• Audience 8.9 - Great atmosphere and really what I would call an "in-the-pocket" live mix. Frank really shines as the band introduce new songs to an audience they hope responds well because these versions are played with some serious intention. Frank's solos are spot on, he's not missing notes or going way off on meaningless tangents and that makes for some spellbinding moments. A very worthwhile listen...a keeper!

    Frank Zappa Broome County Arena Binghamton, NY. 1-May 1974 Disc 1 01 Band Intros 02 Cosmik Debris 03 Pygmy Twylyte 04 Idiot Bastard Son 05 Cheepnis 06 Penguin In Bondage 07 RDNZL 08 Montana 09 Dupree's Paradise Disc 2 10 It Can't Happen Here 11 Hungry Freaks Daddy 12 You're Probably Wondering Why I'm Here 13 How Could I Be Such A Fool? 14 I Ain't Got No Heart 15 I'm Not Satisfied 16 Wowie Zowie 17 Let's Make The Water Turn Black 18 Harry You're A Beast 19 Orange County Lumber Truck 20 Oh No 21 Son Of Orange County 22 More Trouble Every Day 23 Camarillo Brillo

  • Audience 9.1 - A rollicking good time! Great audio, great performance, a snapshot in time and man do I wish I could turn back the time ‘cause this is the good stuff right here.

    Rod Stewart/Faces The Forum Inglewood, CA March 5, 1975 Disc 1 01 -It’s All Over Now 02 -Take a Look at that Guy 03 -(I Know) I’m Losing You 04 -Bring It On Home To Me - You Send Me 05 -Sweet Little Rock & Roller 06 -I’d Rather Go Blind 07 -Too Bad 08 -Every Picture Tells a Story Disc 2 09 -Angel 10 -Stay With Me 11 -Gasoline Alley 12 -I Can Feel the Fire 13 -You Wear It Well 14 -Maggie May 15 -Twistin’ the Night Away 16 -We’ll Meet Again

  • Soundboard 9.7 - All excellent, all must haves imho. What you get sound-wise is a rich, deep tone, the Berlin tape in particular which features emphasis on the bass which is massive but detailed. The music here is more progressive than Samba, and Carlos does sometimes resort to familiar guitar runs but he also flashes a lot of other tricks and convinces the listener that he’s not a one-trick pony at all. Best I can tell here is that Devadip Ochestra is a decent attempt to take what Mahavishnu Orchestra did and accent it in different ways. Well done Carlos!

    The Devadip Orchestra Disc 1 Deutschlandhalle Berlin, Germany November 8, 1978 01 Swapan Tari 02 Ocean Floor 03 Arise Awake 04 Light Versus Darkness 05 Jim Jeannie 06 Gardenia 07 Jharna Kala Ekeberghallen Oslo, Norway November 13, 1978 08 Swapan Tari 09 Ocean Floor 10 Arise Awake 11 Light Versus Darkness 12 Jim Jeannie 13 Gardenia 14 Jharna Kala Disc 2 Groenoordhal Leiden, Holland November 17, 1978 01 Swapan Tari 02 Arise Awake 03 Light Versus Darkness 04 Jim Jeannie 05 Gardenia 06 Oneness 07 Jharna Kala Carlos Santana: guitar/percussion David Margen: bass Graham Lear: drums Chris Rhyne: keyboards Russell Tubbs: flute/sax

  • Stereo Soundboard 9.6 - A fantastic and interesting tape, the live mix sometimes pans in stereo giving it a unique flavor. The drums and keyboards are placed superbly in the mix, vocals very strong, but it does lack some low end, not that it is thin or too bright, that is not the problem here at all it’s just that I think the bass may have been so loud through the P.A. that it didn’t need to pass through the board feed so you do hear it but it’s not super deep. Still, a great one for the collection and certainly if you like hard psychedelic rock but the kicker here is the appearance on 4 tracks by John Cipollina.

    Man Keystone Berkeley, CA August 9, 1976 Disc 1 01. -Let The Good Times Roll 02. -7171-551 03. -A Hard Way To Die 04. -The Welsh Connection 05. -Something Is Happening 06. -The Ride And The View 07. -You Are Out Of Your Head 08. -Born With A Future Disc 2 09. -C'Mon 10. -Many Are Called But Few Get Up 11. -Babe, I'm Gonna Leave You* 12. -A Hard Way To Live* 13. -Romain* 14. -Bananas* * with John Cipollina

  • Dunstable 1976 Soundboard 9.5 - Every Hawkwind collector surely must have this already in their collection, it’s just too damn good. So few recordings of such an eclectic band, so yeah, this has to be considered a MUST HAVE, and it’s equally cool to find it paired here with another soundboard tape.

    Croyden 1977 Soundboard 9.2 -A respectable board tape, the mix does heavily favor guitar, keys are present more during passages where they are supposed to be in the lead. Vocals are out front, also where they need to be. So, it’s a workable mix, not perfect but definitely good for the casual and hard-core fan.

    Hawkwind UK 1976-1977 Disc 1 Dunstable, UK. 09-30-1976 1. Paradox 2. Chronoglide Skyway 3. Hassan I Sabbah 4. Brainstorm 5. Wind Of Change 6. Steppenwolf 7. Uncle Sam's On Mars 8. Time For Sale 9. Magnu 10. Welcome To The Future Disc 2 Fairfield Hall Croyden, UK. 09-25-1977 1. Brainstorm 2. High Rise 3. Robot 4. Wind Of Change 5. Jack Of Shadows

  •  Soundboard 9.2 - A “reference” board mix, clearly…but it’s great. It isn’t going to win any awards for sparkling and atmospheric sound, but it’s a punchy, in-the-pocket sound that marries well with Kansas’ heavy progressive style.

    Kansas Springfield Civic Center Springfield, MA. 2nd September 1979 Disc 1 1. Intro 2. On the Other Side 3. People of the Southwind 4. Away From You 5. Point of Know Return 6. Closet Chronicles 7. The Wall 8. Reason To Be 9. Dust in the Wind 10. Angels Have Fallen Disc 2 1. Opus Insert 2. Stay Out of Trouble 3. The Spider 4. Portrait (He Knew) 5. Band Introductions 6. Glimpse of Home 7. How My Soul Cries Out For You 8. Carry On Wayward Son Steve Walsh – keyboards, lead and backing vocals Kerry Livgren – guitars, keyboards Rich Williams – guitars Robby Steinhardt – violin, vocals Dave Hope – bass Phil Ehart – drums

  • Soundboard 8.8 - This is a soundboard that is not without flaws, not serious flaws, but indeed somewhat noticeable ones. So, it’s one of those mixes where guitar sounds at times amazing, up front, and gloriously loud…and at others it seems like it was ran through an on-board processor of some kind and ends up more compressed and lower in the mix. Rock The Nation is cut at the tail end of Ronnie’s solo, and the drum intro for I Got The Fire begins, so that was a little bit of a jarring edit that could have been smoother. Overall this is a tape, and show, that will sit nicely in the collection seeing as how there are so few Gamma sdbrds, or live tapes at all.

    Gamma Phoenix Theater Petaluma,CA 30-Nov-1980 01 Ready For Action 6:08 02 Thunder and Lightning 5:39 03 Razor King 11:59 04 Rock the Nation 3:47 05 I Got the Fire 3:56 06 Four Horsemen 7:11 07 No Tears 12:32 Davey Pattison: Vocals Ronnie Montrose: Guitars Jim Alcivar:  Keyboards Glenn Letsch: Bass Denny Carmassi: Drums

  • Audience 9.3 - This is, to my ears, sort of a return to the edgy hard rock of Taste. The distorted guitar (wonderful tone!) and punchy rhythms really hint more to his very early period and are ideally suited for the mid 80’s where maybe pure, raw blues was not as widely consumed as before. This show, and recording, really highlight the gut punch effect where straight forward guitar/bass/drums is the formula that works.

    Rory Gallagher Oldenwaldring, Schaafheim Germany 18. Juli 1987 Disc 1 01. -Announcement            0:41 02. -Ansage - Moonchild            7:04 03. -Double Vision            7:37 04. -I Wonder Who            12:09 05. -Nadine                9:58 06. -Walkin' Blues            6:04 07. -Continental Op            9:57 08. -I Ain't No Saint            8:25 Disc 2 09. -Out On The Western Plain        6:08 10. -Want Ad Blues            5:34 11. -Tattoo'd Lady            5:50 12. -When My Baby She Left Me        7:23 13. -Shadow Play            7:15 14. -Bad Penny                4:28 15. -Bullfrog Blues - Dizzy Miss Lizzy    7:57 16. -Messin' With The Kid        4:50 17. -Knock On Wood - La Bamba        8:02 18. -Long Tall Sally            4:30 19. -Don't Start Me Talkin'        3:35 Track 01 - 18 Schaafheim Track 19 Mainz, Sendezentrum "Tele Illustrierte" 13. November 1987 1.Gen/TV (He plays live in the show)

  • Audience 9.0 - A strong recording from what sounds like the center row, maybe halfway back but not as diffuse as you might think for being in that spot. Yes, maybe the guitar and bass aren’t separated the way you would prefer, but this was the sound of Rush in 2015, and on this show it is Geddy’s vocals that receive the most prominence. Overall it’s a very good recording with atmosphere and power.

    Rush Air Canada Centre Toronto, On. Canada 2015-06-17 Disc 1 101 - Intro 102 - The Anarchist 103 - Clockwork Angels 104 - Headlong Flight 105 - Far Cry 106 - The Main Monkey Business 107 - One Little Victory 108 - Animate 109 - Roll the Bones Disc 2 110 - Distant Early Warning 111 - Subdivisions 201 - Intro 202 - Tom Sawyer 203 - Red Barchetta 204 - The Spirit of Radio 205 - Jacob's Ladder 206 - Cygnus X-1 Book II - Hemispheres Part I - Prelude 207 - Cygnus X-1 208 - Closer to the Heart Disc 3 209 - Xanadu 210 - 2112 211 - Encore - Mel's Rock Pile starring Eugene Levy 212 - Lakeside Park 213 - Anthem 214 - What You're Doing 215 - Working Man

  • Audience 9.4 - I love these tapes that make you feel you are in very small area with the band, like sitting at a little table having a cocktail as the band plays just feet in front of you. That is what this tape feels like, and the separation of instruments is delicious, with your ear hearing this show as if you were right there (meaning there is a stereo separation going on, a real one).  So buckle up, because you are going to feel as though your actually at this show, it’s that good.

    Frank Zappa Dortmund, Germany 5 May 1988 Disc 1 01. Instruments Check (1:07) 02. Intro (1:08) 03. The Black Page #2 (7:03) 04. Band Introductions (2:00) 05. The Meek Shall Inherit Nothing (3:08) 06. Alien Orifice (4:23) 07. Who Needs The Peace Corps (2:47) 08. I Left My Heart In San Francisco (0:36) 09. Outside Now (7:10) 10. Eric Dolphy Memorial Barbecue (7:59) 11. Bamboozled By Love (5:26) 12. Zoot Allures (6:25) 13. Cosmik Debris (4:51) 14. Stolen Moments (10:10) 15. Stick Together (1:54) Disc 2 16. My Guitar Wants To Kill Your Mama (3:38) 17. Willie The Pimp (2:58) 18. Montana (4:05) 19. City Of Tiny Lights (10:07) 20. Pound For A Brown (11:30) 21. Cruising For Burgers (9:19) 22. Instruments Check (0:25) 23. Dancin' Fool (3:29) 24. Whippin' Post (5:47) 25. I Am The Walrus (3:46) 26. Strictly Genteel (6:25) 27. Watermelon In Easter Hay (5:43)

  • Audience 8.9 - A recording that seems to “rise above” the din because literally it sounds like the mic was over the crowd. It makes for a more immersive experience, and the fact that the dynamics are good and the sound is clear…well it just goes to prove once again that a well made audience tape is more than welcome in any real live music collection.

    David Gilmour Beacon Theatre New York City, NY May 23, 1984 Disc 1 01 Until We Sleep 02 All Lovers Are Deranged 03 Love On The Air 04 Mihalis 05 Cruise 06 Short And Sweet 07 Money 08 Out Of The Blue Disc 2 09 Let's Get Metaphysical 10 You Know I'm Right 11 Run Like Hell 12 Blue Light 13 Band Introduction 14 Murder 15 Near The End 16 Comfortably Numb

  • Soundboard 9.7 - A fantastic live document! I especially love how it was mixed, it has a very classic feel and seems drenched in sleazy nightclub atmosphere that puts you, mentally, in the right place for Boz Scaggs music. Awesome!

    Boz Scaggs Richards Cafe Atlanta, GA. 1973 Disc One 1. We Were Always Sweethearts 2. Sail On White Moon 3. Might Have to Cry 4. Runnin' Blue 5. Monkey Time 6. I'm Easy 7. Painted Bells 8. Downright Woman 9. Full Lock Powerslide 10. Dinah Flo Disc Two 11. Feel So Good 12. Mercury Blues 13. Slow Dancer 14. You're Mine 15. Hercules 16. Loan Me A Dime

  • Audience 9.1 - What a find!  This tape exudes raw power, and hearkens back to the original sound and style of the band much more so than what would be just a year and a half later. Does that mean it’s a raw blues rock show?  No, but there is a lot of that here, and more than that it’s the TONE of the band. Gritty, mean, raw but tight…fierce!  The quality of the tape is VERY good…well worth snagging!

    Fleetwood Mac Long Beach Arena Long Beach, CA April 15, 1973 01 Introduction and Tune-Up 02 The Green Manalishi (With The Two Prong Crown) 03 Oh Well 04 Get Like You Used To Be 05 "Land Watch" (Night Watch) 06 Same Old Blues 07 In The Country 08 Rattlesnake Shake

  • Studio Quality 9.8 – Superb collection of tracks that will 100% most definitely entertain you and will get multiple spins on the player. Great stuff!

    The Bangles Doll Revolution Early Mixes, Alternate Versions and Demos 1. -Tear Off Your Own Head (It’s A Doll Revolution) - Early Mix 2. -Grateful – Early Mix 3. -Something That You Said – Early Mix 4. -The Good Son (Song For A Good Son) - Early Mix 5. -I Will Take Care Of You – Early Mix 6. -Stealing Rosemary – Early Mix 7. -The Rain Song – Continental Drifters Demo December 1992 8. -Ask Me No Questions – Kindred Spirit (Acapella Version) 9. -Nickel Romeo – Crash Wisdom, Genghis Cantina, Los Angeles, CA, June 2, 1994 10. -Ride The Ride – The Bangles, Acoustic Version, House Of Blues, September 23, 2000 11. -Mixed Messages – Continental Drifters, New Brunswick, New Jersey July 8, 2001 12. -Here Right Now – The Bangles, Columbiahalle, Berlin, Germany, April 8, 2003 13. -Between The Two – The Bangles, Columbiahalle, Berlin, Germany, April 8, 2003 14. -Single By Choice – The Bangles, Melkweg, Amsterdam, Holland, April 14, 2003 15. -Lost At Sea – The Bangles, The Canyon Club, Agoura Hills, CA, October 17, 2003 16. -Something That You Said – Susanna Hoffs Unreleased Solo Version 17. -Grateful - – Susanna Hoffs Unreleased Solo Version 18. -Happily Ever Laughter – The Bangles, Unreleased Demo 19. -My Town – The Bangles, Non-album track released by A.O.L 20. -Tear Off Your Own Head -Susanna Hoffs and Michael Steele Demo

  • Soundboard/Audience matrix 8.8 - This recording is pretty clean but is just a touch…how would I say, maybe doesn’t highlight the upper high end so it almost sounds like the edges were trimmed on the rock bush. It still delivers a punch to the gut, particularly if you like your drums to rattle your insides a bit because they do here, in a good way.  Overall, this is a real fine set of tunes and is rather long and includes a pre-show interview at the end of the 3rd disc.

    Rory Gallagher Cardis Houston, Texas, U.S.A. May 26, 1985 Disc One 01 - Double Vision 02 - Moonchild 03 - I Wonder Who 04 - Shinkicker 05 - Mississippi Sheiks (with Rain) 06 - Tattoo'd Lady 07 - Off The Handle Disc Two 08 - Big Guns 09 - Failsafe Day 10 - Out On The Western Plain 11 - Seven Days 12 - Banker's Blues 13 - Philby Disc Three 14 - Bought And Sold 15 - Shadow Play 16 - Bullfrog Blues 17 - Sweet Little Sixteen 18 - Nadine (encore audience cheering) 19 - Messin' With The Kid 20 - All Around Man 21 - Interview by FG (Pre-Show)

  • Audience 8.7 - Brassy, loud, and guitar dominant recording that delivers where it counts and finds Rory sounding, to my ears, much more rock/metal/grunge even though he features plenty of raw, blues soaked numbers in his set. It’s just that the atmosphere and volume don’t suggest this is a “blues” band blowing through town…I just get the feeling Rory felt the times changing and adjusted accordingly. Either way you parse it, this is high-intensity music, and the recording here really manages to capture that pretty realistically.

    Rory Gallagher The Stone Palo Alto, California May 17, 1985 Disc One 01 - intro - Double Vision 02 - Bad Penny 03 - band intros - Off The Handle 04 - Moonchild 05 - Hey Mama, Keep Your Big Mouth Shut 06 - I Wonder Who 07 - Tattoo'd Lady 08 - Mississippi Sheiks 09 - Big Guns Disc Two 01 - Out On The Western Plain 02 - Seven Days 03 - Philby 04 - Follow Me 05 - Shadow Play 06 - My Babe 07 - All Around Man - Bullfrog Blues - Roll Over Beethoven - Route 66 Rory Gallagher Group; May 1981 - 1991: Rory Gallagher - guitar, vocals Gerry McAvoy - bass Brendan O'Neill - drums Mark Feltham - harmonica

  • Soundboard 9.7 - I give this a stellar and glowing review and consider it an absolute must have for any self-respecting ACDC….no, wait, any self-respecting rock music fan. Why?  Because, even though the old tape has an occasional drop out (rarely), it is so fucking electrifying, exciting, and pure that you can’t help but bang your head to it…the entire show!  The combination of the superb live mix that maintains 100% live energy, there’s no mixing the life out of this bad boy, and the amazing performance all contribute to must have status. I love how I can hear Malcolm so distinctly, and even the bass notes come through…but the drums, that insistent rat a tat snare just makes this tape a winner bar-none. The bonus concert on disc two is also a board tape, and it has a different feel to it but it is also amazing. Get it man!

    ACDC Austin, Texas, USA Erwin Centre October 11, 1985 *Bonus Tracks: Dallas, Texas, USA Reunion Arena October 12, 1985 Disc 1 01 Fly On The Wall 02 Back In Black 03 Shake Your Foundations 04 Dirty Deeds Done Dirt Cheap 05 You Shook Me All Night Long 06 Sin City 07 Jailbreak 08 The Jack 09 Shoot To Thrill 10 Highway To Hell 11 Sink The Pink 12 Whole Lotta Rosie Disc 2 01 Let There Be Rock 02 Hells Bells 03 T.N.T. 04 For Those About To Rock (We Salute You) 05 Back In Black * 06 Shake Your Foundations * 07 Dirty Deeds Done Dirt Cheap * 08 You Shook me All Night Long * 09 The Jack * 10 Shoot To Thrill * 11 Sink The Pink * 12 Let There Be Rock * 13 T.N.T. *

  • FM Broadcast 9.8 - Frighteningly great, as in near prefect sound mix, beautiful tonal qualities, excellent performance, and plenty of raw power and sheer brilliance on display. Quite frankly, Yngwie era Alcatrazz blows away the Vai period by miles, and I am not an Yngwie geek either. It’s just he’s that good here.

    Alcatrazz Country Club Reseda CA March 29TH 1984 1 -Jim Ladd Intro 2 -Too Young To Die 3 -General Hospital 4 -Kree Nakoorie 5 -Island In The Sun 6 -Evil Eye 7 -Jim Ladd 8 -Since You've Been Gone 9 -Hiroshima Mon Amour 10 -Jim Ladd 11 -Suffer Me 12 -Desert Song 13 -Jet To Jet 14 -Jim Ladd THE BAND Graham Bonnet lead vocals Yngwie Malmsteen guitar Jimmy Waldo keyboards backing vocals Gary Shea bass backing vocals Jan Uvena drums backing vocals

  • Audience 8.8 - This is a “power” show, meaning the sound coming at you when you play this (hopefully on a decent system) is very forceful, like you really get a sense of the massive volume and power of a band in their prime. That being said, it is a different power than, say, a heavy metal band in that the sound itself is balanced to the degree you get good instrument separation. The other thing I like about this tape is the stereo pan, it’s nice when you are able to get a sense of the event in a more tangible way and this tape does deliver that effect. So, while not as clear as maybe the Radio City Music Hall show (for another example of a ’73 Aud), this recording delivers the goods and should be acquired.

    Pink Floyd Maple Leaf Garden Toronto, Ontario, Canada March 11, 1973 Disc 1 01 -Echoes 02 -Obscured By Clouds 03 -When You're In 04 -Set The Controls For The Heart Of The Sun 05 -Cafeul With That Axe, Eugene Disc 2 01 -Speak To Me 02 -Breathe 03 -On The Run 04 -Time - Breathe (Reprise) 05 -The Great Gig In The Sky 06 -Money 07 -Us And Them 08 -Any Colour You Like 09 -Brain Damage 10 -Eclipse 11 -One Of These Days

  • Audience 8.8 - Two sources exist for this show, this being Source #1 and a good step up from the other source. This one sounds fuller, with a rich, deep bass response (at the expense maybe of the mid/high of guitar) and also seems maybe a touch closer to the stage, so less of the boominess which is not detracting at all here even though it is obviously a large stadium.

    Pink Floyd The Arms Of Vancouver Pacific National Exhibition Park Vancouver, Canada April 8th, 1975 source #1 Disc 1 1.Raving And Drooling 2. You Gotta Be Crazy 3. Shine On You Crazy Diamond Part 1-5 4. Have A Cigar, Shine On You Crazy Diamond Part 6-9 Disc 2 5. Speak To Me 6. Breathe 7. On The Run 8. Time 9. Breathe (Reprise) 10. The Great Gig In The Sky 11. Money 12. Us And Them 13. Any Colour You Like 14. Brain Damage 15. Eclipse Disc 3 16. audience 17. Echoes

  • Pro Recording 9.4 - This is actually recorded from the audience, or the pit, or somewhere within the hall with professional equipment possibly for broadcast or posterity but it is obviously not an amateur job. The dynamics and atmosphere are excellent, and to my ears it just seems like the band wanted to record this gig for whatever reason.

    Rick Wakeman November 16, 1981 Guildhall Preston, UK Disc One (70:34) 1) War Games? (10:29) 2) King Arthur Medley (12:10): a) Arthur b) Lancelot and the Black Knight 3) Sea Horses (5:17) 4) Julia (6:11) 5) Three Wives (13:12): a) Catherine of Aragon b) Anne of Cleves c) Catherine Howard 6) The Proles (5:30) 7) Journey to the Center of the Earth - Part 1 (17:45) Disc Two (60:16) 1) Danielle (4:30) 2) The Probe (4:05) 3) Chamber of Horrors (7:03) 4) The Hymn (3:14) 5) Anne Boleyn (29:04) 6) Robot Man (4:57) 7) Journey to the Center of the Earth - Part 2 (7:23) a) The Battle b) Hall of the Mountain King

  • Audience 8.8 - A snapshot from the road during a period that for some reason is largely undocumented. The tape is consistent and good, most listeners will settle into it nicely, but those who prefer the pristine boards or Mike “The Mic” Millard quality tapes may be critical of this one. Personally I found this tape to deliver on the essentials, being that it is clear (a little bit overcrowded in the center channel a bit and maybe not the best instrument separation) and reasonably dynamic enough to hold your attention through the duration.

    Doobie Brothers Louisville Convention Center Louisville, KY December 6, 1973 01 Introduction 02 Listen To The Music 03 Daughters Of The Sea 04 Slippery St. Paul 05 Clear As The Driven Snow 06 Pursuit On 53rd St. 07 Road Angel 08 Long Train Runnin' 09 Down In The Track 10 Discipline 11 Jesus Is Just Alright With Me 12 Without You 13 China Grove Intro Jam 14 China Grove

  • Audience 8,7 - A distant recording with that unmistakable large stadium natural reverb that makes you sort of imagine where you are as you listen and squint your eyes to see what Lou Reed is doing on stage.  The good news is that everything pretty much is audible, and reasonably clear too. The recording does lack some low end, but is not overly tinny, and drums/vocals are favored in the mix with guitars sort of chiming in just behind. If this wasn’t a clean/clear recording I would say there’s not much use for it but it has redeeming qualities and some charming renditions of some of his most beloved tunes.

    LOU REED Stadio Partenio Avellino, Italy 16 June 1980 Disc 1 1. -Sweet Jane 2. -Real Good Time Together 3. -I'm Waiting For My Man 4. -Coney Island Baby 5. -So Alone 6. -Vicious 7. -Walk On The Wild Side 8. -Standing On The Ceremony 9. -Heroin 10. -Growing Up In Public 11. -The Kids 12. -Caroline Says II 13. -The Bed 14. -Sad Song Disc 2 15. -The Power Of Positive Drinking 16. -How Do You Speak To An Angel 17. -My Old Man 18. -Keep Away 19. -Street Hassle (with band intros) 20. -Rock and Roll 21. -Sister Ray The band: Lou Reed - vocals & guitar Stuart Heinrich - guitar Chuck Hammer - guitar Ellard "Moose" Boles - bass Michael Fonfara - keyboards Michael Suchorsky - drums

  • Soundboard 9.0 - Many people who collect this band’s live recorded works would probably all agree that the 80-81 period is the least favorite, but maybe that is because they never heard this one. This is new to circulation, and it is not without flaws (a few songs fade in, and it is a touch on the “hot” side) but I think it delivers where it counts. I particularly found the drums to be emphasized in a good way, you can feel them, and therefore it lends a heavier feel to the songs, including the seldom played songs they were showcasing from the latest album.

    Allman Brothers Band Bell Auditorium Augusta, GA 11/18/1981 Disc 1 1. Jessica 2. Can't Take It With You 3. Straight From The Heart 4. Blue Sky 5. Leavin' 6. Crazy Love 7. Things You Used To Do 8. Midnight Rider 9. In Memory of Elizabeth Reed 10. Need Your Love So Bad 11. Melissa Disc 2 12. Never Knew How Much (I Needed You) 13. One Way Out 14. Southbound 15. The Judgement 16. Statesboro Blues 17. Whipping Post

  • Audience 9.7 - Brilliant, clear, deep, good atmosphere, and even though it is pushing the meters it still has some headroom so crank this one up and hear for yourself why I always say a great audience tape beats a soundboard.

    Don Henley Pacific Amphitheatre Costa Mesa, CA October 1, 1989 Disc 1 01 Drivin' With Your Eyes Closed 02 Dirty Laundry 03 The End Of The Innocence 04 Building The Perfect Beast 05 If Dirt Were Dollars 06 The Last Worthless Evening 07 Sunset Grill 08 New York Minute Disc 2 09 Shangri - La 10 Hotel California 11 Life In The Fast Lane 12 The Boys Of Summer 13 All She Wants To Do Is Dance 14 I Will Not Go Quietly 15 Band Introduction 16 Desperado

  • Audience 9.1 - A fascinating document! Well, for one thing, it has that visceral, thump to your chest power and immediacy while you are immersed in the pit with your bros…but the crowd only makes this better. Such amazing atmosphere! The other thing is that this is NOT your mid 70’s blues guitar pub rock – it is much more along the punk/grunge aesthetic in how Rory is playing and his tone. Sure, he plays a lot of blues, but it does not come across the same as it did in ’74…it comes across as music that can breathe new life into what could be considered a dated musical form.

    Rory Gallagher Inselwiese Dinkelsbühl, Germany 05. Juli 1986 Disc 1 01. -Ansage - Moonchild        8:03 02. -Shinkicker            6:39 03. -I wonder who        12:22 04. -Nadine            9:34 05. -Bad Penny            9:08 06. -Seven Days - I'm Ready    12:03 07. -Tattoo'd Lady        8:46 08. -A Million Miles Away    8:42 Disc 2 09. -Follow Me            7:01 10. -Out On The Western Plain    6:39 11. -Walkin Blues        7:06 12. -Rollin & Tumblin        5:43 13. -Big Guns            7:48 14. -I'm A Man            2:58 15. -Messin With The Kid      8:39 16. -Bullfrog Blues        6:37 17. -Seven Days - I'm Ready    10:22 18. -Follow Me            5:32

  • Audience 9.3 - A really clean, punchy recording that has realistic presence, and is river deep and mountain high – I especially found the drums, kick drum, toms, this was a pleasant surprise for an audience tape to deliver almost studio quality dynamics and placement in the stage mix was on point. Amazing to think that this tape remained out of circulation to only just recently, while we did have other shows from this week at the Hollywood Palace in 1984.

    Frank Zappa The Palace Los Angeles, CA July 17, 1984 Disc 1 01 Tuning and Dialogue 02 Zoot Allures 03 Band Introductions 04 Tinsel Town Rebellion 05 Oh No (includes Son Of Orange County) 06 More Trouble Every Day 07 Penguin In Bondage 08 Hot Plate Heaven At The Green Hotel 09 Dumb All Over 10 Evil Prince Disc 2 11 Carolina Hard-Core Ecstasy 12 Advance Romance 13 He's So Gay 14 Bobby Brown 15 Keep It Greasey 16 Honey, Don't You Want A Man Like Me? 17 Carol, You Fool 18 Chana In De Bushwop 19 Let's Move To Cleveland 20 Why Don't You Like Me?
  • Audience 9.3 - A great, very lively and sharp recording. I love the mix here too, drums are prominent without being boomy, guitars are complimentary and tuneful. This is a really fun hour of listening pleasure and will get repeat plays in your player for sure. The inclusion of Prince on two songs is just the icing on the cake.

    The Bangles & Prince Warfield Theatre San Francisco, California May 14, 1986 1. Intro (Dead End Justice) - The Runaways 2. In A Different Light 3. Restless 4. Live 5. I Got Nothing 6. Walking Down Your Street 7. James 8. September Gurls 9. He's Got A Secret 10. If She Knew What She Wants 11. Return Post 12. Going Down To Liverpool 13. Manic Monday (with Prince) 14. Let It Go 15. Angels Don't Fall In Love 16. Want You 17. Hero Takes A fall 18. Dover Beach 19. I'm Not Talkin' 20. Walk Like An Egyptian 21. Whole Lotta Shakin' Goin' On (with Prince)

  • Gainesville 1978 Soundboard 9.5 - A professional straight board feed recording that is as clean and balanced as you’d ever want – but very occasionally there may be a slight tape drop out (rarely), and the sound is almost too good…meaning it could use some ambience and atmosphere but if you only want to hear this as a musical performance rather than event, this is damn near perfect.

    Cincinnati 1989 Audience 9.7 - A soaring, elegant recording that captures this event in spectacular quality. Guitars seem to float over your head and wrap around your ears as they seem to pan across the room, drums filling the spaces and adding immediacy. When the audience claps and responds it’s as if it is a part of the show how it blends in and seems so respectful. Overall man this is a frighteningly good recording and performance and is pretty much in the “must have” range IMHO.

    Pat Metheny Group 79/89 Disc 1 Spring Jazz Festival Lake Alice Field, University of Florida Gainesville, Florida 1979-03-30 01-Phase Dance (Pat Metheny, Lyle Mays) 7:35 02-Circus Music (Pat Metheny, Lyle Mays) 6:10 03-PM speaks 1:01 04-Unity Village (Pat Metheny) > The Windup (Keith Jarrett) 13:08 05-The Epic (Pat Metheny, Lyle Mays) 14:35 06-Jaco (Pat Metheny) 4:21 07-PM speaks and tuning 0:54 08-San Lorenzo (Pat Metheny, Lyle Mays) 11:08 09-Re-tuning and PM speaks again 1:39 10-Wrong Is Right (Larry Coryell) 7:53 11-American Garage (Pat Metheny, Lyle Mays) 4:43 Pat Metheny, guitars Lyle Mays, piano, synthesizer, electric organ, autoharp Mark Egan, bass guitar Danny Gottlieb, drums Disc 2 Taft Theatre Cincinnati, Ohio September 22, 1989 1. –Phase Dance 2. -Have You Heard? 3. -Every Summer Night 4. -Hermitage 5. -Better Days Ahead 6. -Farmer’s Trust 7. -Spring Ain’t Here 8. -Straight On Red 9. -Are You Going With Me? Disc 3 10. -The Fields, The Sky 11. -Are We There Yet? 12. -Vidala 13. -Slip Away 14. -Letter From Home 15. -Beat 70 16. -Band Introductions 17.  -Minuano (six-eight) Pat Metheny - Guitars Lyle Mays - Keyboards Steve Rodby - Bass Paul Wertico - Drums Pedro Aznar - Voice, Guitar, percussion Armando Marcal - Percussion

  • Studio 9.5 - A really detailed, complete set which contains just about everything you ever wanted to hear regarding the pre-Kiss band Wicked Lester. Is it necessary?  I mean, there’s a lot of repetition here, but I have to say it is kind of necessary when you call something complete, you should provide that to the collector and this set does. Quality is great.

    Kiss - Complete Wicked Lester Sessions 1971/1972 Disc 1 Electric Lady Studios 18th November 1971 01. Too Many Mondays    [0:03:40.20] 02. Love Her All I Can    [0:02:35.44] 03. Sweet Ophelia    [0:03:06.03] 04. Molly    [0:02:32.12] 05. Keep Me Waiting    [0:03:22.04] 06. She    [0:03:06.41] 07. What Happened In The Darkness    [0:03:10.26] 08. We Want To Shout It Out Loud    [0:02:46.01] 09. When The Bell Rings    [0:03:24.04] 10. Simple Type    [0:02:40.24] 11. She (Take 2)    [0:03:05.20] 12. Molly (Take 2)    [0:02:33.30] 13. We Want To Shout It Out Loud (Take 2)    [0:02:43.42] 14. Too Many Mondays (Take 2)    [0:03:41.08] Electric Lady Studios August 1972 Sessions 1 15. Keep Me Waiting    [0:03:28.12] 16. Love Her All I Can    [0:02:40.72] 17. Molly    [0:02:28.52] 18. She    [0:03:07.43] 19. Simple Type    [0:02:37.73] 20. Sweet Ophelia    [0:03:09.74] 21. Too Many Mondays    [0:04:04.34] 22. When The Bell Rings    [0:03:10.62] 23. Molly (Take 2)    [0:02:25.12] 24. Too Many Mondays (Take 2)    [0:03:59.13] Disc 2 Electric Lady Studios August 1972 Sessions 2 01. We Want To Shout It Out Loud    [0:02:43.14] 02. Keep Me Waiting    [0:03:10.30] 03. Love Her All I Can    [0:02:35.30] 04. Molly    [0:02:29.52] 05. She    [0:03:03.47] 06. Simple Type    [0:02:42.23] 07. Sweet Ophelia    [0:03:01.64] 08. Too Many Mondays    [0:03:38.14] 09. What Happens In The Darkness    [0:03:07.52] Final Album Reel 1972 10. When The Bell Rings    [0:03:17.70] 11. Keep Me Waiting    [0:03:23.47] 12. Molly    [0:02:33.26] 13. Sweet Ophelia    [0:03:06.24] 14. Simple Type    [0:02:43.25] 15. Too Many Mondays    [0:03:44.10] 16. Love Her All I Can    [0:02:35.54] 17. When The Bell Rings    [0:03:25.10] 18. She    [0:03:07.56] 19. What Happens In The Darkness    [0:03:10.60] 20. We Want To Shout It Out Loud    [0:02:49.33] 21. Long, Long Road    [0:04:18.67] Disc 3 Electric Lady Studios Spring 1972 Sessions 01. Keep Me Waiting    [0:03:25.42] 02. Long, Long Road    [0:04:20.25] 03. Love Her All I Can    [0:02:54.69] 04. She    [0:03:09.45] 05. Simple Type    [0:02:48.22] 06. Sweet Ophelia    [0:03:16.64] 07. We Want To Shout It Out Loud    [0:03:10.00] 08. What Happened In The Darkness    [0:03:14.67] 09. When The Bell Rings    [0:03:11.09] 10. Simple Type (Take 2)    [0:02:49.44]

  • Audience 8.5 - I guess if you want to know what this band was about in their heyday, and if you didn’t mind the fact that one of the few tapes in existence sounded like what your parents thought of your heavy metal noise…this is for you. It’s punkish, it’s brash, it’s snotty, it’s ramshackle, it’s amateur, it’s possibly a glorious mess…and they do Vegetable Man so they get high marks for recognizing what is great and what should be covered (that’s because they don’t have enough profound original music to offer at this stage). So, yeah, I suppose this is worth getting in case you A. want to discover this band and B. want to hear what they were like at the beginning.  OK, last thoughts – want to know what it sounds like when a freight train begins to crash? In slow motion? Very nearby?  Side Note: I liked their song "Taste The Floor" as it reminded me of early Kinks. Plus I could decipher what they were doing...yeah, it was alright.

    Jesus And Mary Chain Pavilion Theatre Brighton, England 2 February 1985 01. intro 02. In A Hole 03. Vegetable Man 04. You Trip Me Up 05. Ambition 06. Taste The Floor 07. outro

  • Early Show Audience 8.8 - Not to be confused with another Chicago ’81, this is from the Uptown Theatre on November 27th, and it’s relatively new to circulation. The sound quality is very good, with especially nice meatiness on drums, and a close, warm guitar tone and presence which makes this one to have in the collection.

    Late Show Audience 8.8 - Very similar to the early show, maybe just a touch less defined due to being in a different spot, but at times it’s also just a touch clearer – so this leads me to believe it’s just a matter of where the microphone is at any given time. Must have been a good recorder though, because the sound is good on the low end and the mids, and highs are not excessive but rather kind of toned down in a good way.  It’s the kind of recording that you can turn up real loud.

    Frank Zappa Chicago 1981

    Disc 1 Uptown Theatre Chicago, IL. 11-27-1981 Early show 1. -Treacherous Cretins 2. -Cosmik Debris 3. -You Are What You Is 4. -Mudd Club 5. -The Meek Shall Inherit Nothing 6. -A Pound For A Brown 7. -The Dangerous Kitchen 8. -The Blue Light 9. -Sinister Footwear 10. -Stevie's Spanking 11. -Cocaine Decisions Disc 2 12. -Nig Biz 13. -Tinsel Town Rebellion 14. -Alien Orifice 15. -Teenage Prostitute 16. -Flakes 17. -Broken Hearts Are For Assholes 18. -Yo' Mama 19. -Joe's Garage 20. -Why Does It Hurt When I Pee? 21. -The Closer You Are 22. -City Of Tiny Lights Disc 3 Uptown Theatre Chicago, IL. 11-27-1981 Late show 1. -Zoot Allures 2. -Montana 3. -Easy Meat 4. -Fine Girl 5. -Teenage Wind 6. -Harder Than Your Husband 7. -Bamboozled By Love 8. -King Kong (q: Rite Of Spring) 9. -Sharleena (q: Little Drummer Boy) Disc 4 10. -Drowning Witch 11. -What's New In Baltimore? 12. -Moggio 13. -Dumb All Over 14. -Goblin Girl 15. -The Black Page (q: Fernando) 16. -Strictly Genteel

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