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Audience 9.0 - I have to say this is a very good recording if your preference is to really be able to make out the vocals and to hear every nuance of the lead guitar possible. In fact, the sonics tend to favor the upper mid-range and highs, to the extent that I was not enthusiastic about the sound of the snare drum here...but that just shows you how articulate that range is. Is it screechy then? No, it's not that this is chirpy or screechy high at all, but one may want to play with the EQ to bring up more low end maybe...because to my ears that is what it needs. Otherwise, again, this is a VERY clear, articulate (especially upper mid and highs) recording. Black Sabbath Mid-Hudson Civic Center Poughkeepsie,NY. USA 31 May 1989 Disc 1 101. Ave Satani + The Gates of Hell (intro tape) (03:12 min) 102. Headless Cross (06:09 min) 103. Neon Knights (05:27 min) 104. Children of the Sea (06:17 min) 105. Call of the Wild (05:31 min) 106. The Mob Rules (04:03 min) 107. When Death Calls (06:11 min) 108. War Pigs (06:24 min) Disc 2 201. Guitar solo + Die Young (06:45 min) 202. Black Sabbath (08:49 min) 203. Devil and Daughter (04:43 min) 204. Iron Man (04:35 min) 205. Children of the Grave (04:42 min) 206. Encore break (02:01 min) 207. Heaven and Hell (07:39 min) 208. Paranoid + Heaven and Hell (reprise) (04:40 min) Line-up: Tony Iommi (guitars) Tony Martin (vocals) Neil Murray (bass) Geoff Nicholls (RIP) (keyboards, background vocals) Cozy Powell (RIP) (drums) -
Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular! Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 15, 2024 Disc 1 01 - 5 AM 02 - Black Cat 03 - Luck And Strange 04 - Speak To Me - Breathe 05 - Time 06 - Fat Old Sun 07 - Marooned 08 - A Single Spark 09 - Wish You Were Here 10 - Band Introduction 11 - Vita Brevis 12 - Between Two Points 13 - High Hopes 14 - Sorrow Disc 2 15 - The Piper's Call 16 - A Great Day For Freedom 17 - In Any Tongue 18 - The Great Gig In The Sky 19 - A Boat Lies Waiting 20 - Coming Back To Life 21 - Dark And Velvet Nights 22 - Sings 23 - Scattered 24 - Comfortably Numb -
Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular! Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 14, 2024 Disc 1 01 - 5 AM 02 - Black Cat 03 - Luck And Strange 04 - Speak To Me - Breathe 05 - Time 06 - Fat Old Sun 07 - Marooned 08 - A Single Spark 09 - Wish You Were Here 10 - Band Introduction 11 - Vita Brevis 12 - Between Two Points 13 - High Hopes 14 - Sorrow Disc 2 15 - The Piper's Call 16 - A Great Day For Freedom 17 - In Any Tongue 18 - The Great Gig In The Sky 19 - A Boat Lies Waiting 20 - Coming Back To Life 21 - Dark And Velvet Nights 22 - Sings 23 - Scattered 24 - Comfortably Numb -
Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular! Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 12, 2024 Disc 1 01 - 5 AM 02 - Black Cat 03 - Luck And Strange 04 - Speak To Me - Breathe 05 - Time 06 - Fat Old Sun 07 - Marooned 08 - Wish You Were Here 09 - Band Introduction 10 - Vita Brevis 11 - Between Two Points 12 - High Hopes 13 - Sorrow Disc 2 14 - The Piper's Call 15 - A Great Day For Freedom 16 - In Any Tongue 17 - The Great Gig In The Sky 18 - A Boat Lies Waiting 19 - Coming Back To Life 20 - Dark And Velvet Nights 21 - Sings 22 - Scattered 23 - Comfortably Numb -
Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular! Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 11, 2024 Disc 1 01 - 5 AM 02 - Black Cat (False start) 03 - Black Cat 04 - Luck And Strange 05 - Speak To Me - Breathe 06 - Time 07 - Fat Old Sun 08 - Marooned 09 - Wish You Were Here 10 - Band Introduction 11 - Vita Brevis 12 - Between Two Points 13 - High Hopes 14 - Sorrow Disc 2 15 - The Piper's Call 16 - A Great Day For Freedom 17 - In Any Tongue 18 - The Great Gig In The Sky 19 - A Boat Lies Waiting 20 - Coming Back To Life 21 - Dark And Velvet Nights 22 - Sings 23 - Scattered 24 - Comfortably Numb -
Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular! Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 10, 2024 Disc 1 01 - 5 AM 02 - Black Cat 03 - Luck And Strange 04 - Speak To Me - Breathe 05 - Time 06 - Fat Old Sun 07 - Marooned 08 - Wish You Were Here 09 - Band Introduction 10 - Vita Brevis 11 - Between Two Points 12 - High Hopes 13 - Sorrow Disc 2 14 - The Piper's Call 15 - A Great Day For Freedom 16 - In Any Tongue 17 - The Great Gig In The Sky 18 - A Boat Lies Waiting 19 - Coming Back To Life 20 - Dark And Velvet Nights 21 - Sings 22 - Scattered 23 - Comfortably Numb -
Audience 9.7 - Each and every one of these recordings is spotless. Taper was dedicated to getting the absolute best position, with superb gear, and above all without blemish. The results are spectacular! Gilmour is in excellent form, so this adds to the listening experience tremendously and it's quite hard to stop once you press play. So sit back and strap yourself in to a long journey through past and present in a most luxuriating way. Again - it sounds like the same taper throughout the entire 6 night stand. DAVID GILMOUR Royal Albert Hall London, UK. October 09, 2024 Disc 1 01 - 5 AM 02 - Black Cat 03 - Luck And Strange 04 - Speak To Me - Breathe 05 - Time 06 - Fat Old Sun 07 - Marooned 08 - Wish You Were Here 09 - Band Introduction 10 - Vita Brevis 11 - Between Two Points 12 - High Hopes 13 - Sorrow Disc 2 14 - The Piper's Call 15 - A Great Day For Freedom 16 - In Any Tongue 17 - The Great Gig In The Sky 18 - A Boat Lies Waiting 19 - Coming Back To Life 20 - Dark And Velvet Nights 21 - Sings 22 - Scattered 23 - Comfortably Numb -
Audience 9.4 - Bright, lively, well-positioned recording that doesn't leave anything out. If anything, I would have preferred even more lower end, that being said the bass itself is detailed and clear. I also, maybe, would have equalized just a little more of the mid band and highs, rolling off them just a touch but this is a GREAT problem to have for an analog tape recording. Putting high end into the spectrum is way much harder to do than removing it. Again though, this is just seasoning to taste and the listener may find it perfect - which technically speaking I admit the frequency range is extremely intact here. Ron Wood The Palace Los Angeles, CA November 18, 1992 Disc 1 01 Show Me 02 Flying 03 Breathe On Me 04 (I Know) I'm Losing You 05 Josephine 06 Black Limousine 07 Pretty Beat Up 08 Seven Days Disc 2 09 Band Introductions 10 Silicone Grown 11 Little Red Rooster 12 I Can Feel The Fire 13 It's Only Rock 'N' Roll (But I Like It) 14 Guitar Medley includes That's All You Need > Gasoline Alley > Prodigal Son > Amazing Grace 15 Stay With Me 16 Millard Outro Ron Wood - Guitar, Vocals Bernard Fowler - Vocals Ian McLagan - keyboards Johnnie Lee Schell - Guitar Shaun Solomon - Bass Wayne P. Sheehy - Drums -
Audience 9.7 - Is it live or is it Memorex?? It's both. It's a capture onto magnetic tape that sounds like it's real life. I totally life-like sound, immersed in the audience but placed ideally in front of the stage and getting a great mix. Your friends surround you, enjoying the moment as are you. Fuck this is a great recording! Kinks Beacon Theatre New York City, NY March 16, 1987 Disc 1 01 Low Budget 02 Come Dancing 03 Working At The Factory 04 Lost And Found 05 Welcome To Sleazy Town 06 The Video Shop 07 Living On A Thin Line 08 Guilty 09 Misfits 10 A Well Respected Man Disc 2 11 Lola 12 David Watts 13 State of Confusion 14 A Gallon of Gas 15 All Day and All of the Night 16 I Gotta Move 17 Better Things 18 Celluloid Heroes 19 Dedicated Follower of Fashion 20 Till the End of the Day 21 You Really Got Me 22 Victoria -
Audience 9.4 - A delightful and warm atmosphere highlight this bright and well mixed concert recording. I struggled to find any reason to criticize it, but there are some occasional voices behind taper, and that is REALLY nitpicky. So, this is certainly a treasure of a recording and I highly recommend it. Robert Plant presents Saving Grace Piazza dei Signori Vicenza, Italy September 6, 2023 Disc 1 01 Gospel Plow (Traditional) 02 The Cuckoo (Traditional) 03 Let The Four Winds Blow (Robert Plant and the Strange Sensation) 04 Friends (Led Zeppelin) 05 Out In The Woods (Leon Russell) 06 Too Far From You (Nashville Cast) 07 Satan, Your Kingdom Must Come Down (Traditional) 08 Everybody's Song (Low) 09 It's A Beautiful Day Today (Moby Grape) Disc 2 10 The Rain Song (Led Zeppelin) 11 As I Roved Out (Traditional) 12 Chevrolet (Lonnie Young, Ed Young & Lonnie Young Jr) 13 Down To The Sea (Robert Plant) 14 Four Sticks (Led Zeppelin) 15 Angel Dance (Los Lobos) 16 Band Introduction 17 House Of Cards (Richard & Linda Thompson) 18 Gallows Pole (Led Zeppelin) 19 And We Bid You Goodnight (Traditional) -
Pro Audience 9.1 - More than likely this was recorded for broadcast, but it's not a soundboard, or, perhaps it is a close/distance mic'd job because it is definitely not from the audience. It's probably a stage mic placement, that is about all I can decipher because while it is not quite up to prime time for a pristine radio broadcast, it is the next best thing in that you get more atmospherics than a straight board recording. Ted Nugent LIVE 1980 VOLUME 2 Providence Civic Center Arena Providence, Rhode Island September 30, 1980 Disc 1 01. Stage Announcements 02. Lone Wolf Entrance 03. Motor City Madhouse 04. Scream Dream 05. Just What The Doctor Ordered 06. Hard As Nails 07. I Gotta Move 08. Free For All 09. Paralyzed 10. I Take No Prisoners 11. I Am a Predator Disc 2 01. Jailbait 02. My Love Is Like a Tire Iron 03. The Flying Lip Lock 04. Wango Tango 05. Cat Scratch Fever 06. Land of a Thousand Dances 07. Wang Dang Sweet Poontang (with Flesh & Blood, Hibernation, Migration, The TNT Overture, Wang Dang Reprise) Band members: Ted Nugent - lead vocals, lead guitar Charlie Huhn - lead and backing vocals, rhythm guitar Dave Kiswiney - bass, backing vocals Cliff Davies - drums, percussion, backing vocals, producer -
Soundboard 9.3 - What you would expect from a direct to tape from the mixing console recording. It's super clear and clean and every instrument in a place where it's easily distinguishable, but don't assume it's just a dry, lifeless thing 'cause it ain't. It's not mixed for a release of any kind, but as a reference, so there's nothing to tame the Wildman when he's on the microphone - and that's the life of the party right there. Ted Nugent LIVE 1980 VOLUME 1 Municipal Coliseum Lubbock, Texas April 11th, 1980 Disc 1 01 Intro 02 Motor City Madhouse 03 Stormtroopin' 04 Free For All 05 Wango Tango 06 Just What The Doctor Ordered 07 Cat Scratch Fever 08 I Gotta Move 09 Hard As Nails Disc 2 10 Ted Talking 11 Dog Eat Dog 12 Lubbock Texas Shuffle 13 Ted Talking 14 Wang Dang Sweet Poontang - TNT Overture 15 Great White Buffalo 16 Stranglehold -
Audience 9.7 - For me, this right here encapsulates the 70's for me growing up. When I first discovered rock and roll, the radio was on repeat with the Frampton Comes Alive! album, and everyone in the neighborhood had a copy. I had it on 8 track. This live recording is the bomb, just a wonderful document of a great moment in 70's rock music history. I love the atmosphere too, everything about this actually does "come alive" and for that it deserves the high rating. Peter Frampton The Forum Inglewood, CA December 9, 1976 Disc 1 01 One More Time 02 Baby I Love Your Way 03 Sail Away 04 Fanfare 05 Alright 06 I Wanna Go To The Sun 07 Something's Happening 08 Doobie Wah 09 Lines On My Face 10 Show Me The Way Disc 2 11 (I'll Give You) Money 12 (I'm A) Roadrunner 13 Signed Sealed Delivered 14 It's A Plain Shame 15 Do You Feel Like We Do 16 Shine On 17 White Sugar 18 Jumpin' Jack Flash 19 I'm In You -
Studio Quality 9.8 - Fantastic insight into the working progress of a masterpiece album. One thing that stood out for me was listening to the drums, they aren't exactly going to be the biggest takeaway when considering the performance as a whole but when they are dissected and highlighted you really understand the craft that goes into it. Let's put it this way - the drums aren't just being banged upon, they are being played. Queen Multitracks Mixes II Disc 1 01.Brighton Rock (Drums) 02.Brighton Rock (Guitar) 03.Brighton Rock (Vocal) 04.Get Down, Make Love (Bass) 05.Get Down, Make Love (Drums) 06.Get Down, Make Love (Guitar) 07.Get Down, Make Love (Piano) 08.Get Down, Make Love (Vocal) 09.I Want It All (Drums) 10.I Want It All (Guitar, Bass) 11.I Want It All (Keyboards) 12.I Want It All (Vocal) 13.Killer Queen (Drums) 14.Killer Queen (Guitar) 15.Killer Queen (Piano) 16.Killer Queen (Vocal) 17.One Vision (Drums, Bass) 18.One Vision (Guitar) 19.One Vision (Vocal, Synthesizer) 20.Tenement Funster (Drums, Vocal) 21.Tenement Funster (Guitar) 22.Tenement Funster (Piano, Bass) Disc 2 01.Bohemian Rhapsody (Bass) 02.Bohemian Rhapsody (Drums) 03.Bohemian Rhapsody (Piano) 04.Bohemian Rhapsody (Piano, Bass) 05.Bohemian Rhapsody (Piano, Drums) 06.Bohemian Rhapsody (Guitar) 07.Bohemian Rhapsody (Background Vocal Mix) 08.Bohemian Rhapsody (Lead Vocal Mix) 09.Bohemian Rhapsody (Complete Vocal Mix) -
Audience 9.0 - The only thing keeping this from attaining legendary status is the slight distortion present in a very specific middle to upper band in the frequency range. It's not a deal-breaker, it's in a place where you still get all the richness of the low end and the detail in the high end. The taper obviously used very good gear, so maybe the microphone he used and the location in the venue perhaps limited the recording in a way, because this is still a damn good tape but could have been a bona-fide must have. Emerson, Lake & Palmer Charleston Civic Center Charleston, WV November 23, 1973 Disc 1 01 Introduction 02 Hoedown 03 Jerusalem 04 Toccata 05 Tarkus 06 Benny the Bouncer 07 Take A Pebble Disc 2 08 Lucky Man 09 Piano Improvisation 10 Take A Pebble (Reprise) 11 Karn Evil 9 1st - 3rd Impression 12 Pictures At An Exhibition -
Audience 9.2 - The first thing that hit me with this recording is the lovely feel of it, silky and round with a solid "thwack" of the kick drum to make you remember what it's like to stand in front of the mains at a stadium rock show. A fine recording that belongs in every Bowie fan's collection. David Bowie Madison Square Garden New York City, NY July 26, 1983 Disc 1 01 The Jean Genie Intro 02 Star 03 "Heroes" 04 What In The World? 05 Golden Years 06 Fashion 07 Let's Dance 08 Breaking Glass 09 Life On Mars 10 Sorrow 11 Cat People (Putting Out Fire) 12 China Girl 13 Scary Monsters (And Super Creeps) 14 Rebel Rebel 15 White Light, White Heat Disc 2 16 Station To Station 17 Cracked Actor 18 Ashes To Ashes 19 Space Oddity 20 Band Introductions 21 Young Americans 22 Fame 23 TVC15 24 Stay 25 The Jean Genie 26 I Can't Explain 27 Modern Love