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Audience 8.8 - This is a really nice one, pretty atmospheric without being reverby and hollow and the live sound mix is pretty right-on. The sound separation here presents itself as what feels like stereo to me, whether or not taper used two mics I do not know but it does sound like it. The band is really hot!
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CD 1 - Soundboard 8.6 - Sounds very low gen but the tape seems somewhat compressed, but very clean, and thankfully can be turned up loud without breaking up. CD 2 - Soundboard 8.6 - A lot like disc one, occasional phasing on one or two tracks, but again it is pretty clean and a mix that reveals how good each player is in this band. CD 3 - Soundboard 8.4 - A step down from the first couple of discs but it has a little more brightness to it, and a little more noise and a strange sort of echo on the guitar which does not bother me, it is just different than the other discs. All in all, collectors will find much to like here.
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Sale!Audience 9.0
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Audience 8.7 - Actually not bad but it’s very close to the main PA and thus loud and noisy. There’s an annoying frequency somewhere between the mid and high that needs to be compressed. At first I thought this was a soundboard, it might be mistaken for one. It’s so close to the speakers, I mean this recording puts you in the front row. I do like it despite my concerns.
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Audience 7.2–8.2 - What you get here is a very raucous sounding tape because when the band is at full volume the recorder can’t deal with it so there’s some clutter and slight high end break up, but when the band is more low key, such as a straight blues number, it’s wonderful. The music? Off the hook jamming!
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Audience 8.3 - A serviceable tape that presents a very round bottom end but has a good solid middle during less frenetic jams, and in turn this also reveals great snappy highs. What I think it is, it’s a loud kick drum that intrudes during active sections, not too badly, but it does push itself too far into the mix. Still GREAT stuff and highly recommended.
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Audience 8.5 - Taken from the master source, this high energy show reveals a band on the rise. Captured from the balcony, the sound is pretty much what came from the house P.A. system and is, as could be expected, insanely loud and therefore not clear and distinct but certainly forceful and once the ears adjust, is pretty realistic. Coming from a master source, it is free of tape noise and other artifacts.
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Soundboard 8.5 - It’s really hard to tell but I think it’s a board because of the way the sound is mixed. Vocals are way up front, and then they get pushed a little back, and there’s a lack of surrounding noise. There is some tape noise present. The audience noise you do hear sounds like it is picked up from one of the stage mics.
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Audience 8.1 - Not that bad, but vocals a little back, and some tape distortion in the mid band somewhere that does not bother but it is there lurking. The Mellotron adds a nice sweeping atmosphere. Bonus disc - Audience 7.0 - Presents occasional tape flaws, so is something for collectors only. Spirit My Father's Place Old Roslyn, New York August 8th 1976, 1st and 2nd shows Disc 1 1st Show 01. Nature's Way 02. Veruska 03. Little Time To Fly 04. Like A Rolling Stone 05. Farther Along 06. Mr Skin 07. Stoney Night 08. Fresh Garbage 09. World Eat World Dog 10. 1984 11. It's All The Same 12. I Got A Line On You 13. Animal Zoo 14, Hey Joe Disc 2 2nd Show 01. Prelude - Nothing To Hide 02. Nature's Way 03. Like A Rolling Stone 04. World Eat World Dog 05. Mr Skin 06. Farther Along 07. Stoney Night 08. Mega Star 09. I Got A Line On You 10. Reelin' In The Night 11. Dark Eyed Woman 12. 1984 Original reunion with Neil Young, Santa Monica, Ca., August 28 1976 13. Just Like Thumb's Blues 14. Like A Rolling Stone
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Multiple sources used to make up this first volume of the 70’s series. * The first is a really cool 1967 show that is professionally recorded in an amateur fashion. So, yes, a pro recording but whoever engineered it was slow on the uptake, levels are peaked, the mix is funky, oh well, it could have been much better but for a super early Spirit show this is PURE GOLD and the surprise is how jazzy they are here. * The second disc comes from another early gig (1969) from Seattle and is Audience 8.3 for the clarity but has some hiss, and is not exactly hi-fi but you can hear everything very nicely and clear, pretty much, maybe vocals are a little buried but that is all. * Disc 3 is the continuation of the previous plus begins the Chicago 1975 gig (Disc 4) which is Soundboard 8.8 and has lovely atmosphere, and I think it is in stereo, or at least the way it is panned, mimics a stereo effect.