Audience 8.7 - It's not the clearest, deepest of recordings but it is not boomy, muddy, irritating, or ruined by shouting morons either. It gets the job done, and what's more it's one of those shows where another guitar legend just happens to be there and just happens to get on stage and jam at the end...this guitar legend is none other than Jeff Beck so there is that.
Eric Clapton Versus Jeff Beck Civic Hall Guildford, Surrey, England May 18, 1980 Disc 1 1. Roll Over Beethoven 2. Tulsa Time 3. Early In The Morning 4. Lay Down Sally 5. Wonderful Tonight 6. Country Boy 7. Hold On 8. Blues Power 9. Double Trouble 10. Setting Me Up 11. Thunder and Lightning 12. If I Don't Be There By Morning Disc 2 1. Ramblin' On My Mind 2. Have You Ever Loved A Woman 3. Home Lovin' 4. After Midnight 5. Cocaine 6. Further On Up The Road 7. Layla - Shut Up 8. Long Tall Sally 9. Lawdy Miss Clawdy Eric Clapton - guitar, vocals Albert Lee - guitar, vocals Chris Stainton - keyboards Gary Brooker - keyboards, vocals Dave Markee - bass Henry Spinetti - drums Jeff Beck - guitar (CD2 Tracks 1 & 2)-
Audience 8.9 - Great atmosphere and really what I would call an "in-the-pocket" live mix. Frank really shines as the band introduce new songs to an audience they hope responds well because these versions are played with some serious intention. Frank's solos are spot on, he's not missing notes or going way off on meaningless tangents and that makes for some spellbinding moments. A very worthwhile listen...a keeper!
Frank Zappa Broome County Arena Binghamton, NY. 1-May 1974 Disc 1 01 Band Intros 02 Cosmik Debris 03 Pygmy Twylyte 04 Idiot Bastard Son 05 Cheepnis 06 Penguin In Bondage 07 RDNZL 08 Montana 09 Dupree's Paradise Disc 2 10 It Can't Happen Here 11 Hungry Freaks Daddy 12 You're Probably Wondering Why I'm Here 13 How Could I Be Such A Fool? 14 I Ain't Got No Heart 15 I'm Not Satisfied 16 Wowie Zowie 17 Let's Make The Water Turn Black 18 Harry You're A Beast 19 Orange County Lumber Truck 20 Oh No 21 Son Of Orange County 22 More Trouble Every Day 23 Camarillo Brillo
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Audience 9.1 - A rollicking good time! Great audio, great performance, a snapshot in time and man do I wish I could turn back the time ‘cause this is the good stuff right here.
Rod Stewart/Faces The Forum Inglewood, CA March 5, 1975 Disc 1 01 -It’s All Over Now 02 -Take a Look at that Guy 03 -(I Know) I’m Losing You 04 -Bring It On Home To Me - You Send Me 05 -Sweet Little Rock & Roller 06 -I’d Rather Go Blind 07 -Too Bad 08 -Every Picture Tells a Story Disc 2 09 -Angel 10 -Stay With Me 11 -Gasoline Alley 12 -I Can Feel the Fire 13 -You Wear It Well 14 -Maggie May 15 -Twistin’ the Night Away 16 -We’ll Meet Again
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Soundboard 9.7 - All excellent, all must haves imho. What you get sound-wise is a rich, deep tone, the Berlin tape in particular which features emphasis on the bass which is massive but detailed. The music here is more progressive than Samba, and Carlos does sometimes resort to familiar guitar runs but he also flashes a lot of other tricks and convinces the listener that he’s not a one-trick pony at all. Best I can tell here is that Devadip Ochestra is a decent attempt to take what Mahavishnu Orchestra did and accent it in different ways. Well done Carlos!
The Devadip Orchestra Disc 1 Deutschlandhalle Berlin, Germany November 8, 1978 01 Swapan Tari 02 Ocean Floor 03 Arise Awake 04 Light Versus Darkness 05 Jim Jeannie 06 Gardenia 07 Jharna Kala Ekeberghallen Oslo, Norway November 13, 1978 08 Swapan Tari 09 Ocean Floor 10 Arise Awake 11 Light Versus Darkness 12 Jim Jeannie 13 Gardenia 14 Jharna Kala Disc 2 Groenoordhal Leiden, Holland November 17, 1978 01 Swapan Tari 02 Arise Awake 03 Light Versus Darkness 04 Jim Jeannie 05 Gardenia 06 Oneness 07 Jharna Kala Carlos Santana: guitar/percussion David Margen: bass Graham Lear: drums Chris Rhyne: keyboards Russell Tubbs: flute/sax
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Stereo Soundboard 9.6 - A fantastic and interesting tape, the live mix sometimes pans in stereo giving it a unique flavor. The drums and keyboards are placed superbly in the mix, vocals very strong, but it does lack some low end, not that it is thin or too bright, that is not the problem here at all it’s just that I think the bass may have been so loud through the P.A. that it didn’t need to pass through the board feed so you do hear it but it’s not super deep. Still, a great one for the collection and certainly if you like hard psychedelic rock but the kicker here is the appearance on 4 tracks by John Cipollina.
Man Keystone Berkeley, CA August 9, 1976 Disc 1 01. -Let The Good Times Roll 02. -7171-551 03. -A Hard Way To Die 04. -The Welsh Connection 05. -Something Is Happening 06. -The Ride And The View 07. -You Are Out Of Your Head 08. -Born With A Future Disc 2 09. -C'Mon 10. -Many Are Called But Few Get Up 11. -Babe, I'm Gonna Leave You* 12. -A Hard Way To Live* 13. -Romain* 14. -Bananas* * with John Cipollina
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Dunstable 1976 Soundboard 9.5 - Every Hawkwind collector surely must have this already in their collection, it’s just too damn good. So few recordings of such an eclectic band, so yeah, this has to be considered a MUST HAVE, and it’s equally cool to find it paired here with another soundboard tape.
Croyden 1977 Soundboard 9.2 -A respectable board tape, the mix does heavily favor guitar, keys are present more during passages where they are supposed to be in the lead. Vocals are out front, also where they need to be. So, it’s a workable mix, not perfect but definitely good for the casual and hard-core fan.
Hawkwind UK 1976-1977 Disc 1 Dunstable, UK. 09-30-1976 1. Paradox 2. Chronoglide Skyway 3. Hassan I Sabbah 4. Brainstorm 5. Wind Of Change 6. Steppenwolf 7. Uncle Sam's On Mars 8. Time For Sale 9. Magnu 10. Welcome To The Future Disc 2 Fairfield Hall Croyden, UK. 09-25-1977 1. Brainstorm 2. High Rise 3. Robot 4. Wind Of Change 5. Jack Of Shadows
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Soundboard 9.2 - A “reference” board mix, clearly…but it’s great. It isn’t going to win any awards for sparkling and atmospheric sound, but it’s a punchy, in-the-pocket sound that marries well with Kansas’ heavy progressive style.
Kansas Springfield Civic Center Springfield, MA. 2nd September 1979 Disc 1 1. Intro 2. On the Other Side 3. People of the Southwind 4. Away From You 5. Point of Know Return 6. Closet Chronicles 7. The Wall 8. Reason To Be 9. Dust in the Wind 10. Angels Have Fallen Disc 2 1. Opus Insert 2. Stay Out of Trouble 3. The Spider 4. Portrait (He Knew) 5. Band Introductions 6. Glimpse of Home 7. How My Soul Cries Out For You 8. Carry On Wayward Son Steve Walsh – keyboards, lead and backing vocals Kerry Livgren – guitars, keyboards Rich Williams – guitars Robby Steinhardt – violin, vocals Dave Hope – bass Phil Ehart – drums
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Audience 9.3 - This is, to my ears, sort of a return to the edgy hard rock of Taste. The distorted guitar (wonderful tone!) and punchy rhythms really hint more to his very early period and are ideally suited for the mid 80’s where maybe pure, raw blues was not as widely consumed as before. This show, and recording, really highlight the gut punch effect where straight forward guitar/bass/drums is the formula that works.
Rory Gallagher Oldenwaldring, Schaafheim Germany 18. Juli 1987 Disc 1 01. -Announcement 0:41 02. -Ansage - Moonchild 7:04 03. -Double Vision 7:37 04. -I Wonder Who 12:09 05. -Nadine 9:58 06. -Walkin' Blues 6:04 07. -Continental Op 9:57 08. -I Ain't No Saint 8:25 Disc 2 09. -Out On The Western Plain 6:08 10. -Want Ad Blues 5:34 11. -Tattoo'd Lady 5:50 12. -When My Baby She Left Me 7:23 13. -Shadow Play 7:15 14. -Bad Penny 4:28 15. -Bullfrog Blues - Dizzy Miss Lizzy 7:57 16. -Messin' With The Kid 4:50 17. -Knock On Wood - La Bamba 8:02 18. -Long Tall Sally 4:30 19. -Don't Start Me Talkin' 3:35 Track 01 - 18 Schaafheim Track 19 Mainz, Sendezentrum "Tele Illustrierte" 13. November 1987 1.Gen/TV (He plays live in the show)
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Audience 9.4 - I love these tapes that make you feel you are in very small area with the band, like sitting at a little table having a cocktail as the band plays just feet in front of you. That is what this tape feels like, and the separation of instruments is delicious, with your ear hearing this show as if you were right there (meaning there is a stereo separation going on, a real one). So buckle up, because you are going to feel as though your actually at this show, it’s that good.
Frank Zappa Dortmund, Germany 5 May 1988 Disc 1 01. Instruments Check (1:07) 02. Intro (1:08) 03. The Black Page #2 (7:03) 04. Band Introductions (2:00) 05. The Meek Shall Inherit Nothing (3:08) 06. Alien Orifice (4:23) 07. Who Needs The Peace Corps (2:47) 08. I Left My Heart In San Francisco (0:36) 09. Outside Now (7:10) 10. Eric Dolphy Memorial Barbecue (7:59) 11. Bamboozled By Love (5:26) 12. Zoot Allures (6:25) 13. Cosmik Debris (4:51) 14. Stolen Moments (10:10) 15. Stick Together (1:54) Disc 2 16. My Guitar Wants To Kill Your Mama (3:38) 17. Willie The Pimp (2:58) 18. Montana (4:05) 19. City Of Tiny Lights (10:07) 20. Pound For A Brown (11:30) 21. Cruising For Burgers (9:19) 22. Instruments Check (0:25) 23. Dancin' Fool (3:29) 24. Whippin' Post (5:47) 25. I Am The Walrus (3:46) 26. Strictly Genteel (6:25) 27. Watermelon In Easter Hay (5:43)
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Audience 8.9 - A recording that seems to “rise above” the din because literally it sounds like the mic was over the crowd. It makes for a more immersive experience, and the fact that the dynamics are good and the sound is clear…well it just goes to prove once again that a well made audience tape is more than welcome in any real live music collection.
David Gilmour Beacon Theatre New York City, NY May 23, 1984 Disc 1 01 Until We Sleep 02 All Lovers Are Deranged 03 Love On The Air 04 Mihalis 05 Cruise 06 Short And Sweet 07 Money 08 Out Of The Blue Disc 2 09 Let's Get Metaphysical 10 You Know I'm Right 11 Run Like Hell 12 Blue Light 13 Band Introduction 14 Murder 15 Near The End 16 Comfortably Numb
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Soundboard 9.7 - A fantastic live document! I especially love how it was mixed, it has a very classic feel and seems drenched in sleazy nightclub atmosphere that puts you, mentally, in the right place for Boz Scaggs music. Awesome!
Boz Scaggs Richards Cafe Atlanta, GA. 1973 Disc One 1. We Were Always Sweethearts 2. Sail On White Moon 3. Might Have to Cry 4. Runnin' Blue 5. Monkey Time 6. I'm Easy 7. Painted Bells 8. Downright Woman 9. Full Lock Powerslide 10. Dinah Flo Disc Two 11. Feel So Good 12. Mercury Blues 13. Slow Dancer 14. You're Mine 15. Hercules 16. Loan Me A Dime
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Audience 8.7 - Brassy, loud, and guitar dominant recording that delivers where it counts and finds Rory sounding, to my ears, much more rock/metal/grunge even though he features plenty of raw, blues soaked numbers in his set. It’s just that the atmosphere and volume don’t suggest this is a “blues” band blowing through town…I just get the feeling Rory felt the times changing and adjusted accordingly. Either way you parse it, this is high-intensity music, and the recording here really manages to capture that pretty realistically.
Rory Gallagher The Stone Palo Alto, California May 17, 1985 Disc One 01 - intro - Double Vision 02 - Bad Penny 03 - band intros - Off The Handle 04 - Moonchild 05 - Hey Mama, Keep Your Big Mouth Shut 06 - I Wonder Who 07 - Tattoo'd Lady 08 - Mississippi Sheiks 09 - Big Guns Disc Two 01 - Out On The Western Plain 02 - Seven Days 03 - Philby 04 - Follow Me 05 - Shadow Play 06 - My Babe 07 - All Around Man - Bullfrog Blues - Roll Over Beethoven - Route 66 Rory Gallagher Group; May 1981 - 1991: Rory Gallagher - guitar, vocals Gerry McAvoy - bass Brendan O'Neill - drums Mark Feltham - harmonica
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Soundboard 9.7 - I give this a stellar and glowing review and consider it an absolute must have for any self-respecting ACDC….no, wait, any self-respecting rock music fan. Why? Because, even though the old tape has an occasional drop out (rarely), it is so fucking electrifying, exciting, and pure that you can’t help but bang your head to it…the entire show! The combination of the superb live mix that maintains 100% live energy, there’s no mixing the life out of this bad boy, and the amazing performance all contribute to must have status. I love how I can hear Malcolm so distinctly, and even the bass notes come through…but the drums, that insistent rat a tat snare just makes this tape a winner bar-none. The bonus concert on disc two is also a board tape, and it has a different feel to it but it is also amazing. Get it man!
ACDC Austin, Texas, USA Erwin Centre October 11, 1985 *Bonus Tracks: Dallas, Texas, USA Reunion Arena October 12, 1985 Disc 1 01 Fly On The Wall 02 Back In Black 03 Shake Your Foundations 04 Dirty Deeds Done Dirt Cheap 05 You Shook Me All Night Long 06 Sin City 07 Jailbreak 08 The Jack 09 Shoot To Thrill 10 Highway To Hell 11 Sink The Pink 12 Whole Lotta Rosie Disc 2 01 Let There Be Rock 02 Hells Bells 03 T.N.T. 04 For Those About To Rock (We Salute You) 05 Back In Black * 06 Shake Your Foundations * 07 Dirty Deeds Done Dirt Cheap * 08 You Shook me All Night Long * 09 The Jack * 10 Shoot To Thrill * 11 Sink The Pink * 12 Let There Be Rock * 13 T.N.T. *
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Audience 8.8 - This is a “power” show, meaning the sound coming at you when you play this (hopefully on a decent system) is very forceful, like you really get a sense of the massive volume and power of a band in their prime. That being said, it is a different power than, say, a heavy metal band in that the sound itself is balanced to the degree you get good instrument separation. The other thing I like about this tape is the stereo pan, it’s nice when you are able to get a sense of the event in a more tangible way and this tape does deliver that effect. So, while not as clear as maybe the Radio City Music Hall show (for another example of a ’73 Aud), this recording delivers the goods and should be acquired.
Pink Floyd Maple Leaf Garden Toronto, Ontario, Canada March 11, 1973 Disc 1 01 -Echoes 02 -Obscured By Clouds 03 -When You're In 04 -Set The Controls For The Heart Of The Sun 05 -Cafeul With That Axe, Eugene Disc 2 01 -Speak To Me 02 -Breathe 03 -On The Run 04 -Time - Breathe (Reprise) 05 -The Great Gig In The Sky 06 -Money 07 -Us And Them 08 -Any Colour You Like 09 -Brain Damage 10 -Eclipse 11 -One Of These Days
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Pro Recording 9.4 - This is actually recorded from the audience, or the pit, or somewhere within the hall with professional equipment possibly for broadcast or posterity but it is obviously not an amateur job. The dynamics and atmosphere are excellent, and to my ears it just seems like the band wanted to record this gig for whatever reason.
Rick Wakeman November 16, 1981 Guildhall Preston, UK Disc One (70:34) 1) War Games? (10:29) 2) King Arthur Medley (12:10): a) Arthur b) Lancelot and the Black Knight 3) Sea Horses (5:17) 4) Julia (6:11) 5) Three Wives (13:12): a) Catherine of Aragon b) Anne of Cleves c) Catherine Howard 6) The Proles (5:30) 7) Journey to the Center of the Earth - Part 1 (17:45) Disc Two (60:16) 1) Danielle (4:30) 2) The Probe (4:05) 3) Chamber of Horrors (7:03) 4) The Hymn (3:14) 5) Anne Boleyn (29:04) 6) Robot Man (4:57) 7) Journey to the Center of the Earth - Part 2 (7:23) a) The Battle b) Hall of the Mountain King
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Audience 8,7 - A distant recording with that unmistakable large stadium natural reverb that makes you sort of imagine where you are as you listen and squint your eyes to see what Lou Reed is doing on stage. The good news is that everything pretty much is audible, and reasonably clear too. The recording does lack some low end, but is not overly tinny, and drums/vocals are favored in the mix with guitars sort of chiming in just behind. If this wasn’t a clean/clear recording I would say there’s not much use for it but it has redeeming qualities and some charming renditions of some of his most beloved tunes.
LOU REED Stadio Partenio Avellino, Italy 16 June 1980 Disc 1 1. -Sweet Jane 2. -Real Good Time Together 3. -I'm Waiting For My Man 4. -Coney Island Baby 5. -So Alone 6. -Vicious 7. -Walk On The Wild Side 8. -Standing On The Ceremony 9. -Heroin 10. -Growing Up In Public 11. -The Kids 12. -Caroline Says II 13. -The Bed 14. -Sad Song Disc 2 15. -The Power Of Positive Drinking 16. -How Do You Speak To An Angel 17. -My Old Man 18. -Keep Away 19. -Street Hassle (with band intros) 20. -Rock and Roll 21. -Sister Ray The band: Lou Reed - vocals & guitar Stuart Heinrich - guitar Chuck Hammer - guitar Ellard "Moose" Boles - bass Michael Fonfara - keyboards Michael Suchorsky - drums