Ladybug (Demo) 18 Lola My Love (Live) 19 Races Are Run (Live) 20 Rhiannon (Live) 21 Crying In The Night (Single Mix) -
Audience 8.3 - Loud and a very live recording. This is the good stuff right here. -
Radio Broadcast & Audience 8.8/8.5 - The radio material sounds its age but is a fine document in good enough shape to give you a deeper appreciation for this hugely influential band. The audience material is from a small club, and therefore does not suffer stadium sound problems meaning you can hear everyone pretty solid especially the guitar which is great. I am happy to be able to hear these recordings knowing a little background on the band and how they forged their own path in the music industry. A bit of ancient historical importance on the 1974 show, Judas Priest opened and come on at the end to jam with Budgie making it the first recorded appearance of Judas Priest on tape! Budgie 1972-10-10 Paris Theater London UK Burke Shelley - bass, vocals Ray Phillips - drums Tony Bourge - guitar Disc 1 1. -Talk 2. -Rape of the Locks 3. -Talk (includes station announce) 4. -Rocking Man 5. -Talk 6. -Hot As a Docker's Armpit 1974-02-11 Marquee London line-up: Burke Shelley Tony Bourge Pete Boot 7. Intro 8. Breadfan 9. Hammer And Tongs (early version) 10. You're The Biggest Thing Since Powdered Milk 11. Parents Disc 2 1. Zoom Club 2. Running From My Soul 4. The Stumble (instrumental version) 5. Running From My Soul (reprise, jam with Judas Priest) -
Pro Made non factory pressed compact discs housed in 2 pocket gate fold jacket with full laser printed graphics front, back, inside, discs, and spine. -
From the ashes of the Moving Sidewalks, former members Tom Moore and Dan Mitchell decided to carry on playing the blues once Billy Gibbons formed ZZ Top and was doing straight up Texas style blues rock. Featuring Hammond B3 organ, the band had a different approach to blues rock but executed with the same kind of unique Texas panache. A single 7" was released but the band recorded quite a bit of material which never saw the light of day. This CD gathers most of those recordings along with a disc full of rare live tracks, of which include Ottis Coleman (Honest John, 1900 Storm, Texas Blend) replacing Tom Moore and Dusty Wakeman (bass) who also happened to be in The Barons and engineered the Honest John album in 1975. -
Soundboard 9.3 - For my first exposure to a live Buzzcocks show, this was a splendid one! The recording captures the energy and the excellent, gritty, and I would even say cocky guitar tone. Can a guitar tone be “cocky”? Yes, I think it can because this guy’s tone is just that! Buzzcocks The Palladium New York 1979 01. I Don't MInd 02. Autonomy 03. Ever Fallen In Love (With Someone You Shouldn't've) 04. Mad, Mad Judy 05. Sixteen Again 06. Moving Away From Pulsebeat 07. Noise Annoys 08. What Do I Get ? - Harmony In My Head 09. Everybody's Happy Nowadays 10. You Say You Don't Love Me 11. I Don't Know What To Do With My Life 12. I Believe 13. Fast Cars 14. Breakdown 15. Boredom -
Ultrasonic Studios 1969 Pro Studio 9.4 - Excellent stuff, I’d never heard this one before and I was pleasantly surprised to finally hear such pristine unofficial tracks by this great band. Tucson 1972 Audience 8.7 - A rambly, jambly sounding tape that allows you to hear every instrument with emphasis on drums, vocals and keyboards believe it or not…in such a way that sucks you right into it almost as if it were at a revival meeting. Yes, there’s a tiny amount of overload here (understandable) but I gotta tell you, this is a very, very exciting recording. Memphis 1972 Soundboard 9.7 - Scintillating stuff! Razor sharp guitar, pounding drums, and beautiful bass all interwoven and mixed for maximum clarity and separation of instruments. They were smart to allow some bleed from the audience to give this tape plenty of electric live atmosphere. SUPERB! CACTUS "Bringing The Boogie 1969-1972" Disc 1 Ultrasonic Studios, Hempstead, Long Island, New York, USA Tuesday, 23 December 1969 Tuesday, 10 February 1970 01 Peace on Earth [0:33] 02 Feel So Good [4:41] 03 You Can't Judge a Book by the Cover [8:27] 04 vamp [0:41] 05 Bro. Bill [5:35] 06 Help Me [6:25] 07 Oleo jam [4:17] 08 You Can't Judge a Book by the Cover riff [0:50] 09 Let Me Swim #1 [2:26] 10 Rumblin' Man (instrumental; intercut w/ Wipeout) [5:32] 11 Let Me Swim #2 [3:11] 12 Let Me Swim #3 [6:24] 13 Parchman Farm [2:36] Band line-up: Rusty Day - vocals, harmonica Jim McCarty - guitar Tim Bogert - bass Carmine Appice - drums Disc 2 Tucson, Arizona March 13th 1972 01. -Parchman Farm 02. -Long Tall Sally 03. -The Last Clean Shirt {Bro. Bill} 04. -Seven Nights {Includes bass solo, guitar solo, and drum solo} 05. -Bringing Me Down 06. -Oleo {Includes bass solo} 07. -Let Me Swim {Includes Boogie On} 08. -Rock & Roll Fever 09. -Whiskey & Wine Line-up: Peter French - vocals Werner Fritzchings - guitar Duane Hitchings - keyboards Tim Bogert - bass, vocals Carmine Appice - drums, vocals Disc 3 Ellis Auditorium Memphis, TN, USA December 19, 1971 01. Long Tall Sally 12:16 02. Bag Drag 03:10 03. Evil 16:11 04. Parchman's Farm 06:21 05. Alaska 03:56 06. Oleo 11:19 Disc 4 Memphis cont'd 07. No Need to Worry 20:18 08. Let Me Swim' 04:58 09. Big Mama Boogie 15:30 10. Heebie Jeebies > Money > Hound Dog > What I'd Say 17:03 Rusty Day - vocals, harmonica Jim McCarty - guitar Tim Bogert - bass, vocals Carmine Appice - drums, vocals