• Newcastle Audience 8.7 - A fairly bombastic recording that insists you pay attention to it. Thundering, massive, and thankfully listenable. It's not winning any awards for clarity, but it makes up for a lot of that with a representative recording of what you probably heard from the front row at this show. That leads me to say that while you would think there should be distortion, you can't really tell, but yes there just a bit of saturation deep in the bowels somewhere but I don't find it disturbing because it's low enough that you don't focus too much there. London Audience 8.6 - Dropping down one notch here, but there actually might be more mid-upper mid clarity with this recording. I think overall, this recording is a little less forceful, and there is no distortion at all on this. My ears rate this slightly below the Newcastle not because it is inferior quality, but because it is not quite as ballsy, and the trade-off is you have to give up a but of the balls in order to achieve more clarity, but sometimes ballsy is not a bad thing if it isn't too muddy. Black Sabbath Newcastle City Hall Newcastle, UK 1982-01-06 Disc 1 101 Introduction - E5150 102 Neon Knights 103 N.I.B. 104 Children Of The Sea 105 Country Girl 106 Black Sabbath 107 War Pigs 108 Slipping Away 109 Vinnie Appice Drum Solo 110 Iron Man Disc 2 201 The Mob Rules 202 Heaven And Hell 203 Paranoid - Heaven And Hell (Reprise) 204 Children Of The Grave Hammersmith Odeon London, UK 1982-01-03 205 Introduction - E5150 206 Neon Knights 207 Country Girl 208 Slipping Away 209 The Mob Rules
  • Audience 9.3 - Excellent quality, in fact I think this is a professional recording done on or very close to the stage. It has certain tell-tale qualities, like there being minimal audience noise and very clear, well-balanced band. Good mix here, even without Duane present I think most listeners will find this most welcome especially considering two songs are played featuring Johnny Winter.   THE ALLMAN BROTHERS BAND Hollywood Bowl Hollywood, CA August 6, 1972 1. Statesboro Blues 2. Done Somebody Wrong 3. One Way Out 4. Stormy Monday 5. You Don't Love me 6. Trouble No More 7. In Memory Of Elizabeth Reed 8. Whipping Post 9. Johnny B. Goode 10. Dust My Broom Tracks 9-10 with Johnny Winter Gregg Allman Dickey Betts Berry Oakley Butch Trucks Jai Johanny Johanson
  • Studio Quality 9.6 - Fantastic set! The entire thing has been delicately re-mastered to best anything and everything already out there. David Bowie - Plastic Soul (Young Americans Sessions) Disc 1 01 Young Americans (Dick Cavett) 02 Can You Hear Me (The Gouster) 03 Young Americans (early take ending) 04 After Today (version 2) 05 John, I'm Only Dancing (Again) (early take) 06 John, I'm Only Dancing (Again) 07 Right (vocal rehearsal) 08 I Am A Lazer (with Ava Cherry) 09 I'm Divine 10 Fascination (stripped-down mix) 11 Young Americans (The Gouster) 12 Across The Universe (alternate extended mix) 13 Fame (instrumental) 14 Funky Music (Is A Part Of Me) (with Luther Vandross) 15 Young Americans (extended remix) 16 Fame (extended remix) 17 Can You Hear Me (Live, Mono) Disc 2 01 I Am A Laser - Scream Like A Baby (Ava Cherry Working Master) 02 Fame (Original Version) 03 John, I'm Only Dancing (Again) (Live Soul Tour `74) 04 1984 (Live Soul Tour `74) 05 Young Americans (Live Soul Tour `74) 06 Can You Hear Me (Live Soul Tour `74) 07 It's Gonna Be Me (Live Soul Tour `74) 08 Somebody Up There Likes Me (Live Soul Tour `74) 09 Knock On Wood (Live Soul Tour `74) 10 Foot Stompin'-I Wish I Could Shimmy Like My Sister Kate-Foot Stompin' (Live Soul Tour 74) 11 Young Americans (2007 Tony Visconti Mix, Edit) 12 Young Americans (Monitor Mix Fragments & Chat, Mono) 13 Young Americans (US tv promo ad) 14 Young Americans (US radio promo ad) 15 Dick Cavett Interview
  • Studio Quality 9.6 - Fantastic set! The entire thing has been delicately re-mastered to best anything and everything already out there. David Bowie - Plastic Soul (Young Americans Sessions) Disc 1 01 Young Americans (stripped down mix) 02 Somebody Up There Likes Me (unfinished mix) 03 Can You Hear Me (demo) 04 Can You Hear Me (stripped down mix) 05 Young Americans (Alternate Ending Version) 06 Across The Universe (stripped down mix) 07 Fame (stripped down mix) 08 Fame (vocal only track) 09 Young Americans (Take One) 10 Young Americans (Take Two) 11 Young Americans (Take Three) 12 Shilling The Rubes (Take One) 13 Lazer (The Gouster) 14 After Today (Take One) 15 Sweet Thing (Sigma Acetate) 16 It's Gonna Be Me (With Strings, 1975) Disc 2 01 Right (Sessions) 02 Somebody Up There Likes Me (Sessions) 03 I Am A Laser (Ava Cherry Rough Mix - Stereo) 04 Fame (Cher Show, 09-18-75, Mono) 05 Can You Hear Me (Cher TV Show, 11-23-75) 06 Young Americans + Medley (Cher TV Show, 11-23-75) 07 Win (alternate ryko mix) 08 Fame (Right A-Side, Original Single Edit) 09 Fascination (alternate ryko mix) 10 Right (alternate ryko mix) 11 Who Can I Be Now (Bonus) 12 It's Gonna Be Me (Bonus) 13 After Today (Outtake) 14 It's Hard To Be A Saint In The City (Outtake) 15 Young Americans (Single Edit) 16 John I'm Dancing Again (Edit) 17 Fame (alternate flute version)
  • 1970 - Audience 9.1 - Excellent! Very clear, pretty close, respectful audience, good acoustics, great instrument separation...it's all here for your ears to feast upon. 1972 - Pro SDBRD 9.7 - Amazing of course, it's a professional recording that was released on video but I think this is not taken from a video source as it is totally uncompressed. 1973 - Audience 9.0 - A choice recording as it has a really driving energy. This is not one of those Traffic shows that gets bogged down, it's high energy, loud, and thankfully captured very nicely.

    Traffic The Santa Monica Tapes 1970-1973 Disc 1 Civic Center Santa Monica, California July 5, 1970 (late show) 01. Who Knows What Tomorrow May Bring 02. Every Mother's Son 03. Medicated Goo 04. John Barleycorn Must Die 05. Pearly Queen 06. Stranger To himself 07. Empty Pages 08. 40,000 Headmen 09. Glad - Freedom Rider 10. Feeling Good Steve Winwood - Guitar, Piano, Vocals Chris Wood - Flute, Saxophone Jim Capaldi - Percussion, Drums, Keyboards, Vocals Disc 2 Santa Monica Civic Center Santa Monica, CA February 21, 1972 01. Low Spark Of High Heeled Boys 02. Light Up Or Leave Me Alone 03. John Barlycorn 04. Rainmaker 05. Percussion Solo 06. Glad 07. Freedom Rider 08. Forty Thousand Headmen 09. Dear Mr. Fantasy Steve Winwood – vocals, guitar, keyboards, bass (1967–1974, 1994) Jim Capaldi – drums, percussion, vocals (1967–1974, 1994) Chris Wood – flute, saxophone, keyboards (1967–1974) Rebop Kwaku Baah – percussion (1971–1974) Roger Hawkins – drums (1972–1973) David Hood – bass (1972–1973) Disc 3 Santa Monica Civic Auditorium Santa Monica, CA. 1973 1. Low Spark of High-Heeled Boys 2. Light Up or Leave Me Alone 3. John Barleycorn 4. Rainmaker 5. Glad - Freedom Rider 6. 40,000 Headmen 7. Dear Mr. Fantasy Midsummer Rock Festival Cincinnati, OH. June 17, 1970 8. Pearly Queen 9. Stranger To Himself Stevie Winwood - keyboard, guitar, vocals; Jim Capaldi - drums, vocals; Chris Wood - sax; David Hood - bass; Roger Hawkins - keyboards; Reebop Kwaku Baah - percussion
  • Audience 8.7 - A somewhat crude tape that manages to still present some meat you can savor. The slightly overloaded tape can still allow everything to be heard although drums are not very distinct (cymbal washes do clear the mix because they sit in the high band range) and neither are the vocals - but here's the saving grace: The guitar is present and accounted for and you really NEED that with this band because this guy is phenomenal. PFM Teatro Nuovo, Torino, Italy March 13, 1974 1. L'isolo Di Niente (The Mountain) 2. Is My Face On Straight 3. Mr. 9 Till 5 4. Violin Solo 5. Have Your Cake And Beat It 6. River Of Life 7. Dolcissima Maria (Guitar Solo) 8. Just Look Away 9. La Luna Nuovo (Four Holes In The Ground) 10. Celebration 11. La Carrozza Di Hans - Drum Solo 12. Impressioni Di Settembre (The World Became The World)
  • New York - Audience 8.8 - This is a good tape for the vintage, even if the tapers are sometimes talkative they are at least not shouters and nor are those around them. San Bernadino - Audience 9.2 - A surprisingly clear tape, you can tell right away it is a master tape source. The quality of this capture is appreciated very much, it really gives one a sense of what was beginning to happen in the States for Yes. I sometimes just can't believe there was a time when this kind of adventurous, demanding music was so well received and consumed by the American public. Yes Fragile Tour 1971-72 Disc 1 Academy Of Music New York City, NY. November 24, 1971 1.01 Firebird Suite (1.04) 1.02 Roundabout (8.08) 1.03 I've Seen All Good People (7.54) 1.04 The Clap (3.26) 1.05 Wakeman Improv (0.53) 1.06 Long Distance Runaround (3.52) 1.07 The Fish (9.46) 1.08 Perpetual Change (15.37) 1.09 Yours Is No Disgrace (12.27) Disc 2 Swing Auditorium San Bernadino, CA. March 17, 1972 1.01 Firebird Suite (1.58) 1.02 Roundabout (8.01) 1.03 Heart Of The Sunrise (11.24) 1.04 The Clap (4.28) 1.05 Perpetual Change (14.51) 1.06 I've Seen All Good People (7.30)
  • Audience 8.8 - This is a very good audience tape. It is very clear, with great separation of instruments. It is not terribly dynamic though, but it's also not sluggish there either - it sort of sits in the midrange of things but in a way that is not too bad on the ears. I enjoyed this performance, I liked the atmosphere of the gig, and the respectful audience. Yes Freedom Hall Coliseum Louisville, KY 1979-04-13 Disc 1 1. -Future Times - Rejoice 2. -Circus Of Heaven 3. -Time And A Word - Long Distance Runaround - Survival - The Fish (Schindleria Praematurus) - Perpetual Change - Soon 4. -Don't Kill The Whale 5. -Clap 6. -Starship Trooper Disc 2 7. -On The Silent Wings Of Freedom 8. -Wakeman Solo 9. -Awaken 10. -Tour Song 11. -I've Seen All Good People 12. -WLRS Award Ceremony 13. -Roundabout
  • Soundboard 9.0 - A VERY animated and live sounding recording. There is nothing sterile about this! It bristles with electric mayhem and tension, sometimes it goes a little over the edge (takes a minute for the mix to even out a little bit - and it seems to lean slightly onto upper mid/high end leaves some of the balls of the bass out, but there's enough meat here to add some bass and I think once you do that you'll have a real banger with this one. It's already great, but I'd certainly season it to taste. The Damned Oxford College Of Further Education Oxford, UK. 3-1-1984 01. there ain't no sanity claus 02. disco man 03. ignite 04. stranger on the town 05. wait for the blackout 06. do the blitz 07. melody lee 08. born to kill 09. love song 10. neat neat neat 11. looking at you 12. smash it up pt1 13. smash it up pt 1 1_2 14. smash it up pt 2 15. new rose 16. hippy hippy shake 17. i feel alright 18. we love you 19. i just can be happy today 20. love song
  • Soundboard 9.4 - Intense! Great mix here, full frontal assault and Dio shines! Dio Coliseum Spokane, WA 1984-07-24 01. -We Rock 02. -Mystery 03. -Shame On The Night 04. -Children Of The Sea 05. -Heaven & Hell 06. -Guitar Solo 07. -The Last in Line 08. -Heaven And Hell 09. -Stand Up & Shout 10. -Holy Diver 11. -Drum Solo 12. -Mob Rules 13. -Rainbow In The Dark 14. -Man On The Silver Mountain 15. -Starstruck - Long Live Rock 'N Roll 16. -Man On The Silver Mountain (reprise)
  • Audience 8.7 - A large sound, complete with the bassy, big stadium boominess that telegraphs the volume and power of live Dio. Does that mean it is a muddy mess? No, it's not bad...it's just that your ears will hear this recording probably exactly how they would have heard it at the show. It's a well known fact that the sound at these big shows is one thing to your ear while there in the audience and another thing if you are listening to it over a radio broadcast. This is the sound coming from the P.A. - big, ballsy, LOUD, metal, and atmospheric, immersive, live. It's worth getting this, it has something to offer the listener. DIO Worcester Centrum Worcester MA. October 31st 1985 Disc 1 1. INTRO 2. KING OF ROCK AND ROLL 3. LIKE THE BEAT OF A HEART 4. DON'T TALK TO STRANGERS 5. HUNGRY FOR HEAVEN 6. LAST IN LINE - HOLY DIVER - DRUM SOLO 7. HEAVEN AND HELL 8. GUITAR AND KEYBOARD SOLO Disc 2 1. SACRED HEART -LAST IN LINE (REPRISE) 2. ROCK AND ROLL CHILDREN 3. LONG LIVE ROCK AND ROLL 4. MAN ON THE SILVER MOUNTAIN -ROCK AND ROLL CHILDREN (REPRISE) 5. STAND UP AND SHOUT 6. RAINBOW IN THE DARK 7. WE ROCK THE BAND Ronnie James Dio Vocals Vivian Campbell Guitar Jimmy Bain Bass Vocals Vinny Appice Drums Claude Schnell Keyboards
  • Custom humidors using various materials such as metal, vinyl, Spanish cedar, wood-infused plastic, analog or digital hygrometers, and Boveda brand humi-packs to keep the unit under proper humidity for up to 10 weeks.
  • Custom humidors using various materials such as metal, vinyl, Spanish cedar, wood-infused plastic, analog or digital hygrometers, and Boveda brand humi-packs to keep the unit under proper humidity for up to 10 weeks.
  • Audience 8.8 - This is better than I give it credit for, mainly because it has all the elements needed to be very enjoyable - namely: clarity, separation of instruments, and atmosphere. Where it lacks the necessary qualifications to enter into 9.0 and above rating status is more in the dynamics range (is low end low, is high end high, are mids clear and punchy?) which here are expressed mostly with the lovely, brassy and defined bass sound. This is good! But perhaps we are spoiled now with all the audio riches we have at our disposal. This is a very good old tape, with a re-mastering I assume it would rise to the 9.0 level, but the bones are here. E.L.P Odeon Theatre Birmingham, UK 1972-11-24 Disc 1 01. ABADDONS BOLERO 02. HOEDOWN 03. TARKUS 04. ALAN FREEMANS THEME 05. THE SHERIFF 06. TAKE A PEBBLE Disc 2 07. LUCKY MAN 08. PIANO IMPROVISATIONS - TAKE A PEBBLE 09. PICTURES AT AN EXHIBITION 10. NUTROCKER 11. RONDO
  • Audience 9.5 - Rich, clear, dynamic...if you don't have these elements in a heavy metal (especially Doom metal) recording, you aren't going to be very satisfied. But this, this is EVERYTHING you want and more. MUST HAVE! The Skull Mississippi Studios Portland, OR. 2013-10-13 1. The Tempter 2. Thinking Of The Past 3. Wickedness Of Man 4. Plastic Green Head 5. The Eye 6. Pray For The Dead - Psalm 9 7. Assassin 8. The Last Judgement 9. Another Day 10. Revelation (Life Or Death) 11. Bastards Will Pay 12. Hello Strawberry Skies 13. At The End Of My Daze Eric Wagner - Vocals Ron Holzner - Bass Jeff Olson - Drums Lothar Keller - Guitar Michael Carpenter - Guitar
  • Radio Broadcast 9.4 - Perhaps one of the best live documents in existence, even if there are marginally better sounding shows out there (although this one is killer), this tops it for exuberance and swagger. New York Dolls Radio Luxembourg 22 rue Bayard, Paris December 1, 1973 1. Introduction 2. Personality Crisis 3. Bad Girl 4. Looking For A Kiss 5. (Give Her A) Great Big Kiss 6. Stranded In The Jungle 7. Pills 8. Vietnamese Baby 9. Trash 10. Chatterbox 11. Puss 'n Boots 12. Hoochie Coochie Man 13. Jet Boy David Johansen: Vocals Johnny Thunders: Guitar Sylvain Sylvain: Guitar Arthur "Killer" Kane: Bass Jerry Nolan: Drums
  • Audience 8.7 - A little subdued maybe, but all the instrumentation is clearly heard, and dynamically it resides in the middle band frequencies and has a decent bass response but at the expense of maybe guitars which seem to sit just behind the bass. Considering the gig (inside a prison) I have to say it's a very good job, and worthy of a spin. ULI JON ROTH Klingelpuetz Prison Cologne, Germany 1979-10-03 2nd Show 01. Sundown 02. Earthquake 03. Japanese Dream 04. Children Of The Sea 05. I've Got To Be Free 06. Polar Nights 07. On That Night 08. Beethoven's Ninth 09. Hell-Cat The ELECTRIC SUN Band Uli John Roth (Guitars, Vocals) Ule Ritgen (Bass) Sidhatta Gautama (Drums, Percussion)
  • Montreal - Audience 8.7 - You can tell the tapers gear was of good quality, the capture is actually very clear but in capturing the actual sound at the show you gotta accept whatever is coming out of the PA system, and however the sound guy has mixed it. That being said, I can tolerate this one much more than 90% of all the other Metallica audience tapes which suffer greatly from sheer volume overload most of the time. Missouri - Soundboard 9.1 - Great drums sound believe it or not, and both guitars are distinguishable from one another which makes it very well worth hearing. These two guys can really play, maybe not quite Dave Mustaine level (ok so I am partial to Megadeth) but they can do what they do in very convincing fashion especially when you can actually hear it. Metallica Disc 1 Le Spectrum Montreal, QC. January 15, 1985 01 - The Ecstasy of Gold 02 - Fight Fire with Fire 03 - Ride the Lightning 04 - Phantom Lord 05 - (Anesthesia) - Pulling Teeth 06 - For Whom the Bell Tolls 07 - No Remorse 08 - The Call of Ktulu 09 - Seek & Destroy 10 - Whiplash 11 - Creeping Death Disc 2 A.C. Brase Arena Building Cape Girardeau Missouri, USA May 24, 1986 01. Battery 02. Master of Puppets 03. For Whom the Bell Tolls 04. Ride the Lightning 05. Welcome Home (Sanitarium) 06. Four Horsemen 07. Thing That Should Not Be 08. Cliff Bass Solo 09. Damage Inc 10. Fade To Black 11. Seek And Destroy 12. Creeping Death
  • Illinois 2002 - Audience 9.5 - Superb recording considering how hard it is to properly capture live heavy metal. Normally what you get, even if on good gear, is a well captured loud sound without much separation of instruments...but here you can really wrap your ears around it all pretty distinctly. Columbus 1990 - Audience 9.0 - This is a good recording with a little less fullness and bottom end definition compared to the Illinois set. Still, it's really well done and can benefit from your own "seasoning" so to speak. TROUBLE Penny Road Pub South Barrington, Illinois 2002-05-18 DISC 1 1. Introduction - R.I.P. 2. COME TOUCH THE SKY 3. THE SLEEPER 4. AT THE END OF MY DAZE 5. PLASTIC GREEN HEAD 6. GOIN' HOME 7. DOOM BOX 8. THE MISERY SHOWS (ACT II) 9. FEAR 10. MEMORY'S GARDEN 11. PSYCHOTIC REACTION DISC 2 12. THE FALL OF LUCIFER (Aborted) 13. PRAY FOR THE DEAD 14. THE TEMPTER 15. BASTARDS WILL PAY Newport Music Hall Columbus, OH. October 18, 1990 16. R.I.P. 17. Black Shapes Of Doom 18. Bastards Will Pay 19. Pray For The Dead 20. At The End Of My Daze 21. Heaven On My Mind 22. Psychotic Reaction 23. The Tempter ERIC WAGNER- Vocals RICK WARTELL- Guitar BRUCE FRANKLIN- Guitar RON HOLZNER- Bass JEFF OLSON- Drums
  • Soundboard 9.4 - Excellent tape for all those who actually want to hear what the band is doing. Drums are massive, and the guitars sound on point and distinct. SLAYER Memorial Coliseum Corpus Christi, TX 1987-02-19 1. Raining Blood 2. Reborn 3. Die By The Sword 4. Necrophiliac 5. Postmortem 6. Criminally Insane 7. Angel Of Death 8. Epidemic 9. Altar Of Sacrifice 10. Jesus Saves 11. Evil Has No Boundaries 12. Raining Blood (Reprise) Bonus Tracks 13. Evil Has No Boundaries (1983 Demo) 14. Crionics (1983 Demo)
  • Soundboard 9.2 - In this mix, vocals are front and center, followed next by drums (cool) and guitars which sound just evil AF. This is surely one all fans will slay for (see what I did there?). Slayer Elkerlyck Luttenburg, The Netherlands 2nd June 1985 01 - Hell Awaits 02 - Aggressive Perfector 03 - Captor Of Sin 04 - Fight 'Til Death 05 - Kill Again 06 - Haunting The Chapel 07 - Necrophiliac 08 - Black Magic 09 - Die By The Sword 10 - Praise Of Death 11 - The Final Command 12 - Hardening Of The Arteries 13 - At Dawn They Sleep 14 - Show No Mercy 15 - Evil Has No Boundaries 16 - Chemical Warfare 17 - The Antichrist
  • Soundboard 8.9 - Man, this is just amazing. It sounds a little dated, maybe a little faded, but definitely NOT jaded! The live sound mix isn't perfect here, I think guitars should be louder (but at least in this board I can hear every note of the bass) but in defense of the guitars I can hear both of them somewhat distinctly. Vocals do suffer, they are pushed well back of the mix, at times they get closer to the right spot, but it's all good they are there but just not at the center of the mix. I think this is classic stuff. Slayer Country Club Reseda, LA, CA. September 7th 1985 Hell Awaits Tour 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. The Final Command 5. Haunting The Chapel 6. Praise Of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die By The Sword 11. Crypts Of Eternity 12. Hardening Of The Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Show No Mercy 16. Crowd 17. Evil Has No Boundaries 18. Chemical Warfare Tom Araya – bass, lead vocals Jeff Hanneman (R.I.P.) - lead and rhythm guitar Kerry King – lead and rhythm guitar, backing vocals Dave Lombardo – drums
  • Soundboard 8.8 - A strong and clear tape with a mix that heavily favors drums and bass. That gives it a massive, sledgehammer to the skull sound - which can't be bad.

    Slayer "Diabolus In The East" Nakano SunPlaza Hall Tokyo, Japan October 08, 1998 ** Bonus DVD Tokyo, Japan Akasaka Blitz July 15, 1998 Disc 1 01. BGM 02. S.E. 03. Bitter Peace 04. Death´s Head 05. Evil Has No Boundaries 06. Hell Awaits 07. War Ensemble 08. Stain Of Mind 09. South Of Heaven 10. Raining Blood 11. Dittohead 12. Gemini 13. Die By The Sword 14. Black Magic 15. Captor Of Sin 16. In The Name Of God Disc 2 01. Scrum 02. Dead Skin Mask 03. Seasons In The Abyss 04. Chemical Warfare 05. Mandatory Suicide 06. Angel Of Death * Bonus Tracks: Tokyo, Japan Akasaka Blitz July 15, 1998 07. South Of Heaven 08. War Ensemble 09. Death´s Head 10. Dead Skin Mask 11. Dittohead 12. Stain Of Mind 13. Chemical Warfare Bonus DVD: 01. South Of Heaven 02. War Ensemble 03. Death´s Head 04. Dead Skin Mask 05. Dittohead 06. Stain Of Mind 07. Chemical Warfare
  • Studio quality 9.6 - production on this is outstanding and flows nicely. Well thought out, and as comprehensive as it needs to be so it has a wider appeal and includes casual fans as well as seasoned collectors. The DVD is a nice touch!

    George Harrison "The Light That Has Lighted The World" Best Of Rarities 1970-2001 Disc 1 1. My Sweet Lord 2. Beware Of Darkness 3. Let It Down 4. Ballad Of Sir Frankie Crisp (Let It Roll) 5. Isn't It A Pity 6. I Still Love You 7. Down By The River 8. It Don't Come Easy 9. Bangla-Desh 10. Deep Blue 11. Give Me Love 12. Miss O'Dell 13. Sue Me, Sue You Blues 14. Ding Dong, Ding Dong 15. Dark Horse 16. I Don't Care Anymore 17. Hari's On Tour (Express) 18. For You Blue Disc 2 19. You 20. This guitar (Can't Keep From Crying) 21. This Song 22. Crackerbox Palace 23. The Pirate Song 24. Here Comes The Sun 25. Mo 26. Faster 27. Sat Singing 28. Flying Hour 29. Life Itself 30. Tears Of The World 31. Lay His Head 32. Save The World 33. All Those Years Ago 34. Dream Away 35. That's The Way It Goes 36. I Don't Wanna Do It 37. Abandoned Love Disc 3 38. Shanghai Surprise 39. Someplace Else 40. Breath Away From Heaven 41. Hottest Gong In Town 42. Got My Mind set On You 43. When We Was Fab 44. This Is Love 45. While My Guitar Gently Weeps 46. Poor Little Girl 47. Cockamamie Business 48. Cheer Down 49. Between The Devil & The Deep Blue Sea 50. Ride Rajbun 51. Any Road 52. Horse To The Water 53. My Sweet Lord Disc 4 (DVD) Various promo videos and more
  • Audience 9.4 - This recording consists of a matrix between both an audience recorded tape and a stand-alone video recorder audio, and together (when both are rolling and in-sync) they have a wonderful stereo pan effect and sweet, clean quality. Mick Taylor Lone Star Roadhouse New York City, NY 14th May 1992 (1st & 2nd show) Disc 1 (1st show) 01. intro & tuning 02 - Badmouth Mama 03 - Hoodoo Thing 04 - How It Feels 05 - You Gotta Move 06 - Shake Your Hips 07 - Kind Hearted Woman Blues - Me And The Devil Blues 08 - Cairo Motel Disc 2 (2nd show) 01 - tuning 02 - Big Town Playboy 03 - That's Alright 04 - Nowhere To Run 05 - You Shook Me 06 - You Don't Miss Your Water 07 - Kid Man Blues 08 - band introduction 09- Teresa Line-up: Mick Taylor (gtr, voc) Jimmie Wood (voc, harm, gtr) Jimmy King (gtr, bvoc) Greg Boaz (bass, bvoc) David Salinas (dr)
  • Audience 8.7 - This is a really good, but flawed, recording. The good points are that it is clear, and has unmistakable stereo panning, and a LOT of good live atmosphere (not the obnoxious audience kind of atmosphere!). The flaws are that taper is working hard (to his credit) to get into a sweet spot and while doing this the signal to his deck fades in and out slightly - the effect is one of phasing, so it's not a deal-breaker flaw it's just you have to accept that vocals and what not at times sound really far back and then sound much closer...at various points during the show (I should say guitar does this too, maybe less often). The reason why you'll stick it out is because when it is good...it's great. Iron Maiden International Amphitheater Chicago, IL. 1982-09-21 01 - Wrathchild 02 - Run to the Hills 03 - Children of the Damned 04 - The Number of the Beast 05 - talk 06 - 22 Acacia Avenue 07 - Hallowed Be Thy Name 08 - Iron Maiden
  • Audience 8.7 - This is a decent tape that delivers some sense of the venue and the power of the band in a live setting, it's not "relaxed" sounding but definitely hard rock music at volume...but that being said there is some slight harmonic distortion somewhere in the upper mid band range, and if you had to choose where your live recording suffered, it would be here because it doesn't do as much damage to the sound taken as a whole as you might suppose. It's still a really good recording...with limitations. Kinks Golden Hall San Diego, CA February 11, 1976 Disc 1 01 Everybody's A Star (Starmaker) 02 Rush Hour Blues 03 Day-O (The Banana Boat Song) 04 You Really Got Me 05 All Day And All Of The Night 06 Lola 07 Alcohol 08 Celluloid Heroes 09 Schooldays 10 Schooldays Overture 11 Announcement 12 Jack The Idiot Dunce Disc 2 13 Education 14 The First Time We Fall in Love 15 I'm in Disgrace 16 Headmaster 17 The First Time We Fall in Love (Reprise) 18 The Hard Way 19 The Last Assembly 20 No More Looking Back 21 Finale
  • FM Broadcast 8.9 - Good because it's a broadcast, but there is some compression so you do not get the crisp, soaring highs and separation of instruments is not perfect. It's a somewhat "rough" professional recording and I am not talking about just age or generation of tape either - some of this is probably in the actual recording and/or live sound mix. That being said - it's a really good tape nonetheless and worthy of your collection. Blue Oyster Cult Centrum Worcester, MA. September 24, 1982 01. Pre-show interview 02. This Ain't The Summer Of Love 03. Hot Rails To Hell 04. Joan Crawford 05. Cities On Flame 06. Veteran of the Psychic Wars 07. Don't Fear The Reaper 08. Godzilla intro 09. Godzilla 10. Drums 11. Godzilla (reprise) 12. Bass solo 13. Born To Be Wild 14. DJ and stage banter 15. Burnin' For You Albert Bouchard - drums, percussion, vocals Allen Lanier - keyboards, guitars, vocals Donald "Buck Dharma" Roeser - lead guitar, vocals Eric Bloom - lead vocals, rhythm guitar Joe Bouchard - bass guitar, vocals
  • Brand New - Split CD! 2 Live shows in one CD! Very good Soundboard recordings! Carcass live at The Club Citta,Tokyo, on 5th October, 1994 Obituary live at Aardschok Fest, Netherlands on 12th April, 1992 2 Shows from the band’s classic era with good sound and raw energy!
  • Brand New - A collection of Quorthon and Bathory rare tracks, most of them unreleased. It also includes half a dozen cover tunes, from The Beatles to Sext Pistols or Motorhead, recorded by Quorthon though his career. A CD for true Bathory aficionados.
  • Brand New - Twisted Sister live album… Yeah right! … Twisted Sister live in Japan at their peak in 1985, that’s the real deal, that’s what really metter! What a great show! From now on you can’t consider yourself a SMF if you don’t have this show.
  • Brand New - Recorded Live At M3 Rock Festival in 2012. The live album that was missing! Ratt live during “Infestation” era delivering an amazing show full of classic tunes with Warren Dimartini and Carlos Cavazo delivering a great guitar work along with a tight rhythmic section with Crucier and Blotzer together fronted by Stephen Percy still singing great. One of the last opportunity to listen to all this guys together on stage.
  • Brand New - This recording of Anvil's set from the 2nd Classic Metal Fest at Phantasy Nite Club, Cleveland, Ohio, USA on 12th July 2002 was professionally made for a prospective live album which never came to fruition. The whole set was then mixed & produced by Joe Kleon at G4orce Studios. Until today the idea of a live album remained shelved.
  • Brand New - The Final days with Bruce! A show that sums up the Iron Maiden’s repertoire from 1980 to 1993! Great sound, great performance, great track list… a very good alternative to the subpar official releases of the same era.
  • Brand New - Iron Maiden braving new world! In 1995 Steve Harris and company played 3 shown in Israel. One of them was broadcasted. This is by far the best recorded show from the Blaze Bailey era.
  • Brand New - This is the best sounding Soundboard Recording of “headless Tour” for sure! And also an hard one to find! Blackie and Johnny are taking turns singing their asses off and that comes through crisp and clear on this soundboard recording.
  • Brand New - Alice Cooper Live 1987! Remember that mythical “The Nightmare Returns Tour”? Yup! The one with Kane Roberts and that great track list! Part from the video “The Nightmare Returns this is the only Live show properly recorded from that tour. Here we have the pre-FM master with a superb sound (better than the video!) and a stunning performance!
  • Brand New - Def Leppard played a "Slang tour" show in Johannesburg, South Africa on 5th December 1996. 13 songs from the show were recorded for broadcast. The band played in front of 37,500 ecstatic and very loud fans. This was the first of three stadium shows played on the mini tour of the country.
  • Brand New - Agent Orange! What can be more raw and in your face then a soundboard recording of Sodom in 1989?! All the band’s classic songs of the 80’s are there! Looking for real Teutonic terror?! You found it!
  • Brand New - The classic Venom Performance recorded in early ‘90s at Marquee Club only available on VHS tape. With Tony “Demolition Man” on vocals, this show represents the best of Venom Mark II.
  • Audience 8.8 - A rather good tape, it's kind of rare to find something like this just because of the extreme volume and what not that metal presents to taping gear - but this one shines. Sometimes the rhythm guitar seems to drop out a little in the mix, every now and then but that might be a PA or mix thing. Metallica - The Ecstasy of Aragon Aragon Ballroom Chicago, Il, USA February 9, 1985 1. The Ecstacy of Gold 2. Fight Fire With Fire 3. Ride The Lightning 4. Phantom Lord 5. The Four Horsemen 6. Anesthesia - Pulling Teeth 7. For Whom The Bell Tolls 8. No Remorse 9. Fade To Black 10. Seek And Destroy 11. Whiplash 12. Creeping Death 13. Am I Evil? 14. Motorbreath
  • Soundboard 9.4 - A lovely bright and clear sound, only noise I hear is between songs. I also love the fact that this dates from a period where there's not an abundance of Kansas recordings. I have to consider this a must have for Kansas collectors. Kansas Sjiwa Summer Rock Festival Horse Racing Course Baarlo, The Netherlands August 22, 1981 Audio Visions Tour 01 - Song For America 02 - Got To Rock On 03 - Paradox 04 - Point Of Know Return 05 - Dust In the wind 06 - Miracles Out Of Nowhere 07 - Loner 08 - Down The Road 09 - Portrait (He Knew) 10 - Carry On Wayward Son
  • Radio Broadcast 9.1 - A great document! Sounds fine, a touch of hiss but it is amazing how good this sounds for its age - I have heard recent radio broadcasts that sound worse. Jim and Ingrid Croce on the Gene Shay Program WIOQ 102.5 FM, Philadelphia 1967 01. Interview #1 (0:54) 02. Darcy Farrow (w/Ingrid) (2:38) 03. Interview #2 (2:25) 04. Gunga Din (Jim solo) (4:00) 05. Interview #3 (1:26) 06. Coconut Grove (w/Ingrid) (1:33) 07. Interview #4 (1:26) 08. Bringing Mary Home (w/Jim Croce Trio) (3:12) 09. Interview #5 (2:07) 10. Any Old Time (w/Jim Croce Trio) (3:01) Total time - 22:42 Jim Croce - vocals & guitar Ingrid Croce - Vocals Carl (?) - upright bass Ken (?) - cornet
  • Portland - Audience 9.1 - Excellent, clear, and a nice atmosphere to it. Denver - Soundboard 9.6 - This board tape is expressive, bright (listen to Bob's vocals), and very well mixed (sounds like vocals panned to one side, back up vocals to the other side...interesting!). BOB DYLAN SEEKING SALVATION Paramount Theater Portland, Oregon January 16, 1980 Disc One 1. Gotta Serve Somebody 2. I Believe In You 3. When You Gonna Wake Up? 4. When He Returns 5. Man Gave Names To All The Animals 6. Precious Angel 7. Slow Train 8. Covenant Woman 9. Gonna Change My Way Of Thinking 10. Do Right To Me Baby (Do Unto Others) 11. Solid Rock 12. Saving grace 13. Saved Disc Two 14. What Can I Do For You? 15. In The Garden 16. band introductions 17. Blessed Be The Name Of The Lord 18. Pressing On Rainbow Music Hall, Denver January 22, 1980 19. When He Returns 20. Man Gave Names To All The Animals 21. Precious Angel 22. Gonna Change My Way Of Thinking 23. Do Right To Me Baby (do unto others) 24. Solid Rock
  • Studio Quality - 9.5 - All excellent stuff, a great comprehensive collection.

    Badfinger Come And Get It All The Apple Years 4 CD / 1 DVD Box Set Disc 1 (1967-1974) 01 I`m Too Shy 02 Tube Train 03 She Came Out Of The Cold 04 I`ve Been There Once Before 05 Black And White Rainbows 06 Girl Next-Door In The Miniskirt 07 Tomorrow Today 08 Mr. Strangeways 09 Bittersweet Adieu 10 How Does It Feel 11 Taxi 12 Take Good Care Of My Baby 13 Clown Of The Party 14 Knocking Down Our Home [Demo] 15 Man Without A Heart [Demo] 16 Take It All [Demo] 17 Blind Owl [Demo] 18 Hey, Mr. Manager 19 Ringside [Demo] 20 I Believe In You 21 Pete Ham Phone Call October 27, 1974 22 John Forgot To Sing Christmas Hymn [Demo] 23 The Iveys_ Christmas Record 1968 24 Without You [Demo] Disc 2 (1969-2020) 01 Come And Get It [First Vocal Take] Paul 02 Come And Get It [Various Takes] 03 Come And Get It [Various Takes] 04 Come And Get It [First Vocals] The Iveys 05 Come And Get It [Various Takes] 06 Come And Get It [Vocals Take] Paul & The Iveys 07 Come And Get It [Vocals Take] The Iveys 08 Come And Get It [Vocal Take] Paul 09 Come And Get It [Various Rehearsals] 10 Come And Get It [Last Full Take] The Iveys 11 Come And Get It [1978 Re-Recording] 12 Come And Get It [Live In Liverpool Dec. 20, 2011] 13 Come And Get It [2015 CD Version] 14 Come And Get It [Video Mix] 15 Come And Get It [2020] 16 Come And Get It [1970 Budget Label Cover Version Recording] Disc 3 (1969-1970) 01 Respect 02 Don`t Let Me Be Misunderstood 03 Just One Look 04 Maybe Tomorrow 05 The Way You Do The Things You Do 06 You Can All Join In 07 Rock Of All Ages 08 Midnight Sun 09 Someday 10 Up On Cripple Creek 11 Come And Get It 12 I Can`t Take It 13 Believe Me 14 Surrender Your Love 15 Drive My Car THE IVEYS 16 Birthday 17 Revolution Disc 4 (1970) 01 My Dark Hour 02 Midnight Sun 03 Better Days 04 Talk 05 Blodwyn 06 Talk 07 We`re For The Dark 08 Feelin` Alright 09 I Can`t Take It 10 No Matter What 11 Love Me Do - Lucille - Rip It Up - Long Tall Sally 12 Talk 13 Suitcase 14 Johnny B. Goode 15 Walk That Road - Matchbox
  • Audience 9.7 - Incredible sound! Massive drums, tight and solid bass, spacious keys...damn this could come out officially. Emerson, Lake & Palmer Long Beach Arena Long Beach, CA August 14, 1977 Disc 1 01 Karn Evil 9: 1st Impression, Part 2 02 Hoedown 03 Tarkus 04 Take a Pebble 05 Piano Concerto No 1 1st Movement 06 Take A Pebble 07 C'est La Vie 08 Lucky Man 09 Knife-Edge Disc 2 10 Pictures At An Exhibition 11 Still…You Turn Me On 12 Tank 13 Nutrocker 14 Pirates 15 Fanfare For The Common Man - Rondo
  • Audience 9.6 - Very well done, with loads of beautifully full drums and bass that do not boom and do not drown out any other instrument. Keys are nicely placed in the mix and at times seem to surround you. Excellent and highly recommended! ELP Long Beach Arena Long Beach, CA. August 11, 1977 Disc 1 1. Karn Evil 9: 1st Impression, Part 2 2. Hoedown 3. Tarkus 4. Take A Pebble 5. Piano Concerto No.1 - 1st Movement 6. Take A Pebble 7. C'est La Vie 8. Knife Edge 9. Pictures At An Exhibition Disc 2 10. Still...You Turn Me On 11. Lucky Man 12. Tank 13. Nutrocker 14. Pirates 15. Fanfare For The Common Man - Rondo
  • Audience 8.7 - Loud and brassy, with some distortion on the cymbals at the high end. Taper must have been in the front row on the PA side of the stage. That being said, this is what makes this recording frightening to the ears, a terrifying journey into the unrelenting power and charisma of ELP in their mid 70's prime. There is nothing sedate about this live concert experience, and because it was recorded on very good equipment, even despite the overwhelming loudness of it, it's a rather true representation. Side Note: Jerusalem is a song with more mellow passages and here this recording absolutely shines, jumping quickly to a 9.2 rating and actually remaining better even during the loud segments as it starts to even out - this could be due to taper either moving further back, or making some other minor adjustment. Something certainly is changing with the recording as tape noise increases but the distortion lessens, this could mean he lowered the gain, so the volume had to be boosted during the transfer as his recording levels were much lower. Either way, it had a net positive effect. Unfortunately not the complete show. Emerson, Lake & Palmer Long Beach Arena Long Beach, CA February 3, 1974 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus

Title

Go to Top