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Audience 8.8 - Smooth and consistent, a recording that is clear, not overly dynamic (it is metal after all) but you’ll probably enjoy this immensely if you understand that it’s really about the lyrics and the stage banter. Always fun, and it’s two discs so you get a lot of songs! Steel Panther House Of Blues Boston, MA. April 17, 2013 Disc 1 01. In The Future 02. Supersonic Sex Machine 03. Tomorrow Night 04. Band Talking - Intros 05. Fat Girl 06. Asian Hooker 07. Just Like Tiger Woods 08. Band Talk 09. Turn Out The Lights 10. You Really Really Love Me 11. Guitar Solo Disc 2 12. It Wont Suck Itself 13. Weenie Ride 14. Community Property 15. Eyes Of A Panther 16. Death To All But Metal 17. Party All Day (Fuck All Night) 18. 17 Girls In A Row -
CD 1 - Audience 8.8 - Direct into face, a driving and persistent intensity, very clean, very clear. CD 2 - Audience 8.3 - A more open spaced recording where you lose some of the dynamics, and vocals tend to get muffled and placed further back but guitar and drums are prominent and clear…bass is present but not as articulate or deep. A good tape and collectors will be happy to hear it since it is not widely circulated. -
FM Broadcast 9.2 - A professionally recorded and mixed production that does not seem to have much in the way of compression so it has a good spaciousness to it, it is crankable. -
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Audience 9.5 - When you listen to this, just keep in mind it is taped by someone in the audience…you won’t believe it. Great balance, superb low end, sweet middle band tone, lush and warm with the perfect amount of high end (no sizzle or annoying squeal or cymbal wash). Just terrific, and the band sounds great! -
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Audience 8.9 - A really good, solid, and clear tape, showcases the considerable talent of Zappa and the always excellent cast of characters he assembles each tour. This show features a lot of solid horn work, and Zappa plays very nicely with a good tone. There were a couple songs I was unfamiliar with and enjoyed quite a bit. I rather like the song Rollo! Fun stuff. -
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Early and Late Shows - Soundboard 9.1 and Soundboard 8.6 - The late show board tape is slightly problematic in that vocals and to some extent the drums are really prominent in the mix but the rest is pushed back. Acoustic songs come through nicely, they bring up piano and acoustic guitar so you get everything more even. At times it gets a little better, it’s not bad it’s just not as good a mix as the early show. -
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Soundboard 9.7 - A pre FM master was used and it clearly magnitudes better than what you’d get recording off the radio! -
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Soundboard 8.8 - This tape does not feature the greatest mix ever, but it’s functional and is a good full show. Question: Was Lou Reed really well known in Australia? A guy from the barrio of New York City, but well known in Australia somehow?!?! I think that is strange, haha! -
Soundboard 9.3 - Wonderful guitar tone is the highlight here, the magical guitar interplay throughout. Seriously, it’s as if Lou’s delivery is just a setup for the band to do their thing. One of the best I have heard, right here. -
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Audience 9.4 - What a fantastic recording! Seriously, the louder you crank it, the better it sounds. Beautiful, full round bass, punchy and clear drums and guitar that is not washed out by P.A. and hall dynamics. Good show atmosphere, appreciative home crowd, and a band inspired and having loads of fun. Hot damn! -
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Soundboard 9.5 - Infinitely enjoyable! -
Audience 9.6 - Unbelievably clean and clear, could be released officially it’s that good! -
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FM Broadcast 9.0 - Not sure what the master source is for this one, it could either be a cassette tape or an LP, either way the sound is very good but there’s a little bit of that typical kind of compression you got off FM broadcasts. Not a problem here, just that I notice it. -
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Audience 8.6 - Very close to the mains, and it’s incredibly loud to the point that Robin can barely control his feedback. But the tape holds together, even if there’s some loss of vocal clarity, none of that even matters because after a couple of songs you are so bludgeoned by this devastating guitar/bass onslaught that vocals would be barely noticed anyway.
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Audience 8.4 - This is a very rare glimpse at a short lived incarnation of Johnny Winter’s band, mainly the addition of his brother Edgar. So it’s an interesting tape, sounds VERY close to the main P.A. system and consequently has some upper mid crowding which makes for a strange mixture of a tape that is both clear and bright, and overcrowded in the upper mid band. It’s good sounding but does not give you much separation of instruments. For collectors this has to be considered a very important tape though. -
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Soundboard 8.8 - This recording, while being very clear and obviously recorded for a broadcast, is somewhat dated sounding…in a really good way. It sounds like a relic lost in time, but the band is good and tight. It’s the beginning of the 80’s, and their sound would soon get more FM friendly, here it’s still got that “proto metal” edge to it. -
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Soundboard 9.3 - Takes a minute to get a mix, but then it’s off to the races. Interesting to hear this very early period of the band. Very much a good o’l fashioned American hard rock band. -
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CD 1 - Audience 7.4 - Tape a little hissy, but since the highs are preserved we can live with that. It’s pretty clear at times, and then sometimes a touch cluttered up but overall the listener can appreciate this old tape for the explosive performance captured decently for the time. CD 2 - Audience 7.4 - A very powerful low end is the hallmark of this tape, and then there’s Robert, man this is his show! A good tape, a great performance. CD 3 Audience 7.3 - Unlike the other FE 69 recordings, this tape showcases Jimmy’s guitar, and of course Robert who probably would not even need a microphone he is so dynamic. This show he is literally just phenomenal sounding.
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Soundboard 9.5 - Cool to hear such a nice board because quite frankly the volume and mix of most of the live recordings I have heard just have little separation of instruments and I like hearing Geezer clearly. Drums sound great on this one. It also happens to be the final show. -
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Audience 7.9 - The only thing that stops this recording from shining bright is the low end. It’s a thunderous low end, a roaring train, but it’s probably what the gig sounded like too. So, it’s not that it’s ruined, but that you should roll off the bass a little if you have an EQ, and then you’ll have something much better to listen to. A good recording – with loads of bass! -
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Studio recordings 8.8 - sounds like a vinyl source, cleaned up for the most part. -
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Soundboard 9.8 - Great presence on vocals and guitars, bass is completely in the pocket and the mix is flawless. I am glad the keyboards are not buried because they add so much to the sound. -
Soundboard 9.4 - Professionally mixed, and it shows. -
Audience 8.6 - Talk about being in the crowd, this recording is total immersion if ever there was immersion! But, here’s the good news – it’s a BLAST! The crowd is really an integral part of this performance, the band senses they have a great audience and they really play to them. It’s rather fun and gives you a tremendous feeling of nostalgia. A great ride! -
Audience 7.9 - This is the complete concert from the 23rd and NOT the officially released Dec, 24th Rainbow show. The problem with it being unofficial, or course, is that it was not recorded professionally, and in this case the audio is a little on the muddy side. I don’t think it is ruined though, because it’s not “thick” mud, it’s just missing something on the high end. -
Audience 8.6 - A very early tape featuring the bands original guitarist. For those who have not heard anything like this before, well, it does not sound like the Police as we know them, it’s still good, but different. To my ears, the guitarist does not have the polish we have come to expect from this band, but he’s got quite a lot of spit! -
Audience 8.8 - A warm and inviting recording that spreads the audio spectrum out very evenly. May be from midway back in the hall, as it is not super sharp, but likewise it is also not too echoey or bassy either. It is a pretty atmospheric sound, with guitar leads swirling above and around adding to the liveness of the recording. -
Audience 8.5 - Solid punch but maybe some lack of clarity in the lower mid to low end, although for some reason the bass kick is clear. It’s nice to have something from this early on in pretty decent fidelity though, so I have to recommend this one. It’s nice! -
Audience 8.3 - Always nice to find another decent sounding 1981 show as there’s not an abundance of them compared to other years. The recording is a little bit cluttered in the very middle of the sound spectrum but thankfully does not suffer from the aud killers such as muddiness or distortion. All the instruments fight for the center but are clearly heard notwithstanding. Occasionally you may notice a bit of phasing which helps the recording to my ears because it’s almost like a cool effect that they meant to do! A good one to add to the collection. -
Audience 9.1 - Taper was very close to the main PA but it does not distort and the sound goes directly to your brain, it does not stop for directions. HOT HOT HOT!! Get it. -
Audience 8.6 - A serviceable recording, it stays sort of in the midrange spectrum but is pretty powerful anyway. I suspect this may be audio that was taken from a video source, but to my ears it sounds better than a typical home video camera audio capture. -
Audience 9.0 - The recording levels are a bit low, but there’s plenty enough headroom in the recording to allow max volume and it sounds killer.