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SDBRD 9.6 - Recorded for broadcast, sounds like they are playing in your living room. -
Audience 8.3 - At first, you would have expected this to sound awful, being an awfully loud band playing in a small club with primitive gear…and it’s not exactly perfect but for what it is it is DAMN good! Guitars up front, vocals a but buried, drums reasonably clear, but you get a real sense of the action and the sound is not bad at all. Historically, this is absolutely a must for any ACDC fan. -
All Pro 9.8 - A collection of music from Deborah Harry’s personal archives. -
Soundboard 9.4 - Superb document! My only complaint is very minor, I would have mixed keyboards in a little higher, but otherwise this smokes! -
Soundboard 8.6 - Very clear, with occasional wow and flutter but the atmosphere is intact and the history is undeniable. A certain must for any Kiss fan! -
PRO STUDIO 9.3 - One of the best I have come across, a great selection of tracks and some I’d never heard before. Excellent! -
FM Broadcast 9.0 - There’s not much information as to what this is exactly, but to me it sounds like a live in studio thing. It’s pretty cool actually. -
Soundboard 9.1 - I love this one, great performance and great atmosphere. The band must have recorded a lot of shows on this tour, maybe they were trying to get the penultimate show on tape for the Live Lotus LP release. -
Audience 6.8 - A little boomy, present guitar but low vocals. -
Soundboard 9.8 - Simply fantastic! A MUST!!!! -
Pro Studio Quality -
FM Broadcast 8.8 - A terrific slice of power pop played by perhaps the best ever in the genre. All the songs are killer - no filler, a band at the height of their powers. -
Soundboard 9.6 - From the very first notes, you know this one is going to be one helluva ride, and it delivers! -
Soundboard 8.9 - Hard to find anything to complain about when it comes to listening to vintage Kiss board tapes, that is, if you are like me and grew up with Kiss. Believe it or not, Kiss displayed very competent musicianship back in these days. -
Audience 8.5 - Starts off a little funky as the taper gets in position but slowly develops into a very good and clear recording for the duration. The audience is golden, very respectful and this makes for a better overall experience too. -
Audience 8.6 - This is a guitar-fest right here, the sound mix allows Jeff’s sound to cut through the bass which, if you have been collecting much BBA, you know bass is almost always WAY too loud! Well, it is understandable I guess, but this show features a more democratic mix and you will REALLY enjoy it for that reason alone. Besides for that, it’s a good show, the band sounds like they might not be beating the shit out of each other backstage…ahem. -
Audience 7.7 - Ever wonder what the opening act was like? OK, so this is a great example of that – a band that opened for Jethro Tull in 1970 and someone recorded them. Are they good? They are very competent and it’s easy to see why they got the slot. The recording is kind of one-dimensional but sufficient to allow you to hear it all, with clarity, just not a lot of dynamics. This is probably the only existing live recording of them so it’s worth grabbing. -
Pro Studio and Live 9.0 - Consistent, with some obvious age related issues present on some cuts but overall pretty much in the pocket. -
Pro Studio 9.2 - Minimalism never sounded so catastrophic! But it’s cool in a subversive kind of way. -
Audience 8.2 - What does this tape offer? Unequaled tension, suspense, musicianship, mood, and satisfaction. Is it the best quality? No, but you can clearly hear every instrument, and I will take an 8.2 Crimson over 98% of anyone else in a heartbeat. This music is just brilliant and intense. -
Audience 7.8 - A recording that slowly gets a little better after the first song or two but I have to tell you – for historical purposes this recording is the first time Brian Johnson appears on tape with the band (live, not studio). I think he does a fine job filling the spot too, but that’s up to every fan to decide. -
Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer. -
Audience 8.9 - You can turn the volume way up and it gets better and better because the wise taper knew what he was doing. The show is incomplete though but you won’t find me complaining. Thankful for what I have, and you will be too! -
Audience 8.6 - A serviceable recording, it stays sort of in the midrange spectrum but is pretty powerful anyway. I suspect this may be audio that was taken from a video source, but to my ears it sounds better than a typical home video camera audio capture. -
Pro Studio 9.5 - A brilliant sonic overhaul done for these historic tracks. For years circulated widely but now restored and remastered to proper speed .... collectors will be happy to have this set. -
Audience 7.1 - One for completists only, but even then, this version has been given a touch of boost (recording levels were low), EQ and hiss reduction (very very lightly) making it an upgrade to previous versions. Good set list, band sound good (Ozzy in a great mood). I think it’s not a total loss of a recording, because the one thing it does also have going for it, is that it is not a garbled muddy mess (that is a deal breaker for me). -
Audience 8.6 - A strong recording that you know was done by people who were careful and prepared because right away you can hear them getting the recording levels set during the opening bars of the first song. They knew what they were doing! A lively gig, the band riding high and looking to prove that the hype was for real. Get this! -
Studio 8.7 - A little sonic degradation to these professional studio demos (the bonus tracks are abbreviated probably due to legal reasons at the time they were recorded). Some of the tracks are better quality, but the worst are still very good, just maybe a little loss of clarity and fidelity but nothing major. You’ll enjoy this if you are a fan. -
Audience 9.1 - Taper was very close to the main PA but it does not distort and the sound goes directly to your brain, it does not stop for directions. HOT HOT HOT!! Get it. -
Studio quality 9.0 with some variation of quality throughout but not getting anywhere below a solid 8.8. -
T Rex Rare Rextacy Studio Demos of Professional studio quality 9.6 and live tracks 9.0 Clear, bright, and interesting…that is the key point when dealing with studio outtakes. These are well worth the listen! -
Audience 8.6 - A very early tape featuring the bands original guitarist. For those who have not heard anything like this before, well, it does not sound like the Police as we know them, it’s still good, but different. To my ears, the guitarist does not have the polish we have come to expect from this band, but he’s got quite a lot of spit!