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Soundboard 9.1 - Technically super clean and tidy recording but it lacks that electric atmosphere you get when you allow some “room” and crowd noise in the mix. That is my personal preference, the actual recording quality is excellent with maybe a bit of FM radio compression that takes the edge off a little. -
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Soundboard 9.8 - Hard to find any fault in this recording, and the mix is a matter of preference so I leave .02 open to interpretation on the rating. It actually may be a 10 it is that friggin’ amazing. -
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Audience 8.9 - Taper sitting very close, and manages to get a great recording without distorting or invasive shouting and screaming into the mic during the songs (well, maybe at the beginning of some songs). A good one, an old fashioned in your face bootleg recording of the Stones! -
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Audience 7.8 - I love these little time capsules, maybe it’s not the best fidelity, but I can hear pretty much everything here and the bass is fat without distorting so it’s got some balls to it. You know, listening to things like this makes one really wish they had an actual time machine. -
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Soundboard 9.7 - I love the way they recorded the vocals, it has a very cool quality to it, such that it lends that sort of electric spark to the proceedings. This is very energetic set by the band. -
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Soundboard 9.7 - A pre FM master was used and it clearly magnitudes better than what you’d get recording off the radio! -
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Soundboard 8.7 - The interesting thing about this particular board tape is that the bass is the “lead” instrument in the mix and thus allows you to hear the sometimes overlooked intricacies and interplay in that regard. I would say that even though I enjoy and appreciate this aspect of the recording, the average fan may lament the somewhat overshadowed guitar and vocals, but these are not issues that nullify a superb performance and decent recording. -
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Soundboard 9.5 - Of course it is immaculate. The way that Prince orchestrates his bands, the sound is so dialed in, I could not imagine a bad sounding Prince show. This is also a show with an amazing setlist, pretty much most of his more well known tunes. -
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Soundboard 9.2 - Taken from a television broadcast, but to my ears does not sound all compressed and one dimensional, so my guess it is a source not derived from the broadcast but tape possibly made of the gig separate from the TV production. Who knows for sure, but it sounds pretty good. -
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Soundboard 8.8 - This tape does not feature the greatest mix ever, but it’s functional and is a good full show. Question: Was Lou Reed really well known in Australia? A guy from the barrio of New York City, but well known in Australia somehow?!?! I think that is strange, haha! -
Soundboard 9.3 - Wonderful guitar tone is the highlight here, the magical guitar interplay throughout. Seriously, it’s as if Lou’s delivery is just a setup for the band to do their thing. One of the best I have heard, right here. -
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Audience 8.4 - Let’s face it, ever since the movie came out, recordings like these take on new significance. I just find it fascinating to hear, knowing the back story a little more. This is a very decent recording with primary focus on vocals and drums, with guitar and bass a little behind them but present enough to be able to enjoy this. You can turn the volume up, levels are good - the taper was careful! -
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Audience 9.4 - What a fantastic recording! Seriously, the louder you crank it, the better it sounds. Beautiful, full round bass, punchy and clear drums and guitar that is not washed out by P.A. and hall dynamics. Good show atmosphere, appreciative home crowd, and a band inspired and having loads of fun. Hot damn! -
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Soundboard 9.5 - Infinitely enjoyable! -
Audience 9.6 - Unbelievably clean and clear, could be released officially it’s that good! -
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Audience 7.7 - A distant recording, and some hiss present, but the music can be discerned. Not going to have a lot of dynamics, but for collectors out there, you can enjoy this one for what it is…and it continues to fill in the missing pieces of the Keith Moon years. -
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FM Broadcast 9.0 - Not sure what the master source is for this one, it could either be a cassette tape or an LP, either way the sound is very good but there’s a little bit of that typical kind of compression you got off FM broadcasts. Not a problem here, just that I notice it. -
Soundboard 8.8 - A great time period for the band, a fantastic set list has been worked up and the playing is more adventurous now, with some good inspired guitar work throughout. -
Audience 9.4 - This is just one of those very lucky evenings where all the elements came together for a great result – good taper location, excellent house sound, excellent music performed. Each instrument is articulate and exists within its own frequency so there’s no overcrowding, it’s a joy to listen to! -
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Audience 9.1 - The last of a four night stand in Paris, and probably the best of the recordings made. Strong, clear, and a nice warm mid tone, although not as atmospheric, meaning taper must have been close (and knew how to operate the recording levels!). -
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Audience 8.7 - A decent tape that documents the first show of the ’77 Euro tour. There is a little bit of overcrowding in the mid to upper band, it’s not horrible but it prevents some of the detail in the guitar from being clearly heard. Bass sounds round and brassy, vocals are up front and clear. -
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Audience 8.9 - A really cool recording in that keys, drums and bass sound right next to you but guitar swirls above them, and over your head, and around your ears… VERY nice atmosphere and picked up extremely well by the taper. -
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Audience 8.7 - An interesting tape, the recording is very lifelike and captures one of the best keyboard dominate performances I have ever heard. What I mean is, the keys really come to life on this one, as opposed to being merely “sound effects”, and the rest of the band is great too. A keeper! -
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Audience 8.8 - This is a huge stadium and the sound is very atmospheric, you can hear the music swirl above your head giving you an amazing sense of space. It’s actually very cool! I feel like I am there, and I missed this concert so I am so happy to get to experience it. -
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Audience 8.6 - Very close to the mains, and it’s incredibly loud to the point that Robin can barely control his feedback. But the tape holds together, even if there’s some loss of vocal clarity, none of that even matters because after a couple of songs you are so bludgeoned by this devastating guitar/bass onslaught that vocals would be barely noticed anyway.
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Audience 8.5 - This tape sounds very low generation if not direct from a master, very articulate high end but missing a good solid low end – that does not kill it though. It’s got a good amount of hall atmosphere without actual reverb effect which is fine. Listening to this, I realize that the Turbo tour was really damn good, a lot of good songs and great playing.
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Audience 8.4 - This is a very rare glimpse at a short lived incarnation of Johnny Winter’s band, mainly the addition of his brother Edgar. So it’s an interesting tape, sounds VERY close to the main P.A. system and consequently has some upper mid crowding which makes for a strange mixture of a tape that is both clear and bright, and overcrowded in the upper mid band. It’s good sounding but does not give you much separation of instruments. For collectors this has to be considered a very important tape though. -
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FM Broadcast 9.4 - Excellent atmosphere (better than a pure, dry soundboard) and the band, what can I say, just great as always. -
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Soundboard 8.8 - This recording, while being very clear and obviously recorded for a broadcast, is somewhat dated sounding…in a really good way. It sounds like a relic lost in time, but the band is good and tight. It’s the beginning of the 80’s, and their sound would soon get more FM friendly, here it’s still got that “proto metal” edge to it. -
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Soundboard 9.3 - Takes a minute to get a mix, but then it’s off to the races. Interesting to hear this very early period of the band. Very much a good o’l fashioned American hard rock band. -
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Soundboard 9.7 - From the very beginning you know you are in for quite a thrill ride with this one. As good as it gets, highly recommended! -
Soundboard 9.6 - An incredible recording meets an amazing performance by a superb band. Get this now if you have any interest in progressive rock, because this is going to be a regular guest in your CD player I guarantee. -
Audience 8.7 - I think this is an onstage recording, the audience sounds distant from the atmosphere as opposed to the band which sounds VERY close to the mic. It sounds like the mic is placed near the drummer and Roy’s amp, not the house mains (vocals are very low). This could also actually be a board tape, sometimes you get all the instruments and vocals are nonexistent because they are pushed exclusively through the main P.A. and the instruments usually have their own amplification. It’s hard to tell – sometimes you will swear this is a board tape, and other times a stage recording. It’s pretty good, a little muck in the middle when loud but mostly very good on your ears. -
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Audience 9.4 - Soundboard that manages to include enough audience to make me think this was a total pro recording meant for something else besides being shelved. -
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CD 1 - Audience 7.4 - Tape a little hissy, but since the highs are preserved we can live with that. It’s pretty clear at times, and then sometimes a touch cluttered up but overall the listener can appreciate this old tape for the explosive performance captured decently for the time. CD 2 - Audience 7.4 - A very powerful low end is the hallmark of this tape, and then there’s Robert, man this is his show! A good tape, a great performance. CD 3 Audience 7.3 - Unlike the other FE 69 recordings, this tape showcases Jimmy’s guitar, and of course Robert who probably would not even need a microphone he is so dynamic. This show he is literally just phenomenal sounding.
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Soundboard 9.5 - I believe this originates from an ALD recording, so yeah, it’s real good. -
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Soundboard 9.4 - A fantastic stereo board tape! I would have preferred more guitar in the mix, but it’s great nonetheless. -
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Audience 8.8 - A surprising tape! Never knew of this one, it’s quite good and clear! -
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Audience 7.8 - One of those gigs I am sure the band is glad they have forgotten. Sound quality is not dismal though, the levels of the music are on the low side, and turning the volume up to high reveals more undesired noise than one would care for. That being said, it is clear enough to be able to get each individual on stage and hear them playing a rather uninspired set. For completists only, unless you just want to hear a bad Zeppelin gig. -
Soundboard 9.4 - A good stereo board of a criminally underrated band. You will hear plenty of Celtic themed rock material, but also a band with a wide palette of ideas. Great stuff! -
Soundboard 9.4 - Excellent stereo pan, I love how the vocals sound on this tape. A good one to get, the band is on fire! -
Soundboard 9.7 - I love the clarity but also the killer room sound which is preserved here. Gritty performance, but impeccable sound. -
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Audience 8.8 - A solid and punchy recording that delivers bass and vocals in super detail. Drums come through real nice too, guitars and keys, while not as up front in this mix are still present in a stereo pan where they sit nicely because it gives the recording a balance. It’s easy on the ears and maybe more accurately replicates what you would have been hearing had you been sitting in the tapers seats. -
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Soundboard 9.5 - Cool to hear such a nice board because quite frankly the volume and mix of most of the live recordings I have heard just have little separation of instruments and I like hearing Geezer clearly. Drums sound great on this one. It also happens to be the final show. -
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Audience 8.5 - A loud and brassy sound with a little tiny amount of overload somewhere in the upper mid frequency which, if you were to choose where to have it, would be there. So, that all sounds bad, but not really…this is a very satisfying listening experience because the actual tone and ambience of this recording is amazingly realistic and gives a sense of the venue (which gives a “time-trip” feeling to it). I rather like it a lot. -
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Audience 7.7 - Most of the unauthorized recordings of Uriah Heep with John Lawton as lead vocalist are only of fair audio quality. John's vocals are clear through most of the recording. The recording is a bit cut-up in places but the big upside is an unusual setlist featuring some tunes from Heep's Firefly album. Also John's bluesy vocals shine throughout. -
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Audience 8.7 - A good strong sounding tape with a minimal bit of clutter somewhere in the middle frequencies that does not distract thankfully. Recorded on some good gear, you can tell. Just listen to the organ when the music stops during Gypsy and you know what I'm talking about...just ripping! -
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Audience 7.9 - The only thing that stops this recording from shining bright is the low end. It’s a thunderous low end, a roaring train, but it’s probably what the gig sounded like too. So, it’s not that it’s ruined, but that you should roll off the bass a little if you have an EQ, and then you’ll have something much better to listen to. A good recording – with loads of bass!