• Audience 8.8 - A warm and inviting recording that spreads the audio spectrum out very evenly. May be from midway back in the hall, as it is not super sharp, but likewise it is also not too echoey or bassy either. It is a pretty atmospheric sound, with guitar leads swirling above and around adding to the liveness of the recording.
  • Audience 8.5 - Solid punch but maybe some lack of clarity in the lower mid to low end, although for some reason the bass kick is clear.  It’s nice to have something from this early on in pretty decent fidelity though, so I have to recommend this one. It’s nice!
  • Audience 9.1 - Taper was very close to the main PA but it does not distort and the sound goes directly to your brain, it does not stop for directions. HOT HOT HOT!! Get it.
  • Soundboard 9.6 - This rating reflects what I feel about this recording in the way that the guitar and bass come across in the mix. So, what you get is a well rounded, brassy bass sound that is articulate and not lost in the low end wastelands or overshadowed by Pete. It sounds like two guitar players playing in perfect harmony, and a lot of Who recordings you do not get that effect so much as just a wall of power and volume. This one is just so good in that sense and deserves a special acknowledgement.
  • Audience 8.6 - A serviceable recording, it stays sort of in the midrange spectrum but is pretty powerful anyway. I suspect this may be audio that was taken from a video source, but to my ears it sounds better than a typical home video camera audio capture.
  • Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer.
  • Audience 7.8 - A recording that slowly gets a little better after the first song or two but I have to tell you – for historical purposes this recording is the first time Brian Johnson appears on tape with the band (live, not studio). I think he does a fine job filling the spot too, but that’s up to every fan to decide.
  • Radio Broadcast 9.7 - Great job on the recording by the station.
  • Audience 9.0 - A very “present” recording, meaning the audio captured on this tape sounds remarkably realistic which is ideal for a live recording. Love it!
  • Soundboard 9.8 - Simply fantastic! A MUST!!!!
  • Soundboard 8.6 - Very clear, with occasional wow and flutter but the atmosphere is intact and the history is undeniable. A certain must for any Kiss fan!
  • Audience 8.3 - At first, you would have expected this to sound awful, being an awfully loud band playing in a small club with primitive gear…and it’s not exactly perfect but for what it is it is DAMN good!  Guitars up front, vocals a but buried, drums reasonably clear, but you get a real sense of the action and the sound is not bad at all.  Historically, this is absolutely a must for any ACDC fan.
  • SDBRD 9.7 - A professional recording and it shows.
  • Audience 8.1 - Do not be dismayed by this sound rating, in fact this has been re-mastered and is vastly superior to all other versions out there. The lineage of this recording was the cause of some confusion for decades – it was believed to have been from Rotterdam but is in fact Amsterdam. Why this show has been overlooked by collectors is beyond me, it’s a marathon concert and should be in the collection. Maybe it was the marginal sound quality of previous versions? Oh well, now we have this.
  • Audience 7.4 - Interesting to listen to this, it’s almost like they are performing on a soundstage, but the quality is only so-so. I do not know what to make of it, my instinct says this was a TV broadcast, maybe this was recorded off the TV volume?  It’s not too bad, just not a very wide dynamic range.
  • Soundboard 9.5 - 4 Disc Set, 2 Shows (Early and Late show) It doesn't get better than this one  (in my top 10)  Killer! Also listed both shows (individually) under "Upper Darby" 1980.  
  • Audience 8.0 - A good reference recording, does not deliver a palette full of dynamic sound colorization or anything like that but it is a pretty clear, one-dimensional recording. One thing I can say is that collectors will want this, as any 1972 show is well worth having in my opinion and this one is very decent even if it lacks a solid low end (not necessarily thin, just not a lot of bottom).
  • Audience 8.8 - Very nice and clear, with a great low end presence and warm atmosphere. Absolutely lovely to listen to and besides that it’s from a relatively poorly documented tour. Very worthwhile!
  • Soundboard 9.5 - Fantastic, sparkling, brilliance! Right up there with the Cleveland show from 1978.
  • Audience 9.3 - Extremely vibrant and dynamic recording.
  • Audience 9.3 - This is Chris Squire’s show! Bass sounds rad!
  • Audience 9.5 - Flawless audience capture!
  • Soundboard 9.5 - Right here, this is the one to get from this tour. Sparkling! Note: Of all the Yes shows I have heard, and I have heard many, although there are many close seconds, for some reason this is my all time favorite. The Audio is superb and the vibe is present with both the audience and the band. Stunning!  
  • Audience 7.5 - Two complete shows from 1984 that see very limited trading and as far as I know there’s been no CD release for either. There is good reason for this – these recordings sucked ass. Unfortunate too, because both gigs are screamers. Now, the good news! Both shows have been re-mastered using the best technology available (whatever they did 35 years ago obviously did not do much) and the results are that you can hear music now, you can hear what Eddie is doing and you can hear the band. No, it is not going to be sonically superior, but it is sonically better than any previous versions, and that is saying an awful lot! Best way to enjoy these is to listen to the original recordings and then pop these discs in, and THEN you will understand the work that went into saving these gigs from obscurity. The packaging on this title is superb by the way.
  • Soundboard 8.8 - A loud board mix, with a little crispiness in the ultra high frequency but what this actually translates to as the show plays is CRUNCH factor which helps liven up what could have been a flat, lifeless board tape. The remastering helped because the levels were kind of low, and the bass needed to be dialed back just a tick, but just that light touch really made this tape a whole point better. Fantastic prime era Halen comin’ out yer speakers like lightning bolts. MUST HAVE!!!
  • Soundboard 9.3 - Recently remastered to give a good board tape a much needed kick in the ass. I heard this tape years ago, and I love what was done to bring out the bad-assery this performance was.
  • Audience 7.8 - I can handle an average audience tape as long as the guitar is clear, and this one thankfully showcases guitar in the mix and man, I am glad because he is TEARING it up here! At times even the mix gets really good and clear, like the taper is maneuvering for better position so this is a strong 7.8.
  • Audience 8.4 (both shows) - I absolutely love this set. A must for fans.
  • Early Soundboard 8.6 - High energy; it does get a little "hot" as far as the mix but it doesn't detract from the experience of hearing Van Halen in a small club playing their asses off before they hit the big time. Dave is in fine form, as always. A great gig, a very good recording, a great band at a great time. Highly recommended.
  • Audience 8.7 - Really loud and up front sound but no distortion makes for a real thrill ride. I love this recording. I think it captures the manic energy happening on stage. Wonderful

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