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Soundboard 9.3 - Simply a MUST HAVE if you have any interest at all in Genesis. Includes some backstage interviews, giving an amazing perspective of this epic show. Enchanting! -
Soundboard 9.7 - Crisp and absolutely clear with tremendous separation of instruments. I did not find this cold or sterile at all, I thought it was mixed so well that plenty of feeling and texture is within these sacred frequencies. I guess I have to admit that the 1980 Tour was not a sellout, maybe a branching out but still very worthy of a true fan's admiration.GENESIS Forum de Montréal Montreal, Quebec 19th June 1980 Disc 1 01. DEEP IN THE MOTHERLODE 02. DANCING WITH THE MOONLIT KNIGHT 03. SQUONK 04. ONE FOR THE VINE 05. BEHIND THE LINES 06. DUCHESS 07. GUIDE VOCAL 08. TURN IT ON AGAIN 09. DUKE’S TRAVELS 10. DUKE’S END 11. THE LADY LIES Disc 2 01. Introduction 02. RIPPLES 03. MISUNDERSTANDING 04. IN THE CAGE 05. THE COLONY OF SLIPPERMEN 06. AFTERGLOW 07. FOLLOW YOU FOLLOW ME 08. DANCE ON A VOLCANO 09. DRUM DUET 10. LOS ENDOS 11. I KNOW WHAT I LIKE (IN YOUR WARDROBE) -
Audience 8.6 - Right down in there with the crowd, listening to the audience listening to the band. The band and their music sound terrific, the audio quality is actually pretty darn good, bright, not distorted, maybe not as full on the bottom end but the bass itself is very round but not thumping. Drums are crisp and well defined. This is actually a good recording! -
Audience 8.3 - Sounds kind of distant, but because it is not echoey you can adjust and then place yourself in the seat of the taper. -
Audience 8.2 - Vocals a little buried, all music pretty clear and detailed. -
Audience 8.7 - A surprisingly decent tape surfaces from Italy where Genesis found initial acceptance in the early part of their career. Sound is clear for the most part, and the timbre is pleasing to the ear…if I can knock it I would say maybe it is a bit compressed in the middle, so no crispness in the highs nor definition in the low end but it’s not the kind of compression that you get from, say, a video tape. It’s quite good like I said so feel secure if you get it knowing it will be worthwhile. Genesis Palasport Naples, Italy February 6, 1974 Disc 1 1. -Watcher Of The Skies 2. -Drum Improv 3. -Dancing With The Moonlit Knight 4. -Cinema Show 5. -I Know What I like 6. -Firth Of Fifth 7. -The Musical Box Disc 2 1. -More Fool Me 2. -The Battle Of Epping Forest 3. -Supper's Ready 4. -The Knife -
Audience 7.7 - A wide stereo feel, a touch of that large hall sound, pretty clear with a decent mix. Some audience chatter. -
Audience 7.6 - Has a kind of thin quality to it even though you can hear everything on stage. Sounds like it needs a nice big punch in the middle, someone needs to remaster this one. Not crappy, just needs a mastering job. -
Audience 8.9 - Strong stuff! A must! -
Audience 9.1 - A beautiful recording with a terrific drum sound, and expansive, atmospheric ensemble mix of all instruments especially keyboards to pair with that drum sound. This might be one you go to frequently. Genesis 1978.07.29 Madison Square Garden, N.Y.C. The Set List: Disc 1 01 -intro 02 -Eleventh Earl of Mar 03 -In The Cage 04 -Burning Rope 05 -Ripples 06 -Deep In The Motherlode 07 -Fountains of Salmacus 08 -Ballad Of Big 09 -One For The Vine Disc 2 10 -Squonk 11 -Intro to Say It's Alright Joe 12 -Say It's Alright Joe 13 -The Lady Lies 14 -Cinema Show 15 -Afterglow 16 -Follow You, Follow Me 17 -Dance On A Volcano 18 -Drum Duet 19 -Los Endos 20 -I Know What I Like (with Peter Gabriel) -
Audience 9.3 - A nicely done job this one. A warm sound, with emphasis on clear and crisp drums, bright vocals, detailed bass, and percussive keys but all in all really I find the sound mix relaxing and I sank right into this recording for the duration. You will too. Genesis Newcastle City Hall Newcastle, UK. 4-30-1980 Disc 1 01 Deep In The Motherlode 02 Dancing With The Moonlit Knight 03 Carpet Crawlers 04 Squonk 05 One For The Vine 06 The Story Of Albert 07 Behind The Lines 08 Duchess 09 Guide Vocal 10 Turn It On Again 11 Duke's Travels 12 Duke's End Disc 2 11 Say It's Alright Joe 12 The Lady Lies 13 Ripples 14 Band Introduction 15 In The Cage 16 The Colony Of Slippermen 17 Afterglow 18 Follow You, Follow Me 19 Dance On A Volcano 20 Drum Duet 21 Los Endos 22 I Know What I Like 23 The Knife -
Audience 9.0 - Tape starts off funky, but quickly gets sorted and becomes quite excellent. Clear, with some nice atmosphere and decent dynamics (not overwhelming but nice). GENESIS Messezentrum Halle A Nuremberg, Germany March 27, 1975 Disc 1 1.1 The Lamb Lies Down On Broadway 4:12 1.2 Fly On A Windshield 2:38 1.3 Broadway Melody Of 1974 2:16 1.4 Cuckoo Cocoon 2:25 1.5 In The Cage 7:58 1.6 The Grand Parade Of Lifeless Packaging 3:08 1.7 Back In NYC 6:09 1.8 Hairless Heart 2:46 1.9 Counting Out Time 3:43 1.10 The Carpet Crawlers 5:46 1.11 The Chamber Of 32 Doors 5:39 1.12 Lilywhite Lilith 3:01 1.13 The Waiting Room 8:06 1.14 Anyway 3:32 1.15 Here Comes The Supernatural Anaesthetist 2:37 Disc 2 2.1 The Lamia 8:43 2.2 Silent Sorrow In Empty Boats 3:20 2.3 The Colony Of Slippermen 9:02 2.4 Ravine 1:26 2.5 The Light Dies Down On Broadway 3:30 2.6 Riding The Scree 4:19 2.7 In The Rapids 2:29 2.8 it 4:15 2.9 The Musical Box story 3:39 2.10 The Musical Box (cuts off) 1:44 Peter Gabriel: vocals, flute Phil Collins: drums, percussion, vocals Steve Hackett: guitars Tony Banks: keyboards Michael Rutherford: bass, bass pedals, 12-string guitar -
Audience 8.9 - A pleasant surprise to hear how good this one is. I was not expecting it, for some reason. Nice and clear, with healthy atmosphere (ie. polite audience), and dynamics that, while not approaching anything symphonic, are well intact and discernable. Genesis Stadthalle Offenbach, Germany January 31st, 1974 Disc 1 01. Watcher Of The Skies 02. Dancing With The Moonlit Knight 03. The Cinema Show 04. I Know What I Like (In Your Wardrobe) 05. Firth Of Fifth Disc 2 06. Harold The Barrel 07. The Musical Box 08. More Fool Me 09. Supper's Ready -
Audience 8.5 - Starts off a little funky as the taper gets in position but slowly develops into a very good and clear recording for the duration. The audience is golden, very respectful and this makes for a better overall experience too. -
Soundboard 9.1 - Technically sounds good, bright, crisp and all that, but I am not in love with the overall sound mix. It’s serviceable though. -
Audience 7.6 - This tape is very clear but has low levels and is somewhat narrow in bandwidth. By turning the volume up, and adding some personal touches on EQ you can lift the experience to a little higher level. -
Audience 7.5 - Clear but lacking depth (Early Show). -
Audience 8.4 - This tape was made by a very sincere taper, you can clearly tell the person tried very hard to make it work. I think, if I had to guess, the problem was not him, it was more than likely improper microphone type and simple passage of time, because this is a clear and strong tape that falls a little short in some aspects making it a little above average where it could have been amazing. The tape struggles through The Lamia, where you get the effects of age and degradation. The audio quality suffers a little bit because of distance, and that robs some dynamics and clarity, but here’s the thing: The equipment was good quality and that comes through as you do get a certain realism, a sense of the venue and atmosphere that the open mic captures. The stereo field on this tape is pretty wide, so my guess is that microphones were hoisted above the audience somewhere middle of the arena. I think I like this tape in some regards, and I definitely do not consider it rubbish and neither will you. One last thought – I found this recording did slowly improve as the show progressed, perhaps dipping a bit at the end of disc one but not catastrophically. Genesis Palace Theater Providence, RI December 8th, 1974 Disc 1 01 Introduction 1:15 02 The Lamb Lies Down On Broadway 4:59 03 Fly On A Windshield 2:31 04 Broadway Melody Of 1974 2:10 05 Cuckoo Cuckoon 2:14 06 In The Cage 8:01 07 The Grand Parade Of Lifeless Packaging 3:05 08 The Story Of Rael -Part I 2:45 09 Back In N.Y.C. 5:53 10 Hairless Heart 2:24 11 Counting Out Time 3:46 12 Carpet Crawlers 5:38 13 Chamber Of 32 Doors 5:49 Total Time 50:30 Disc 2 01 The Story Of Rael -Part II 3:08 02 Lilywhite Lilith 2:53 03 The Waiting Room 5:48 04 Anyway 3:24 05 Here Comes The Supernatural Anaesthetist 2:27 06 Interlude 1:16 07 The Lamia 7:04 08 Silent Sorrow In Empty Boats 3:28 09 The Colony Of Slippermen 8:34 10 Ravine 1:42 11 The Light Dies Down On Broadway 3:31 12 Riding The Scree 4:26 13 In The Rapids 2:06 14 It 4:53 15 The Story Of Henry And Cynthia 2:33 16 The Musical Box 13:12 17 Watcher Of The Skies 8:17 Total Time 78:52 -
Audience 7.7 - A real “middle of the crowd” recording. You get to eavesdrop on some conversations while Genesis perform their hits. Now, I will say this, there’s a lot of music to sink into here, it’s not THAT bad really. Give it a chance. -
Soundboard 9.3 - Peter sounds superb here, the tape highlights him in particular. Great! -
Soundboard 9.3 - Not a pure board, there is some ambiance mixed in from the audience. I think this was a broadcast, it’s quite good! -
Audience 9.4 - I rate this one very high because not only does it capture the performance in solid detail, but it also manages to capture that indefinable thing called vibe. This show has major vibe. Get it! -
Audience 7.3 - Distant and narrow, but seems like a good mastering can fix some of the limitations. Needs a stereo widening and some punch in the mids and highs. -
Soundboard 9.3 - Well balanced and full of life, not a typically sterile board. -
Various Sources 9.0 - I give this a high rating for many reasons, as it can be easily assumed that the sound quality will vary being a compilation. The producers were smart to put it together this way, I found it to play much like a legitimate record company release. The worst of the recordings is in itself not even that bad, in the context you are hearing it in, it takes on new significance. I myself did not realize how few times some of these songs were played live, so having a collection like this makes sense. I enjoyed it immensely. So will you. Genesis Collection of Rare Live Recordings 1970 - 1998 Track List: Disc One: 1970-1972 01. Looking For Someone (2-22-1970) 02. The Light (3-7-1971) 03. Twilight Alehouse (2-26-1972) 04. Harlequin (3-4-1972) 05. Bye Bye Johnny (4-14-1972) 06. Happy The Man (4-18-1972) 07. Going Out To Get You (4-18-1972) 08. One-Handed Drum Solo (6-28-1972) 09. Can-Utility And The Coastliners (8-20-1972) 10. Seven Stones (8-22-1972) Disc Two: 1972-1975 01. Supper's Ready (11-18-1972) 02. Harold The Barrel (1-20-1974) 03. Horizons (5-4-1974) 04. Watcher Of The Skies (1-24-1975) 05. It (1-24-1975) 06. The Musical Box (1-24-1975) 07. The Waiting Room (5-2-1975) Disc Three: 1977-1978 01. Lillywhite Lillith-The Waiting Room-Wot Gorilla (01-01-1977) 02. All In A Mouse's Night (01-02-1977) 03. Inside And Out (06-24-1977) 04. Down And Out (06-07-1978) 05. Supper's Ready (From Apocalypse In 9/8) (06-14-1978) 06. Ballad Of Big (07-29-1978) 07. I Know What I Like (In Your Wardrobe) (07-29-1978) 08. Dancing With The Moonlit Knight-Musical Box (Closing Section) (10-13-1978) Disc Four: 1980-1984 01. Back In NYC (29-06-1980) 02. Me And Virgil (27/-09-1981) 03. Like It Or Not (30-11-1981) 04. The Knife (23-12-1981) 05. No Reply At All (22-08-1982 - Featuring Phenix Horns) 06. Paperlate (22-08-1982 Featuring Phenix Horns) 07. 11th Earl Of Mar - Squonk - Firth Of Fifth (11-10-1983) 08. 11th Earl Of Mar - Behind The Lines - Firth Of Fifth - Musical Box (17-01-1984) Disc Five: 1986-1998 01. In The Cage - In That Quiet Earth - Supper's Ready (10-15-1986) 02. Mama (05-09-1992) 03. Carpet Crawlers (10-23-1992) 04. Nowhere Else To Turn (Unreleased B-Side) 05. Small Talk (12-13-1997) 06. Thats All (01-23-1998) 07. Hold On My Heart (01.29.1998) Details: A wonderful live collection that gives you some of the rarest Genesis performances from throughout their career. Even if you're a collector of every individual show this is still a keeper to have, one reason being the unreleased track on disc 5, "Nowhere Else To Turn", sure it's a Ray Wilson-led Genesis track, but one of the very few unreleased studio tracks by Genesis to have leaked to the collector's. Disc One: 1970-1972 01 Looking For Someone (February 22nd, 1970 BBC Radio) 02 The Light (March 7th, 1971 - later morphed into "Lillywhite Lilith" and "The Colony Of Slippermen") 03 Twilight Alehouse (February 22nd, 1972 Civic Hall, Dunstable, U.K.) 04 Harlequin (March 4th, 1972 Technical College, Watford, England) 05 Bye Bye Johnny (April 14th, 1972 Palasport, Pavia, Italy - early version of "Can-Utility And The Coastliners") 06 Happy The Man (April 18th, 1972 Piper Club, Rome, Italy) 07 Going Out To Get You (April 18th, 1972 Piper Club, Rome, Italy) 08 One-Handed Drum Solo (June 28th, 1972 Town Hall, Watford, England) 09 Can-Utility And The Coastliners (August 20th, 1972 Piper 2000 Club, Via Reggio, Italy) 10 Seven Stones (August 22nd, 1972 Teatro Alcione, Genoa, Italy - rarely ever played live) Disc Two: 1972-1975 01 Supper's Ready (November 18th, 1972 Imperial College, London, England) 02 Harold The Barrel (January 20th, 1974 Palasport, Reggio Emilia, Italy - only 2 live versions exist) 03 Horizons (May 4th, 1974 Academy of Music, NYC) 04 Watcher Of The Skies (January 24th, 1975 Shrine Auditorium, Los Angeles) 05 It (January 24th, 1975 Shrine Auditorium, Los Angeles) 06 The Musical Box (January 24th, 1975 Shrine Auditorium, Los Angeles) 07 The Waiting Room (May 2nd, 1975 Hippodrome, Birmingham, England) Disc Three: 1977-1978 01 Lillywhite Lillith - The Waiting Room - Wot Gorilla (January 1st, 1977 Rainbow, London, England) 02 All In A Mouse's Night (January 2nd, 1977 Rainbow, London, England) 03 Inside And Out (June 24th, 1977 Earl's Court, London, England) 04 Down And Out (June 7th, 1978 Scandinavium, Gothenburg, Sweden) 05 Supper's Ready (June 14th, 1978 Westfalenhalle, Dortmund, Germany) 06 Ballad Of Big (July 29th, 1978 MSG, New York City) 07 I Know What I Like (July 29th, 1978 MSG, New York City) 08 Dancing With The Moonlit Knight - Musical Box (October 13th, 1978 Uptown Theater, Chicago, Illinois) Disc Four: 1980-1984 01 Back In NYC (June 29th, 1980 MSG, New York City) 02 Me And Virgil (September 27, 1981 Velodromo Anoeta, San Sebastian, Spain) 03 Like It Or Not (November 30th, 1981 Capital Center, Landover, Maryland) 04 The Knife (December 23rd, 1981 NEC, Birmingham, England) 05 No Reply At All (featuring Phenix Horns) (August 22nd, 1982 Forest Hills, New York City) 06 Paperlate (featuring Phenix Horns) (August 22nd, 1982 Forest Hills, New York City) 07 11th Earl Of Mar / Squonk / Firth Of Fifth (November 10th, 1983 Mecca Arena, Milwaukee, Wisconsin) 08 11th Earl Of Mar / Behind The Lines / Firth Of Fifth / Musical Box (January 7th, 1984 McNichols Arena, Denver, Colorado) Disc Five: 1986-1998 01 In The Cage / ...In That Quiet Earth / Supper's Ready (October 15th, 1986 Forum, Los Angeles) 02 Mama (May 9th, 1992 Astrodome, Houston, Texas) 03 Carpet Crawlers (October 23rd, 1992 Mayflower Theater, Southampton, England) 04 Nowhere Else To Turn (Unreleased 1997 B-Side - Ray Wilson on lead vocals) 05 Small Talk (December 13th, 1997 RTL Studios, Paris, France) 06 Thats All (January 23rd, 1998 Bray Studios, London, England - only Ray Wilson version) 07 Hold On My Heart (January 29th, 1998 Sport Hall, Budapest, Hungary) -
Audience 8.5 - Good solid recording of what sounds like it may be an outdoor show. Atmosphere is great! Love it. -
Audience 7.0 -
Soundboard 9.4 - This is not a pure board and by that I mean it sounds like some of the instruments are not direct patches through the board onto the tape. It sounds like a hybrid where some of it is a direct feed and some of it is mic’d up. You can tell it is something like that when listening to the difference between the keyboards and vocals, and drums (especially the kick). Either way it’s great. Genesis Rio De Janeiro,Brazil 15-May-77 Disc 1 1.1 Introduction 0:59 1.2 Squonk 6:53 1.3 One For The Vine 10:22 1.4 Robbery, Assault & Battery 7:40 1.5 Inside And Out 7:59 1.6 Firth Of Fifth 9:05 1.7 ... In That Quiet Earth 4:56 1.8 Afterglow 4:36 1.9 I Know What I Like 9:04 Disc 2 2.1 Supper's Ready 25:36 2.2 Dance On A Volcano 5:03 2.3 Los Endos 7:31 2.4 The Lamb Lies Down On Broadway 4:45 2.5 The Musical Box 4:27 -
Soundboard 8.8 - A fine performance of The Lamb here, sound quality is very good and mix is very good. You can enjoy this one, more than once! -
Audience 8.4 - One of the better early Italian shows, bass maybe pushing hard, but it’s clear and energetic. Lovely stuff! -
Audience 8.5 - Tape is a little hissy, but it is still a clear recording where you hear a lot of separation between instruments and “air” or “headroom” which allows music a chance to unfold and show peaks and valleys. Very good, not great, but very good. -
Audience 8.8 - A very nice effort, sounds like the taper had pretty good gear. I hear a little bit of distortion in a very specific place in the middle band, not anything to ruin the experience but it is present and sounds like someone made an effort to clean it up in remastering. This is a worthwhile listen. Genesis Sports Arena, San Diego, CA March 27, 1977 Band line-up Phil Collins - vocals, drums Steve Hackett - guitar Mike Rutherford - bass, guitar Tony Banks - keyboards Chester Thompson - drums Total Time = 01:56:31 Disc 1 01 Squonk 02 One For The Vine 03 Robbery, Assault & Battery 04 Your Own Special Way 05 Firth of Fifth 06 The Carpet Crawlers 07 In That Quiet Earth 08 Afterglow Disc 2 09 Eleventh Earl of Mar 10 Supper's Ready 11 Dance On A Volcano 12 Drum Duet 13 Los Endos 14 The Lamb Lies Down On Broadway (w/The Musical Box Closing)