Audience 8.7 - This is a “realistic” sounding tape, by that I don’t mean it sounds like it was recorded on a Realistic tape machine, rather it sounds like what your ears may have heard had you been at the show sitting towards the back of the hall. Is that bad?  Not necessarily, because the tape sounds pleasing to the ears. Good, round, atmospheric…only flaw is the detail is missing. I can’t make out individual band members except the main gultars, bass, drums, and vocals. Other instruments come and go during the show as they get a spotlight on them, but I rate this show as very good because it’s so relaxing and pleasant overall and deserves a real deep dive into its contents. Bryan Ferry Cape Cod Coliseum, South Yarmouth, Mass. U.S.A. June 25, 1977 1. -tuning :35 2. -let's stick together 2:48 3. -shame shame shame 3:20 4. -road runner 2:49 5. -all night operator 2:58 6. -could it happen to me 3:37 7. -in your mind 4:44 8. -casanova 3:01 9. -love me madly again (with Chris Spedding guitar jam) 10:12 10. -love is the drug 3:44 11. -Tokyo Joe 3:51 12. -this is tomorrow 3:07 13. -the in crowd 5:22 14. -a hard rain's gonna fall (with band introductions) 5:34 15. -the price of love 5:07 Bryan Ferry: lead vocals Martin Drover: sax Chris Mercer: trumpet Ann ODell: keyboards Mel Collins: sax Phil Manzanera: guitar Chris Spedding: guitar John Wetton: bass Paul Thompson: drums

KISS - "New York Academy Of Music - First Demo Tape 1973" Academy Of Music, New York Ciy, NY December 31st, 1973 KISS - 1st demo tape Electric Lady Studios, New York City, NY March 13th, 1973 Produced and engineered by Dave Wittman supervised by Eddie Kramer 01 Deuce 02 Strutter 03 Cold Gin 04 Watchin' You 05 Black Diamond Academy Of Music, New York Ciy, NY December 31st, 1973 06 Deuce 07 Cold Gin 08 Nothin' To Lose 09 Firehouse 10 Let Me Know 11 100,000 Years (rare live version) 12 Black Diamond 13 Goin' Blind (Howard Stern show) 14 Love Theme From KISS (1995 NYC KISS Konvention tour) 15 Mr. Speed (1995 NYC KISS Konvention tour) 16 Dirty Livin' (extended version 1979) Notes: On March 13, 1973, KISS recorded a low-budget five-song demo tape with producer Eddie Kramer. In October of 1973, Bill Aucoin, who had witnessed several KISS concerts during the summer months, approached the group to become their personal manager. KISS hired Aucoin, and subsequently inked a recording contract with Casablanca Records on November 1, 1973. KISS was the first act signed to Neil Bogart's new label. KISS began recording tracks for their debut LP at Bell Sound Studios in New York City during Autumn of '73. On December 31st, KISS performed at the Academy of Music in New York City, opening for Blue Öyster Cult and Iggy Pop, with the hyped New Years Eve gig billed as the band's official industry premiere. This has gone down in KISStory as the first time Gene would accidentally ignite his hair while breathing fire at the end of "Firehouse!" "Dirty Livin'" extended version wasn't very widely known at the time of release, possibly because it was only released in countries like Italy, Germany, France and Mexico. Soundboard 8.6 The board mix favors only one half of the band to the near exclusion of the others but does level out some as it progresses. In this presentation it certainly allows you to understand the contributions of Ace!  The bonus material is all outstanding. This is worth picking up despite the strange board tape because it is extremely early Kiss and these kinds of tapes are very scarce.

Audience 8.9 - A good, clear, and very strong recording. The percussion is crisp and detailed, all of the music is well balanced, Prince vocals are mixed above all which is great. This gig celebrated Prince’s receiving the Minnesota Music Awards honors. Prince 1986-05-20 Bloomington - Carlton Celebrity Room 6th Annual Minnesota Music Awards 01. Intro 02. Raspberry Beret 03. Girls And Boys 04. Life Can Be So Nice 05. Controversy (Incl. All Day All Night) 06. Mutiny (Incl. Holly Rock - Dream Factory) 07. Kiss 08. Love Or $ 09. Awards Speech

Soundboard 9.6 - Fantastic sound and even better performance here. Look, I know Skynyrd had a lock on all things Southern Rock for most of the 70’s, but can we agree that Molly Hatchet carried the torch admirably into the 80’s?  They did. Here is proof. MOLLY HATCHET NASSAU COLISEUM UNIONDALE, NY FEBRUARY 18, 1979 WLIR FM BROADCAST THE BAND Danny Joe Brown vocal Dave Hlubek guitars Duane Roland guitars Steve Holland guitars Banner Thomas bass Bruce Crump drums 1 -Bounty Hunter 2 -Gator Country 3 -Big Apple 4 -Dreams 5 -One Man's Pleasure 6 -Trust Your Old Friend 7 -The Harp Jam - Long Tall Sally 8 -Boogie No More

Audience 8.7 - A good recording with what seems to be a little middle band compression but not too much. So, it’s smooth low end and louder upper middle and highs but softer middle band, that is not necessarily bad, it’s just lacking in that punch factor. It is though, as stated, a pretty decent recording. Oh, and the last song of the evening is “Don’t Fear The Reaper” so VERY cool to hear another live version of that. You know why BOC fans love the live recordings? Because with 5 guitar players at any given time, you just want to hear what they do with these amazing songs on stage. Folkets Park Malmo, Sweden 1978-05-25 01 R.U. Ready 2 Rock 02 ETI 03 Harvester of Eyes 04 Cities on Flame 05 Golden Age of Leather 06 Then Came the Last Days of May 07 ME 262 08 Hot Rails to Hell 09 Godzilla 10 This Ain't the Summer of Love -> 5 Guitars 11 Born to be Wild 12 Don't Fear The Reaper

Studio Quality 9.7 - As good as you can hope for. Prince recorded a lot of these tunes several times with different combinations and different mixes and that explains why you will see these tracks popping up on different collections. Hendrix did the same thing. Prince: Box O Chocolates Compilation of outtakes. All sourced from low generation tapes... NOTHING has been ripped from existing bootlegs. You won't hear a better version unless the purple vault is opened! 1. Witness 4 the Prosecution 3:52 2. Movie Star 4:24 3. A Place in Heaven 2:50 4. The Ballad Of Dorothy Parker 3:58 5. Starfish and Coffee 2:46 6. Girl O' My Dreams 1:27 7. Cant Stop This Feeling I Got 2:10 8. We Can Funk 5:31 9. Data Bank 7:56 10. Wonderful Ass 11. All Day All Night

Soundboard 9.8 - A beautifully mixed audio, with a touch of “verb” that allows for some air around the music. Crisp, but not crispy, warm, punch when warranted, and clean but not sterile. Pat Metheny Group Michigan State University, McDonel Hall Kiva East Lansing, MI, USA October 31, 1979 01. Phase Dance (Metheny/Mays) 7:47 02. Airstream (Metheny/Mays) 7:33 03. Pat's remarks 1:31 04. April Joy (Metheny) 4:48 05. Unity Village (Metheny) > solo guitar > The Windup (Keith Jarrett) 12:51 06. The Epic (Metheny/Mays) 15:55 07. Old Folks (Willard Robison/Dedette Lee Hill) 7:36 08. Jaco (Metheny) 4:03

Audience 8.6 - In contrast to the Finland show, this one doesn't have the boominess but it is thinner sounding, however it is very clear and Kay is much more audible. Guitar, drums, and vocals very clear albeit thin. I found the bass to be lovely, round, very cool to hear such detail! This is NOT a muddy recording, and being 1970 that means you get the classic songs performed close to the records. Steppenwolf University Of Maine Portland Campus Gym Portland, Maine February 28th, 1970 1. Intro-Sookie Sookie 2. Don't Step On The Grass, Sam 3. From Here To There Eventually 4. Magic Carpet Ride 5. The Pusher 6. Born To Be Wild

Studio and Live Various Sources 9.0 - All sources used appear to be from low gen tapes and broadcasts, I did not hear anything that sounded worse than what I remember…but some of this stuff I’d not heard before so I have to go on assumptions. I like this set very much though, and so will you. The Velvet Underground "Caught Between The Twisted Stars" 4 Volumes Vol.3 1. Sweet Sister Ray (La Cave, Cleveland, OH. 4-30-68) 2. Sister Ray (Boston Tea Party 3-15-69) 3. Hey Mr. Rain (Wembley Arena, London 6-6-93) 4. Heroin (La Cave, Cleveland, OH. 4-30-68)

Studio and Live Various Sources 9.0 - All sources used appear to be from low gen tapes and broadcasts, I did not hear anything that sounded worse than what I remember…but some of this stuff I’d not heard before so I have to go on assumptions. I like this set very much though, and so will you. The Velvet Underground "Caught Between The Twisted Stars" 4 Volumes Vol. 4 1. Searchin' ("Swan Mix" 09-67 Mayfair Recording Studio, NYC) 2. Lady Godiva's Operation (Mono Mix, 09-67 Mayfair NYC) 3. The Gift (Wembley 6-06-93) 4. Run Run Run (Hilltop Rock Festival, Ringe, NH. 8-02-69) 5. What Goes On (Live 1968) 6. Guess I'm Falling In Love (NYC 04-67) 7. A Short Lived Torture Of Cacophony (NYC 1965) 8. Black Angels Death Song (Bataclan Club, Paris 1-29-72) 9. The Biggest, Loudest, Hairiest Group Of All (Bataclan 72) 10. A Distant Mirror

George Harrison All Things Must Pass Sessions Studio Quality 9.6 - All volumes are excellent. George Harrison - All Things Must Pass Sessions Volume 3 01. Nowhere To Go - Thanksgiving Session, November 1968, with Bob Dylan 02. Nowhere To Go - demo 03. Pete Drake's Talking Steel Guitar - outtake, Early Mono Remix 04. Pete Drake's Talking Steel Guitar - outtake, 1982 stereo remix 05. Plug Me In - RS1 06. Plug Me In - RS2 07. Run Of The Mill - Acoustic demo, 1970 08. Run Of The Mill - Basic tracks with scratch vocal 09. Run Of The Mill - Vocal and keyboard overdubs onto basic tracks 10. Run Of The Mill - Horn overdubs onto basic tracks 11. Run Of The Mill - RS1, False Start 12. Run Of The Mill - RS2 13. Tell Me What Has Happened To You - Acoustic demo 14. Wah Wah - (demo) 15. Wah Wah - Take 3, Backing tracks, Early stereo remix 16. Wah Wah - Take 3, Backing tracks, RS1) 17. What Is Life - Backing tracks with guide vocal 18. What Is Life - Guitar and piano overdubs onto backing tracks 19. What Is Life - Horn overdub onto backing tracks 20. What Is Life - Backing tracks, Take 25, RS1 21. What Is Life - Early stereo remix 22. Window, Window - Acoustic demo, 1970

Audience 8.7 - This recording is better than it has a right to be, after all it is in a big stadium, early 70’s so the gear, if it doesn’t weigh 80 pounds, has to be cheap crap…but, dang it this sounds cool!  Granted, instrument separation isn’t great (it is good enough), and it isn’t super close up, but all that still does not detract from how stompin’ this is. Great fun! Humble Pie Orlando Sports Stadium Orlando, FL. 12-16-1972 1. -Tuning Up - Intro 2. -Up Your Sleeve 3. -C'mon Everybody 4. -Honky Tonk Women 5. -I Wonder 6. -Hallelujah I Love Her So 7. -I Don't Need No Doctor 8. -Hot 'N Nasty 9. -Roadrunner

Radio Broadcast 8.8 - A most welcome discovery!  Insanely cool hearing this band play live in the USA. The material is compelling, the band is tight and very convincing although they needed some work on their stage banter ha ha!  Very cool indeed! Epitaph Agora Cleveland, OH (WMMS-FM) 1973-10 01 Introduction 02 Fresh Air 03 Outside the Law 04 Big City 05 Early Morning 06 Reflexion 07 Stop Look and Listen 08 Who Do You Love

Audience 8.8 - At first my thought was that this was a recording for a broadcast because even though it sounds like an audience recording, that may just mean that the station used room mics to capture the concert. What tipped me off to the fact that this is indeed just a really good audience tape is the clapping near the mic after the songs. AC/DC Palladium, New York, NY August 24th 1977 1. -Live Wire 2. -Shes Got Balls 3. -Problem Child 4. -The Jack 5. -High Voltage 6. -Whole Lotta Rosie 7. -Baby Please Don't Go THE BAND Bon Scott lead vocals Angus Young lead guitar Malcolm Young rhythm guitar backing vocals Cliff Williams bass backing vocals Phil Rudd drums

Soundboard 9.3 - This is, for me, a real revelation. I never knew anything of this band outside of their lone smash hit “My Sharona”, which incidentally happens to hearken me back to a very specific time and place of my youth when this song blasted from every radio every 10 minutes. Listening to this show, I am stunned at how excellent the band is, and how good ALL of the songs are. How they remained pigeonholed and forgotten as another 1 hit wonder it just amazes me because they should have been more than that. I could not stop playing this once I started…I was on board for the whole ride and will do it again! THE KNACK THE FORUM INGLEWOOD, CA 1980-03-30 01. Baby Talks Dirty 02. Your Number Or Your Name 03. Oh Tara 04. The Hard Way 05. I Want Ya 06. Mr. Handleman 07. End Of The Game 08. Hey Little Girl 09. Tell Me You're Mine 10. Good Girls Don't 11. Heartbeat 12. Can't Put A Price On Love 13. Hold On Tight And Don't Let Go 14. Come A Little Bit Closer 15. Frustrated 16. (She's So) Selfish 17. My Sharona 18. (Havin' A) Rave Up 19. Not Fade Away 20. We Love You

Radio Broadcast 9.2 A touch of hiss present, but other than that this is a pleasant and airy recording. Electronic music with an atmosphere that would convince you otherwise. Excellent! Isao Tomita Hammersmith Odeon London, England 01 Introduction 0:50 02 Dawn (from Daphnis et Chloe Suite No. 2) (Ravel) 4:29 > 03 Snowflakes Are Dancing (Debussy) 2:14 > 04 Clair de Lune (Debussy) 5:58 05 Synthesizer Sounds Demonstration (narrated by Bob Walker) 10:54 06 Arabesque No. 1 (Debussy) 4:10 Firebird Suite (w/Michael Reeves on piano) (Stravinsky) 07 Part 1 - Intro and Dance Of The Firebird 5:18 08 Part 2 - Round Of The Princesses (Khorovod) 5:12 09 Part 3 - Internal Dance Of King Kastchei 4:01 10 Part 4 - Berceuse and Finale 7:39