• Soundboard 9.3 - What you would expect from a direct to tape from the mixing console recording. It's super clear and clean and every instrument in a place where it's easily distinguishable, but don't assume it's just a dry, lifeless thing 'cause it ain't. It's not mixed for a release of any kind, but as a reference, so there's nothing to tame the Wildman when he's on the microphone - and that's the life of the party right there. Ted Nugent LIVE 1980 VOLUME 1 Municipal Coliseum Lubbock, Texas April 11th, 1980 Disc 1 01 Intro 02 Motor City Madhouse 03 Stormtroopin' 04 Free For All 05 Wango Tango 06 Just What The Doctor Ordered 07 Cat Scratch Fever 08 I Gotta Move 09 Hard As Nails Disc 2 10 Ted Talking 11 Dog Eat Dog 12 Lubbock Texas Shuffle 13 Ted Talking 14 Wang Dang Sweet Poontang - TNT Overture 15 Great White Buffalo 16 Stranglehold
  • Audience 9.7 - For me, this right here encapsulates the 70's for me growing up. When I first discovered rock and roll, the radio was on repeat with the Frampton Comes Alive! album, and everyone in the neighborhood had a copy. I had it on 8 track. This live recording is the bomb, just a wonderful document of a great moment in 70's rock music history. I love the atmosphere too, everything about this actually does "come alive" and for that it deserves the high rating. Peter Frampton The Forum Inglewood, CA December 9, 1976 Disc 1 01 One More Time 02 Baby I Love Your Way 03 Sail Away 04 Fanfare 05 Alright 06 I Wanna Go To The Sun 07 Something's Happening 08 Doobie Wah 09 Lines On My Face 10 Show Me The Way Disc 2 11 (I'll Give You) Money 12 (I'm A) Roadrunner 13 Signed Sealed Delivered 14 It's A Plain Shame 15 Do You Feel Like We Do 16 Shine On 17 White Sugar 18 Jumpin' Jack Flash 19 I'm In You
  • Studio Quality 9.8 - Fantastic insight into the working progress of a masterpiece album. One thing that stood out for me was listening to the drums, they aren't exactly going to be the biggest takeaway when considering the performance as a whole but when they are dissected and highlighted you really understand the craft that goes into it. Let's put it this way - the drums aren't just being banged upon, they are being played. Queen ‎ Multitracks Mixes II Disc 1 01.Brighton Rock (Drums) 02.Brighton Rock (Guitar) 03.Brighton Rock (Vocal) 04.Get Down, Make Love (Bass) 05.Get Down, Make Love (Drums) 06.Get Down, Make Love (Guitar) 07.Get Down, Make Love (Piano) 08.Get Down, Make Love (Vocal) 09.I Want It All (Drums) 10.I Want It All (Guitar, Bass) 11.I Want It All (Keyboards) 12.I Want It All (Vocal) 13.Killer Queen (Drums) 14.Killer Queen (Guitar) 15.Killer Queen (Piano) 16.Killer Queen (Vocal) 17.One Vision (Drums, Bass) 18.One Vision (Guitar) 19.One Vision (Vocal, Synthesizer) 20.Tenement Funster (Drums, Vocal) 21.Tenement Funster (Guitar) 22.Tenement Funster (Piano, Bass) Disc 2 01.Bohemian Rhapsody (Bass) 02.Bohemian Rhapsody (Drums) 03.Bohemian Rhapsody (Piano) 04.Bohemian Rhapsody (Piano, Bass) 05.Bohemian Rhapsody (Piano, Drums) 06.Bohemian Rhapsody (Guitar) 07.Bohemian Rhapsody (Background Vocal Mix) 08.Bohemian Rhapsody (Lead Vocal Mix) 09.Bohemian Rhapsody (Complete Vocal Mix)
  • Audience 9.0 - The only thing keeping this from attaining legendary status is the slight distortion present in a very specific middle to upper band in the frequency range. It's not a deal-breaker, it's in a place where you still get all the richness of the low end and the detail in the high end. The taper obviously used very good gear, so maybe the microphone he used and the location in the venue perhaps limited the recording in a way, because this is still a damn good tape but could have been a bona-fide must have. Emerson, Lake & Palmer Charleston Civic Center Charleston, WV November 23, 1973 Disc 1 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus 06 Benny the Bouncer 07 Take A Pebble Disc 2 08 Lucky Man 09 Piano Improvisation 10 Take A Pebble (Reprise) 11 Karn Evil 9 1st - 3rd Impression 12 Pictures At An Exhibition
  • Audience 9.2 - The first thing that hit me with this recording is the lovely feel of it, silky and round with a solid "thwack" of the kick drum to make you remember what it's like to stand in front of the mains at a stadium rock show. A fine recording that belongs in every Bowie fan's collection. David Bowie Madison Square Garden New York City, NY July 26, 1983 Disc 1 01 The Jean Genie Intro 02 Star 03 "Heroes" 04 What In The World? 05 Golden Years 06 Fashion 07 Let's Dance 08 Breaking Glass 09 Life On Mars 10 Sorrow 11 Cat People (Putting Out Fire) 12 China Girl 13 Scary Monsters (And Super Creeps) 14 Rebel Rebel 15 White Light, White Heat Disc 2 16 Station To Station 17 Cracked Actor 18 Ashes To Ashes 19 Space Oddity 20 Band Introductions 21 Young Americans 22 Fame 23 TVC15 24 Stay 25 The Jean Genie 26 I Can't Explain 27 Modern Love
  • Audience 9.4 - Well done, a consistent and even quality, captures the feel of the venue and since the equipment used seems to be very high quality, it allowed for plenty of headroom in the recording and that allows the listener to adjust volume and EQ to suit their tastes...not that it needs much. Eric Clapton Paramount Theater Seattle, WA. March 7th 1981 DISC 1 01. Country Boy (Albert Lee) 02. A Salty Dog (Gary Brooker) 03. Tulsa Time 04. Lay Down Sally 05. Wonderful Tonight 06. Worried Life Blues 07. Stay Away From My Baby 08. Double Trouble 09. Rita Mae 10. Blow Wind Blow 11. Medley: Ramblin' On My Mind - Mean Old World - Have You Ever Loved A Woman 12. Blues Power DISC 2 13. Cocaine 14. Layla 15. Further Up On The Road BONUS TRACKS: 16. Cocaine (Seattle, March 7th 1981 - alternate analogue source 17. Blow Wind Blow (Seattle, March 6th 1981) 18. Rita Mae (Seattle, March 6th 1981) 19. Blues Power (Seattle, March 6th 1981) 20. Cocaine (Seattle, March 6th 1981) 21. Layla (Seattle, March 6th 1981)
  • Soundboard 9.4 - All soundboard, includes Fresno 1983 and more (such as the rehearsals, again soundboard).  
  • Audience 8.7 - Better than average, the tape has dynamics to it and even if vocals sound somewhat distant, the bass and guitar have a nice attack with the low end having that chest pounding quality which adds a lot to the electrifying atmospherics. Rory is particularly savage, playing what is probably a really wild crowd since it is where he is from. The performance is worth the entrance fee, the sound quality is good enough to warrant extended engagement. Full disclosure: There is some tape hiss present although it only becomes obvious when the band is not playing. RORY GALLAGHER Rory's Stompin' Grounds National Stadium Dublin, Ireland December 28, 1978 Disc 1 1. Shinkicker 2. Do You Read Me 3. Bought And Sold 4. I Wonder Who 5. Cruise On Out 6. Brute Force and Ignorance 7. Calling Card Disc 2 8. Out On The Western Plain 9. Too Much Alcohol 10. Barley & Grape Rag 11. Goin' To My Hometown 12. Shadow Play 13. Tattoo'd Lady 14. Bullfrog Blues 15. Sea Cruise Rory Gallagher - guitar, vocals Gerry McAvoy - bass Ted McKenna - drums
  • Soundboard 9.4 - Great recording that gives you stunning detail and clarity with guitar, but here the bass sounds round and brassy and complements the guitar sound. In this mix, drums are also very tight, and the fact that the keyboards are panned to one side while guitar occupies the other really allows for an amazing separation of instruments, cohesive because it is expertly mixed but enough room between to allow the ears to focus on any one particular instrument (but I bet you'll not be able to block Ritchie out because he's living up to all the hype and then some in this one). Rainbow Orpheum Theatre Boston, MA 1981-05-07 Disc 1 101 Over The Rainbow 102 Spotlight Kid 103 Love's No Friend 104 I Surrender 105 Man On The Silver Mountain 106 Catch The Rainbow Disc 2 201 Can't Happen Here 202 Keyboard Solo 203 Lost In Hollywood 204 Guitar Solo - A Light In The Black 205 Difficult To Cure 206 Drum Solo 207 Long Live Rock 'n' Roll 208 Lazy - Woman From Tokyo - Smoke On The Water
  • Soundboard 9.0 - Perhaps you have a Van Halen Osaka 1979 CD in your collection, please, go and check the date on it because this show is from September 11 and NOT the previous night which is an audience tape of average quality. This my friends is a fresh new transfer and re-mastering of a great sounding show! Van Halen Furitsu Taiikukan Osaka Japan September 11th, 1979 Disc 1 01 Intro 02 Light Up The Sky 03 Somebody Get Me A Doctor 04 Drum Solo 05 Runnin' With The Devil 06 Dave Talks To Osaka 07 Dance The Night Away 08 Beautiful Girls 09 On Fire 10 Bass Solo 11 You're No Good 12 Jamie's Cryin' 13 Osaka Gypsy Woman Blues Disc 2 14 Feel Your Love Tonight 15 Outta Love Again 16 Ice Cream Man 17 Ain't Talkin''Bout Love 18 Spanish Fly - Eruption 19 You Really Got Me 20 Bottoms Up! 21 Atomic Punk David Lee Roth Edward Van Halen Michael Anthony Alex Van Halen
  • Audience 8.8 - A well made recording that captures what it sounded like at the event, which is to say it was pretty loud and somewhat bass heavy. Its metal, and it's an outdoor show and who knows where the taper is seated and what he has to deal with, so I give them high marks for the effort. Carcass Teatro de Flores Buenos Aires, Argentina 02.05.2024 Disc 1 01. Buried Dreams 02. Kelly's Meat Emporium 03. Incarnated Solvent Abuse 04. Under the Scalpel Blade 05. This Mortal Coil 06. Tomorrow Belongs to Nobody - Death Certificate 07. Dance of Ixtab (Psychopomp & Circumstance March No. 1 in B) 08. Black Star - Keep On Rotting in the Free World Disc 2 09. The Scythe's Remorseless Swing 10. 316L Grade Surgical Steel 11. Corporal Jigsore Quandary 12. Daniel's solo 13. Ruptured in Purulence - Heartwork 14. Tools of the Trade 15. Genital Grinder 16. Pyosisified (Rotten to the Gore) 17. Exhume to Consume 18. Reek of Putrefaction
  • Audience 9.0 - A clean and well made recording that allows for increase of volume without causing headaches! Everything is very well balanced, guitars and bass are in the pocket and drums sound spectacular. Every now and then you get that slight phasing effect that typically happens if someone passes in front of the mic...very briefly, and it does not distract. Impellitteri Umeda Club Quattro Osaka, Japan June 4, 2019 Disc 1 01. Intro 02. Carmina Burana 03. The King Is Rising 04. Warrior 05. Run For Your Life 06. Father Forgive Them 07. Wicked Maiden 08. We Own The Night 09. Lost In The Rain 10. Over The Rainbow 11. Crazy Train Disc 2 01. Stand In Line 02. Jam (Smoke On The Water, Man On The Silver Mountain, Burn) 03. Since You've Been Gone 04. Answer To The Master 05. The Future Is Black 06. Hypocrisy 07. Band Introductions 08. Symptoms Of The Universe
  • Audience 9.0 - A warm, comfortable recording. Plenty of headroom, and a good instrument balance. The music is challenging and expertly performed, stuff like this is why a hardly every play my guitar anymore. What's the point? Chris Impelliterri is a beast! Impellitteri Umeda Club Quattro Osaka, Japan May 29, 2015 Disc 1 01. Carl Orff Carmina Burana 02. The King IS Rising 03. Speed Demon 04. Warrior 05. Time Machine 06. Power Of Love 07. Guitar Solo 08. We Own The Night 09. Guitar Solo 10. Stand In Line 11. Face The Enemy 12. Venom Disc 2 01. Garden Of Eden 02. Wicked Maiden 03. Drum Solo 04. The Future Is Black 05. Lost In The Rain 06. Band Introductions 07. Answer To The Master 08. Jam Session 09. Warrior
  • Audience 9.7 - Spectacular, crystal clear and lush sound makes you sink deeply into this one. For some, the Grateful Dead are not easily understood, but this show and this recording can easily be understood as beautiful music played with passion and talent galore. Now, to be honest, this set is missing an important segment, the "space/drums" part is conspicuously absent, but there is still plenty of lengthy workouts to keep you engaged with the psychedelic overtones of a Dead concert as well as the more bluegrass and bluesy numbers. All in all this is one for the history books. Grateful Dead Long Beach Arena Long Beach, CA December 13, 1980 Disc 1 01 Feel Like A Stranger 02 Sugaree 03 C.C. Rider 04 To Lay Me Down 05 Minglewood Blues 06 Ramble On Rose 07 Lost Sailor 08 Saint Of Circumstances Disc 2 09 Deal 10 Scarlet Begonias 11 Fire On The Mountain 12 Playing In The Band 13 Not Fade Away 14 Black Peter 15 Sugar Magnolia 16 One More Saturday Night
  • Soundboard 9.6 - Superb recording that delights the senses in every way with precision attack. The distortion this band uses does not in any way mask imperfection as so many other bands use it for, in fact the band is unbelievably tight, and the mix highlights each of them in a very harmonious way but especially tantalizing is the bass sound and placement in the mix. You'd expect, and even almost prefer that the vocals be the star of the show but they are not particularly highlighted as good as they are. The guitar solos are breathtaking, and each player is panned to one side in a non-synthetic stereo sound-field giving the listener a sense of space, like natural surround sound. Great great recording! Stryper B.B. Kings Blues Club New York, NY. Sept. 24, 2005 Disc 1 1. Intro 2. For You 3. Open Your Eyes 4. Make You Mine (cut) 5. Loud N Clear 6. Loving You 7. The Rock That Makes Me Roll 8. Reach Out 9. Calling On You 10. Free 11. Lady 12. Honestly 13. Passion Disc 2 14. All For One 15. Band Intros - Drum Solo 16. Live Again 17. Reborn 18. The Way 19. To Hell With The Devil 20. More Than A Man 21. Soldiers Under Command 22. Closing Prayer
  • Audience 9.7 - It takes the soundman a little while to dial it in, I mean, there's a lot going on so give him a break! Once he gets his mix right, it's off to the raises and one heck of a winning ticket. This is one of the best, Alan White has never been as fluid, even with the extended and complex jamming he's on every beat like a beastmaster. Steve Howe is in excellent form, in fact they all are...amazing! Yes Long Beach Arena Long Beach, CA June 23, 1975 Disc 1 01 Firebird Suite 02 Sound Chaser 03 Close To The Edge 04 To Be Over 05 The Gates Of Delirium 06 Your Move Disc 2 07 Mood For A Day 08 Long Distance Runaround 09 Patrick Moraz Solo 10 The Clap 11 And You And I 12 Ritual 13 Roundabout 14 Sweet Dreams Jon Anderson - Vocals Chris Squire - Bass Steve Howe - Guitar Alan White - Drums Patrick Moraz - Keyboards

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