• Soundboard 8.8 - Not the best mix, you won't get everything in a vibrant, democratically mixed way but even so it's going to deliver in other ways for you. The vocals are living room clear, organ and drums occupy the next level of bandwidth, and then comes bass...leaving guitars in the background until they are brought forward during solos or during some of the songs where guitar is a key component. It's spotty there, but seems to come and go in the mix (when it comes it is fine, but then it oddly disappears). Lou Reed Century Theatre Buffalo NY 1973.12.08 01 Intro 02 Vicious 03 How Do You Think It Feels 04 Caroline Says I 05 I'm Waiting For My Man 06 Lady Day 07 Heroin 08 Sweet Jane 09 Satellite Of Love 10 Rock & Roll 11 Sister Ray 12 Sister Ray Again Lou Reed - vocals Steve Hunter - guitar Dick Wagner - guitar Ray Colcord - organ Peter Walsh - bass Pentti Glan - drums
  • Audience 9.4 - Absolutely fantastic tape! This gives you everything and more, including some intangible aspects that people ought not to disregard, and that is atmosphere. What was it like at the show? I want that immersive experience, and I want a clear sounding tape, and I am willing to forgive the lack of some dynamics in exchange for that - but here you don't have to make that sacrifice because this recording is VERY dynamic! I love the meaty drums, and vocals are soaring above and very clear. Guitar is MONSTEROUS too, and mixed properly. This is almost a must have, actually it is good enough to be a top 5 at least for the Tony Martin era. Black Sabbath 1989-06-14 Agora Ballroom Cleveland, Ohio 01 The Gates Of Hell 02 Headless Cross 03 Neon Knights 04 Children Of The Sea 05 The Mob Rules 06 When Death Calls 07 War Pigs 08 Guitar Solo 09 Die Young 10 Black Sabbath 11 Devil And Daughter 12 Iron Man 13 Children Of The Grave 14 Heaven And Hell 15 Paranoid
  • Audience 8.7 - Loud and brassy, with some distortion on the cymbals at the high end. Taper must have been in the front row on the PA side of the stage. That being said, this is what makes this recording frightening to the ears, a terrifying journey into the unrelenting power and charisma of ELP in their mid 70's prime. There is nothing sedate about this live concert experience, and because it was recorded on very good equipment, even despite the overwhelming loudness of it, it's a rather true representation. Side Note: Jerusalem is a song with more mellow passages and here this recording absolutely shines, jumping quickly to a 9.2 rating and actually remaining better even during the loud segments as it starts to even out - this could be due to taper either moving further back, or making some other minor adjustment. Something certainly is changing with the recording as tape noise increases but the distortion lessens, this could mean he lowered the gain, so the volume had to be boosted during the transfer as his recording levels were much lower. Either way, it had a net positive effect. Unfortunately not the complete show. Emerson, Lake & Palmer Long Beach Arena Long Beach, CA February 3, 1974 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus
  • Radio Broadcast 9.1 - A great document! Sounds fine, a touch of hiss but it is amazing how good this sounds for its age - I have heard recent radio broadcasts that sound worse. Jim and Ingrid Croce on the Gene Shay Program WIOQ 102.5 FM, Philadelphia 1967 01. Interview #1 (0:54) 02. Darcy Farrow (w/Ingrid) (2:38) 03. Interview #2 (2:25) 04. Gunga Din (Jim solo) (4:00) 05. Interview #3 (1:26) 06. Coconut Grove (w/Ingrid) (1:33) 07. Interview #4 (1:26) 08. Bringing Mary Home (w/Jim Croce Trio) (3:12) 09. Interview #5 (2:07) 10. Any Old Time (w/Jim Croce Trio) (3:01) Total time - 22:42 Jim Croce - vocals & guitar Ingrid Croce - Vocals Carl (?) - upright bass Ken (?) - cornet
  • Soundboard 9.4 - A lovely bright and clear sound, only noise I hear is between songs. I also love the fact that this dates from a period where there's not an abundance of Kansas recordings. I have to consider this a must have for Kansas collectors. Kansas Sjiwa Summer Rock Festival Horse Racing Course Baarlo, The Netherlands August 22, 1981 Audio Visions Tour 01 - Song For America 02 - Got To Rock On 03 - Paradox 04 - Point Of Know Return 05 - Dust In the wind 06 - Miracles Out Of Nowhere 07 - Loner 08 - Down The Road 09 - Portrait (He Knew) 10 - Carry On Wayward Son
  • Audience 8.8 - A rather good tape, it's kind of rare to find something like this just because of the extreme volume and what not that metal presents to taping gear - but this one shines. Sometimes the rhythm guitar seems to drop out a little in the mix, every now and then but that might be a PA or mix thing. Metallica - The Ecstasy of Aragon Aragon Ballroom Chicago, Il, USA February 9, 1985 1. The Ecstacy of Gold 2. Fight Fire With Fire 3. Ride The Lightning 4. Phantom Lord 5. The Four Horsemen 6. Anesthesia - Pulling Teeth 7. For Whom The Bell Tolls 8. No Remorse 9. Fade To Black 10. Seek And Destroy 11. Whiplash 12. Creeping Death 13. Am I Evil? 14. Motorbreath
  • FM Broadcast 8.9 - Good because it's a broadcast, but there is some compression so you do not get the crisp, soaring highs and separation of instruments is not perfect. It's a somewhat "rough" professional recording and I am not talking about just age or generation of tape either - some of this is probably in the actual recording and/or live sound mix. That being said - it's a really good tape nonetheless and worthy of your collection. Blue Oyster Cult Centrum Worcester, MA. September 24, 1982 01. Pre-show interview 02. This Ain't The Summer Of Love 03. Hot Rails To Hell 04. Joan Crawford 05. Cities On Flame 06. Veteran of the Psychic Wars 07. Don't Fear The Reaper 08. Godzilla intro 09. Godzilla 10. Drums 11. Godzilla (reprise) 12. Bass solo 13. Born To Be Wild 14. DJ and stage banter 15. Burnin' For You Albert Bouchard - drums, percussion, vocals Allen Lanier - keyboards, guitars, vocals Donald "Buck Dharma" Roeser - lead guitar, vocals Eric Bloom - lead vocals, rhythm guitar Joe Bouchard - bass guitar, vocals
  • Audience 8.7 - This is a really good, but flawed, recording. The good points are that it is clear, and has unmistakable stereo panning, and a LOT of good live atmosphere (not the obnoxious audience kind of atmosphere!). The flaws are that taper is working hard (to his credit) to get into a sweet spot and while doing this the signal to his deck fades in and out slightly - the effect is one of phasing, so it's not a deal-breaker flaw it's just you have to accept that vocals and what not at times sound really far back and then sound much closer...at various points during the show (I should say guitar does this too, maybe less often). The reason why you'll stick it out is because when it is good...it's great. Iron Maiden International Amphitheater Chicago, IL. 1982-09-21 01 - Wrathchild 02 - Run to the Hills 03 - Children of the Damned 04 - The Number of the Beast 05 - talk 06 - 22 Acacia Avenue 07 - Hallowed Be Thy Name 08 - Iron Maiden
  • Soundboard 8.9 - Man, this is just amazing. It sounds a little dated, maybe a little faded, but definitely NOT jaded! The live sound mix isn't perfect here, I think guitars should be louder (but at least in this board I can hear every note of the bass) but in defense of the guitars I can hear both of them somewhat distinctly. Vocals do suffer, they are pushed well back of the mix, at times they get closer to the right spot, but it's all good they are there but just not at the center of the mix. I think this is classic stuff. Slayer Country Club Reseda, LA, CA. September 7th 1985 Hell Awaits Tour 1. Hell Awaits 2. Aggressive Perfector 3. Captor Of Sin 4. The Final Command 5. Haunting The Chapel 6. Praise Of Death 7. Fight Till Death 8. Necrophiliac 9. Black Magic 10. Die By The Sword 11. Crypts Of Eternity 12. Hardening Of The Arteries 13. The Antichrist 14. At Dawn They Sleep 15. Show No Mercy 16. Crowd 17. Evil Has No Boundaries 18. Chemical Warfare Tom Araya – bass, lead vocals Jeff Hanneman (R.I.P.) - lead and rhythm guitar Kerry King – lead and rhythm guitar, backing vocals Dave Lombardo – drums
  • Soundboard 9.2 - In this mix, vocals are front and center, followed next by drums (cool) and guitars which sound just evil AF. This is surely one all fans will slay for (see what I did there?). Slayer Elkerlyck Luttenburg, The Netherlands 2nd June 1985 01 - Hell Awaits 02 - Aggressive Perfector 03 - Captor Of Sin 04 - Fight 'Til Death 05 - Kill Again 06 - Haunting The Chapel 07 - Necrophiliac 08 - Black Magic 09 - Die By The Sword 10 - Praise Of Death 11 - The Final Command 12 - Hardening Of The Arteries 13 - At Dawn They Sleep 14 - Show No Mercy 15 - Evil Has No Boundaries 16 - Chemical Warfare 17 - The Antichrist
  • Soundboard 9.4 - Excellent tape for all those who actually want to hear what the band is doing. Drums are massive, and the guitars sound on point and distinct. SLAYER Memorial Coliseum Corpus Christi, TX 1987-02-19 1. Raining Blood 2. Reborn 3. Die By The Sword 4. Necrophiliac 5. Postmortem 6. Criminally Insane 7. Angel Of Death 8. Epidemic 9. Altar Of Sacrifice 10. Jesus Saves 11. Evil Has No Boundaries 12. Raining Blood (Reprise) Bonus Tracks 13. Evil Has No Boundaries (1983 Demo) 14. Crionics (1983 Demo)
  • Audience 8.7 - A little subdued maybe, but all the instrumentation is clearly heard, and dynamically it resides in the middle band frequencies and has a decent bass response but at the expense of maybe guitars which seem to sit just behind the bass. Considering the gig (inside a prison) I have to say it's a very good job, and worthy of a spin. ULI JON ROTH Klingelpuetz Prison Cologne, Germany 1979-10-03 2nd Show 01. Sundown 02. Earthquake 03. Japanese Dream 04. Children Of The Sea 05. I've Got To Be Free 06. Polar Nights 07. On That Night 08. Beethoven's Ninth 09. Hell-Cat The ELECTRIC SUN Band Uli John Roth (Guitars, Vocals) Ule Ritgen (Bass) Sidhatta Gautama (Drums, Percussion)
  • Radio Broadcast 9.4 - Perhaps one of the best live documents in existence, even if there are marginally better sounding shows out there (although this one is killer), this tops it for exuberance and swagger. New York Dolls Radio Luxembourg 22 rue Bayard, Paris December 1, 1973 1. Introduction 2. Personality Crisis 3. Bad Girl 4. Looking For A Kiss 5. (Give Her A) Great Big Kiss 6. Stranded In The Jungle 7. Pills 8. Vietnamese Baby 9. Trash 10. Chatterbox 11. Puss 'n Boots 12. Hoochie Coochie Man 13. Jet Boy David Johansen: Vocals Johnny Thunders: Guitar Sylvain Sylvain: Guitar Arthur "Killer" Kane: Bass Jerry Nolan: Drums
  • Audience 9.5 - Rich, clear, dynamic...if you don't have these elements in a heavy metal (especially Doom metal) recording, you aren't going to be very satisfied. But this, this is EVERYTHING you want and more. MUST HAVE! The Skull Mississippi Studios Portland, OR. 2013-10-13 1. The Tempter 2. Thinking Of The Past 3. Wickedness Of Man 4. Plastic Green Head 5. The Eye 6. Pray For The Dead - Psalm 9 7. Assassin 8. The Last Judgement 9. Another Day 10. Revelation (Life Or Death) 11. Bastards Will Pay 12. Hello Strawberry Skies 13. At The End Of My Daze Eric Wagner - Vocals Ron Holzner - Bass Jeff Olson - Drums Lothar Keller - Guitar Michael Carpenter - Guitar
  • Soundboard 9.4 - Intense! Great mix here, full frontal assault and Dio shines! Dio Coliseum Spokane, WA 1984-07-24 01. -We Rock 02. -Mystery 03. -Shame On The Night 04. -Children Of The Sea 05. -Heaven & Hell 06. -Guitar Solo 07. -The Last in Line 08. -Heaven And Hell 09. -Stand Up & Shout 10. -Holy Diver 11. -Drum Solo 12. -Mob Rules 13. -Rainbow In The Dark 14. -Man On The Silver Mountain 15. -Starstruck - Long Live Rock 'N Roll 16. -Man On The Silver Mountain (reprise)
  • Soundboard 9.0 - A VERY animated and live sounding recording. There is nothing sterile about this! It bristles with electric mayhem and tension, sometimes it goes a little over the edge (takes a minute for the mix to even out a little bit - and it seems to lean slightly onto upper mid/high end leaves some of the balls of the bass out, but there's enough meat here to add some bass and I think once you do that you'll have a real banger with this one. It's already great, but I'd certainly season it to taste. The Damned Oxford College Of Further Education Oxford, UK. 3-1-1984 01. there ain't no sanity claus 02. disco man 03. ignite 04. stranger on the town 05. wait for the blackout 06. do the blitz 07. melody lee 08. born to kill 09. love song 10. neat neat neat 11. looking at you 12. smash it up pt1 13. smash it up pt 1 1_2 14. smash it up pt 2 15. new rose 16. hippy hippy shake 17. i feel alright 18. we love you 19. i just can be happy today 20. love song
  • Audience 8.7 - A somewhat crude tape that manages to still present some meat you can savor. The slightly overloaded tape can still allow everything to be heard although drums are not very distinct (cymbal washes do clear the mix because they sit in the high band range) and neither are the vocals - but here's the saving grace: The guitar is present and accounted for and you really NEED that with this band because this guy is phenomenal. PFM Teatro Nuovo, Torino, Italy March 13, 1974 1. L'isolo Di Niente (The Mountain) 2. Is My Face On Straight 3. Mr. 9 Till 5 4. Violin Solo 5. Have Your Cake And Beat It 6. River Of Life 7. Dolcissima Maria (Guitar Solo) 8. Just Look Away 9. La Luna Nuovo (Four Holes In The Ground) 10. Celebration 11. La Carrozza Di Hans - Drum Solo 12. Impressioni Di Settembre (The World Became The World)
  • Audience 9.3 - Excellent quality, in fact I think this is a professional recording done on or very close to the stage. It has certain tell-tale qualities, like there being minimal audience noise and very clear, well-balanced band. Good mix here, even without Duane present I think most listeners will find this most welcome especially considering two songs are played featuring Johnny Winter.   THE ALLMAN BROTHERS BAND Hollywood Bowl Hollywood, CA August 6, 1972 1. Statesboro Blues 2. Done Somebody Wrong 3. One Way Out 4. Stormy Monday 5. You Don't Love me 6. Trouble No More 7. In Memory Of Elizabeth Reed 8. Whipping Post 9. Johnny B. Goode 10. Dust My Broom Tracks 9-10 with Johnny Winter Gregg Allman Dickey Betts Berry Oakley Butch Trucks Jai Johanny Johanson
  • Audience 8.7 - A new re-mastering has taken what was once a very muddy recording and breathed significant new life into it. I mean, if ever there was a time to be collecting it is right now. So while it still might be considered as an average audience recording, the fact is that there is much more in this tape than what was once believed and which is why it flew under the Sabbath collector radar. But it's actually pretty good, I can only be a little critical if I analyze what is happening at the lower end here, not much definition and guitar blends into the bass somewhat and provide a volume backdrop that is "dark" and foreboding but not a mess either. I think people should give this re-mastered version a chance, I did and I am very glad I did. Black Sabbath 1971-01-18 City Hall Newcastle-Upon-Tyne, UK 01. Paranoid 02. N.I.B. 03. War Pigs 04. Into The Void 05. Iron Man 06. Black Sabbath 07. After Forever 08. Wicked World 09. Guitar Solo 10. Wicked World (Reprise) 11. Fairies Wear Boots 12. Paranoid
  • Very hard to find out of print CD. Try to find a copy you'll be hard pressed - not on Ebay not on Discogs! Brand New SEALED RARE private label release out of print.
  • The Houston Punk/Grunge rock scene of the late 80's and early 90's produced a very diverse and highly talented assortment of bands spawned inside the 610 Loop surrounding the downtown metroplex. Chief among those was a ferocious punk rock (or better, "Burly Pig Rock") band called SPUNK. Fronted by Tod Waters, a mercurial character with non-stop energy, talent, and bravado who to this day still creates dynamic rock and roll (as evidenced by the newest release of his current band DIE FAST). This new release features a pair of never before available soundboard recordings from the downstairs room at the legendary Fitzgerald's Club.
  • Hard rock group from Houston active during the mid 70's and were primarily known as a covers band, playing many of the well known clubs in town. They recorded a handful of original songs in 1975, and disbanded following some unfortunate incidents while on the road. A single 7" record was released, however, and gained enough traction that rhythm guitarist Jimmy Lee Dean decided to continue on and recruit new members (the era known as Jeremiah MK II). This version of the band recorded a full length LP which never saw the light of day as the manager absconded with the master reels soon after the sessions, and nobody heard from him since. Eventually, we rediscovered these masters and attempted to transfer them in the studio but the tapes had severely degraded, the material, such as it is, is also contained on this collection. A 40th Anniversary reunion concert occurred in 2014, and excerpts from that show are included on the 2nd disc. All known recordings of this band are included in this package.  
  • From the ashes of the Moving Sidewalks, former members Tom Moore and Dan Mitchell decided to carry on playing the blues once Billy Gibbons formed ZZ Top and was doing straight up Texas style blues rock. Featuring Hammond B3 organ, the band had a different approach to blues rock but executed with the same kind of unique Texas panache. A single 7" was released but the band recorded quite a bit of material which never saw the light of day. This CD gathers most of those recordings along with a disc full of rare live tracks, of which include Ottis Coleman (Honest John, 1900 Storm, Texas Blend) replacing Tom Moore and Dusty Wakeman (bass) who also happened to be in The Barons and engineered the Honest John album in 1975.
  • The twins Mark and Clark Seymour (and a third brother on Moog and assorted keys) have a very long history in music. They may be little known to the general public, but once upon a time they were "the next big thing"...until loads of cocaine, unscrupulous industry execs, and bad decisions got the better of them. The story is a long one so no way to repeat it here, suffice it to say this was a band that could have given Queen a run for their money. Carnegie were at their prime during the years 1977 and 1978, with demo recordings, record contracts, shows, and even occasional TV appearances -- this 2CD set gives you a rare glimpse into what could have, what should have been.
  • Prolific San Antonio progressive hard rock band responsible for carrying the torch for over 45 years. This is the only known complete live recording of them, you'll hear a mix of originals and prog rock covers played to perfection.
  • Dallas based Christian proto-metal band that recorded loads of material and performed live but never actually released anything to the public. Two discs worth of master quality studio demos, and live, tracks. Very competent band that were obviously heavily influenced by the NWOBHM groups especially Judas Priest, Iron Maiden, and maybe a healthy dose of classics like Thin Lizzy and Wishbone Ash with the dual guitar action a lot of the songs feature. Top shelf!
  • Shotgun were a 1970s rock band from Dallas. The band consisted of Guy Houston on drums, Hugh Coleman on bass, John Michael Soria on lead guitar, Russ Skarsten on keyboards, and Billy Metcalf on lead vocals.  The band's 1976 album, recorded but never released, Dallasian Rock was remastered and reissued by ShroomAngel Records, in 2014. Reviewing the album for seaoftranquility.org, Pete Pardo awarded the album five stars and said: "This is incredible material that should have been huge back in the day, and the amazing thing is it still sounds fresh and exciting here in 2014. The ShroomAngel team have done a wonderful job on the remastering, so be prepared for a killer listening experience."
  • Audience 7.9/Soundboard 8.8 - A rough and tumble recording for a rough and tumble show. Quite frankly, it’s a perfect match, but obviously when the soundboard portions kick in it is a relief to the ears. The audience tape is one of the better sounding ones of the tour – we’ve all heard the dismal sounding ones and this is by far better. The video footage gives you more appreciation for the tapers efforts, because it just looks like it would have been a miracle to have produced anything remarkable in that venue. My hats off to the tapers! The Rolling Stones Let it Bleed Tour Olympia Stadium, Detroit, MI, USA November 24th, 1969 Track List 01 Jumpin' Jack Flash 02 Carol 03 Sympathy For The Devil 04 Stray Cat Blues 05 Love In Vain 06 Prodigal Son 07 You Gotta Move 08 Under My Thumb 09 Midnight Rambler 10 Live With Me 11 Little Queenie 12 (I Can't Get No) Satisfaction 13 Honky Tonk Women 14 Street Fighting Man Includes Rare Video Footage!
  • Audience 8.7 - An historic concert recording well known among collectors, receiving a “refresh” bringing out even more of the music. This particular reissue features a bonus disc with a couple of minutes of seldom seen video footage of the show. Los Angeles, California, Inglewood Forum Nov. 8, 1969 (2nd show) Includes rare video footage 01. intro 02. Jumping Jack Flash 03. Carol 04. Sympathy For The Devil 05. Stray Cat Blues 06. Prodigal Son 07. You Gotta Move 08. Love In Vain 09. I'm Free 10. Under My Thumb 11. Midnight Rambler 12. Live With Me 13. Little Queenie 14. Satisfaction 15. Honky Tonk Women 16. Street Fighting Man
  • A rare find, a good sounding 70's Motorhead live! I'd grab this one quick as I have very few of them and already they are out of print.  Import from UK, SEALED.
  • This one has grown in value due to availability, now a hard to find UK import. Brand New - Sealed
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.
  • Brand New - Sealed  Sound quality on all releases on this label is excellent.

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